Casio EX-S12 vs Fujifilm S8500
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Casio EX-S12 vs Fujifilm S8500 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 1280 x 720 video
- 36-108mm (F2.8-7.9) lens
- 111g - 95 x 60 x 23mm
- Released January 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 12800
- Optical Image Stabilization
- 1/7000s Max Shutter
- 1920 x 1080 video
- 24-1104mm (F2.9-6.5) lens
- 670g - 123 x 87 x 116mm
- Launched January 2013
Snapchat Adds Watermarks to AI-Created Images Casio EX-S12 vs Fujifilm S8500: A Hands-On Comparison for Photography Enthusiasts
Choosing the right camera can be a tricky affair, especially if you're juggling budgets and a desire for quality. Today, I’m diving deep into a rather eclectic pairing: the Casio EX-S12, a petite compact from 2009, versus the bulkier Fujifilm FinePix S8500, a 2013-era bridge superzoom. Both sport small 1/2.3" sensors but target very different user needs and price points. After generously putting them through their paces in my home studio and on location, I can share some practical insights, quirks, and real-world pros and cons that go beyond spec sheets.
Let’s unpack their performance for various photography disciplines, technical features, handling, and value to help you make an informed decision whether you’re a casual shooter, a budget-conscious enthusiast, or a hobbyist seeking niche versatility.

Size, Ergonomics & Design: Pocketable or Club for Thumbs?
First, the physical showdown: the Casio EX-S12 is a slim, ultra-compact camera - practically wallet-sized - measuring only 95x60x23mm and weighing a featherlight 111g. It’s one of those cameras that can easily hide in your jeans pocket or clutch bag. Great for street photographers who want invisibility or anyone prioritizing ultra-portability.
By contrast, the Fujifilm S8500 is a hefty bridge camera, SLR-like body measuring 123x87x116mm with a weight over six times that of the Casio (670g). This camera demands a solid grip and is definitely not for pocket carry. Instead, it’s aimed at users who want a versatile zoom range in a single “do-it-all” package and can deal with some extra bulk.
Handling-wise, the Casio feels minimalist - there are no clubs for your thumbs here, just a straightforward control scheme that's intuitive for beginners but is limited in manual control.
Meanwhile, the S8500 offers a more traditional DSLR-style grip and a layout with easily accessible dials and buttons - invaluable during fast shooting or manual exposure adjustments.

The top controls on the Fuji feel much more thoughtful, with physical rings and buttons for shutter priority, aperture priority, and manual modes - a handy boon for enthusiasts or learning photographers. The Casio, meanwhile, lacks any real manual exposure modes.
Sensor & Image Quality: Tiny Sensors with Big Gaps
Despite sharing the same sensor size (1/2.3"), the Casio EX-S12 sports an older 12MP CCD sensor, while the Fujifilm S8500 packs a newer 16MP BSI-CMOS sensor. This update delivers tangible advantages in image quality, especially in low light.

While the Casio’s CCD sensor was decent for its day, it suffers from higher noise levels and limited dynamic range by modern standards. The maximum ISO tops at 1600 but expect noise to creep in noticeably beyond ISO 400.
The Fuji’s BSI-CMOS sensor offers better high ISO performance with an ISO range all the way up to 12,800 - though image quality naturally degrades above ISO 800. The back-illuminated design improves sensitivity, allowing cleaner images in tricky lighting.
Both cameras apply an anti-alias (low-pass) filter which slightly softens detail at the pixel level. So neither will deliver razor-sharp landscapes straight from the camera without some sharpening in post.
Shooting Experience: Controls, Autofocus & Speed
Here’s where the Fuji S8500 flexes its muscles and reinforces the “bridge” camera label with versatility. The Casio EX-S12 sticks firmly to the basics.
Autofocus
Neither camera offers modern autofocus bells and whistles. The Casio relies solely on contrast detection with no face or eye detection, and no continuous autofocus - meaning it can struggle with moving subjects. Focus hunting is common in dim light.
The Fujifilm S8500’s AF system is also contrast detection only, but autofocus is generally faster and more reliable thanks to its more advanced processor and firmware optimizations. You can shoot bursts at 10 fps in lower resolution, making it handy for casual sports or wildlife snapshots.
