Casio EX-FH100 vs Panasonic TS3
92 Imaging
33 Features
36 Overall
34


92 Imaging
35 Features
31 Overall
33
Casio EX-FH100 vs Panasonic TS3 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 640 x 480 video
- 24-240mm (F3.2-5.7) lens
- 201g - 104 x 60 x 28mm
- Introduced June 2010
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 197g - 103 x 64 x 27mm
- Introduced August 2011
- Additionally referred to as Lumix DMC-FT3
- Old Model is Panasonic TS2
- Refreshed by Panasonic TS4

Finding the Right Compact: Casio EX-FH100 vs Panasonic Lumix TS3 – A Thorough Real-World Comparison
When it comes to compact cameras, the choices can be bewildering - especially when you weigh unique features like high-speed shooting, ruggedness, or sensor technology. Today, I’m diving deep into two interesting models from the early 2010s: the Casio EX-FH100 and the Panasonic Lumix TS3. Both are compact, but they cater to noticeably different user priorities and shooting scenarios.
Having tested thousands of cameras over the years, I take no shortcuts. I look beyond specs, putting these cameras through practical performance trials across varied genres - portrait, landscape, wildlife, video, and more - ensuring you get a clear picture of which fits your photography style. So, grab your gear bag and let’s dig into this detailed, side-by-side exploration.
First Impressions: Size, Handling, and Design Philosophy
Before even turning these cameras on, ergonomics and body feel often establish a user’s connection to the gear. The Casio EX-FH100 and Panasonic TS3 come from different design schools, and this immediately influences how you’ll shoot with them.
The Casio EX-FH100 measures a compact 104x60x28 mm, weighing just 201 grams. It’s slim, light, and very pocket-friendly. Its fixed 10x zoom lens starts at 24mm equivalent, offering versatile framing options. The Panasonic TS3 is similar in size (103x64x27 mm) and slightly lighter at 197 grams, but it comes with ruggedness as a core trait: waterproof, dustproof, shockproof, and even freezeproof. If your photography sometimes involves rough outdoor environments - say, beach trips or winter hikes - this Panasonic's tougher build is immediately appealing.
Handling-wise, the EX-FH100 offers manual focus and exposure controls which some enthusiasts appreciate for creative flexibility. The TS3, on the other hand, lacks manual exposure modes, targeting the more casual or adventurous user who prioritizes reliable automatic operation.
If portability and rough-weather durability top your priorities, Panasonic wins here. For someone who values a slim profile but doesn’t need weatherproofing, the Casio still keeps pace with commendable physical control.
A Closer Look from Above: Control Layout and Usability
Look at the cameras’ top plates, and you’ll see subtle differences in control ergonomics, which affect your shooting workflow.
The EX-FH100’s top is clean with a dedicated mode dial supporting shutter and aperture priority modes, plus full manual. This is a rarity in this compact class and shows Casio’s attempt to appeal to enthusiast shooters who want quick access to exposure settings. The ISO, exposure compensation, and other essential controls are menu driven but well implemented.
Conversely, the Panasonic TS3 sticks to simplicity with a shutter button surrounded by a zoom toggle, and a handful of function buttons - much more consumer-oriented. There’s no dedicated shutter or aperture priority mode, which might disappoint those wanting creative exposure control.
So, if hands-on control is your bread and butter, Casio’s ergonomics cater better to nuanced adjustments in changing light. But if you prefer a more straightforward interface, Panasonic’s layout won’t get in your way and even shines in its simplicity.
Sensor Technology and Imaging Credentials
A camera's sensor defines its image quality foundation, and here’s where these two diverge fundamentally.
The Casio EX-FH100 sports a 1/2.3" BSI-CMOS sensor at 10 megapixels. Backside illumination matters - it generally yields better sensitivity and dynamic range than older CCDs in the same size. With a maximum ISO of 3200, this sensor is designed to capture decent images in varied lighting, particularly daylight and moderate indoor scenarios.
The Panasonic TS3 employs a 1/2.3" CCD sensor at 12 megapixels, which raises resolution slightly, but CCDs tend to have higher noise levels and lower dynamic range, especially at higher ISOs. The TS3 pushes ISO to a max of 6400, but in practice, image noise becomes very intrusive past ISO 400–800.
In real-world tests, the Casio’s CMOS sensor produces more natural colors, cleaner shadows, and superior detail retention under challenging lighting. This was evident in both the test charts and practical shooting (see my image gallery below).
Display and Interface: Viewing Your Images
Compact camera interfaces can make or break the shooting experience.
Both cameras feature fixed LCDs with a resolution of 230k dots, adequate in bright outdoor conditions but not exceptionally sharp. The Casio has a slightly larger 3-inch screen compared to Panasonic’s 2.7-inch display, which makes framing and reviewing images more comfortable.
Neither supports touch interaction or an electronic viewfinder, so relying on LCD is the norm.
The Panasonic’s TFT LCD provides decent brightness and color, but the Casio’s display feels marginally more responsive and clear in my side-by-side use.
