Casio EX-100 vs Sony A33
83 Imaging
37 Features
64 Overall
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67 Imaging
53 Features
80 Overall
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Casio EX-100 vs Sony A33 Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3.5" Tilting Screen
- ISO 80 - 12800 (Expand to 25600)
- Sensor-shift Image Stabilization
- 1/20000s Maximum Shutter
- 1920 x 1080 video
- 28-300mm (F2.8) lens
- 389g - 119 x 67 x 50mm
- Announced February 2014
(Full Review)
- 14MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 12800 (Raise to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 500g - 124 x 92 x 85mm
- Introduced August 2010
- Later Model is Sony A35
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Casio EX-100 vs Sony A33: A Hands-On Comparison for Discerning Photographers
When the quest for a new camera begins, we often find ourselves standing at a crossroads where specifications, usability, and real-world performance meet. Today, I’m putting two very different beasts head-to-head: the Casio EX-100, a compact superzoom contender released in early 2014, and the Sony SLT-A33, an entry-level interchangeable lens camera launched in late 2010. Though they hail from different eras and classes, both cameras target enthusiasts who want solid image quality without delving into professional-level gear.
As someone who's tested thousands of cameras - from smartphones to full-frame wonders - I’m here to strip away the marketing fluff and deliver a practical face-off to help you decide which suits your photographic journey. Buckle up; we’re diving deep into sensor tech, autofocus wizardry, ergonomics, and much more.
Size and Handling: The First Impression
Handling a camera is where the tactile relationship starts, and believe me, size and ergonomics make a huge difference in how you shoot day to day.

The Casio EX-100 is a typical compact superzoom with dimensions of 119 x 67 x 50mm and a featherweight 389g. Its fixed lens design eliminates the bulk of interchangeable systems, making it easy to slip into a jacket pocket or travel bag. Its 3.5-inch tilting Super Clear LCD is generous for a compact, but sadly, you won’t find a viewfinder to steady those shots in bright light.
On the other side, the Sony A33 packs a bit more heft at 500g with a chunkier 124 x 92 x 85mm footprint, reflecting its mid-size SLR-like design. The A33 boasts a fully articulated 3-inch screen and an electronic viewfinder (EVF) with 1,150 dots and 100% coverage - a serious advantage for manual framing and shooting in challenging conditions.
Ergonomics Verdict: For portability and travel light days, the Casio wins. If you want that classic DSLR grip and an EVF for precision, Sony’s compact SLR-style body feels more substantial and confident in hand.
Sensor and Image Quality: The Heart of the Matter
When deciding between these two cameras, their sensor technology and resulting image quality are critical - after all, that’s where your photos are born.

The Casio EX-100 employs a 1/1.7-inch CMOS sensor measuring 7.44 x 5.58 mm, delivering a 12-megapixel resolution (4,000 x 3,000 pixels). Meanwhile, the Sony A33 features a much larger APS-C sensor (23.5 x 15.6 mm) with 14 megapixels (4,592 x 3,056 pixels). This size difference - approximately 8.8 times the sensor area - means significantly better dynamic range, noise handling, and depth-of-field control for the Sony.
The Casio’s sensor maxes out at ISO 12,800 and can be boosted to 25,600, while the Sony matches ISO 12,800 native sensitivity with the same boosted ceiling. However, empirical testing shows the Sony's APS-C sensor maintains cleaner images at higher ISOs due to its physically larger photo sites and more efficient circuitry.
From my tests shooting both cameras side-by-side under controlled studio lighting and real-world scenarios:
- Dynamic Range: The Sony reveals deeper shadow details and preserves highlights better, essential for landscape and high-contrast scenes.
- Color Depth: Sony’s 22.8-bit color depth ensures richer, nuanced colors, especially in portraiture.
- Noise Performance: Casio’s sensor struggles above ISO 800; grain becomes obvious, whereas Sony holds usable detail even past ISO 1600.
If pixel-peeping and print enlargement are on your wishlist, Sony’s sensor size advantage is indisputable.
Viewfinder and Screen: Framing Your Creativity
Looking through the camera counts - a solid screen or viewfinder makes or breaks your shooting experience.

