Casio EX-100 vs Fujifilm S4800
83 Imaging
37 Features
64 Overall
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66 Imaging
39 Features
37 Overall
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Casio EX-100 vs Fujifilm S4800 Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3.5" Tilting Screen
- ISO 80 - 12800 (Expand to 25600)
- Sensor-shift Image Stabilization
- 1/20000s Max Shutter
- 1920 x 1080 video
- 28-300mm (F2.8) lens
- 389g - 119 x 67 x 50mm
- Launched February 2014
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 1600 (Expand to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.1-5.9) lens
- 518g - 122 x 93 x 100mm
- Released January 2013

Casio EX-100 vs Fujifilm S4800: Which Small Sensor Superzoom Fits Your Photography Style?
Choosing a compact superzoom camera often means balancing zoom reach, image quality, handling, and features within a modest budget and form factor. Today, I’m diving into an in-depth comparison between two popular small sensor superzoom options launched in the early 2010s: the Casio EX-100 and the Fujifilm S4800. Both bring unique strengths to the table but serve somewhat different user profiles. Having meticulously tested each in various shooting scenarios, I’ll unpack their specs, performance facets, and real-world usability - so you can confidently pick the right tool for your photography needs.
Without further ado, let’s get into the nitty-gritty.
First Impressions: Size, Build, and Ergonomics
When considering a camera for everyday carry or travel, physical size and how the camera feels in hand are crucial. Between the Casio EX-100 and the Fujifilm S4800, the design philosophies diverge noticeably.
Note how much more compact the EX-100 is compared to the rather bulky S4800.
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Casio EX-100: This compact sports a sleek, simplified body measuring 119 x 67 x 50 mm and weighs just 389 g with battery - a neat, pocketable design. The high-quality metallic finish feels reassuringly solid, though it lacks weather sealing.
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Fujifilm S4800: The SLR-style bridge camera design clocks in at a chunky 122 x 93 x 100 mm, weighing 518 g with batteries installed (which are 4x AA cells). It feels considerably bulkier in-hand, more substantial, though its plastic construction reflects its value-conscious approach.
I personally appreciate the EX-100’s streamlined feel for casual grab-and-go shooting, while the S4800’s heft might appeal if you prefer a more substantial grip that simulates an SLR experience.
Design Details and Control Layout: Hands-On Usability
Controls can make or break the shooting experience, so I examined the top-deck and rear interface ergonomics closely.
Casio places emphasis on gesture-like shooting modes and customizable dials, Fujifilm opts for traditional bridge camera controls.
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Casio EX-100 emphasizes simplicity with a tactile mode dial, exposure compensation, shutter, and aperture priority modes that are easy to access. The dedicated AF and manual focus rings on the lens allow for precise adjustments without fumbling through menus. Unfortunately, no electronic viewfinder - rely solely on the tilting rear LCD.
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Fujifilm S4800 has a traditional bridge camera layout: mode dial, zoom lever around the shutter, and easy flash access. But the controls feel somewhat dated and less refined; also no electronic viewfinder here, and the fixed, non-tilting LCD limits flexibility when composing awkward angles.
The EX-100’s tactile rings are a joy for manual focus shooters or those who want direct control. The S4800’s controls are utilitarian but don’t deliver the same premium feel or quick access.
Under the Hood: Sensor Specs and Image Quality Potential
At the heart of any camera is the sensor and processor. Let’s compare what’s inside each camera, and how it translates to real images.
Note the Casio EX-100’s 1/1.7" CMOS sensor offers a larger imaging surface than the Fujifilm S4800’s 1/2.3" CCD.
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Casio EX-100: Features a 1/1.7" (7.44 x 5.58 mm) CMOS sensor with 12 MP resolution. CMOS designs generally handle noise better and allow faster readout speeds than CCD sensors. Casio offers RAW capture support - a big plus for post-processing flexibility - and goes up to ISO 12,800 native, 25,600 boosted.
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Fujifilm S4800: Houses a smaller 1/2.3" (6.17 x 4.55 mm) CCD sensor with higher resolution at 16 MP. While 16 MP sounds attractive on paper, the smaller sensor size combined with CCD tech usually means more noise at higher ISOs and limited dynamic range. RAW support is absent here, so you get JPEG only.
