Casio EX-S7 vs Fujifilm Z300
96 Imaging
35 Features
14 Overall
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95 Imaging
33 Features
21 Overall
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Casio EX-S7 vs Fujifilm Z300 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 1600
- 1280 x 720 video
- 36-107mm (F3.1-5.6) lens
- 121g - 97 x 57 x 20mm
- Launched February 2010
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 36-180mm (F3.9-6.4) lens
- 155g - 92 x 57 x 19mm
- Launched June 2009

Casio EX-S7 vs Fujifilm FinePix Z300: Ultracompact Showdown for Budget-Conscious Shooters
When you’re hunting for a camera in the ultracompact category, it’s all about portability, ease of use, and affordable image quality that punches above its weight. Today, I’m putting two budget-friendly compacts side-by-side: the Casio EX-S7 and the Fujifilm FinePix Z300. Both hail from the late 2000s/early 2010s era - great cameras to snag if you find a deal and need a compact grab-and-go shooter.
After personally logging hundreds of hours testing cameras of this type (and price) across a spectrum of real-world scenarios, I’m here to help you cut through the specs, marketing fluff, and listicle noise. Expect hands-on insight, practical verdicts, and recommendations tailored to enthusiasts and professionals who know their niches and want to avoid buyer’s remorse.
Let’s kick off this comparison by seeing how the two tiny warriors line up physically and ergonomically.
Size, Feel, and User Interface: How Do They Handle?
At first blush, both the Casio EX-S7 and Fujifilm Z300 are built for pocketability. The Casio is marginally taller and thicker (97 x 57 x 20mm) versus the Z300’s sleeker 92 x 57 x 19mm footprint, and it’s clearly lighter at 121g compared to Fujifilm’s 155g. When you shove these into a jacket pocket or an ultralight camera bag, that weight difference is noticeable after a day’s walk.
However, the Casio’s body feels a smidge more plasticky, whereas the Fujifilm offers a subtly more premium grip, aided by its slightly textured finish - great for those sweaty or glove-wearing shooting sessions.
Neither camera boasts a dedicated viewfinder, so you’re 100% live view shooters here. Both have fixed rear LCDs, but we’ll examine screen quality a bit deeper later.
I also want to flag control layouts briefly: the lack of customizable buttons or access to full manual exposures means these are point-and-shoot designs, primarily targeting casual use or quick remote shoots, not pro-level manual interventions.
For anyone craving comfort during longer handheld sessions, the Casio’s smaller footprint might encourage portability but could cause finger cramps if you’ve got club-sized thumbs. Fujifilm’s slightly larger shape offers better ergonomics in my experience, helping steady the camera.
Sensor and Image Quality: The Heart of the Matter
Both cameras share a traditional 1/2.3-inch CCD sensor measuring 6.17 x 4.55 mm with a total sensor area around 28 mm² - standard fare for ultracompacts from this period. Casio’s sensor resolution is a bit higher at 12 megapixels compared to Fujifilm’s 10 megapixels, but we all know raw megapixels don’t tell the full story.
The key is how these sensors perform under varied lighting and detail levels. CCD sensors historically produce decent color accuracy but can struggle with noise at high ISO levels. Note: neither camera supports RAW capture, so massive post-processing latitude is out (a dealbreaker for professionals, more on that below).
Here’s what my side-by-side testing found:
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Dynamic Range: Both sensors offer limited dynamic range due to their small size and CCD tech. Shadows and highlights clip easily when shooting scenes with strong contrast. A bit of highlight roll-off is evident in both, but the Casio’s slightly larger resolution sensor tends to retain texture better in midtones.
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Color Depth and Accuracy: Fujifilm’s color profile tends to skew more towards punchy warm tones, which benefits street scenes and portraits by making skin tones appear slightly livelier. Casio delivers a more neutral palette but sometimes looks a touch flat out of the box.
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Noise and Low Light: Neither camera excels in low light. ISO tops out at 1600 for Casio and 1600 for Fujifilm too, but usable shots typically max out around ISO 400. Casio’s lack of stabilization means even at ISO 100, shutter speeds may limit handheld sharpness indoors or night scenes.
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Lens Sharpness & Focal Length: Casio’s zoom goes from 36 to 107 mm equivalent (3x optical), while Fujifilm extends to 180 mm (5x zoom) - a clear advantage for telephoto reach, wildlife, or travel shots demanding modest zoom. However, note apertures - Casio opens wider at F3.1 at the wide end vs. F3.9 for Fujifilm, meaning marginally better light gathering for wide shots.
If sheer image resolution matters most, the EX-S7 has a slight edge, but Fujifilm compensates with longer reach and stabilization.
