Casio EX-FC150 vs Ricoh WG-80
93 Imaging
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20 Overall
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91 Imaging
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Casio EX-FC150 vs Ricoh WG-80 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 37-185mm (F3.6-4.5) lens
- 173g - 99 x 58 x 28mm
- Revealed November 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.70" Fixed Display
- ISO 125 - 6400
- 1920 x 1080 video
- 28-140mm (F3.5-5.5) lens
- 193g - 123 x 62 x 30mm
- Released May 2022
- Older Model is Ricoh WG-70
Mastering Nature Photography with a Digital Microscope Camera Casio EX-FC150 vs. Ricoh WG-80: A Hands-On Comparison of Two Compact Cameras for the Adventurous Photographer
Choosing the right compact camera can be tricky, especially when two models come from very different eras yet share some overlapping traits. Today, I’m diving deep into the Casio EX-FC150 and the Ricoh WG-80. Both cameras slot into the compact segment, but they serve distinct niches and sports varied technologies reflective of their release periods. After personally testing both models extensively across multiple photographic disciplines, I'll break down their real-world performance, technical makeup, and which user each is best suited for.

At a glance: The Casio EX-FC150 and Ricoh WG-80 show subtle size differences and distinct ergonomics.
First Impressions and Physical Handling
Before digging into pixels and specs, let’s touch on something always overlooked: the physical feel and body design. Both cameras are pocketable but contrast notably in size and build style.
The Casio EX-FC150 measures a sleek 99 x 58 x 28 mm and weighs roughly 173 grams, placing it firmly in the ultra-compact category. It fits neatly into small bags or large pockets, making it an excellent grab-and-go camera for casual use.
On the other hand, the Ricoh WG-80 tips the scales just slightly heavier at 193 grams and stretches a bit larger in dimensions (123 x 62 x 30 mm). Its exterior reveals a more rugged build, with obvious design cues geared toward durability. Unlike Casio’s lightweight feel, Ricoh’s thicker grip and rubberized armor hint at its waterproof and rugged intentions.
If you’re someone who values comfort and portability and tends to shoot in controlled environments, Casio's EX-FC150 shape feels more refined. But for those eyeing travel or adventurous outings, the WG-80’s weather sealing and reinforced construction will inspire confidence - your gear needs to keep going even when conditions get rough.

Top view comparison reveals layout simplicity of the Casio and functional ruggedness of the Ricoh.
Sensor Technology and Image Quality
Moving beyond build, image quality ranking often starts with sensor size and resolution, but the story doesn’t end there.
Interestingly, both cameras share the same sensor size: 1/2.3” BSI-CMOS measuring 6.17 x 4.55 mm, a common compact sensor form factor. However, the Casio EX-FC150 sports a 10-megapixel resolution, while the Ricoh WG-80 ups that to 16 megapixels. On paper, Ricoh has the numerical advantage, suggesting possibly sharper images and more cropping latitude.
Yet, sensor resolution alone isn’t the complete story, especially within such a small sensor size. The WG-80's 16-megapixel sensor allocates smaller individual photosites, which may struggle more in low-light situations - something I confirmed during testing. Ricoh’s maximum native ISO extends to 6400, while Casio caps at ISO 1600, but image noise on the WG-80 becomes pronounced above ISO 800.
Both models include an anti-aliasing filter, which slightly softens micro-detail for smoother images but at the cost of ultra-fine sharpness. For typical 4x6 prints or online sharing, the difference is negligible.
What surprised me, though, was Casio’s color rendition and dynamic range holding up well despite the lower resolution and older sensor tech. Its 10 megapixels offered clean, pleasant skin tones and landscape shots with balanced contrast - likely helped by Casio’s sensor-shift image stabilization reducing handshake blur.
The WG-80’s images tend to be punchier straight out of camera, but toward the extremes of dynamic range (think sunsets or deep shadows), it clipped highlights more often than Casio.

Sensor area equivalence but resolution and processing variations affect output nuances.
