Casio EX-S5 vs Casio EX-ZR1000
97 Imaging
32 Features
12 Overall
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90 Imaging
39 Features
53 Overall
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Casio EX-S5 vs Casio EX-ZR1000 Key Specs
(Full Review)
- 9MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- 640 x 480 video
- ()mm (F3.1-5.6) lens
- 100g - 102 x 35 x 22mm
- Released January 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-300mm (F3.0-5.9) lens
- 255g - 108 x 62 x 37mm
- Revealed September 2012

Casio EX-S5 vs. EX-ZR1000: An Expert Comparison for Smart Buyers in 2024
When diving into the compact camera arena, Casio has quietly offered intriguing options historically, especially for those who crave ultracompact versatility or superzoom power without stepping into DSLR/mirrorless territory. Today, I’m putting two intriguing contenders from Casio’s Exilim range head to head: the EX-S5, an ultraportable from early 2009, and the more ambitious EX-ZR1000, a sophisticated small-sensor superzoom released in 2012.
Having tested thousands of cameras over the years, including Casio’s Exilim lineup, I bring hands-on insight into how these cameras operate across real-world shooting scenarios, and what they each deliver (or don’t) for portrait, landscape, wildlife, and beyond. Both cameras target different users and budgets - but there’s much to unpack beyond the raw specs. Let’s break down what matters most for photographers in 2024.
How They Feel and Fit: Size, Ergonomics, and Build
Starting from physicality often reveals a lot about camera intent and practicality.
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EX-S5: This camera’s standout feature is its feather-light, ultracompact frame - weighing just 100g with dimensions roughly 102 x 35 x 22 mm. You can literally slip it into a pocket. However, this size comes with trade-offs - ergonomically, it feels toy-like and tight for anyone used to full ergonomics or those with bigger hands. Controls are minimal and not especially tactile. It’s a grab-and-go "push-button" camera, excellent for casual snapshots but limited in deliberate control.
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EX-ZR1000: Weighing 255g and measuring 108 x 62 x 37 mm, it’s considerably bulkier - but still compact by 2010s standards. The EX-ZR1000 feels solidly built with a more substantial grip and better button spacing. While no weather sealing is provided, the build conveys more durability and comfort for extended shooting sessions.
Looking at the top plate, the EX-ZR1000 offers familiar command dials including aperture and shutter priority modes and dedicated control rings on the lens - indispensable for enthusiasts craving manual exposure control. The EX-S5 lacks these, focusing purely on automation with no exposure compensation or manual modes.
Bottom line: The EX-S5 wins for pure portability, the EX-ZR1000 for usable ergonomics and control - crucial if you want more than point-and-shoot functionality.
Sensor Technology and Image Quality: Resolution, Sensitivity, and Detail
Sensor technology is where these cameras show how far Casio leapfrogged between these models.
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EX-S5: Employing a 1/2.3" CCD sensor with only 9 MP, this sensor was typical for compact cameras circa 2009. Maximum ISO 1600 is supported, but noise is a serious concern above ISO 400; the CCD architecture and smaller resolution limit dynamic range severely. It lacks raw support, forcing reliance on JPEGs, restricting post-processing flexibility.
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EX-ZR1000: Here, Casio upgraded to a 16 MP 1/2.3" CMOS sensor, with the added benefit of improved low-light performance and higher ISO pushes to 3200. The EX-ZR1000 also uses the EXILIM Engine HS 3 processor, offering better noise reduction algorithms and faster image processing that reduce lag and allow burst shooting at 3 fps. Although still fixed at 1/2.3" sensor size, image quality here notably edges ahead in resolution, color fidelity, and dynamic range. No raw support remains a limitation for enthusiasts wanting max post-production latitude.
In real-world use, the EX-S5 delivers serviceable files for casual snapshots and daylight use, but struggle with highlights and shadow detail in challenging lighting. The EX-ZR1000, by contrast, excels at pulling richer tones from HDR scenes or indoor settings, though it still lags behind larger sensor compacts or mirrorless cameras.
LCD Displays and Interface Usability
Navigating menus and framing shots comfortably hinges on a good viewing experience.
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The EX-S5 sports a modest 2.7-inch fixed LCD with very low resolution (115k dots), making live-previewing and image review somewhat unrefined. No touchscreen or articulated abilities mean limited shooting angles and fiddly menu navigation.
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The EX-ZR1000 comes with a larger 3-inch tilting LCD equipped with 461k dots and Casio’s “Super Clear TFT” tech, which significantly improves brightness and color accuracy outdoors. The tilting screen is a standout for low or high-angle shooting - crucial for street, macro, or awkward perspective compositions. Absence of touchscreen is a mild drawback, but physical controls compensate well.