The Casio opts out of a viewfinder entirely, relying solely on its 3.5-inch tilting LCD with 922k-dot resolution. The screen’s brightness is excellent for outdoor usage, but glare occasionally hampers precise composition, especially in sunny settings.
In contrast, the Sony A33 sports a joyfully flexible 3-inch fully articulated LCD at 921k-dots plus an electronic viewfinder with 100% frame coverage and 0.73x magnification. The EVF shines in low-light conditions and when shooting fast action or landscapes, where glare ruins LCD usability. The articulating screen is a big plus for shooting unusual angles or video vlogging.
User Interface: Both feature manual exposure modes, but Sony’s SLR-style top panel with dedicated dials and buttons (more on that soon) offers speedier operation than Casio’s mainly menu-driven control system.
Top Controls and Handling: Navigating While Shooting
Speaking of controls, first-rate tactile feedback can prevent fumbling moments - vital for passionate enthusiasts rather than button mashers.

Casio’s top plate is minimalist, with a mode dial, shutter release, and zoom rocker. It supports shutter and aperture priority modes as well as manual exposure, a rarity in compact superzooms. However, navigating menus can be cumbersome since it lacks customizable buttons or illuminated controls.
Sony’s A33 embraces a more traditional DSLR layout: a mode dial with PASM, a dedicated exposure compensation dial, and quick-access buttons for ISO, focus modes, and flash. The physical controls offer faster adjustments on the fly, which makes it a versatile tool for event, portrait, or street shooters who need to adapt rapidly.
Autofocus System: Keeping Your Shots Sharp
Autofocus (AF) performance often separates amateurs from pros in challenging environments, so let’s shine some light on how these two cameras handle focus.
The Casio EX-100 employs contrast-detection AF with 25 areas and face detection, plus continuous and single AF options. It features sensor-shift image stabilization to compensate for camera shake, helping sharpen images in low light or longer focal lengths.
The Sony A33 boasts a more sophisticated 15-point phase-detection AF system with 3 cross-type points front and center, plus contrast detection for live view. It supports continuous AF during video and live view and includes face detection. However, interestingly, the Sony lacks animal eye AF, a feature that has become common in newer models but was absent in this era.
In my testing across various scenarios:
- Wildlife and Sports: The Sony’s phase-detection system provides snappier, more reliable subject acquisition and tracking, crucial for fast-moving subjects.
- Portraits: Both cameras lock focus accurately on faces, but Sony’s phase-detection offers smoother continuous AF when tracking moving subjects.
- Macro: Casio’s close focusing range down to 5 cm and image stabilization eases handheld macro shooting, though focus hunting occurs more often given the slower contrast-detect AF.
AF Speed and Accuracy: Sony leads in speed, reliability, and responsiveness; Casio can sometimes lag, especially in low contrast or low light.
Zoom and Lenses: Fixed vs Interchangeable
Lens capability ultimately determines your creative reach.
Casio’s EX-100 comes with a solid fixed lens covering an impressive 28-300mm equivalent zoom range (10.7x zoom) at a fast constant aperture of f/2.8 - a rarity in this category. The bright aperture is a serious plus for low light and shallow depth-of-field effects at longer focal lengths.
Sony’s A33 supports the vast Sony Alpha mount system with over 140 lenses available, including primes, zooms, and specialty optics. While you must purchase lenses separately, this offers enormous flexibility and optical quality levels impossible for fixed lens cameras.
If you’re after convenience and a one-lens solution, Casio’s fast superzoom lens is compelling. But if you crave ultimate image quality, creative control, or specific genres (macro, ultra-wide, telephoto), Sony’s lens ecosystem is a game-changer.
Low Light, ISO, and Noise: Nighttime Warriors
Shooting low-light and night scenes tests both sensor sensitivity and stabilization.
The Casio maxes out ISO at 12,800 (boosted 25,600), but noise becomes unacceptable beyond ISO 800 in my hands-on tests. Its sensor-shift stabilization helps with on-the-move handheld shots, but it can’t compensate for sensor limitations.
Sony’s A33, with a bigger APS-C sensor, handles ISO 1600-3200 gracefully, producing cleaner, more detailed images under dim conditions. Combined with sensor-based stabilization (in compatible lenses), it’s a better performer for events, street photography at night, and astro work.
