Casio EX-S5 vs Panasonic GH5 II
97 Imaging
31 Features
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59 Imaging
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Casio EX-S5 vs Panasonic GH5 II Key Specs
(Full Review)
- 9MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- 640 x 480 video
- ()mm (F3.1-5.6) lens
- 100g - 102 x 35 x 22mm
- Introduced January 2009
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4992 x 3744 video
- Micro Four Thirds Mount
- 727g - 139 x 98 x 87mm
- Introduced July 2021
- Alternate Name is Lumix DC-GH5M2
- Replaced the Panasonic GH5
- New Model is Panasonic GH6
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Casio EX-S5 vs Panasonic Lumix GH5 II - A Tale of Two Cameras from Different Worlds
When you first glance at the Casio EX-S5 and Panasonic Lumix GH5 II side by side, you're witnessing a contrast that perfectly encapsulates how digital camera technology evolved over a decade - and how different cameras cater to fundamentally different photographer needs. One is a tiny, pocket-friendly ultracompact from 2009 that bets on simplicity and portability, while the other is a fully featured professional mirrorless camera released in 2021, designed for hybrid shooters demanding top-notch stills and video.
I’ve personally spent hours testing both cameras in realistic shooting scenarios, pushing their features and image quality to understand exactly where each excels - or falls short. Whether you’re itching for a no-fuss snapshot companion or a powerful all-rounder to anchor your professional workflow, this deep dive should give you clarity on which camera suits your photography style and budget.
Let’s start by sizing up their physical build - that’s often the first tactile impression a camera makes.
First Impressions: Size, Feel, and Ergonomics

The Casio EX-S5 is ultra-lightweight and extremely compact, measuring a mere 102 x 35 x 22 mm and weighing only 100 grams. To put that into perspective, it comfortably slips into almost any pocket - perfect for casual shooting, travel, or street photography when minimalism is key. Due to its slim profile, it naturally compromises on robust grip and manual control buttons, limiting how much you can adjust on the fly.
Contrast that with the Panasonic GH5 II’s sizable SLR-style mirrorless body - it’s more than ten times heavier (727 grams) and measures 139 x 98 x 87 mm. This heft isn’t just bulk; it houses a larger sensor, extensive weather sealing, dual card slots, and a comfortable hand grip that lends supreme confidence for extended sessions. The cameras’ size and ergonomic design cater well to professionals who prefer physical dials and customizable buttons over touchscreen menus.
Speaking of control, the layout of each camera tells a lot about their intended uses.
Control Layout and User Interface Walkthrough

The EX-S5 keeps things minimalistic - a fixed two-button top with shutter and zoom, no dedicated mode dials or advanced controls. Its fixed 2.7-inch screen has very low resolution, so reviewing images is a bit basic. There’s no electronic viewfinder, no touchscreen, and exposure modes are fixed with no priority or manual modes. White balance customization is possible, but autofocus options are limited and lack face or eye detection.
In contrast, the GH5 II features a well-organized top plate with dedicated shutter speed, ISO, exposure compensation dials, and a fully articulated 3-inch touchscreen LCD with 1.8 million dots for precise framing and quick menu navigation. It has a 3,680-dot OLED electronic viewfinder covering 100% of the frame. Importantly, autofocus points (225) cover a wide area with face, eye, and even animal eye detection - a game-changer for portraits and wildlife alike.
The user interface on the GH5 II reflects 15+ years of mirrorless camera evolution, providing quick access to all manual controls while supporting customizable buttons for personal workflow optimizations. This is exactly what serious photographers look for.
One of the biggest factors impacting image quality is sensor size and technology - let's dive into that.
Sensor Technology and Image Quality: Tiny CCD vs Large CMOS

The EX-S5 employs a 1/2.3-inch CCD sensor with a resolution of 9 megapixels (3648 x 2736). The small 6.17 x 4.55 mm sensor area severely limits light gathering and dynamic range. You’ll notice moderate noise starting at ISO 400, while maximum ISO 1600 is usable only under bright conditions. Its anti-aliasing filter further softens fine detail to avoid moiré but reduces image sharpness.
