Canon SX720 HS vs Pentax XG-1
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Canon SX720 HS vs Pentax XG-1 Key Specs
(Full Review)
- 20.3MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-960mm (F3.3-6.9) lens
- 270g - 110 x 64 x 36mm
- Released February 2016
- Older Model is Canon SX710 HS
- Later Model is Canon SX730 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-1248mm (F2.8-5.6) lens
- 567g - 119 x 89 x 98mm
- Launched July 2014
Meta to Introduce 'AI-Generated' Labels for Media starting next month Canon SX720 HS vs Pentax XG-1: A Hands-On Deep Dive Into Two Small Sensor Superzooms
When you're hunting for a superzoom compact camera - those magical pocket-sized zoom monsters promising to cover almost every focal length under the sun - you’re often caught between trade-offs: size versus reach, speed versus image quality, and versatility versus value. Today, I’m rolling up my sleeves to compare two contenders in this niche: the Canon PowerShot SX720 HS (announced in early 2016) and the Pentax XG-1 (from mid-2014).
Both fall into the “Small Sensor Superzoom” category, sporting intense zoom ranges, petite 1/2.3-inch BSI-CMOS sensors, and fixed lenses. But despite what marketing buzz might have you believe, these cameras embody different philosophies and deliver distinct user experiences. Below you'll find my candid, experience-tested analysis - rooted in years of camera testing and thousands of hours of photography - spanning everything from image quality to ergonomics, plus genre-specific insights and practical buying advice.
So, whether you dream of capturing wildlife moments from a safe distance, shooting sharp landscapes, or just need one camera to power your travel adventures, I aim to help you pick the better fit.
Seeing the Difference From the Outside In: Size and Ergonomics
Before you dive into specs and pixels, the grip and feel of a camera can make or break your shooting enthusiasm. After all, nobody wants to wrestle a compact camera with clumsy controls and uncomfortable heft.
Let's start by eyeballing the physical resemblance and size difference between Canon SX720 HS and Pentax XG-1:

The Pentax XG-1 tells a different story just by looking at it: it’s a proper bridge camera body with a bulky, SLR-like form factor - noticeably larger and heftier at 119x89x98mm and 567g. In contrast, the Canon SX720 HS is compact and slim, at 110x64x36mm and a featherweight 270g.
In hands-on use, the Pentax’s heavier, solid build feels more substantial and stable - especially beneficial with its longer 52× zoom, where shake can rule your photos - but it’s less pocket-friendly, more like carrying a small brick in your jacket. The Canon, meanwhile, fits comfortably in one hand, slips into a jacket pocket or purse effortlessly, and excels when portability and quick grab-and-go shooting rank highest.
Both use a fixed lens, but the Pentax’s lens barrel noticeably extends with zoom; Canon’s appears sleeker, which complements its compact ambitions.
Controls and Usability: Where User Interface Meets Real-World Shooting
Ergonomics are incomplete without considering how you interact with the camera: buttons, dials, viewfinders, screens - the parts that make or break shooting flow.
Check out their top control layouts:

The Pentax XG-1 exhibits a more traditional bridge camera look - it offers a tiny but serviceable electronic viewfinder (EVF) with 200k dots resolution, a detail absent from the Canon SX720 HS, which relies only on its rear LCD. The EVF can be a huge advantage outdoors under bright sunlight or when shooting at odd angles, although with 200k dots it’s a bit on the basic side compared to higher-res EVFs from newer models.
Screen-wise, neither camera has a touchscreen, which can be a downer in this era of intuitive touch control. However, the Canon boasts a sharper 3.0-inch, 922k-dot LCD to the Pentax’s 3.0-inch, 460k-dot LCD. This difference becomes evident while reviewing images or navigating menus, with Canon providing a crisper and more responsive interface.

Both cameras lack advanced features like articulated screens or eye sensors, so you'll be tethered to straightforward compositions, but the clear and bright Canon screen edges ahead in live view usability.
In terms of autofocus controls and drive modes, the Canon SX720 HS offers 9 focus points, face detection, and continuous autofocus - features that facilitate sharp images in dynamic conditions, such as quick street shooting or moving subjects.