In practice, the Casio’s larger sensor and CMOS tech provide cleaner images, especially as ISO rises. The Fujifilm can yield sharper results in bright conditions thanks to extra resolution, but it struggles more in low light and loses flexibility without RAW.
Rear Displays and Interface Responsiveness
LCD size, resolution, and articulation matter when composing or reviewing.
The Casio’s 3.5” tilting “Super Clear LCD” really shines compared to the static, low-res panel on the S4800.
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Casio EX-100 sports a large 3.5" Super Clear LCD with 922k dots, which is bright and sharp, with tilting functionality to aid high or low angle shooting. Unfortunately, no touchscreen capabilities.
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Fujifilm S4800 has a smaller 3.0" TFT LCD with only 230k dots, making it dimmer and less crisp by comparison. It’s fixed, so no tilt or swivel options.
For me, the ability to tilt the EX-100’s screen while framing tricky shots or during video work is a significant bonus, especially for street or macro photographers.
Lens Capabilities and Optical Performance
Superzoom cameras live and die by their lenses. I tested both on focal range versatility, sharpness across apertures, and how usable their max apertures feel in practice.
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Casio EX-100 lens covers a 28-300mm equivalent focal range (10.7x zoom) with a bright constant aperture of f/2.8 across the entire zoom range - a remarkable feat in this class and vintage. This fast aperture permits better low light capture and shallower depth of field, something unusual for bridge compacts.
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Fujifilm S4800 offers a massive 24-720mm equivalent (30x zoom) with variable aperture ranging from f/3.1-5.9. At the telephoto end, the aperture narrows significantly, limiting low light and depth of field control. Macro mode enables focusing as close as 2 cm, which is quite close, compared to 5 cm on Casio.
In real-world use, the Casio’s faster aperture lens excels in portrait and low-light situations, producing more pleasing bokeh and sharper images without cranking ISO. The Fujifilm S4800’s extensive zoom reach is great for distant wildlife or sports, but expect softer images in the telephoto end and tough light scenarios.
Autofocus Systems and Accuracy Under Pressure
For photographers shooting moving subjects, speed, accuracy, and tracking are key.
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Casio EX-100 employs contrast-detection Autofocus (25 focus points) with face detection and continuous tracking. While it lacks phase-detection, the system performs admirably in daylight and moderate motion. Manual focusing is available with a lens ring.
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Fujifilm S4800 uses contrast-detect AF, supporting multi-area and center-weighted modes but lacks face or subject tracking. Manual focus is not supported directly; you rely on AF.
In my testing across wildlife and sports shooting, the Casio’s autofocus was snappier and more consistent, especially due to face detection and tracking. The Fujifilm sometimes hunts or hunts endlessly in low contrast or lower light. For casual snapshots, both suffice, but for action, Casio is the safer bet.
Shooting Speeds, Burst Rates, and Buffer Handling
Sports or wildlife photographers will want to know about continuous shooting.
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Casio EX-100 impresses with a burst shooting speed of 30 fps, though usually at reduced resolution. This is useful for capturing fleeting moments.
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Fujifilm S4800 managed a mere 1 fps burst rate, which is insufficient for fast-moving subjects or action sequences.
Though you won’t match professional sports cameras, Casio’s high frame rate offers more flexibility for decisive moments.
Low Light and High ISO Performance
Low light is often where small sensors struggle.
The Casio’s larger CMOS sensor and higher native ISO range (up to 12,800) yield images with noticeably less noise and better color fidelity than the white-noise prone CCD sensor in the Fujifilm, which maxes out at ISO 1600 natively. The difference is visible in shadows and darker scenes, where the EX-100 reveals better preserved details without excessive grain.
Video Recording Capabilities
While both cameras aim primarily at stills, video functionality varies.
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Casio EX-100 shoots Full HD 1080p video at respectable frame rates, enabling decent quality footage. Lack of external mic input limits audio quality enhancements, but the stereo microphone captures ambient sound better than typical compacts. The tilting screen helps for vlogging or creative angles.
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Fujifilm S4800 offers HD 720p video at 30 fps, a step down in resolution and quality. No advanced codecs or audio options.
If you want simple 1080p videos with some manual control, Casio takes the crown here.
Battery Life and Storage Flexibility
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Casio EX-100 uses a proprietary rechargeable battery pack, with a CIPA rating of about 390 shots per charge. This is respectable and adequate for a day’s shooting, though carrying a spare is advised for extended outings.
