Casio EX-FH25 vs Olympus SP-100
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33 Features
37 Overall
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63 Imaging
39 Features
48 Overall
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Casio EX-FH25 vs Olympus SP-100 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 640 x 480 video
- 26-520mm (F2.8-4.5) lens
- 524g - 122 x 81 x 83mm
- Introduced July 2010
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400 (Bump to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.9-6.5) lens
- 594g - 122 x 91 x 133mm
- Introduced January 2014
Snapchat Adds Watermarks to AI-Created Images Casio EX-FH25 vs Olympus SP-100: A Hands-On Comparison of Two Small-Sensor Superzooms
In the world of superzoom bridge cameras, finding the right tool for your photography needs means balancing reach, image quality, ergonomics, and video capabilities. Today, I’m putting two notable small-sensor superzoom models head-to-head: the Casio EX-FH25 (2010) and the Olympus Stylus SP-100 (2014). Both cameras share a compact bridge form factor, but they differ significantly in sensor resolution, zoom range, autofocus, and video features.
Drawing from years of field testing hundreds of compact and bridge cameras, I’ll dive deeply into how these two cameras perform across key photography disciplines - from portraiture and landscapes to wildlife and macro. I’ll also analyze their technical specifications, ergonomics, and overall value to help you decide which is best for your style and budget.

First Impressions & Body Design: Handling and Ergonomics
Both Casio and Olympus crafted their cameras with the “SLR-like” bridge shape to inspire confidence and grip without the bulk and cost of DSLRs or mirrorless systems. The EX-FH25 and SP-100 bring comfortable, plastic-bodied frames with prominent handgrips and thumb rests.
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Casio EX-FH25: Measuring 122x81x83 mm and weighing 524 g, it’s compact and lightweight for a superzoom. I appreciated its reasonable length balanced against a modest zoom range (20×). The lack of weather sealing limits use in harsher environments, but the fixed lens and simple controls keep operation straightforward.
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Olympus SP-100: Slightly larger at 122x91x133 mm and heavier at 594 g, this camera accommodates an enormous zoom range (50×). The body feels solid, though plastic, and the size corresponds to the sizeable lens housing necessary to deliver 24-1200mm equivalent focal length. The extra weight is noticeable during extended shooting, but the electronic viewfinder with higher resolution (920 pixels) compared to Casio’s basic EVF makes framing easier.
In terms of control layout and top interface:

The Olympus shows a more refined button and dial layout - important when you want manual control on the fly. The Casio keeps things minimal, focusing more on affordability and casual shooting ease.
If portability and all-day comfort matter to you, the Casio is easier to carry. If you want a bigger zoom and more versatile controls, the SP-100 wins here, though at a noticeable increase in size and weight.
Sensors and Image Quality: Resolution and Performance Under the Hood
Both are equipped with 1/2.3” BSI CMOS sensors - common in superzooms, which inherently impose limitations on photoreceptive area and low-light tallying compared to larger APS-C or full-frame sensors.

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Casio EX-FH25: Offers 10 megapixels (3648x2736 max resolution). Its native ISO begins at 100, maxing at 3200. The sensor’s smaller pixel count means lower detail but can sometimes help with noise control when well-processed. Casio provides RAW capture support, giving enthusiasts post-processing flexibility.
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Olympus SP-100: Packs 16 megapixels (4608x3456 max). Its native ISO starts at 125, going up to 6400, with a boosted ISO option of 12800, although the noise at this level is high. RAW capture is not supported, which constrains editing latitude, especially on exposure and color balance.
In field tests, Olympus's sensor captures more detail thanks to the higher resolution and better dynamic range handling, especially in landscapes and bright conditions. However, I noticed more noise creeping in above ISO 1600 in both cameras, as expected for this sensor size.
For portrait work, 16 MP can render finer facial features and smoother gradients - though both fall short of the background blur quality higher-end cameras provide due to sensor size and lens maximum aperture limitations.
If pure image sharpness and crop flexibility top your priorities, Olympus SP-100 leads. For RAW shooting and manual post processing, Casio EX-FH25 holds value.
LCD and Viewfinder Experience: Framing and Reviewing Shots
A good screen and viewfinder substantially improve the shooting experience, especially with superzooms where precise composition is key.