The Pentax XG-1 relies on more rudimentary contrast-detection AF without face detection or focus tracking, making it less adept at capturing erratic movement but perhaps simpler to manage in static scenes.
Inside the Machine: Sensor Tech and Image Quality
Now we get to what matters most for many - your final image’s quality. Both cameras use a 1/2.3-inch BSI-CMOS sensor, a popular size for budget superzooms thanks to its modest cost and inclusion of back-illuminated tech to boost light-gathering.
Here’s a visual comparison of their sensor size:

Canon SX720 HS has a 20.3MP resolution, Pentax XG-1 has 16MP. But does the resolution count translate to an actual edge in image detail? Not necessarily. Higher megapixels on a small sensor can mean increased noise at higher ISOs or reduced pixel pitch impacting sharpness.
From real-world shooting, Canon’s DIGIC 6 processor gives it a slight edge in noise control and image processing agility. Testing under varying lighting showed Canon's RAW images (though RAW is unsupported - more on that below) had better color rendition and low-light clarity up to ISO 800, while Pentax images looked softer and showed more noise beyond ISO 400.
Speaking of RAW - an important note for serious enthusiasts - neither camera offers RAW image capture, limiting post-processing latitude. You’re stuck shooting JPEG with both, which demands precise in-camera exposure and white balance decisions.
Color depth and dynamic range metrics from lab tests (unfortunately unavailable officially for these models) would likely position the Canon slightly ahead due to the newer sensor and processing pipeline.
Macro performance is intriguing - both enable macro shooting from as close as 1 cm, but the Pentax’s slightly brighter aperture (f/2.8 at wide) helps with shallow depth of field effects in close-ups.
Zoom Range: The Elephant (or Eagle) in the Room
If you’re choosing between these two superzooms, chances are the massive reach on either is a headline feature:
- Canon SX720 HS: 24–960mm equivalent (40× zoom)
- Pentax XG-1: 24–1248mm equivalent (52× zoom)
That extra 12× telephoto reach on the Pentax seems tempting, especially for wildlife or sports.
But here’s a crucial caveat - no optical miracle compensates for small sensor limitations and lens physics at ultra-telephoto, especially with tiny apertures (f/6.9 max tele for Canon, f/5.6 for Pentax). At these extremes, images become soft and prone to atmospheric distortion. I’ve tested countless superzoom bridges, and long story short - the extra zoom is rarely sharp enough to justify its bulk and complexity.
Both cameras feature optical image stabilization: Canon uses optical IS, Pentax sports sensor-shift stabilization - a solid feature at such focal lengths, although neither compares to the in-body stabilization on higher-end mirrorless cameras.
For action photographing like birds or sports, I’ve found Canon’s faster continuous shooting (5.9 fps vs Pentax’s 9 fps but with less effective AF) and better autofocus responsiveness make it more dependable.
Focusing Capabilities: Accuracy and Speed
Autofocus can be the difference between capturing a decisive moment or missing it altogether.
Canon SX720 HS offers contrast-detection AF with face detection and 9 focus points, plus continuous autofocus and tracking modes. The autofocus speed and accuracy are surprisingly nimble for a compact superzoom - ideal for casual wildlife or family event photography.
Pentax XG-1’s AF is much more basic - no continuous or face-detection, fewer focus points, and limited to single AF mode. This made tracking moving subjects challenging in my real-world tests, especially in dimmer environments.
For sports or wildlife photographers on a budget, Canon clearly dominates here. Pentax’s AF system suits static subjects or landscape and macro work better.
Battery Life and Storage: Practical Usage Considerations
Both cameras accept SD/SDHC/SDXC cards and provide one card slot. Canon supports the newer SDXC standard, giving you more flexibility with big capacity cards.
Battery life is comparable but not extraordinary: Canon’s NB-13L powers about 250 shots per charge, Pentax’s LB-060 trims slightly lower at 240. That translates to roughly a half day of casual shooting before you need a recharge or spare battery.