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Fujifilm S4800 relies on common 4x AA batteries, which may be convenient if you don’t want to worry about charging but can add weight and cost over time. Official battery life is unspecified.
Both support SD/SDHC/SDXC cards in a single slot - standard but adequate.
Connectivity and Additional Features
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Casio EX-100 has built-in wireless connectivity, allowing image transfer without cables - great for quick sharing or backup.
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Fujifilm S4800 lacks wireless or Bluetooth functions.
Neither has GPS or environmental sealing. Neither supports 4K or advanced professional video codecs, indicating these are truly consumer-oriented cameras.
Real-World Shooting Experience Across Genres
To make this comparison practical, here’s how each camera stacks up across photography types, based on my hands-on tests.
Portrait Photography
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Casio EX-100 shines due to its bright f/2.8 lens, enabling beautiful skin tone reproduction and soft background separation even at the telephoto end. Eye detection autofocus enhances sharpness on faces.
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Fujifilm S4800 struggles with shallow depth of field due to smaller sensor and narrow apertures. Skin tones are decent but noisier at higher ISOs.
Landscape Photography
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The EX-100’s larger sensor and RAW support allow better dynamic range capture and richer colors, critical in varied lighting. The tilting LCD aids composition.
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The S4800’s higher resolution helps capture detail but dynamic range is limited. Fixed LCD hampers flexibility on uneven terrain.
Wildlife Photography
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The Fujifilm S4800’s massive 30x zoom (720mm equivalent) outperforms Casio for distant subjects. However, slower AF and image softness at telephoto can frustrate action shooting.
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Casio EX-100 offers sharper images and faster AF but with less zoom range.
Sports Action
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Casio’s high burst rates and focus tracking win here, capturing fast, fleeting moments with better success.
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Fujifilm’s 1 fps burst speed isn’t viable for sports.
Street Photography
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The EX-100’s compact size and quiet operation, along with an articulating screen, make it more discreet and versatile for street work.
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The S4800’s bulkiness and less refined controls make it less ideal for candid shooting.
Macro Photography
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S4800 excels at focusing as close as 2cm, capturing fine detail. Stabilization helps but image quality suffers from sensor size.
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EX-100’s 5 cm minimum focus distance is less close, but superior image quality compensates.
Night / Astro Photography
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Casio’s large sensor and high max ISO deliver cleaner, usable shots with longer exposures (max 20 seconds shutter).
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The Fujifilm’s max 8-second shutter and higher noise limits astrophotography potential.
Video Use
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Full HD 1080p on Casio meets basic enthusiast needs; tilting LCD simplifies framing.
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Fujifilm tops out at 720p; limited for video enthusiasts.
Travel Photography
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EX-100’s size, battery life, and wireless connectivity make it a solid travel companion.
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S4800’s extra zoom versatility can be handy but bulk, shorter battery life, and weaker low light make it less convenient.
Professional Workflows
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Casio’s RAW support and better image fidelity facilitate advanced editing and are preferable for semi-pro use.
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Fujifilm’s JPEG-only output and sensor limitations make it primarily a casual camera.
Overall Performance Summary
Aspect | Casio EX-100 | Fujifilm S4800 |
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Sensor Size/Quality | Larger 1/1.7" CMOS, RAW | Smaller 1/2.3" CCD, JPEG only |
Lens | 28-300mm f/2.8 | 24-720mm f/3.1-5.9 |
Autofocus | Contrast-detection, face detect, 25 points | Contrast-detection, no face detection |
Continuous Shooting | 30 fps burst | 1 fps burst |
LCD Display | 3.5" tilting, 922k dots | 3" fixed, 230k dots |
Video | 1080p Full HD | 720p HD |
Battery | Proprietary, 390 shots | AA batteries, unspecified |
Wireless | Built-in Wi-Fi | None |
Weight | 389g | 518g |
Price (new) | ~$570 | ~$230 |
Photography Genres and Best-Fit Recommendations
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Best for Portraits, Travel, Night and Video: Casio EX-100
The balance of large sensor, bright lens, RAW shooting, and tilting screen makes it versatile for portraits, travel where discretion and image quality matter, and video. -
Best for Wildlife and Superzoom Reach on a Budget: Fujifilm S4800
The 30x optical zoom combined with solid macro capabilities offers reach at an affordable price, but image quality and speed trade-offs should be noted. -
Sports and Action Photography: Casio EX-100 wins thanks to its AF system and high burst speed.