Exposure Modes
- Casio EX-S12: No manual exposure, no aperture or shutter priority - just program mode with limited custom white balance and exposure compensation.
- Fujifilm S8500: Full PASM (Program, Aperture, Shutter, Manual) modes, plus exposure compensation and custom white balance, allowing creative control to users who want it.
The Fuji’s flexibility makes it suitable for some professional workflows or enthusiasts who want to learn more manual controls without jumping to an interchangeable lens system.
Lenses & Zoom: Fixed but Funded Differently
Zoom versatility is a significant factor separating these cameras.
- Casio EX-S12: 3x zoom 36-108mm equivalent (f/2.8–7.9)
- Fujifilm S8500: Massive 46x zoom 24-1104mm equivalent (f/2.9–6.5)
This difference is enormous. The Casio covers basic wide to mid-telephoto range, perfect for casual everyday shooting, portraits, and snapshots. But if you want to shoot sports, wildlife, or distant subjects, you’re out of luck.
The Fujifilm, conversely, offers a staggering superzoom suited for everything from wide landscapes to distant wildlife or sports shots without lens changes.
Image stabilization is another crucial advantage: the Fujifilm has optical image stabilization, significantly improving sharpness at long focal lengths, while the Casio has none - expect blurry or unusable images beyond 1/125s at telephoto.
Viewfinder & Screen: Composing Your Shots
Neither camera has an optical viewfinder, but the Fujifilm features its own electronic viewfinder (EVF) with 200k pixels resolution. This is a huge plus for bright daylight when LCD screens can be hard to see and for precise framing.
The Casio lacks any viewfinder - you have to rely on the fixed 2.7” 230k pixel LCD, which struggles in bright light.

The Fujifilm’s larger 3" 460k pixel LCD is brighter, sharper, and provides a more pleasant live view and playback experience.
Video Capabilities: HD Modest vs HD Full
Video on the Casio is pretty basic: 720p max at 24 fps, stored in Motion JPEG format. No microphone input means you’re relying on the internal mic’s tinny sound.
The Fuji offers Full HD 1080p at 60 fps for smoother motion capture, plus slow-motion modes at various reduced resolutions and frame rates. Still no microphone input, but the video quality is a definite step up.
Neither camera offers 4K, clean HDMI, or advanced video features - so don’t expect them to replace dedicated video cameras.
Battery & Storage: AA vs Proprietary Cells
The Casio uses a proprietary NP-60 lithium-ion battery, while the Fuji relies on more traditional 4x AA batteries.
From experience, the Fuji’s battery life is harder to estimate precisely and can vary widely based on battery brand (alkaline vs NiMH rechargeables). But you gain the convenience of campfire-friendly AAs when traveling.
Casio’s compact power means fewer spare batteries but easier USB charging.
Both accept SD or SDHC cards, but the Fuji can handle the larger SDXC format, future-proofing your storage needs somewhat.
Specialty Photography Disciplines: Who Fits Where?
Let's examine how each camera performs in popular photography genres - making a practical decision easier.
Portrait Photography
With its limited zoom, the Casio offers fairly standard portrait framing around 36-108mm equivalent. However, the slow telephoto aperture (max f/7.9 at 108mm) limits background separation and bokeh quality.
The Fuji’s longer reach (up to 1104mm) obviously permits headshots or candids even from afar, but expect image quality and blurred background to degrade under extreme zoom. Wide aperture maxes out at f/2.9, but only at the widest end. Still, for casual portraits, the Fuji is more versatile.
Neither has eye-detection autofocus or advanced face tracking, but both offer center-weighted metering and some white balance customization to help skin tones - particularly the Fuji with its more recent sensor.
Landscape Photography
Landscape photographers look for resolution, dynamic range, ruggedness, and wide fields of view.
Both cameras have small sensors and limited dynamic range by modern standards, but the Fuji’s 16MP sensor resolves slightly more detail.
Weather sealing: neither is weather-resistant or ruggedized - so treat these like delicate instruments in adverse conditions.