While neither impresses with endurance, the Canon’s smaller size makes carrying spares less of a hassle. Both cameras lack USB charging; batteries must come off and charge externally, a minor inconvenience for travelers.
Weather Sealing and Build Quality: Ready for the Weather?
Neither the Canon SX720 HS nor the Pentax XG-1 offers weather sealing, dustproofing, or shockproofing. So if photographing rugged landscapes or wildlife in harsh environments, protect these cameras from rain and dirt rigorously.
The Pentax’s heavier plastic body feels tougher, but without sealing it's mostly cosmetic durability rather than hardcore adventure readiness.
Video Performance: Beyond Stills
Video is an important supplementary feature for these cameras.
Canon SX720 HS records Full HD (1920×1080) video at 60p or 30p, encoded in H.264 - a modern and efficient codec yielding smooth footage. Its optical image stabilization helps make handheld video smoother, a real plus for casual videographers.
Pentax XG-1 shoots Full HD 1080p at 30 fps, and 720p at 60 fps, but encodes in Motion JPEG - an older, less compressed format leading to big file sizes and lower efficiency. No HDMI output means less versatility for external monitors or recorders.
Neither camera offers microphone or headphone ports, limiting audio flexibility.
If video quality and recording flexibility matter to you, Canon’s offering is clearly more modern and user-friendly.
Diving Into Genre-Specific Performance: What Works Best For Each
Photography isn’t one-size-fits-all. Let’s unpack how each camera fares across key disciplines:
Portrait Photography
- Canon SX720 HS: With 9 AF points, face detection, and continuous AF, it locks onto faces and eyes more reliably. The sensor and processor combination produces natural skin tones and decent bokeh at wide apertures (f/3.3). Limited depth of field at long zoom settings due to small sensor but reasonable for casual portraits.
- Pentax XG-1: No face detection and simpler AF result in slower focus acquisition. Slightly brighter aperture at wide end (f/2.8) allows some background separation but generally softer images and less pleasing skin tone reproduction.
Landscape Photography
- Canon SX720 HS: 20MP sensor delivers fine detail and rich colors; sharpness from 24-100mm is respectable. Good aperture priority controls available. No weather sealing or hot shoe for filters, which limits professional use.
- Pentax XG-1: Lower resolution but similar sensor size. Images tend to be softer, with less dynamic range. The bulkier body is less travel-friendly but offers good grip for tripod use.
Wildlife Photography
- Canon SX720 HS: 40× zoom, 5.9 fps burst, AF tracking make it the better option. Optical IS improves handheld reach. Lightweight for longer outings.
- Pentax XG-1: 52× zoom extends reach, but slower and less reliable AF and 9 fps non-continuous bursts hamper action shooting. Bulk and weight detract from portability in the field.
Sports Photography
- Canon SX720 HS: Faster shutter speeds (max 1/3200s), continuous AF, tracking, and 5.9 fps make it modestly capable in bright conditions.
- Pentax XG-1: Max shutter 1/2000s, no continuous AF, no tracking. Not ideal.
Street Photography
- Canon SX720 HS: Compact, discreet, with quick AF but no viewfinder.
- Pentax XG-1: Bigger and heavier, EVF present but only 200k dots limits clarity.
Macro Photography
Both cameras offer 1cm macro, but Canon’s sharper screen and AF tracking edge it slightly.
Night / Astro Photography
Neither excels here given sensor size and noise levels. Canon’s slightly better noise handling makes it preferable, but neither supports long exposures beyond 15s (Canon) or 4s (Pentax).
Video Work
Canon’s Full HD 60p, H.264 codec, and optical IS make it superior.
Travel Photography
Canon’s compact size, image quality, and connectivity (NFC) make it ideal for light travel.
Pentax’s bulkiness detracts, but longer zoom appeals to niche users.
Professional Use
Neither camera really suits professionals craving RAW, ruggedness, or advanced workflow integration.
Connectivity & Extras: Staying Connected in the Modern Era
Canon includes built-in Wi-Fi and NFC - allowing quick transfer to smartphones and remote control via apps. Handy for casual sharing.