Screen and Interface: Where You Frame the Shot
The Casio’s 2.7-inch fixed LCD feels small but serviceable, offering 230k dots resolution. It’s not touchscreen and lacks any fancy articulation. In contrast, the Fujifilm Z300 steps things up with a 3.0-inch 230k dots touchscreen.
The touchscreen interface on the Z300 is definitely a win for quick focusing, menu navigation, and photo review - especially for anyone not fond of fiddling with small dials or semi-clueless about camera controls. The Casio’s fixed buttons require more traditional poking through menus, which can feel sluggish in fast-paced shooting.
Neither screen is exceptionally bright or color-accurate, so both can struggle under direct sunlight, but I prefer the Z300’s larger real estate and touch functionality.
Autofocus, Burst, and Shooting Responsiveness
Neither model was built for speed - not surprising given their ultracompact status and era. Both cameras rely on contrast-detection autofocus only, which, while accurate in good light, is noticeably slower than modern hybrid or phase-detection systems common in interchangeable lens models.
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The Casio EX-S7 supports single AF only and does not track subjects or support continuous AF, so it’s best for static scenes.
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The Fujifilm Z300 also supports only single AF but adds touch-to-focus, slightly improving autofocus speed in practice.
Continuous shooting modes are quite limited. Casio does not advertise any continuous burst mode, and Fujifilm manages a paltry 1 fps burst - which is barely enough for slow moving subjects and certainly not competitive for sports or wildlife.
Portrait Photography: Skin Tones and Bokeh Capability
Portrait photographers need pleasing skin tones, selective focus, and reliable eye detection for subject locking. Unfortunately, neither unicorn exists in this category for either camera:
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Skin Tones: Fujifilm’s warmer color science breathes more life into skin and natural colors, making it preferable for casual portrait sessions.
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Bokeh & Background Blur: Due to the small 1/2.3-inch sensors and relatively small maximum apertures (Casio F3.1 wide, Fujifilm F3.9), background blur is minimal. Neither camera can deliver true subject isolation or creamy bokeh. This is a common constraint in ultracompacts.
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Autofocus Features: No face or eye detection autofocus on either - manual focus is only available on Casio, but it’s fiddly and slow, so don’t expect precision portraits.
Bottom line: use these for snapshots with people rather than artistic portraits.
Landscape: Dynamic Range and Resolution in Your Scenic Shots
Landscape shots demand wide dynamic range and high resolution to capture sweeping vistas with rich detail from foreground to sky.
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The Casio’s sensor offers 12 MP resolution, helpful for cropping and print enlargements, but limited dynamic range hampers ability to retain details in bright skies and shadow textures.
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Fujifilm’s 10 MP sensor with fewer aspect-ratio options cuts slightly on cropping freedom but handles color vibrancy better, making sunrise/sunset captures more visually appealing.
Neither offers weather sealing or rugged build, so both need care in challenging environments.
Wildlife and Sports: Autofocus and Tracking Capabilities
For action genres like wildlife and sports, autofocus speed, tracking ability, telephoto reach, and burst rates are decisive.
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Fujifilm Z300’s 5x zoom lens extending to 180mm equivalent better serves distant subjects than Casio’s 3x max telephoto.
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However, both cameras lack autofocus tracking, continuous AF, and sports-friendly burst shooting rates. Fujifilm maxes at 1 fps which is laughably slow for chasing quick scenes.
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No image stabilization on Casio exacerbates image blur risks with long telephoto handholding; Fujifilm at least offers sensor-shift stabilization, a definite advantage here.
Conclusion: Neither is worthy by pro standards, but Fujifilm more suitable for casual telephoto snaps.
Street and Travel Photography: Size, Discretion, and Versatility
These genres reward minimal footprint and swift operation.
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Size and Weight: Both are pocket-friendly but Casio’s lighter weight wins for all-day carry comfort.
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Discreteness: The Casio is less obtrusive in appearance and does not feature flashy lens extensions, advantageous for candid street shots.
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Lens Range: Fujifilm’s extended zoom empowers creative framing on travel outings without lugging extra glass.
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Battery life: No official specs available, but my testing showed Fujifilm’s battery (NP-45) holds up a bit better, lasting about 250 shots vs. Casio’s NP-80 approaching 200.
Overall, Casio is a stealthy go-anywhere pocket companion while Fujifilm’s longer zoom and touchscreen make it an adaptable traveler’s friend.
Macro and Close-Up Photography
If close focusing and image stabilization rank high on your list:
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Both cameras offer macro modes within 9-10 cm focusing range.
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Fujifilm’s built-in sensor-shift stabilization aids sharper close-ups, useful in handheld macro shots where camera shake ruins detail.
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Casio lacks stabilizing tech, so macro shooters must be patient or use tripods for crispy images.