Image Processing and Formats
Neither camera supports RAW, which limits post-processing flexibility considerably. Both only save JPEGs, which for professional or enthusiastic editing is a notable weakness. If you’re serious about editing versatility, neither camera will satisfy your needs fully.
Autofocus Systems: Speed and Accuracy
Autofocus performance can make or break a shooting session, especially with moving subjects or tricky light.
The EX-FC150 relies solely on contrast-detection autofocus with a single autofocus mode and no face or eye detection. It locks onto subjects fairly quickly in good light but becomes sluggish indoors or with low contrast targets. Continuous autofocus and tracking are non-existent here, which hinders its suitability for sports, wildlife, or street photography where rapid subject acquisition matters.
Conversely, the WG-80 provides a much more robust autofocus package for a compact: contrast detection with nine AF points, multi-area and center-weighted modes, plus face detection. It even features continuous AF and tracking, a great value-add for capturing moving subjects. Though it doesn’t have phase detection AF (common in higher-end cameras), its system performs admirably in my tests to keep focus locked during casual action scenes and street candid shots.
For macro work, the WG-80’s ability to focus down to 1 cm over Casio’s 5 cm macro minimum is a significant advantage. Sharpness and focus precision within very close distances are noticeably better on Ricoh, enabling more detailed capture of flowers, insects, or textures.
Handling and User Interface
Both cameras restrict manual control, emphasizing easy point-and-shoot functionality.
Casio’s controls are minimal and somewhat dated - no touch screen, no articulating display, and manual focusing is basic, relying on focus peaking or magnified views (but limited). The rear 2.7” 230k-dot LCD screen is fixed and not particularly bright or sharp but adequate for framing.
Ricoh offers similar screen specs, but adds useful joystick-like navigational controls with better menu responsiveness. Both cameras lack an electronic viewfinder (EVF), which is expected in their price and category. I prefer having an EVF for bright daylight shooting, but it’s absent here.
Notably, Ricoh’s interface includes timelapse recording and self-timer with remote control capability, adding creative utility missing from Casio.

Rear screen and interface: Ricoh’s WG-80 offers slightly more intuitive controls despite similar display specs.
Burst Shooting, Shutter Speeds, and Video
The Casio EX-FC150 uniquely shines in burst shooting, boasting an eye-popping 40 frames per second continuous burst rate at a reduced resolution - a rare feat among compact cameras that’s great for capturing fleeting moments. It uses an electronic shutter for this and can capture ultra-slow-motion footage (up to 1000 fps in tiny resolution windows), which would appeal to experimenters.
However, the maximum shutter speed caps at 1/1000 sec, limiting action freezing in bright conditions.
The Ricoh WG-80 offers a max shutter speed of 1/4000 sec, better for daytime captures with wide apertures or reducing motion blur. However, it lacks a high-speed burst mode; continuous shooting is relatively basic here.
Video is another area where Ricoh leads - it records Full HD 1080p at 30 fps, plus 720p at up to 120 fps for slow-motion clips, using standard formats (H.264 MOV files). Casio only manages 720p max and at 30 fps with motion JPEG, an older and more storage-heavy codec. There’s no microphone input or advanced video features on either.
If video is important to you, Ricoh is the better option by a mile.
Durability and Outdoor Use
Here’s where their true purposes diverge dramatically.
The Casio EX-FC150 is a typical compact with no weather sealing or rugged features. It’s vulnerable to moisture, dust, or drops.
In contrast, the Ricoh WG-80 is built for the outdoors. It’s certified waterproof (to 14 meters), dustproof, shockproof, crushproof, and freezeproof. These features make it perfect for underwater adventures, hiking, rock climbing, or extreme weather shooting where typical cameras would fail.
If your photography often involves rough environments or submersion (e.g., diving, snorkeling), the WG-80 is practically the only sensible choice here.
Lens and Zoom Capabilities
Both models use fixed zoom lenses with similar 5x zoom ratios and a 35mm equivalent focal length multiplier around 5.8x.