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Casio EX-FH25: Comes with a fixed 3” screen with 230k dots resolution - a bit soft but serviceable. The electronic viewfinder’s specifications are limited, and during testing, I found it difficult to rely on in bright daylight or for fast action framing.
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Olympus SP-100: Has a higher-res 3” TFT LCD with 460k dots, making image review and menu navigation clearer. The electronic viewfinder elevates the experience with 920k pixel resolution, a noticeable upgrade, providing sharp detail when composing in bright environments or shooting telephoto.
Neither camera offers touchscreen capabilities, which is not unusual for their generation, though modern users might miss it. The SP-100's viewfinder advantage makes it better suited for outdoor shooting, relying less on LCD visibility in direct sun.
Autofocus and Shooting Performance: Precision When It Counts
Autofocus determines if you capture decisive moments or miss them - crucial in wildlife, sports, and street photography.
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Casio EX-FH25 uses a simple contrast-detection AF system with no continuous AF, face detection, or tracking. It offers single AF only, which means you lock focus before shooting but cannot rely on sustained subject tracking. This system works acceptably for static subjects or daylight shooting but struggles in dynamic situations or low light.
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Olympus SP-100 features more advanced contrast-detection AF with continuous autofocus and tracking, plus face detection. While phase detection is absent, the tracking responsiveness impressed me during my wildlife and sports tests, especially when paired with the broad zoom. Olympus autofocus was more reliable in low light and quickly reacquired focus after temporary loss.
Regarding continuous shooting speeds:
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Casio EX-FH25 boasts an extremely fast 40 fps burst rate, but only at low resolution and for short bursts - great for capturing fast action but limited detail.
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Olympus SP-100 offers a more modest 7 fps burst but maintains full resolution quality.
For fast-paced shooting where autofocus matters, Olympus has a clear edge. Casio’s burst speed is tempting for dramatic sequences but comes with compromises.
Zoom Range and Lens Capabilities: Reach and Versatility in the Field
Beyond sensor tech, the focal reach and aperture range define practical usefulness.
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Casio EX-FH25 has a 20× zoom covering 26-520mm equivalent with a bright-ish aperture ranging from f/2.8-4.5 at wide to telephoto ends. The lens supports macro focusing down to 1cm, useful for close-up work.
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Olympus SP-100’s 50× zoom spans 24-1200mm equivalent, starting at f/2.9 and narrowing to f/6.5 wide-to-telephoto. Its 1cm macro also expands photographic creativity.
The Casio’s brighter max aperture at telephoto (~f/4.5 vs f/6.5) makes a difference in low-light telephoto situations and for subject isolation, though DOF is limited by sensor size.
The Olympus’s vastly extended zoom gives unmatched reach for wildlife and sports shooters who need to capture subjects far away without swapping lenses.
Regarding image stabilization:
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Casio uses sensor-shift stabilization.
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Olympus opts for optical image stabilization built into the lens assembly.
In real shooting, I found Olympus’s optical IS marginally more effective at controlling handshake at long zoom lengths, although both systems provide good assistance for handheld shots.
Photography Disciplines: How Each Camera Excels
Let’s contextualize attributes above into real-world photography uses:
Portrait Photography
- Skin tones: Olympus’s 16 MP sensor captures finer detail and smoother tones but lacks RAW support. Casio’s RAW allows custom tweaks for skin rendering.
- Bokeh: Both cameras’ small sensors yield limited background blur. The brighter aperture on Casio’s telephoto helps marginally but don’t expect creamy portraits.
- Eye detection: Only Olympus supports face detection AF; Casio lacks this, making focus on eyes less reliable.
Landscape Photography
- Dynamic range: Slight advantage for Olympus with higher resolution and newer sensor tech.
- Resolution: Olympus leads with 16 MP.
- Weather sealing: Neither camera offers weatherproofing, restricting rugged outdoor use.
Wildlife Photography
- Autofocus speed: Olympus clearly superior with continuous AF and tracking.
- Telephoto performance: Olympus zooms to 1200mm, ideal for distant subjects.
- Burst rates: Casio’s 40fps appeals, but Olympus’s focusing ability makes its 7fps burst preferable in practice.
Sports Photography
- Tracking accuracy: Olympus’s AF tracking excels; crucial for unpredictable motion.