Image Gallery: See the Results for Yourself
Numbers tell a lot, but images speak louder. Let’s look at sample photographs taken in controlled test environments and actual shooting scenarios.
- Portraits: The Casio’s skin tone rendition is softer and more flattering, helped by its accurate white balance and minimal over-sharpening. Panasonic’s images sometimes look flatter with less natural tonal gradation.
- Landscape: Casio again produces better dynamic range, preserving shadow detail and highlight gradations. Panasonic’s landscapes show slight noise and color inconsistencies in low-light or shadow areas.
- Wildlife & Action: While neither is perfect for fast action, the Casio manages a tad better autofocus in daylight, albeit without continuous tracking. Panasonic’s autofocus can hunt more and is slower but benefits from a wider continuous AF mode.
- Low Light & Night: Casio’s CMOS sensor handles low light better with lower noise; Panasonic’s images become grainy quickly past ISO 200.
The practical takeaway? For image quality, the Casio EX-FH100 has a clear edge, especially when image fidelity and color matter.
Autofocus System: Speed, Accuracy, and Tracking
Autofocus setup is fundamental, especially if you shoot moving subjects.
- Casio EX-FH100: Contrast-detection AF only, with single AF mode, no face or tracking capabilities. Focus speed is reasonable for still subjects but struggles in low contrast or movement.
- Panasonic TS3: Also uses contrast-detection but includes continuous AF and 11 focus points, with basic AF tracking. This gives the TS3 an advantage for shooting spontaneous action and sports at a basic level.
While both are compact compacts, for wildlife or sports enthusiasts seeking faster action capture, Panasonic’s AF offers a bit more usability. Casio’s manual focus and single AF work well for controlled portrait or landscape sessions but lag behind for moving subjects.
Burst Shooting and Shutter Performance
Burst shooting is an often overlooked feature that painting dynamic scenes demands.
Both cameras max out at 4 fps burst, which is modest by today’s standards but decent given their vintage.
- Casio EX-FH100: Shutter speeds range fairly wide - from 4 seconds to 1/2000 sec - giving flexibility in diverse lighting. Its standout is the ultra-high-speed video modes (up to 1000 fps) for slow-motion, a fun feature for creative shooters.
- Panasonic TS3: Shutter speeds are narrower (1/60 to 1/1300 sec), and continuous exposure control modes are missing, limiting long exposure options.
If you intend to shoot fast sequences or experiment with slow-motion, Casio’s innovative high frame rate video capabilities shine.
Video Capabilities: More Than Just Moving Pictures?
Modern enthusiasts want video too, so how do these compacts hold up?
Here’s a quick snapshot:
Feature | Casio EX-FH100 | Panasonic TS3 |
---|---|---|
Max Video Resolution | 1280x720 (HD) at 30 fps | 1920x1080 (Full HD) at 60 fps |
Video Formats | Motion JPEG | AVCHD, MPEG-4 |
Stabilization | Sensor-shift | Optical |
Microphone Input | No | No |
High Frame Rate Video | Yes (up to 1000fps slow-mo) | No |
The Panasonic clearly offers more versatile video recording in superior resolution and frame rates, advantageous for casual videographers who want smooth Full HD footage. Casio’s video options are limited to HD at 30 fps in MJPEG, but their super slow-motion feature is unique and creative - think of catching a hummingbird’s wings in detail.
Neither supports external microphones, limiting audio quality controls.
Battery Life and Storage Considerations
- Casio EX-FH100: Uses NP-90 battery (proprietary), official runtime unspecified but comparatively modest based on usage. Storage is single slot SD/SDHC plus internal memory.
- Panasonic TS3: Battery life rated at a competitive 310 shots per charge, uses proprietary battery pack. Storage supports SD/SDHC/SDXC cards and internal storage.
For long days of shooting, I find the Panasonic’s battery life and flexible storage support more reassuring, especially if you carry high-capacity SD cards.
Price and Value: What Are You Getting for Your Money?
At their launch and even today in the used market:
- Casio EX-FH100: Approx. $299
- Panasonic TS3: Approx. $380
The price gap reflects Panasonic’s waterproofing and Full HD video capability, plus rugged design. Casio’s strengths lie in manual controls, sensor performance, and high-speed shooting innovation.
If your budget is tight and image quality is paramount, Casio gets the nod. For adventure travelers or casual shooters needing durability and versatile Full HD video, Panasonic justifies its premium.
Build Quality and Environmental Resistance
Panasonic TS3 is clearly built to survive extreme environments: waterproof to 10m depth, dust and shock resistant, and freezeproof. This makes it ideal for hiking, skiing, snorkeling, or rough use.
The Casio EX-FH100 offers no such protections. It’s a delicate piece of gear that needs to be kept dry and handled gently.
Environmental sealing is critical if you shoot outdoors often or in unpredictable weather. Here, Panasonic is your partner.
Specialized Photography Genres: Who Wins Where?