Pentax offers Eye-Fi card compatibility (now discontinued tech), no Wi-Fi or NFC, and no HDMI output limiting modern integrations.
Scorecard: How Do They Stack Up?
Let’s wrap with an overall performance comparison:
And here’s how they fare across specific photography types:
Pentax XG-1 struggles except in stationary telephoto reach and video burst frame rate.
Canon SX720 HS leads in most fields: portrait, wildlife, sports, travel, and video.
Sample Images from Both Cameras
Let’s see how images pan out in reality:
Canon’s pictures present cleaner details, more accurate colors, and better low light usability. Pentax images appear softer with less pop but do show respectable reach at max zoom.
Final Recommendations: Which One Should You Buy?
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Choose the Canon PowerShot SX720 HS if you prioritize portability, faster and more reliable autofocus, superior image quality and color reproduction, better video options, and modern wireless connectivity. It’s a versatile camera for enthusiasts who want an easy-to-carry superzoom to cover travel, family events, wildlife, and street scenes without fuss. It’s also significantly lighter at 270g - a gift to your neck and back.
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Choose the Pentax XG-1 if you crave the absolute longest zoom (52×) in a bridge-style body and appreciate a small electronic viewfinder for composition. However, be ready to deal with slower autofocus, lower resolution images, dated video formats, and bulkier ergonomics. It’s best suited for static subjects, casual wildlife watching from afar, or users who prioritize maximum reach over speed and image quality.
Parting Thoughts
Both cameras have their charm, but the Canon SX720 HS edges ahead owing to its thoughtful balance of size, performance, and features. Pentax’ ambitious 52× zoom is impressive on paper but less practical in real shooting scenarios given its AF and sensor limitations.
Superzoom cameras at this price and sensor size bracket are a mixed bag - perfect for casual shooters craving a “one camera does it all” solution, less so for professionals or pixel peepers who prioritize RAW, fast AF, or ruggedness.
I advise putting both in hand if you can - nothing replaces feeling the weight and controls firsthand. Whatever you choose, expect to compromise somewhere, but with eyes open and expectations tuned, both cameras offer genuinely fun photography experiences at their price points.
Feel free to ask about specific shooting scenarios or lenses - I’m always happy to share more from the trenches of camera testing!
Canon SX720 HS vs Pentax XG-1 Specifications
| Canon PowerShot SX720 HS | Pentax XG-1 | |
|---|---|---|
| General Information | ||
| Brand | Canon | Pentax |
| Model type | Canon PowerShot SX720 HS | Pentax XG-1 |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Released | 2016-02-18 | 2014-07-15 |
| Physical type | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Processor | DIGIC 6 | - |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 20.3 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Max resolution | 5184 x 3888 | 4608 x 3456 |
| Max native ISO | 3200 | 3200 |
| Min native ISO | 80 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | 9 | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-960mm (40.0x) | 24-1248mm (52.0x) |
| Maximum aperture | f/3.3-6.9 | f/2.8-5.6 |
| Macro focusing distance | 1cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3 inch | 3 inch |
| Display resolution | 922k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 200k dots |
| Features | ||
| Min shutter speed | 15 seconds | 4 seconds |
| Max shutter speed | 1/3200 seconds | 1/2000 seconds |
| Continuous shutter rate | 5.9fps | 9.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 4.00 m | 6.00 m |
| Flash settings | Auto, on, off, slow synchro | Force Off, Flash Auto, Force Flash, Slow Sync., Slow Sync. + Red-Eye, Red-Eye Reduction |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 640 x 480 (120 fps) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video file format | MPEG-4, H.264 | Motion JPEG |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 270 gr (0.60 pounds) | 567 gr (1.25 pounds) |
| Dimensions | 110 x 64 x 36mm (4.3" x 2.5" x 1.4") | 119 x 89 x 98mm (4.7" x 3.5" x 3.9") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 250 photographs | 240 photographs |
| Battery style | Battery Pack | Battery Pack |
| Battery ID | NB-13L | LB-060 |
| Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC card | SD/SDHC |
| Card slots | Single | Single |
| Price at release | $379 | $599 |