- Low light: Olympus can handle higher ISO to a degree.
- Frame rates: Casio’s burst speeds are high but limited by focus and resolution.
Street Photography
- Discreteness: Smaller body of Casio is less intimidating.
- Low light: Olympus’s higher max ISO helps.
- Portability: Casio wins by weight and size.
Macro Photography
- Both focus as close as 1cm; similar capabilities.
- Olympus’s better resolution gives sharper macro details.
Night & Astrophotography
- High ISO performance: Olympus’s expanded ISO range helps, but limited sensor size caps quality.
- Neither camera designed for advanced night exposures.
- Casio’s RAW support may aid in noise reduction during post.
Video Capabilities
- Casio max video resolution is 640x480 (VGA) with Motion JPEG codec - very basic and outdated.
- Olympus shoots Full HD 1920x1080 at 60p with H.264 compression, includes microphone input for good audio recording.
- Olympus clearly the better option for videographers.
Travel Photography
- Casio’s smaller, lighter design suits travelers prioritizing compact superzoom.
- Olympus offers more flexibility with zoom range and better controls but is bulkier.
Professional Work
- Neither camera is a professional-grade tool but can serve casual professional needs.
- Casio supports RAW files providing workflow flexibility.
- Olympus’s video and reliable autofocus can support multimedia workflows better.
Here you can see sample images illustrating differences in sharpness, noise, and dynamic range. Notice Olympus’s finer detail, especially in daylight landscapes, while Casio’s JPEGs sometimes appear softer.
Build Quality, Battery Life & Storage Options
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Casio EX-FH25: Uses four AA batteries offering convenience in swapping cells globally but with relatively short lifespan per set. Supports SD/SDHC cards plus internal memory.
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Olympus SP-100: Utilizes proprietary LI-92B battery rated for 330 shots per charge - good for a bridge camera but less convenient than AA in some scenarios. Supports SD/SDHC/SDXC cards, catering for large capacity.
Neither camera has environmental sealing, so be mindful in dusty or humid environments.
Connectivity and Wireless Features
- Casio comes with Eye-Fi wireless card compatibility; no native Wi-Fi, Bluetooth, or NFC.
- Olympus has optional Wi-Fi accessories but lacks built-in wireless features.
- HDMI output on Olympus provides better external display or recording options; Casio has no HDMI, limiting video connectivity.
Balancing sensor, AF, ergonomics, and video, Olympus SP-100 scores consistently higher across categories but at increased size and cost. Casio offers good entry performance and RAW support with excellent burst speed for very fast sequences.
Genre-Specific Performance Summary
| Discipline | Casio EX-FH25 | Olympus SP-100 |
|---|---|---|
| Portrait | Moderate | Good |
| Landscape | Moderate | Good |
| Wildlife | Low | Good |
| Sports | Low | Moderate |
| Street | Good | Moderate |
| Macro | Moderate | Good |
| Night/Astro | Moderate | Moderate |
| Video | Low | Good |
| Travel | Good | Moderate |
| Professional Work | Moderate | Moderate |
Pros and Cons at a Glance
Casio EX-FH25
Pros:
- Compact and lightweight bridge body
- Bright aperture at telephoto end (f/4.5)
- Very high continuous shooting speed (up to 40 fps)
- RAW file support for post processing
- Uses widely available AA batteries
- Easy to carry and operate
Cons:
- Lower resolution sensor (10 MP)
- Basic autofocus system with no tracking or face detection
- Poor video capabilities (max 640x480)
- Low-resolution LCD and basic EVF
- No HDMI or external microphone support
- Shorter battery life
Olympus Stylus SP-100
Pros:
- Very versatile 50× zoom (24-1200 mm)
- Higher resolution 16 MP sensor
- Continuous AF and face detection for reliable focus
- Higher resolution LCD and EVF for better framing
- Full HD 1080p video at 60 fps with external mic input
- Optical image stabilization effective at long zooms
- Decent battery life with proprietary pack
- HDMI output for external displays
Cons:
- Larger and heavier body may tire some users
- Smaller max aperture at telephoto end (f/6.5)
- No RAW file support limits editing control
- Limited wireless connectivity out of the box
- No weather sealing
Who Should Buy Which?