Let’s break it down by photography type to help you decide:
- Portraits: Casio’s manual exposure and better color reproduction offer more control over skin tones and depth-of-field simulation. Panasonic’s faster AF helps but can’t match Casio’s tonal fidelity.
- Landscape: The Casio’s sensor captures richer dynamic range and detail, important for vast scenes. Panasonic’s ruggedness means you can bring it into harsher conditions.
- Wildlife: Panasonic’s continuous AF and ruggedness edge it forward, but neither camera truly excels in telephoto speed or precision.
- Sports: Panasonic’s continuous AF and 60fps video give it a slight advantage, but the 4fps burst limits long action sequences.
- Street: Casio’s discreet size and manual controls aid candid shooting, though Panasonic’s ruggedness is nice if you shoot in urban rain or snow.
- Macro: Casio’s 7cm macro focus is good, Panasonic reaches in 5cm. Casio’s sensor-shift stabilization can help handheld macro shots.
- Night/Astro: Neither camera is perfect, but Casio’s CMOS sensor handles high ISO better.
- Video: Panasonic TS3 is far superior with Full HD and 60fps.
- Travel: Panasonic’s rugged design and battery life win hands down.
- Professional Work: Neither camera suits professional output demands fully, but Casio’s RAW support and manual modes offer more creative control.
Comprehensive Scores and Final Recommendations
To wrap up, here’s a distilled scorecard based on thorough field testing.
And genre-specific performance:
Final Thoughts: Which Camera Should You Choose?
If you’re a photography enthusiast craving creative control, appreciate manual focus and exposure, desire excellent image quality, and maybe some fun with ultra-slow-motion video, the Casio EX-FH100 remains a compelling choice. It’s especially suitable for portraits, landscape, and some casual wildlife and street photography - essentially, anyone who treasures image quality above all else in a compact package.
Conversely, if your lifestyle demands a hardy camera that doesn’t flinch in rain, dust, or snow, offering Full HD video, respectable autofocus, and a solid burst mode for fleeting moments, the Panasonic Lumix TS3 is your versatile, go-anywhere companion. Outdoor enthusiasts, adventure travelers, and casual shooters will find its ruggedness and video features reassuring and valuable.
Honesty in Retrospect
Neither of these cameras will rival modern mirrorless or DSLR systems in overall image quality, autofocus sophistication, or lens versatility. But within their niche as compact, weatherproof (or not) cameras, they shine on their own terms.
Buying one today mostly means finding a dependable used model to suit your specific needs. Through my years of testing, the best camera is always the one you confidently carry and use. Both the Casio EX-FH100 and Panasonic TS3 fulfill that promise - if you match them to the right circumstances.
For a more interactive look at their performance, don’t forget to check out detailed sample images and videos linked in my full review series.
If you have questions about how these cameras handle particular shooting conditions, or want input on alternatives, drop a comment below. I’m here to help navigate the evolving camera landscape one frame at a time.
Happy shooting!
Casio EX-FH100 vs Panasonic TS3 Specifications
Casio Exilim EX-FH100 | Panasonic Lumix DMC-TS3 | |
---|---|---|
General Information | ||
Company | Casio | Panasonic |
Model | Casio Exilim EX-FH100 | Panasonic Lumix DMC-TS3 |
Also called | - | Lumix DMC-FT3 |
Category | Small Sensor Compact | Waterproof |
Introduced | 2010-06-16 | 2011-08-16 |
Body design | Compact | Compact |
Sensor Information | ||
Chip | - | Venus Engine FHD |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor surface area | 28.1mm² | 27.7mm² |
Sensor resolution | 10 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 3648 x 2736 | 4000 x 3000 |
Maximum native ISO | 3200 | 6400 |
Lowest native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 11 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 24-240mm (10.0x) | 28-128mm (4.6x) |
Maximum aperture | f/3.2-5.7 | f/3.3-5.9 |
Macro focus distance | 7cm | 5cm |
Focal length multiplier | 5.8 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 3" | 2.7" |
Screen resolution | 230k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | - | TFT LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 4s | 60s |
Fastest shutter speed | 1/2000s | 1/1300s |
Continuous shutter speed | 4.0fps | 4.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | - | 5.60 m |
Flash options | Auto, flash off, flash on, red eye reduction | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 × 720 (30 fps), 640 x 480 (30 fps), 640 x 480 (30, 120 fps), 448 x 336 (30, 240 fps), 640 x 480 (120 fps), 448 x 336 (240 fps), 224 x 168 (420 fps), 224 x 64 (1000 fps) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 640x480 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 201g (0.44 lb) | 197g (0.43 lb) |
Dimensions | 104 x 60 x 28mm (4.1" x 2.4" x 1.1") | 103 x 64 x 27mm (4.1" x 2.5" x 1.1") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 310 images |
Type of battery | - | Battery Pack |
Battery model | NP-90 | - |
Self timer | Yes (10 seconds, 2 seconds, Triple Self-timer) | Yes |
Time lapse recording | ||
Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Launch cost | $299 | $380 |