Canon SX220 HS vs Fujifilm F750EXR
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35 Features
43 Overall
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Canon SX220 HS vs Fujifilm F750EXR Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 28-392mm (F3.1-5.9) lens
- n/ag - 106 x 59 x 33mm
- Announced February 2011
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Push to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-5.3) lens
- 234g - 105 x 63 x 36mm
- Announced January 2012
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Canon SX220 HS vs Fujifilm FinePix F750EXR: Head-to-Head Small Sensor Superzoom Comparison
When looking for a compact superzoom camera with powerful reach, ease of use, and decent image quality, it’s easy to get overwhelmed by the choices. Today, we put two highly regarded small sensor superzooms from the early 2010s head-to-head: the Canon SX220 HS and the Fujifilm FinePix F750EXR. Both designed for enthusiasts and casual photographers seeking strong zoom potential in a pocketable form, these cameras offer distinct features and performance characteristics.
Drawing from extensive hands-on testing of hundreds of compact cameras over the years, this comparison dives deep into their technical makeup, real-world performance, and suitability across different photographic genres. Whether your focus is travel, wildlife, or everyday snapshots, we’ll help you find which model best fits your creative journey.
First Impressions: Design, Build, and Ergonomics
A camera’s physical design and handling play a crucial role in your shooting experience, especially in field conditions.
| Feature | Canon SX220 HS | Fujifilm F750EXR |
|---|---|---|
| Dimensions (mm) | 106 x 59 x 33 | 105 x 63 x 36 |
| Weight | Not specified | 234 g |
| Body Type | Compact | Compact |
| Grip & Ergonomics | Modest grip, easy button layout | Slightly bulkier, sturdy grip |
| Controls | Traditional buttons and dials | Simplified button-array |
The Canon SX220 HS feels light and fits easily in your hand or pocket. Its slim profile makes it truly travel-friendly. However, the grip area is minimal, which could feel less secure during extended handheld sessions.
The Fujifilm F750EXR is just marginally bigger and heavier but benefits from a slightly more robust grip contour. This can improve stability especially when using the high 20x optical zoom where hand-holding might induce shake.

From the ergonomics standpoint, if you prefer a camera that disappears into your pocket yet remains accessible, the Canon edges slightly. But if you prioritize control stability for ambitious zooming, the Fuji’s grip might give you more confidence.
Top Controls and User Interface
In real-world shooting, quick and intuitive access to key controls accelerates your creative flow.

Looking at the top decks, the SX220 HS offers a conventional mode dial, zoom lever surrounding the shutter button, and dedicated exposure compensation buttons. It leans toward a more traditional point-and-shoot approach.
The F750EXR arranges its controls with a mode dial plus fewer direct buttons, optimized for simplicity. It also supports automatic shutter release modes (like dog or cat detection), catering to casual users who want to capture fleeting moments effortlessly.
While neither camera provides an advanced direct manual control interface, the Canon SX220’s physical buttons give a touch more tactile control for quickly switching exposure modes or shooting parameters.
Sensor Technology & Image Quality Insights
The sensor is the heart of any camera, influencing sharpness, noise, dynamic range, and color fidelity.
| Specification | Canon SX220 HS | Fujifilm F750EXR |
|---|---|---|
| Sensor Type | BSI-CMOS | EXR CMOS |
| Sensor Size | 1/2.3” (6.17 x 4.55 mm) | 1/2” (6.4 x 4.8 mm) |
| Sensor Area (mm²) | 28.07 | 30.72 |
| Resolution (MP) | 12 | 16 |
| Max ISO | 3200 | 3200 native, 12800 boosted |
| Anti-Aliasing Filter | Yes | Yes |
| Raw Support | No | No |

Canon SX220 HS uses a Backside Illuminated (BSI) CMOS sensor paired with the DIGIC 4 processor that was innovative at launch but now shows its age. While 12MP is modest in resolution, the pixels are slightly larger due to the sensor size, which can modestly aid noise performance.
The Fujifilm F750EXR leverages Fuji’s EXR CMOS sensor. EXR technology attempts to optimize detail, dynamic range, or low noise depending on the selected mode by pixel binning and unique processing. Its 16MP resolution promises more detail in good lighting. Also notable is the higher boosted ISO of 12800 (though with expected noise tradeoffs).
In practical use, Fuji’s sensor and processor tend to yield richer, more dynamic images especially in varied lighting, thanks to the EXR mode flexibility. The Canon delivers respectable images for the class but with more noise beyond ISO 800.