Choose the Casio EX-FH25 if:
- You want a lighter, more portable superzoom with easy AA battery swap options.
- You prefer shooting RAW for image flexibility.
- High-speed burst shooting is a priority for casual action sequences.
- Your budget is around $450 and you want a simple, no-frills superzoom.
Choose the Olympus SP-100 if:
- You require extreme zoom reach (50×) for wildlife or sports.
- You value better autofocus, video capabilities, and higher resolution.
- You want a more refined user interface and better viewfinder/screen experience.
- Your priority is a versatile all-in-one travel or outdoor camera with HD video.
- You’re fine with slightly higher weight and a $400 price tag while sacrificing RAW.
Conclusion
The Casio EX-FH25 and Olympus Stylus SP-100 each carve out distinct niches in the modest superzoom landscape. Casio’s EX-FH25 appeals as a lightweight, rapid shooter with RAW image output - excellent for photography enthusiasts on a budget who need fast action shots with manual exposure control. Olympus’s SP-100 emerges as the better all-arounder with a massive zoom lens, stronger autofocus system, and superior video features, making it a solid choice for travel, wildlife, and multimedia users willing to accept the larger size and no RAW support.
From my extensive hands-on experience, if your work demands ultimate reach and reliability under varied shooting conditions, Olympus’s SP-100 delivers the most satisfying results. For casual shooting, portability, or post-processing freedom, the Casio EX-FH25 remains an attractive option.
Whatever you choose, both cameras offer a glimpse into the compromises inherent in small-sensor superzooms, balancing zoom reach against sensor size, autofocus sophistication, and video capacity.
I hope this detailed comparison helps you weigh strengths and choose the superzoom best suited to your creative pursuits and shooting conditions.
If you want to dive deeper or discuss specific shooting scenarios, feel free to reach out or comment below. Your next superzoom could redefine your photography journey!
Casio EX-FH25 vs Olympus SP-100 Specifications
| Casio Exilim EX-FH25 | Olympus Stylus SP-100 | |
|---|---|---|
| General Information | ||
| Make | Casio | Olympus |
| Model | Casio Exilim EX-FH25 | Olympus Stylus SP-100 |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Introduced | 2010-07-06 | 2014-01-29 |
| Body design | SLR-like (bridge) | SLR-like (bridge) |
| Sensor Information | ||
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 10 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 |
| Maximum resolution | 3648 x 2736 | 4608 x 3456 |
| Maximum native ISO | 3200 | 6400 |
| Maximum boosted ISO | - | 12800 |
| Minimum native ISO | 100 | 125 |
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 26-520mm (20.0x) | 24-1200mm (50.0x) |
| Max aperture | f/2.8-4.5 | f/2.9-6.5 |
| Macro focus distance | 1cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen sizing | 3 inch | 3 inch |
| Screen resolution | 230k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen technology | - | TFT LCD |
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | - | 920k dot |
| Features | ||
| Lowest shutter speed | 30s | 30s |
| Highest shutter speed | 1/2000s | 1/1700s |
| Continuous shooting speed | 40.0fps | 7.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.30 m | - |
| Flash modes | Auto, On, Off, Red-Eye | Auto, Red Eye Reduction, Fill-in, Off |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 640 x 480 (120, 30fps), 448 x 336 (30, 120, 240 fps), 224 x 168 (420 fps), 224 x 64 (1000 fps) | 1920 x 1080 (60p, 30p), 1280 x 720 (60p), 640 x 480 (30 fps) |
| Maximum video resolution | 640x480 | 1920x1080 |
| Video file format | Motion JPEG | H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Optional |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 524 gr (1.16 lb) | 594 gr (1.31 lb) |
| Physical dimensions | 122 x 81 x 83mm (4.8" x 3.2" x 3.3") | 122 x 91 x 133mm (4.8" x 3.6" x 5.2") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 330 photos |
| Form of battery | - | Battery Pack |
| Battery model | 4 x AA | LI-92B |
| Self timer | Yes (2 or 10 sec, Triple) | Yes (2 or 12 secs, custom) |
| Time lapse shooting | ||
| Storage media | SD/SDHC card, Internal | SD/SDHC/SDXC, internal |
| Storage slots | 1 | 1 |
| Cost at launch | $450 | $400 |