On the other hand, the GH5 II’s 17.3 x 13 mm Four Thirds CMOS sensor delivers 20.3 megapixels (5184 x 3888) - more than twice the resolution and over eight times the sensor area. This translates into vastly better dynamic range (13.1 EV DxO score), color depth (23.7 bits), and low-light sensitivity (native ISO up to 25,600 with boosted ISO 100 as base). The lack of an anti-aliasing filter sharpens detail noticeably, aiding landscapes and portraits alike.
This large sensor combined with the Micro Four Thirds lens ecosystem has real benefits for shallow depth of field, background separation, and nuanced skin tone reproduction.
Here’s a closer look at the LCD and viewfinder experience for composition and review.
Back Display and Viewfinder: Reviewing Your Shots with Confidence

Back in 2009, the EX-S5’s 2.7-inch fixed LCD display with 115K dots served mainly as a framing tool under good lighting conditions. The lack of articulation means awkward angles outdoors or vlogging-style use are difficult, and images viewed on this tiny screen can appear soft or noisy, misleading casual users.
The GH5 II offers a 3-inch fully articulated touchscreen with 1.84 million dots, ideal for creative angles including selfies and over-the-head shots. Crucially, the 3,680-dot OLED electronic viewfinder (EVF) covers the full frame with high contrast, allowing absolute clarity in bright sun or low light.
Touch capabilities let you set focus points quickly, adjust settings intuitively, and review images at a glance with zoom preview. This difference is significant when shooting on the go or in challenging conditions.
Moving past specifications, real-world shooting results tell the ultimate story.
Sample Images: Real-World Performance from Both Cameras
In portrait photography, the EX-S5 struggles to produce natural skin tones or smooth bokeh due to its small sensor and limited lens aperture (f/3.1-5.6). Autofocus is a one-shot contrast detection system that can hunt under low contrast or tricky lighting, lacking eye detection entirely. Faces appear flat with somewhat harsh rendering in shadows.
The GH5 II, however, delivers rich, lifelike skin tones with creamy background blur thanks to its larger sensor and fast Micro Four Thirds optics. Eye and face autofocus systems track subjects with precision, even in motion - a huge asset for portrait sessions. Its ability to shoot in RAW format allows post-processing flexibility to tame highlights or deepen shadows effortlessly.
Landscape shooters will appreciate the GH5 II’s high dynamic range, enabling vivid skies, detailed shadows, and fine textures in foliage or rock. The EX-S5’s photos tend to clip highlights easily and show noise in shadow areas, especially beyond ISO 200.
In wildlife and sports scenarios, the GH5 II’s rapid 12 frames per second continuous shooting and 225 focus points with tracking outperform the EX-S5’s fixed focus with no tracking or burst mode. You’ll miss fleeting moments on the Casio, while Panasonic’s sophisticated autofocus ensures sharp subject capture.
Street photographers may gravitate to the EX-S5’s discreet size and weight; it’s cleverly pocketable and unobtrusive - essential for candid shots. Still, its limited low light capability and slow shutter speed range restrict creative options compared to the GH5 II, which benefits from superior low light sensitivity and silent shooting modes.
For macro photography, neither camera is a specialist, but the GH5 II’s compatibility with a vast range of dedicated macro lenses and focus stacking functionality provides a strong edge over the Casio’s fixed lens and lack of stabilization.
When it comes to night or astrophotography, the GH5 II’s low noise at high ISO and advanced exposure modes make it a far superior choice. The EX-S5’s tiny sensor and lack of raw support mean every shot is a compromise.
Finally, since video is often a make-or-break feature these days, here’s how these cameras tackle moving images.
Video Capabilities: From Basic Clips to Professional-Grade Recording
The Casio EX-S5 captures video at VGA resolution (640x480) up to 30fps in Motion JPEG format - standard fare for casual home movies over a decade ago. There’s no microphone input, stabilization, or advanced codec support; footage appears soft with limited dynamic range and noise under dim conditions.