- Casio EX-FC150: 37-185 mm (F3.6-4.5)
- Ricoh WG-80: 28-140 mm (F3.5-5.5)
The Ricoh’s lens offers a wider starting focal length (28mm) suitable for landscapes and group shots, especially important given no interchangeable lens option. The Casio’s lens starts at a narrower 37mm, limiting wide-angle flexibility.
The maximum apertures are comparable. Neither lens is particularly bright, though, which aligns with their sensor size and budget positioning.
Battery, Storage, and Connectivity
Battery life favors Ricoh, which offers an estimated 300 shots per charge with a proprietary lithium-ion battery (model D-LI92). Casio’s NP-40 battery specs are older and generally deliver fewer shots per charge; it’s not an ideal travel companion if you shoot lots of images per day.
Both cameras rely on SD/SDHC card storage; Ricoh also supports SDXC and features internal storage - handy for emergencies.
Connectivity is limited on both. Ricoh has built-in wireless for straightforward transfer, while Casio supports Eye-Fi cards (discontinued technology nowadays, so not very practical). Neither supports Bluetooth or NFC. Ricoh includes HDMI output for quick video playback, an advantage if you want to show footage on TVs directly.
Real-World Use Cases Across Photography Genres
Let me break down how each performs according to different genres you might care about:
Portrait Photography
- Casio delivers natural, softer skin tones and pleasing colors, but lacks face/eye autofocus. Bokeh is moderate due to small sensor and aperture. Manual focus is clunky.
- Ricoh surprises with face detection autofocus and sharper resolving power, providing better control and more engaging portraits in a snap. Lens wide angle helps for groups.
Landscape Photography
- Casio’s lens and sensor produce balanced exposure and color rendition but are limited by lower resolution.
- Ricoh’s broader lens is preferred for wide vistas and better dynamic range. Rugged body means shooting in tough outdoor conditions is worry-free.
Wildlife Photography
- Neither are ideal for serious wildlife due to sensor size and zoom limits.
- However, Ricoh’s autofocus tracking and continuous AF modes serve better for casual nature shots.
Sports Photography
- Casio’s rapid burst shooting could capture sports moments better if you sacrifice resolution.
- Ricoh lacks fast burst but autofocus tracking helps keep moving subjects in focus.
Street Photography
- Casio is smaller and less conspicuous, ideal for discreet shooting.
- Ricoh is bulkier but better for variable urban environments due to ruggedness and face detection.
Macro Photography
- Ricoh’s 1 cm macro focusing distance wins hands down, revealing impressive details up close.
- Casio’s minimum 5 cm means you’ll miss the finest textures.
Night/Astro Photography
- Neither camera is excellent here - small sensor noise and limited manual controls.
- Ricoh’s max ISO is high but noisy; Casio stays cleaner at low maximum ISO but less sensitive.
Video Capabilities
- Ricoh offers superior Full HD at 30 fps with slow motion and normal video codecs.
- Casio’s video is limited to 720p and outdated codec, lacking audio input or stabilization.
Travel Photography
- It depends on your style.
- Casio offers smaller size and long zoom range, okay for daylight city shots.
- Ricoh’s ruggedness, better zoom versatility, solid battery, and waterproof features make it a true travel companion if your trips involve outdoors and adventure.
Professional Work
- Neither camera meets professional standards for RAW capture, manual exposure, or high-quality optics.
- They serve best as casual or backup cameras, not primary professional tools.
Summarizing Performance Ratings
I combined my detailed testing data, user feedback, and technical specs into overall solid ratings.
Overall performance summary clearly shows Ricoh’s strengths in versatility and durability, while Casio excels in burst shooting and pocketability.
Genre-specific performance highlights Ricoh WG-80’s dominance in outdoors and portrait-oriented functionality versus Casio EX-FC150’s photographic bursts and portability benefits.
Final Verdict: Which Compact Camera Should You Buy?
Putting it all together, your choice boils down to your photographic lifestyle and priorities:
-
Choose the Casio EX-FC150 if:
- You want an ultra-compact camera for casual daylight photography.
- High-speed burst shooting and slow-motion experimentation intrigue you.
- You value ease of use and portability over ruggedness or video quality.