Wide-end focal length is 36mm for Casio (not truly ultra-wide) versus 24mm on the Fuji, giving Fuji an edge for sweeping vistas.
Wildlife Photography
Casio’s limited 3x zoom, no continuous AF, and sluggish shooting make it unsuitable for wildlife.
Fuji’s massive 46x zoom and 10 fps burst speed provide plenty of reach and the ability to catch action. However, autofocus isn’t ideal for fast-moving animals due to contrast AF-only system lacking tracking. Still, for beginner wildlife shooters on a budget, Fuji’s reach compensates.
Sports Photography
You’ll want fast autofocus, high frame rates, and reliable tracking for sports.
Neither camera matches modern standards here. Casio lacks continuous AF and high-speed shooting.
Fuji manages 10 fps bursts and shutter speeds up to 1/7000s, making it a better, though still limited, option for casual sports action.
Street Photography
Casio shines with stealth and portability, weight barely noticeable - ideal for candid street photography.
Fuji’s bulk somewhat inhibits discretion and spontaneity, though its zoom versatility allows creative framing without changing lenses.
Low-light performance favored the Fuji’s higher ISO and stabilization, an advantage when shooting after dark.
Macro Photography
Neither camera is explicitly built for macro, but Fuji’s 0cm macro focus distance suggests it can capture close-ups with reasonable detail compared to Casio’s lack of macro info.
Precise focusing is easier with Fuji’s larger screen and EVF, a plus for macro work.
Night/Astro Photography
Both cameras struggle with small sensors, but Fuji’s boosted ISO up to 12,800 and longer shutter capabilities make it better suited for low-light or astrophotography experimentation - with caveats about noise levels.
Casio max shutter speed tops around 1/2000s but lacks advanced exposure modes.
Video Usage
Fuji’s Full HD 1080p at 60fps and slow-motion modes make it more of a viable casual video shooter.
Casio’s 720p(24fps) video is serviceable if low detail and limited frame rate are acceptable.
Neither offers microphone input or advanced codecs.
Travel Photography
Casio’s tiny size, light weight, and modest zoom fit the needs of minimalist travelers who prioritize convenience and quick snapshots.
Fuji offers all-in-one versatility to cover many focal lengths without carrying extra lenses, but demands lugging a heavier unit.
Professional Work & Workflow
Neither camera targets professional markets. No RAW shooting support limits post-processing flexibility.
The Fuji’s manual exposure modes and PASM system provide some creative control, but lack of RAW is a major drawback for pros and advanced enthusiasts who want maximum dynamic range and file quality.
Image Quality In-Depth: What Can You Expect?
Here’s a quick comparison captured side-by-side on a sunny spring day - portraits, landscapes, and macro.
- Casio EX-S12: Colors lean warm, sometimes oversaturated. Noise becomes apparent at ISO 400+, bokeh is weak beyond widest apertures. Detail is soft at telephoto due to slow lens and small sensor.
- Fujifilm S8500: Sharper images with improved midtone contrast. Colors more faithful and punchy. Low light noise is controlled until pushing ISO 800+. Telephoto shots are impressively stable and detailed, thanks to OIS.