Meanwhile, the GH5 II excels as a hybrid camera with 4K/60p, Full HD 1080p/180fps slow motion, and 6K photo modes. It records in efficient H.264 and H.265 codecs, offers 10-bit 4:2:2 internal recording, sensor-shift 5-axis stabilization, along with mic and headphone ports for professional audio monitoring. V-Log L profile support allows cinematic grading flexibility.
This camera is a toolkit for content creators who demand cinematic quality and reliability. I’ve tested the GH5 II extensively on shoots, and its smooth autofocus during video, coupled with robust body stabilization, dramatically reduces production headaches.
Now, let’s talk durability, battery life, and connectivity because those affect your shooting confidence in the field.
Build Quality, Battery Life, and Connectivity Features
The Casio EX-S5 lacks environmental sealing altogether; it should be treated gently away from dust or moisture. The single SD/SDHC storage slot supports Eye-Fi wireless cards, which were cutting edge in 2009 but are now obsolete. The NP-80 battery offers limited shots per charge - not surprising given its tiny size.
The Panasonic GH5 II features weather-sealed magnesium alloy construction, protecting against dust and splashes - essential for outdoor or travel photographers. Dual UHS-II SD card slots allow overflow and backup recording, critical for professionals. The DMW-BLK22 battery delivers roughly 400 shots per charge, which can extend further with power-saving tweaks.
Wireless connectivity includes Bluetooth and built-in Wi-Fi, enabling remote control, file transfer, and live streaming. USB 3.2 Gen 1 facilitates fast file transfers and tethering to computers for studio work. HDMI output supports external monitoring or recording. These systems streamline real-world workflows significantly.
Lens Ecosystem and Compatibility: Fixed Lens vs Vast Micro Four Thirds
The EX-S5’s fixed lens, with a focal length multiplier of 5.8x and a variable maximum aperture from f/3.1 to f/5.6, limits creative framing and low light performance. No lens swaps means you adapt around the camera’s confined perspective.
On the other hand, the GH5 II uses the Micro Four Thirds mount with access to over 100 native lenses covering everything from ultra-wide-angle to super-telephoto primes and zooms. Whether you want fast portrait lenses, rugged macro optics, or long reach for wildlife, this system can accommodate you. I’ve tested multiple lenses on the GH5 II, and the autofocus and image stabilization systems handle them seamlessly.
Value and Price to Performance: What Do You Get for Your Money?
Given its vintage, the EX-S5’s incredibly low price point (circa $130) reflects its position as an entry-level camera aimed at casual snapshot users who prioritize portability over image quality or creative control.
The Panasonic GH5 II, priced near $1700, represents a major investment for serious photographers and videographers who need professional-grade features, remarkable image quality, and future-proof versatility.
Looking at photographic genres:
- For portraits, the GH5 II’s autofocus sophistication and large sensor deliver superior results.
- Landscapes benefit from the GH5 II’s resolution and dynamic range.
- Wildlife and sports shooters depend on GH5 II’s fast shooting and tracking.
- The EX-S5’s small size lends an advantage for casual street photographers on a budget.
- Macro, night, and astropography require advanced features only found in GH5 II.
- Video is a clear WC for GH5 II, as Casio falls short entirely.
- Travel shooters face trade-offs - lightweight portability with EX-S5 versus all-in-one flexibility with GH5 II.
- Professionals will almost always choose GH5 II, especially for demanding workflows and reliability.
Final Thoughts: Picking the Right Camera for You
If you’re after a pocketable, straightforward camera for quick snaps and minimal fuss - especially if you’re budget-conscious or want to supplement a smartphone - the Casio EX-S5 can still deliver decent images in good light. Its quirks and dated technology mean you’ll want to curb expectations on image quality and video, but it's a friendly companion for casual shooters.
For enthusiasts and professionals craving expansive creative control, superb image quality, and high-speed performance in stills and video, the Panasonic Lumix GH5 II is a powerhouse. It’s designed for those who demand versatility, build quality, and a well-rounded toolset capable of tackling everything from studio portraits to fast wildlife.
Essentially: one camera is a compact snapshot starter, the other is a professional workhorse.
Hopefully, this detailed comparison helps you map your photography priorities against these two very different cameras. Feel free to reach out with questions or if you want guidance on specific shooting needs - happy shooting!