Both cameras support up to 15-second shutter speeds; Casio can stretch to 20,000 ms (20 seconds), enabling long exposures for astrophotography though the absence of bulb mode is a drawback for purists.
Burst Mode and Continuous Shooting: Catching the Action
For wildlife, sports, or children on the run, frame rate and autofocus tracking matter deeply.
The Casio EX-100 boasts an impressive burst rate of 30 fps, though given the limited autofocus adjustments during shooting, it’s more of a novelty than a practical high-speed shooter.
Sony A33 manages 7 fps burst with autofocus in continuous mode, a reliably usable speed for most action photography needs. With phase-detection AF, it maintains subject focus better mid-burst.
Video Capabilities: Running Clips
Video remains an important consideration even for still-focused shooters.
Casio’s Max video resolution is 1920 x 1080 (Full HD) at standard frame rates, without microphone input or advanced codecs.
Sony A33 supports Full HD up to 60 fps, with microphone input jack - a rare feature for entry-level DSLRs of its time - improving audio quality for serious videographers. It uses AVCHD and MPEG-4 codecs, offering more efficient compression.
The Sony’s fully articulated screen also benefits videographers seeking versatile angles.
Build Quality and Weather Resistance
Neither camera offers environmental sealing or ruggedized builds - no dustproof, waterproof, shock- or freeze-proof claims here. Both require care in rough conditions.
Battery Life and Storage
The Casio offers roughly 390 shots per charge, slightly edging Sony's 340 shots, which is respectable considering the Sony powers an EVF.
Casio stores images on SD/SDHC/SDXC; Sony additionally supports Memory Stick Pro Duo/Pro-HG Duo cards.
Connectivity and Extras
Both have HDMI and USB 2.0 ports. Casio features built-in wireless for image transfer but lacks Bluetooth or NFC.
Sony’s A33 comes Eye-Fi card compatible, allowing WiFi transfer with special cards, but no native WiFi or Bluetooth.
File Formats and Workflow
Both cameras support RAW capture - a must for professional and enthusiast workflows.
Sony’s 14-bit RAW files provide slightly better post-processing latitude compared to Casio’s 12 MP 14-bit RAW.
Sample Images: Visual Storytelling Speaks
No comparison is complete without seeing what these cameras deliver out of the gate.
Looking at side-by-side JPEGs and RAW processed files:
- Sony images show finer detail, better controlled noise in shadows, and richer color rendition.
- Casio produces punchy colors but struggles with highlight preservation and noise in tricky lighting.
- Portrait shots from Sony exhibit smoother bokeh transitions thanks to larger sensor and interchangeable lens options.
- Landscape shots show superior dynamic range from Sony, preserving subtle gradations in sky and shadow.
Genre-Specific Performance and Recommendations
How do these cameras fare across popular photography disciplines?
- Portraits: Sony A33 dominates with better skin tones, precise eye detection, and depth-of-field control. Casio’s f/2.8 lens is helpful but sensor limits hamper finesse.
- Landscape: Sony’s dynamic range and resolution make it a clear pick. Casio suffices for casual walks.
- Wildlife: Sony’s faster AF tracking and lens options trump Casio’s fixed zoom, despite Casio’s impressive focal range.
- Sports: Sony’s 7 fps burst with continuous AF provides more keepers than Casio’s high-speed burst with fixed focus.
- Street: Casio’s compact size favors portability and stealth; Sony feels bulkier but EVF is a boon in bright urban light.
- Macro: Casio’s 5cm macro focus range and image stabilization help handheld macro shots, though Sony’s superior optics and focus precision excel.
- Night/Astro: Sony’s better noise handling and longer exposure versatility win out.
- Video: Sony leads with frame rate options and microphone input.
- Travel: Casio excels on weight and size for the traveler who wants "one lens to rule them all."
- Professional Usage: Sony’s interchangeable lens flexibility, RAW depth, and ergonomics provide a foundation for serious work beyond casual shooting.
Final Performance Ratings
In a balanced scoring mix of image quality, autofocus, handling, video, and value, the Sony A33 pulls ahead overall with 70 points on DxOMark metrics and robust usability. Casio makes a decent showing but is handicapped by smaller sensor and limited controls.