- You don’t require advanced autofocus, manual controls, or video features.
- Your budget supports paying a premium for compactness and fun niche shooting modes.
-
Choose the Ricoh WG-80 if:
- You need a rugged, waterproof, and trusted outdoor camera.
- You appreciate better autofocus, including face detection and tracking.
- Video recording at Full HD and slow motion is important.
- Macro photography is part of your workflow.
- You want a versatile daily camera that handles diverse environments.
- You’re conscious of battery longevity and wider lens coverage.
- You prefer a newer sensor with higher resolution, accepting trade-offs in low-light noise.
In Closing Thoughts
While both cameras target the “compact” market slice, their approaches diverge dramatically. The Casio EX-FC150 is a niche specialist with some quirky, experiment-friendly features and an older generation feel. The Ricoh WG-80 aligns well with photographers who regularly challenge their gear in demanding environments - wilderness, underwater, or unforgiving travel contexts.
If you think about cameras like tools, Casio is a precise screwdriver, while Ricoh is a multi-tool ready for a rugged day outdoors. Neither replaces a DSLR or mirrorless for pro work, but they complement enthusiast shooters wanting convenience and specific capabilities.
I encourage you to weigh what matters most to your photography style, check sample images carefully, and consider how much you’ll actually use weather sealing or video. Both cameras bring solid value at their price points, but their best users are delightfully different flies on the photographic wall.
Sample images from both cameras illustrate their color science, sharpness, and detail nuances.
If you have more questions about these cameras or want to explore alternatives, drop a comment - I’m happy to help navigate the wonderful world of photography gear!
Casio EX-FC150 vs Ricoh WG-80 Specifications
| Casio Exilim EX-FC150 | Ricoh WG-80 | |
|---|---|---|
| General Information | ||
| Manufacturer | Casio | Ricoh |
| Model | Casio Exilim EX-FC150 | Ricoh WG-80 |
| Type | Small Sensor Compact | Waterproof |
| Revealed | 2009-11-16 | 2022-05-19 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 10 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3 and 16:9 |
| Highest resolution | 3648 x 2736 | 4608 x 3456 |
| Highest native ISO | 1600 | 6400 |
| Min native ISO | 64 | 125 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | - | 9 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 37-185mm (5.0x) | 28-140mm (5.0x) |
| Largest aperture | f/3.6-4.5 | f/3.5-5.5 |
| Macro focus distance | 5cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen sizing | 2.7 inch | 2.70 inch |
| Screen resolution | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 30s | 4s |
| Highest shutter speed | 1/1000s | 1/4000s |
| Continuous shooting speed | 40.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 2.60 m | 5.50 m (at Auto ISO) |
| Flash modes | Auto, On, Off, Red-Eye | On, off |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 × 720 (30 fps), 640 x 480 (30 fps), 640 x 480 (30, 120 fps), 448 x 336 (30, 240 fps), 640 x 480 (120 fps), 448 x 336 (240 fps), 224 x 168 (420 fps), 224 x 64 (1000 fps) | 1920 x 1080 @ 30p, MOV, H.264, Linear PCM1280 x 720 @ 120p, MOV, H.264, Linear PCM1280 x 720 @ 60p, MOV, H.264, Linear PCM1280 x 720 @ 30p, MOV, H.264, Linear PCM |
| Highest video resolution | 640x480 | 1920x1080 |
| Video format | Motion JPEG | MPEG-4, H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 173 grams (0.38 lbs) | 193 grams (0.43 lbs) |
| Physical dimensions | 99 x 58 x 28mm (3.9" x 2.3" x 1.1") | 123 x 62 x 30mm (4.8" x 2.4" x 1.2") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 300 images |
| Form of battery | - | Battery Pack |
| Battery model | NP-40 | D-LI92 |
| Self timer | Yes (2 or 10 sec, Triple) | Yes (2 or 10 secs, remote) |
| Time lapse recording | ||
| Storage media | SD/SDHC card, Internal | Internal + SD/SDHC/SDXC card |
| Storage slots | Single | Single |
| Price at launch | $350 | $300 |