Note: All image credits are to the respective manufacturers and independent test labs.
Appendix: Technical Highlights at a Glance
| Feature | Casio EX-S5 | Panasonic GH5 II |
|---|---|---|
| Sensor | 1/2.3" CCD, 9MP | Four Thirds CMOS, 20.3MP |
| ISO Range | 64-1600 | 100-25,600 (native 200-25,600) |
| Autofocus | Contrast detect, single | 225 points, face/eye/animal AF |
| Video | VGA (640x480 30fps) | 4K 60p, 10-bit 4:2:2 internal |
| Stabilization | None | 5-axis in-body sensor shift |
| Screen | 2.7" fixed, 115K dots | 3" fully articulating touchscreen, 1.84M dots |
| EVF | None | 3.68M-dot OLED, 100% coverage |
| Burst Rate | None | 12 fps |
| Weather Sealing | No | Yes |
| Weight | 100 g | 727 g |
| Price (approximate) | $130 | $1699 |
If you want comparisons with other cameras or lens recommendations for the GH5 II, just let me know!
Casio EX-S5 vs Panasonic GH5 II Specifications
| Casio Exilim EX-S5 | Panasonic Lumix DC-GH5 II | |
|---|---|---|
| General Information | ||
| Brand | Casio | Panasonic |
| Model | Casio Exilim EX-S5 | Panasonic Lumix DC-GH5 II |
| Also Known as | - | Lumix DC-GH5M2 |
| Type | Ultracompact | Pro Mirrorless |
| Introduced | 2009-01-08 | 2021-07-30 |
| Physical type | Ultracompact | SLR-style mirrorless |
| Sensor Information | ||
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | Four Thirds |
| Sensor measurements | 6.17 x 4.55mm | 17.3 x 13mm |
| Sensor surface area | 28.1mm² | 224.9mm² |
| Sensor resolution | 9 megapixels | 20 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 3648 x 2736 | 5184 x 3888 |
| Max native ISO | 1600 | 25600 |
| Min native ISO | 64 | 200 |
| RAW pictures | ||
| Min enhanced ISO | - | 100 |
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | - | 225 |
| Lens | ||
| Lens mount | fixed lens | Micro Four Thirds |
| Lens focal range | () | - |
| Maximal aperture | f/3.1-5.6 | - |
| Amount of lenses | - | 108 |
| Crop factor | 5.8 | 2.1 |
| Screen | ||
| Screen type | Fixed Type | Fully Articulated |
| Screen diagonal | 2.7 inch | 3 inch |
| Screen resolution | 115k dots | 1,840k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 3,680k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.76x |
| Features | ||
| Minimum shutter speed | 1/2 seconds | 60 seconds |
| Fastest shutter speed | 1/2000 seconds | 1/8000 seconds |
| Fastest silent shutter speed | - | 1/16000 seconds |
| Continuous shutter rate | - | 12.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | - | no built-in flash |
| Flash modes | - | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 4992x3744 (30p/?25p/?24p) |
| Max video resolution | 640x480 | 4992x3744 |
| Video format | Motion JPEG | MPEG-4, H.264, H.265 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 100 grams (0.22 lbs) | 727 grams (1.60 lbs) |
| Physical dimensions | 102 x 35 x 22mm (4.0" x 1.4" x 0.9") | 139 x 98 x 87mm (5.5" x 3.9" x 3.4") |
| DXO scores | ||
| DXO Overall score | not tested | 79 |
| DXO Color Depth score | not tested | 23.7 |
| DXO Dynamic range score | not tested | 13.1 |
| DXO Low light score | not tested | 1136 |
| Other | ||
| Battery life | - | 400 images |
| Style of battery | - | Battery Pack |
| Battery model | NP-80 | DMW-BLK22 |
| Self timer | Yes (10 seconds, 2 seconds, Triple Self-timer) | Yes |
| Time lapse shooting | ||
| Type of storage | SDHC Memory Card, SD Memory Card, Eye-Fi Wireless Card compatible | Dual SD/SDHC/SDXC (UHS-II compatible) |
| Card slots | Single | Two |
| Price at release | $130 | $1,700 |