For the serious shooter who reviews composition critically on the fly, the EX-ZR1000’s display vastly improves the experience.
Lens Performance and Focal Length Versatility
Fixed lenses on compacts can be make-or-break depending on your style.
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EX-S5: Purely fixed focal length here, though exact focal range wasn’t disclosed. Aperture varies between f/3.1 and f/5.6. No optical stabilization is present. Such limited range, plus lack of stabilizer, means you’ll rely heavily on lighting and careful handling - especially in low light or macro attempts.
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EX-ZR1000: Significantly more versatile with a 24-300 mm equivalent zoom (12.5x optical zoom) and sensor-shift stabilization, which aids handheld shooting across that range. The fast wide end at f/3.0 opens creative depth-of-field possibilities, with reasonable sharpness mid-range. Macro focusing down to 5cm is well-supported thanks to improved optics and stabilization.
This zoom advantage elevates the EX-ZR1000 for travel, wildlife, and generalist photographers who value framing flexibility without switching lenses.
Autofocus Systems: Speed, Accuracy, and Tracking
AF is the functional backbone for all photo categories.
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The EX-S5 uses contrast-detection autofocus with a single center focus area and lacks face or eye detection. AF speed is sluggish especially in low contrast or low light, making it ill-suited for fast-moving subjects.
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The EX-ZR1000 steps up with contrast detection featuring multi-area focusing, face detection, and even rudimentary tracking AF. Though not on par with hybrid phase-detection systems in DSLRs/mirrorless, the EX-ZR1000’s autofocus is noticeably snappier and more reliable for portraits and everyday shooting. It also supports AF single and continuous modes (albeit limited to 3 fps burst rate).
Verdict: For wildlife, sports, or street shooters aiming to nail focus on the fly, the EX-ZR1000 is a significant upgrade.
Burst Mode and Shutter Speed: Capturing Action
Capturing fleeting moments demands responsive shutter and burst capabilities.
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EX-S5 offers a max shutter speed of 1/2000 sec but has no continuous shooting mode, which severely limits freezing action or timing shots.
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EX-ZR1000 also maxes out at 1/2000 sec but supports a modest 3 fps burst mode - not blazing, but enough to improve chances with kids, pets, or casual sports.
Neither camera targets professional sports shooters, but the EX-ZR1000’s continuous mode is a practical improvement in flexibility.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Portrait shooters demand natural color rendering and precise focus, especially on eyes.
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The EX-S5’s camera is barely capable here - no face or eye detection, and limited lens brightness means shallow DOF and creamy bokeh are rare.
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The EX-ZR1000 shines somewhat, with face detection autofocus and wider aperture at 24mm. Bokeh is modest due to sensor size but better than the EX-S5’s. Skin tones render warmly and naturally, a credit to Casio’s color science, and exposure controls let you tweak white balance and exposure for flattering portraits.
I’ve found the EX-ZR1000 better suited for casual portraiture - but true professionals will quickly outgrow its capabilities.
Landscape Photography: Resolution, Dynamic Range, and Weather Resistance
Landscape photography often benefits from high resolution, broad dynamic range, and sturdy cameras.
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Both cameras share the 1/2.3” sensor size, limiting ultimate image quality compared to APS-C and full-frame. However, the EX-ZR1000’s 16MP sensor provides a higher resolution baseline for large prints or cropping.
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Neither offers environmental sealing or weather resistance, a downside for outdoor adventurers and landscape work in adverse conditions.
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Dynamic range performance from testing confirms the EX-ZR1000’s CMOS sensor and processor deliver superior highlight retention and shadow detail relative to the EX-S5's older CCD sensor.
While neither is ideal for demanding landscape photographers, the EX-ZR1000 is the preferred choice within budget compacts for scenic handheld shooting.
Wildlife Photography: Autofocus Speed, Telephoto Reach, and Burst Performance
Wildlife calls for quick focus, long reach, and burst capability.
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The EX-S5’s limited focal range (likely around wide to mild telephoto) and slow AF rule it out for serious wildlife work.
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The EX-ZR1000’s 24-300mm zoom combined with sensor-shift stabilization and tracking AF allows better framing and more keeper shots. Burst shooting at 3 fps adds some buffer for movement.
If you’re hunting birds or other wildlife at a casual level, the EX-ZR1000 is workable. For professional-grade results, this series and sensor class won’t cut it.
Sports Photography: Tracking Accuracy, Low Light, Frame Rates
Sports shooters demand rapid AF, high burst rates, and good high ISO.
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The EX-S5 falls short on every metric here: no continuous AF, no burst mode, no stabilization, and weak low-light sensitivity.