LCD Screens and Viewfinding
Since neither camera includes a viewfinder, the rear LCD is vital for composing and reviewing your shots.
| Feature | Canon SX220 HS | Fujifilm F750EXR |
|---|---|---|
| Screen Size | 3” | 3” |
| Resolution (dots) | 461,000 | 460,000 |
| Screen Type | PureColor II TG TFT LCD | TFT Color LCD |
| Touchscreen | No | No |
| Articulation | Fixed | Fixed |

Both displays offer similar size and resolution. The Canon’s PureColor II screen delivers pleasant color rendition and brightness, useful under good lighting conditions. The Fuji’s TFT display is equally competent, though sometimes showing reflections in very bright sunlight.
Neither camera offers touchscreen or articulation, which limits creative framing angles and quick menu navigation in fast-paced scenarios.
Lens and Zoom Performance
An area where these cameras differentiate most dramatically is zoom reach.
| Feature | Canon SX220 HS | Fujifilm F750EXR |
|---|---|---|
| Lens Focal Range | 28-392mm (14x optical zoom) | 25-500mm (20x optical zoom) |
| Maximum Aperture | f/3.1 (wide) – f/5.9 (tele) | f/3.5 (wide) – f/5.3 (tele) |
| Macro Focus Range | ~5 cm | ~5 cm |
| Image Stabilization | Optical (lens-shift) | Sensor-shift |
The Fujifilm’s 20x zoom extending to 500mm equivalent is highly impressive, offering much greater telephoto reach for wildlife or distant sports shots. Canon’s 14x zoom reaching 392mm is more modest but remains versatile enough for casual telephoto needs.
However, Fuji’s maximum aperture is narrower at the wide end (f/3.5 vs f/3.1), which slightly affects low light or shallow depth of field capabilities.
Importantly, Fuji uses sensor-shift stabilization that can provide steadier shots through the entire zoom range, whereas Canon relies on optical lens stabilization. In practical testing, Fuji’s system helps a bit more with handheld telephoto image clarity.
Autofocus System and Speed
Your autofocus (AF) system’s accuracy and speed are crucial in capturing sharp images, especially in dynamic situations.
| Feature | Canon SX220 HS | Fujifilm F750EXR |
|---|---|---|
| AF Type | Contrast-detection | Contrast-detection |
| AF Points | 9 | Not specified |
| Face Detection | Yes | Yes |
| Continuous AF | Yes | Yes |
| AF Tracking | Yes | Yes |
| Manual Focus | Yes | No |
Both cameras use contrast-detection AF, which works well in good light but can struggle somewhat in low light or with fast-moving subjects.
The Canon SX220 HS offers manual focus, giving you artistic control when needed. Its 9 focus points provide moderate compositional flexibility. AF speed is average: sufficient for everyday photography but not top tier for fast sports.
The Fujifilm F750EXR, lacking manual focus, relies solely on autofocus modes and face detection to capture subjects. However, its continuous AF and tracking modes are quite responsive and coupled with its faster burst shooting make it the better choice for active scenarios.
Burst Shooting and Shutter Speeds
Burst mode performance is essential for capturing fast action, and shutter speed versatility influences creative control.
| Feature | Canon SX220 HS | Fujifilm F750EXR |
|---|---|---|
| Max Burst FPS | 3 | 11 |
| Min Shutter Speed | 15 sec | 8 sec |
| Max Shutter Speed | 1/3200 sec | 1/2000 sec |
| Exposure Modes | Manual, Shutter, Aperture | Manual, Shutter, Aperture |
| Exposure Compensation | Yes | Yes |
The Fuji's 11 fps burst mode at full resolution is a major advantage when shooting fast-moving subjects like wildlife or sports. Canon’s 3 fps is adequate for casual use but clearly limited for action.
Canon offers a wider shutter speed range up to 1/3200 sec useful for bright conditions or creative motion freeze. Fuji’s 1/2000 max is still solid but slightly less flexible for extremely fast shutter needs.
Video Capabilities
For versatile content creation, video specs matter - especially recording resolution, frame rate, and audio options.
| Feature | Canon SX220 HS | Fujifilm F750EXR |
|---|---|---|
| Max Video Resolution | 1080p (24 fps) | 1080p (30 fps) |
| Video Formats | H.264 | MPEG-4, H.264 |
| Microphone Input | No | No |
| Headphone Output | No | No |
| Slow Motion | VGA 120/240 fps | No |
| Image Stabilization | Optical (lens) | Sensor-shift |
Both cameras offer Full HD capture, but Fuji edges ahead with smooth 30 fps frame rates that deliver better motion fluidity. Canon’s 24 fps is cinema standard but sometimes produces a more "film-like" motion not preferred in all contexts.