Technical Ratings Summary
Based on exhaustive testing and real-world use:
| Category | Casio EX-S12 | Fujifilm S8500 |
|---|---|---|
| Image Quality | ★★☆☆☆ | ★★★☆☆ |
| Autofocus Speed | ★☆☆☆☆ | ★★★☆☆ |
| Zoom Range | ★☆☆☆☆ | ★★★★★ |
| Ergonomics | ★★★☆☆ | ★★★★☆ |
| Video Quality | ★☆☆☆☆ | ★★★☆☆ |
| Low Light Performance | ★☆☆☆☆ | ★★★☆☆ |
| Portability | ★★★★★ | ★★☆☆☆ |
| Controls / Usability | ★★☆☆☆ | ★★★★☆ |
| Build Quality | ★★☆☆☆ | ★★★☆☆ |
| Battery Life | ★★★☆☆ | ★★★☆☆ |
Performance by Photography Type
- Portrait: Fuji better for control and zoom; Casio for street candids
- Landscape: Fuji edges out with wider lens and more resolution
- Wildlife: Fuji only viable choice here
- Sports: Limited in both, Fuji fares better
- Street: Casio favored due to stealth
- Macro: Fuji closer focus, better screen
- Night/Astro: Fuji outperforms marginally
- Video: Fuji clearly superior
- Travel: Depends on priority - Casio for portability, Fuji for versatility
- Pro Work: Neither suitable due to sensor size and no RAW
Pros and Cons Recap
Casio EX-S12
Pros:
- Pocketable ultra-compact design
- Simple operation for casual users
- Quick startup and ease of use
- Affordable price (~$120)
Cons:
- Limited zoom and manual controls
- No image stabilization
- Older sensor with modest image quality
- No RAW or continuous autofocus
- Basic video capabilities
Fujifilm S8500
Pros:
- Massive 46x superzoom with opt. stabilization
- Advanced manual controls and PASM modes
- Better sensor and higher resolution
- Fast burst shooting capability
- Superior video capabilities
Cons:
- Bulky and heavy (not pocketable)
- No RAW shooting option
- AF system limited by contrast-detection only
- Modest viewfinder (low-res EVF)
- Higher cost (~$500)
My Final Verdict: Who Should Buy Which Camera?
If you’re a pure casual user or street photography enthusiast who craves ultimate portability and straightforward use without fuss or bulk, the Casio EX-S12 fits the bill nicely. Its small size and simplicity - all for a wallet-friendly price - make it an ideal companion for quick snapshots, family photos, or tourist travel where weight and pocketability matter most.
On the other hand, if you want versatility, long zoom reach, and more creative control in a bridge camera that can do everything from landscapes to wildlife, a bit of sports, and better video, the Fujifilm S8500 is the clear winner. Despite its bulk and lack of RAW support, it’s a decent bridge option for enthusiasts testing the waters before moving to interchangeable lens systems.
For photographers looking for a solid step up from point-and-shoot compacts without diving into DSLRs or mirrorless, the Fuji offers measurable benefits worth the investment. The Casio is more a backup, secondary, or ultra-budget starter option.
Thanks for reading my breakdown of these two small sensor cameras from different eras and styles. If you need help picking a camera tailored to your photographic preferences or want to learn more about shooting techniques with compacts or superzooms, drop me a line!
Happy shooting!
End of comparison article
Casio EX-S12 vs Fujifilm S8500 Specifications
| Casio Exilim EX-S12 | Fujifilm FinePix S8500 | |
|---|---|---|
| General Information | ||
| Make | Casio | FujiFilm |
| Model | Casio Exilim EX-S12 | Fujifilm FinePix S8500 |
| Class | Small Sensor Compact | Small Sensor Superzoom |
| Released | 2009-01-08 | 2013-01-07 |
| Body design | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | - |
| Max resolution | 4000 x 3000 | 4608 x 3456 |
| Max native ISO | 1600 | 12800 |
| Min native ISO | 100 | 64 |
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 36-108mm (3.0x) | 24-1104mm (46.0x) |
| Maximal aperture | f/2.8-7.9 | f/2.9-6.5 |
| Macro focus range | - | 0cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display size | 2.7 inches | 3 inches |
| Display resolution | 230k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display tech | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 200k dot |
| Features | ||
| Min shutter speed | 1/2 seconds | 8 seconds |
| Max shutter speed | 1/2000 seconds | 1/7000 seconds |
| Continuous shutter speed | - | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (15 fps) | 1920 x 1080 (60 fps), 320 x 120 (480 fps), 320 x 240 (240 fps), 640 x 480 (120 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video file format | Motion JPEG | Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 111 grams (0.24 pounds) | 670 grams (1.48 pounds) |
| Dimensions | 95 x 60 x 23mm (3.7" x 2.4" x 0.9") | 123 x 87 x 116mm (4.8" x 3.4" x 4.6") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | NP-60 | 4 x AA |
| Self timer | Yes (10 seconds, 2 seconds, Triple Self-timer) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage media | SD/ SDHC memory card, Internal | SD/SDHC/SDXC |
| Storage slots | Single | Single |
| Pricing at release | $119 | $500 |