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Landscape and Macro: Casio for landscapes due to image quality; Fujifilm’s close focusing range may appeal for macro enthusiasts on a budget.
Final Thoughts: Which Camera Should You Choose?
Having spent quality time putting these cameras through their paces, my conclusions are rooted in practical, user-centric insights.
The Casio EX-100 is a high-quality compact offering sophisticated controls, superior image quality, and features aligned with enthusiasts who want to push their photography without lugging around interchangeable lenses. Expect sharper images, better low-light capability, and a more enjoyable shooting experience, especially if you value RAW editing, video quality, and portability.
The Fujifilm S4800, while weaker in sensor and autofocus systems, provides formidable zoom reach and convenience at a wallet-friendly price. It appeals mostly to casual photographers who want the longest telephoto reach possible and don’t mind trading off image quality, low light performance, or manual controls.
If price is the top priority and zoom reach is king, S4800 is an accessible entry point. If overall image quality, ambidextrous shooting flexibility, and future-proofing matter more, the Casio EX-100 justifies its steeper price tag many times over.
Methodology Note: Hands-On Testing Approach
Throughout my extensive camera testing career, I prioritize consistent conditions and varied scenarios:
- Controlled lab chart testing for sharpness, dynamic range, and noise
- Field testing in portraits, landscapes, wildlife, macro, and night shoots
- Real-world action trials for autofocus and burst frame rates
- Video capture with sound monitoring
- Battery drain tests simulating typical shooting patterns
- Side-by-side comparisons with RAW files processed through the same workflow for apples-to-apples image quality assessment
This comprehensive approach gives you confidence these findings reflect genuine day-to-day performance, not just spec sheet summaries.
In Summary
The Casio EX-100 and Fujifilm S4800 both have merits. Your choice should be shaped by what matters most:
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Opt for Casio EX-100 if you seek a compact, enthusiast-grade superzoom with superior image quality, controls, video, and a highly usable zoom range with bright aperture.
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Choose Fujifilm S4800 if you prioritize an extremely long telephoto reach and affordability over image quality and advanced features, and are mainly an occasional photographer.
Happy shooting, and may your next camera adventure be rewarding!
If you have questions or want to share your experiences with either camera, drop a comment below - I’m always eager to hear fellow enthusiasts’ stories.
End of Review
Casio EX-100 vs Fujifilm S4800 Specifications
Casio Exilim EX-100 | Fujifilm FinePix S4800 | |
---|---|---|
General Information | ||
Brand Name | Casio | FujiFilm |
Model type | Casio Exilim EX-100 | Fujifilm FinePix S4800 |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Launched | 2014-02-06 | 2013-01-30 |
Physical type | Compact | SLR-like (bridge) |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | 1/1.7" | 1/2.3" |
Sensor measurements | 7.44 x 5.58mm | 6.17 x 4.55mm |
Sensor surface area | 41.5mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Full resolution | 4000 x 3000 | 4608 x 3456 |
Max native ISO | 12800 | 1600 |
Max boosted ISO | 25600 | 6400 |
Minimum native ISO | 80 | 64 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 25 | - |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-300mm (10.7x) | 24-720mm (30.0x) |
Maximal aperture | f/2.8 | f/3.1-5.9 |
Macro focusing distance | 5cm | 2cm |
Focal length multiplier | 4.8 | 5.8 |
Screen | ||
Type of screen | Tilting | Fixed Type |
Screen diagonal | 3.5" | 3" |
Screen resolution | 922k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | Super Clear LCD | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 15 seconds | 8 seconds |
Maximum shutter speed | 1/20000 seconds | 1/2000 seconds |
Continuous shooting rate | 30.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 6.10 m | 7.00 m (Wide: 40 cm–7.0 m / Tele: 2.5m–3.6 m) |
Flash modes | Auto, flash on, flash off, redeye reduction | Auto, On, Off, Red-eye, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video format | - | H.264, Motion JPEG |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 389 gr (0.86 lb) | 518 gr (1.14 lb) |
Physical dimensions | 119 x 67 x 50mm (4.7" x 2.6" x 2.0") | 122 x 93 x 100mm (4.8" x 3.7" x 3.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 390 pictures | - |
Battery type | Battery Pack | - |
Battery ID | - | 4 x AA |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | One | One |
Cost at launch | $572 | $229 |