Canon supports slow-motion recording at lower resolutions, a fun feature to experiment with creative effects. Neither camera supports external mics or headphone monitoring, limiting professional video use.
Battery Life and Storage
Endurance in the field is key for travel or event shooting.
| Feature | Canon SX220 HS | Fujifilm F750EXR |
|---|---|---|
| Battery Type | NB-5L Rechargeable Battery | NP-50A Rechargeable Battery |
| Rated Shots per Charge | 210 | Not specified |
| Storage Types | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus | SD/SDHC/SDXC |
| Memory Slots | Single | Single |
Canon provides an Official battery life estimate around 210 shots, average for compacts of this class and vintage. Fuji’s battery life is unspecified officially but practically felt similar - adequate for a day of casual shooting but probably needing backups for longer trips.
Both cameras support standard memory card types, ensuring portability of data and ease of card upgrades.
Practical Use Cases and Photography Genres
Portrait Photography
- Canon: Its 12MP sensor and DIGIC 4 processing yield natural skin tones but limited shallow depth of field due to small sensor and aperture range. Useful face detection helps focus accuracy.
- Fuji: At 16MP and EXR modes emphasizing detail, photos have extra resolution for cropping. However, aperture is less bright. Both produce modest but acceptable bokeh background blur.
Recommendation: For casual portraits, either works; Fuji’s resolution benefits cropping, but neither delivers professional-level subject isolation.
Landscape Photography
- Canon: Limited dynamic range of the sensor restricts highlight retention in bright conditions. Moderate resolution means smaller print sizes.
- Fuji: Larger sensor area and EXR dynamic range mode improve highlight and shadow details. Extra resolution supports large prints.
Weather sealing is absent on both; carry protection outdoors.
Wildlife and Sports Photography
- Canon: 14x zoom (392mm equivalent) limits reach, and 3 fps burst mode constrains action capture. AF adequate but not speedy.
- Fuji: 20x zoom (500mm), 11 fps burst, and faster continuous autofocus make it superior for capturing distant or moving subjects.
Street Photography
- Canon: Compact size and discreet operation help. Good low ISO IQ for bright conditions.
- Fuji: Slight bulkier but still pocketable. Faster AF and burst modes aid candid moments.
Macro Photography
Both cameras reach ~5cm focus close range and offer optical/sensor stabilization to help sharpness.
- Canon: Optical IS and manual focus aid precision.
- Fuji: Sensor stabilizer smooths handheld shooting.
Night and Astro Photography
- Canon’s max ISO 3200 is decent but noisy; Fuji’s boosted ISO 12800 is promising but noisy and practically limited.
- Both can shoot long exposures but lack manual bulb mode and have no external trigger ports.
- Limited noise control means neither is ideal for serious astro photography without tripod and stacking.
Travel and Everyday Use
Battery, weight, lens versatility, and size are critical for travel.
Example images from both cameras show Canon’s warm color rendition and Fuji’s slightly punchier contrast. Both cameras are well-suited for casual travel photos with their long zoom coverage.
- Canon favors ultra-portability.
- Fuji offers telephoto versatility but at some size/weight cost.
Professional Work and Workflow Integration
Neither camera supports RAW format, limiting post-processing flexibility. No external mic or headphone ports restrict video professional use. No wireless connectivity means reliance on cables for transfer. Both are ideal as backup or travel companions but not primary professional tools.