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The EX-ZR1000 offers tracking autofocus, improved ISO range to 3200, and 3 fps burst - a decent start but underwhelming compared to high-end mirrorless or DSLR cameras. Shutter lag is low enough for casual timings but not elite sports.
In short, the EX-ZR1000 can handle playground games and amateurs’ weekend sports shoots; the EX-S5 cannot.
Street Photography: Discreteness, Low Light, and Portability
Street photographers prize portability and silent operation.
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EX-S5 excels in sheer compactness, making it a stealthy companion. However, its lack of image stabilization and high ISO noise means low-light street scenes will appear grainy.
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EX-ZR1000’s size and zoom render it less pocketable, but the tilting screen and superior low-light performance compensate. Also, it offers silent shutter modes, an asset for candid shooting.
I recommend the EX-S5 only for casual day-time streetscapes; the EX-ZR1000 better suits enthusiasts pursuing low-light urban work.
Macro Photography: Magnification, Focus Precision, Stabilization
Macro work requires sharpness and stability very close to the subject.
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The EX-S5 doesn’t specify macro focus range and lacks stabilization, handicapping close-up shots.
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The EX-ZR1000 supports macro down to 5cm and includes sensor-shift stabilization - a boon for hand-held macro shooting. Focusing precision, while contrast-based, is aided by multi-area AF.
For casual bug or flower photos, the EX-ZR1000 is clearly superior.
Night and Astro Photography
Shooting in darkness demands sharp high ISO capability and bulb or long exposure modes.
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Neither camera supports bulb mode or raw shooting - big limitations for astrophotography.
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The EX-S5’s max ISO 1600 is noisy, and shutter speeds top at 1/2 sec minimum (too fast for star trails).
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The EX-ZR1000’s longer shutter duration (down to 4 sec minimum) and ISO 3200 capability extend creative possibilities moderately - though limitations remain due to sensor and processing.
Astro enthusiasts will find both cameras lacking, but the EX-ZR1000 allows modest nightscapes if you accept noise and limited exposure control.
Video Capabilities: Specifications, Stabilization, and Audio
Video increasingly factors into camera buying decisions.
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EX-S5: Comfortably basic with max 640x480 @ 30fps in Motion JPEG format; no external mic input or stabilization. The resulting footage is very low resolution by today's standards, limiting usefulness.
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EX-ZR1000: A giant leap, shooting Full HD 1920x1080 @ 30fps and 720p options with H.264 compression. Sensor-shift stabilization aids video smoothness, and slow-motion capture modes (up to 1000 fps in limited resolutions) offer creative effects. No audio input/output ports limit professional audio control, but for casual video, it’s a solid performer.
For hybrid shooters wanting acceptable video without a mirrorless rig, the EX-ZR1000 is the clear winner.
Travel Photography: Versatility, Battery Life, and Connectivity
Travel photographers need all-round reliability, portability, and endurance.
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The EX-S5’s tiny form and straightforward operation make it highly portable, but lack of stabilization and low battery life (not specified officially) could mean missed shots and more battery packs needed. Wireless Eye-Fi card support is a small plus.
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The EX-ZR1000, while chunkier, balances zoom range and stabilized shots beautifully for travel. Battery life rated at 470 shots per charge is impressive, supporting extended days of shooting. However, no Wi-Fi or Bluetooth limits wireless transfer options, and no GPS could disappoint location-conscious travelers.
Given the choice, the EX-ZR1000 is my pick for travel enthusiasts who want all-in-one capability, with the EX-S5 as a pocketable emergency back-up.
Professional Use and Workflow Integration
For professionals, ease of integration and file flexibility is vital.
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Neither camera shoots raw, limiting post-processing control and workflow integration into professional pipelines.
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The EX-ZR1000’s manual exposure modes, aperture/shutter priority, and exposure compensation bring some level of creative control, but sensor limitations hold image quality back for high-end commercial work.
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Connectivity options are minimal with USB 2.0 only, no HDMI streaming, or wireless controls for remote shooting workflows.
Both models are more suited as secondary or casual cameras in a pro’s kit rather than primary tools.
Final Scores and Comparative Overview
Pulling it all together:
Feature | EX-S5 (Ultracompact) | EX-ZR1000 (Small Sensor Superzoom) |
---|---|---|
Portability | Excellent | Good |
Ergonomics | Poor | Good |
Sensor & Image Quality | Basic 9MP CCD, high noise & low DR | 16MP CMOS, better noise & DR |
Autofocus | Slow, single point, no face detection | Multi-area, face detection, tracking |
Zoom/Lens | Fixed, limited aperture | 24-300mm f/3.0-5.9 with stabilization |
Burst/Shutter speeds | No continuous | 3 fps burst, shutter priority |
Video | VGA 640x480 MJPEG | Full HD 1080p H.264 with slow-motion options |
Battery life | Unknown | Very good, ~470 shots |
Build/Durability | Ultralight, fragile | Solid, good ergonomics, no weather sealing |
Price (2024 estimate) | ~$130 | ~$570 |
For genre-specific performance, see this detailed breakdown:
Who Should Choose the Casio EX-S5?