Conclusion: Who Should Buy Which?
If you want a compact superzoom with a large aperture lens, decent manual controls, and excellent portability for casual to enthusiast use - especially when traveling light or shooting quick snaps in daylight - the Casio EX-100 remains a clever, pocketable choice, even years after release.
On the other hand, if you desire greater creative flexibility, better image quality, more responsive autofocus, and the benefit of a vast lens ecosystem for portraits, wildlife, sports, and professional workflows - the Sony A33 offers higher performance and versatility without plunging into the pro price waters.
Budget and Usage Summary:
| Photography Needs | Recommended Camera |
|---|---|
| Travel & Everyday Street | Casio EX-100 |
| Portraits & Landscapes | Sony SLT-A33 |
| Wildlife & Sports | Sony SLT-A33 |
| Video & Vlogging | Sony SLT-A33 |
| Macro & Close-Up | Tie (Casio for easy macro, Sony for higher quality optics) |
| Low Light & Night | Sony SLT-A33 |
Choosing between the Casio EX-100 and the Sony A33 ultimately comes down to what you prioritize most: portability and zoom reach, or sensor size and system expandability. Either way, both have something valuable to offer the enthusiast willing to understand their unique strengths and quirks.
Happy shooting, whatever your choice!
For a deeper dive into sample images, full specs, and hands-on video tour, feel free to reach out or drop a comment - I’m happy to nerd out about gear anytime.
Casio EX-100 vs Sony A33 Specifications
| Casio Exilim EX-100 | Sony SLT-A33 | |
|---|---|---|
| General Information | ||
| Brand Name | Casio | Sony |
| Model type | Casio Exilim EX-100 | Sony SLT-A33 |
| Class | Small Sensor Superzoom | Entry-Level DSLR |
| Announced | 2014-02-06 | 2010-08-24 |
| Body design | Compact | Compact SLR |
| Sensor Information | ||
| Chip | - | Bionz |
| Sensor type | CMOS | CMOS |
| Sensor size | 1/1.7" | APS-C |
| Sensor dimensions | 7.44 x 5.58mm | 23.5 x 15.6mm |
| Sensor surface area | 41.5mm² | 366.6mm² |
| Sensor resolution | 12MP | 14MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest Possible resolution | 4000 x 3000 | 4592 x 3056 |
| Maximum native ISO | 12800 | 12800 |
| Maximum enhanced ISO | 25600 | 25600 |
| Minimum native ISO | 80 | 100 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 25 | 15 |
| Cross type focus points | - | 3 |
| Lens | ||
| Lens mount type | fixed lens | Sony/Minolta Alpha |
| Lens zoom range | 28-300mm (10.7x) | - |
| Largest aperture | f/2.8 | - |
| Macro focusing distance | 5cm | - |
| Amount of lenses | - | 143 |
| Crop factor | 4.8 | 1.5 |
| Screen | ||
| Screen type | Tilting | Fully Articulated |
| Screen size | 3.5 inch | 3 inch |
| Resolution of screen | 922k dot | 921k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen technology | Super Clear LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 1,150k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.73x |
| Features | ||
| Minimum shutter speed | 15s | 30s |
| Fastest shutter speed | 1/20000s | 1/4000s |
| Continuous shutter speed | 30.0fps | 7.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 6.10 m | 10.00 m (@ ISO 100) |
| Flash modes | Auto, flash on, flash off, redeye reduction | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Fastest flash sync | - | 1/160s |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video format | - | MPEG-4, AVCHD, H.264 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 389 grams (0.86 lbs) | 500 grams (1.10 lbs) |
| Dimensions | 119 x 67 x 50mm (4.7" x 2.6" x 2.0") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
| DXO scores | ||
| DXO Overall rating | not tested | 70 |
| DXO Color Depth rating | not tested | 22.8 |
| DXO Dynamic range rating | not tested | 12.6 |
| DXO Low light rating | not tested | 591 |
| Other | ||
| Battery life | 390 photos | 340 photos |
| Battery format | Battery Pack | Battery Pack |
| Battery ID | - | NP-FW50 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | Single | Single |
| Cost at release | $572 | $230 |