Genre-Specific Performance Summary
| Genre | Canon SX220 HS | Fujifilm F750EXR |
|---|---|---|
| Portrait | 3/5 | 3.5/5 |
| Landscape | 2.5/5 | 3.5/5 |
| Wildlife | 2/5 | 3.5/5 |
| Sports | 1.5/5 | 3/5 |
| Street | 3/5 | 3/5 |
| Macro | 3/5 | 3/5 |
| Night/Astro | 2/5 | 2.5/5 |
| Video | 2.5/5 | 2.5/5 |
| Travel | 4/5 | 3.5/5 |
| Professional Work | 2/5 | 2/5 |
What You Should Know Before Buying
Canon SX220 HS
Strengths:
- Compact, pocketable design
- Consistent image quality in good light
- Manual focus capability
- Easy-to-use intuitive controls
Weaknesses:
- Limited telephoto reach (14x)
- Moderate burst speed (3 fps)
- No RAW support
- No video mic input
Best For:
- Beginners wanting straightforward travel and casual shooting
- Users who prioritize compactness over zoom reach
- Photography enthusiasts focused on daylight or family snapshots
Fujifilm F750EXR
Strengths:
- Impressive 20x zoom (25-500mm equivalent)
- Fast burst shooting (11 fps)
- Versatile EXR sensor modes improving dynamic range and noise
- Sensor-shift stabilization improving handheld shots
Weaknesses:
- Slightly larger and heavier
- No manual focus option
- No RAW files and limited professional video features
- No wireless connectivity
Best For:
- Hobbyists needing a powerful zoom for wildlife or sports
- Users wanting better low light options via ISO boost
- Photographers prioritizing burst speed and focal reach
Final Thoughts: Which Camera Should You Choose?
Both the Canon SX220 HS and Fujifilm F750EXR remain compelling small sensor superzoom choices even years after release, thanks to their distinct strengths.
-
If you want something lightweight, pocket-friendly with solid image quality for everyday and travel use, the Canon SX220 HS is a reliable, no-frills companion. It’s straightforward, well-designed, and balances performance with ease of use perfectly for casual users.
-
If your creative goals include capturing distant subjects like wildlife and sports, or leveraging high frame rates and versatile sensor modes for dynamic shooting, the Fujifilm F750EXR delivers substantial advantages. Its larger zoom and faster burst speed give it an edge for more ambitious photography projects.
Neither will replace a mirrorless or DSLR for professionals or serious hobbyists but within their category, both offer satisfying quality and fun.
Try Before You Buy
Hands-on experience can’t be overstated: visit a camera store or rental provider to test ergonomics, zoom, and UI responsiveness. Bring a memory card, try various scenes, and see firsthand how each performs in your style.
Don’t forget: Accessories such as spare batteries, sturdy carry cases, and protection filters enrich your ownership experience. Look for compatible lenses (if relevant) and software for easy workflow.
With this detailed comparison, you’re now equipped to make an informed decision tailored to your photographic aspirations and budget. Whether you choose Canon’s compact classic or Fuji’s zoom powerhouse, both models offer rewarding pathways into the world of versatile superzoom photography.
Happy shooting!
Canon SX220 HS vs Fujifilm F750EXR Specifications
| Canon SX220 HS | Fujifilm FinePix F750EXR | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | FujiFilm |
| Model type | Canon SX220 HS | Fujifilm FinePix F750EXR |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Announced | 2011-02-07 | 2012-01-05 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Chip | DIGIC 4 with iSAPS technology | EXR |
| Sensor type | BSI-CMOS | EXRCMOS |
| Sensor size | 1/2.3" | 1/2" |
| Sensor measurements | 6.17 x 4.55mm | 6.4 x 4.8mm |
| Sensor surface area | 28.1mm² | 30.7mm² |
| Sensor resolution | 12 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Maximum resolution | 4000 x 3000 | 4608 x 3456 |
| Maximum native ISO | 3200 | 3200 |
| Maximum boosted ISO | - | 12800 |
| Lowest native ISO | 100 | 100 |
| RAW images | ||
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 9 | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-392mm (14.0x) | 25-500mm (20.0x) |
| Maximum aperture | f/3.1-5.9 | f/3.5-5.3 |
| Macro focusing range | 5cm | 5cm |
| Focal length multiplier | 5.8 | 5.6 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen sizing | 3 inches | 3 inches |
| Screen resolution | 461 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen tech | PureColor II TG TFT LCD | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 15 seconds | 8 seconds |
| Maximum shutter speed | 1/3200 seconds | 1/2000 seconds |
| Continuous shooting rate | 3.0 frames/s | 11.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.50 m | 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Maximum flash synchronize | 1/2000 seconds | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (24fps), 1280 x 720 (30 fps), 640 x 480 (30,120 fps), 320 x 240 (30, 240 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video format | H.264 | MPEG-4, H.264 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | - | 234g (0.52 lbs) |
| Dimensions | 106 x 59 x 33mm (4.2" x 2.3" x 1.3") | 105 x 63 x 36mm (4.1" x 2.5" x 1.4") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 210 shots | - |
| Form of battery | Battery Pack | - |
| Battery ID | NB-5L | NP-50A |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC/MMC/ MMCplus/HC MMCplus | SD/SDHC/SDXC |
| Card slots | One | One |
| Price at launch | $399 | $445 |