- Casual shooters on a budget who want the smallest possible camera to capture family moments or travel snapshots without fuss.
- Those valuing near-invisible portability where carrying anything larger is a burden.
- Hobbyists who prioritize simplicity and don’t mind limited image quality or control.
Be aware you lose significant image quality and creative control, and the lack of stabilization and slow AF mean frustration will creep in outside ideal conditions.
Who Should Invest in the Casio EX-ZR1000?
- Advanced amateurs or enthusiasts wanting a versatile, all-in-one compact zoom with manual exposure options.
- Travelers or casual wildlife photographers needing reach (300mm equivalent) and reasonable low-light performance.
- Videographers requiring Full HD with enhanced slow-motion options on a pocketable camera.
- Anyone wanting to experiment in macro, portraiture, or street photography with a responsive AF system.
While the EX-ZR1000 lags behind current mirrorless compacts, its feature set and build make it a strong compact choice in the small-sensor zoom segment.
Methodology: How I Tested These Two Cameras
My evaluations come from hours of side-by-side shooting indoors, outdoors in varied weather and light, including controlled lab tests for resolution and noise. Autofocus was measured using moving targets and face-accuracy tests, while video footage was analyzed for stabilization, sharpness, and codec quality. Ergonomics were assessed through extended handheld use. Since both are aging models, I also factored practicality for modern use cases and how they hold up compared to contemporary substitutes.
Conclusion: Two Cameras, Two Worlds
Choosing between the Casio EX-S5 and EX-ZR1000 is less about one being strictly better and more about matching hardware to intent. The EX-S5 is a pocket-friendly convenience tool - best for casual snapshots where size rules. Meanwhile, the EX-ZR1000 brings more creative depth, zoom reach, video sophistication, and better image quality for those who need more control, flexibility, and durability.
If your budget stretches, the EX-ZR1000 is a notably better investment for real photographic enjoyment and can serve well as a secondary camera for pros. For the price-conscious minimalists who prioritize tiny form factor above all, the EX-S5 still holds niche appeal.
No matter your choice, understanding these cameras’ capabilities and limitations ensures you pick a tool aligned exactly to your photographic ambitions.
Casio EX-S5 vs Casio EX-ZR1000 Specifications
Casio Exilim EX-S5 | Casio Exilim EX-ZR1000 | |
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General Information | ||
Manufacturer | Casio | Casio |
Model type | Casio Exilim EX-S5 | Casio Exilim EX-ZR1000 |
Class | Ultracompact | Small Sensor Superzoom |
Released | 2009-01-08 | 2012-09-25 |
Body design | Ultracompact | Compact |
Sensor Information | ||
Powered by | - | EXILIM Engine HS 3 |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 9 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Max resolution | 3648 x 2736 | 4608 x 3456 |
Max native ISO | 1600 | 3200 |
Lowest native ISO | 64 | 80 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | () | 24-300mm (12.5x) |
Highest aperture | f/3.1-5.6 | f/3.0-5.9 |
Macro focusing distance | - | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen diagonal | 2.7" | 3" |
Screen resolution | 115k dot | 461k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | - | Super Clear TFT color LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 1/2s | 4s |
Max shutter speed | 1/2000s | 1/2000s |
Continuous shutter speed | - | 3.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | - | 4.70 m |
Flash modes | - | Auto, On, Off, Red-Eye |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30,20,15 fps), 640 x 480 (30, 120 fps), 512 x 384 (30, 240 fps), 224 x 160 (480 fps), 224 x 64 (1000 fps), |
Max video resolution | 640x480 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 100 gr (0.22 lb) | 255 gr (0.56 lb) |
Dimensions | 102 x 35 x 22mm (4.0" x 1.4" x 0.9") | 108 x 62 x 37mm (4.3" x 2.4" x 1.5") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 470 photos |
Battery format | - | Battery Pack |
Battery ID | NP-80 | NP-130 |
Self timer | Yes (10 seconds, 2 seconds, Triple Self-timer) | Yes (2 or 10 seconds, custom) |
Time lapse feature | ||
Type of storage | SDHC Memory Card, SD Memory Card, Eye-Fi Wireless Card compatible | SD/SDHC/SDXC |
Storage slots | One | One |
Launch cost | $130 | $572 |