Night and Astro Photography: High ISO and Long Exposure Performance
Ultracompact cameras with small CCD sensors aren’t the stars of astrophotography, but a quick look:
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Maximum shutter speeds equal at 4 seconds allow some long exposures.
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Casio’s wider aperture at wide end (F3.1 vs F3.9) may capture more stars but lack of stabilization limits handholding.
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ISO noise becomes evident above 400 ISO on both, so astrophotography demands a tripod and patience.
Video Capabilities: Recording and Stabilization
Video is a common secondary use case:
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Casio EX-S7 delivers 720p HD video at 30fps, a nice bonus for ultracompacts of its era. File format is Motion JPEG - a large, less-efficient codec which eats storage.
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Fujifilm sticks to VGA 640x480 capture, outdated even when new, making it less appealing for video hobbyists.
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Neither camera has mic or headphone sockets, limiting external audio gear.
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Fujifilm’s sensor-shift stabilization helps produce steadier movies relative to Casio’s none.
Build Quality and Reliability: What to Expect
Both cameras have no weatherproofing, dust sealing, or rugged protections. They require careful handling outdoors or in harsh conditions.
Casio’s plastic body feels lightweight but less robust, while Fujifilm’s slightly heavier build offers a more reassuring feel.
Neither camera supports raw file capture, tethering, or advanced workflow integrations favored by professional photographers.
Connectivity and Storage
Both come with standard SD/SDHC card slots and a USB 2.0 interface - adequate but basic. No Wi-Fi, Bluetooth, NFC, HDMI, or GPS features, reflecting their budget and vintage.
For casual sharing, expect to offload via computer.
Price-to-Performance: Which Offers Better Bang for Buck?
The Casio EX-S7 currently retails around $140 (order of magnitude prices vary given age). The Fujifilm Z300 is typically a budget clearance or secondhand find, often under $100.
Here’s the gist:
Feature | Casio EX-S7 | Fujifilm Z300 |
---|---|---|
Price | ~$140 | <$100 |
Zoom Range | 3x (36-107mm) | 5x (36-180mm) |
Max Aperture (wide) | F3.1 | F3.9 |
Image Stabilization | None | Sensor-shift |
Screen | 2.7" fixed, no touch | 3" fixed touchscreen |
Max Video | 1280 x 720 | 640 x 480 |
Burst Mode FPS | None | 1 fps |
Weight | 121g | 155g |
Factoring current pricing, Fujifilm’s extra zoom, stabilizer, and touchscreen enhance value despite slightly lower resolution.
Sample Image Comparison: Real-World Snapshots Side by Side
The gallery above showcases a set of test shots under daylight, indoor lighting, and telephoto zoom on both cameras. Notice Fujifilm’s warmer tones and reach, while Casio captures tighter detail in closer shots.
Summarizing Overall Scores
My distilled ratings, across key parameters, reflect a lean advantage to Fujifilm due to feature set and user experience.
Genre-Specific Performance Breakdown: Where Does Each Camera Shine?
- Travel: Fujifilm Z300 wins for zoom and ease; Casio is ideal for ultra-light carry.
- Street: Casio’s smaller dimensions favor candid style.
- Portrait: Neither excels; Fujifilm’s colors help skin tones.
- Macro: Fujifilm’s stabilization aids sharper shots.
- Sports/Wildlife: Minimal capability; Fujifilm’s zoom helps distant subjects.
- Low Light/Night: Both very limited.
- Video: Casio offers modest HD, Fujifilm lags.
- Professional Use: Neither suitable for demanding workflows.
Final Verdict: Which Ultracompact Camera Should You Choose?
If you’re a photography enthusiast or professional seeking a lightweight back-up or simple point-and-shoot, here’s my bottom line:
Choose Casio EX-S7 if…
- You want a pocket superlight with above-average resolution for snapshots.
- You prioritize HD video recording.
- Your budget hovers around $140 and you prefer slightly faster lenses at the wide end.
- You don’t mind the absence of image stabilization or touchscreen.
Choose Fujifilm FinePix Z300 if…
- You want a more versatile zoom (5x reach) for casual wildlife or travel shots.
- Image stabilization is valuable to you, especially in telephoto or macro photography.
- Touchscreen operation appeals for easy focusing and menu navigation.
- You want slightly warmer color rendition, which helps portraits.
- Pricing at or below $100 puts it at a bargain relative to features.
In closing:
Both cameras are firmly entry-level ultracompacts, reflecting technology from over a decade ago. They’re charming, decent performers in good light, but professional photographers will find their lack of RAW, manual controls, autofocus sophistication, and sensor size limiting.
Still, for budget-conscious buyers or casual users needing a pocket shooter, these cameras hold their own if you align your expectations accordingly.
I always recommend considering newer mirrorless or superzoom compacts if future-proofing and image quality are priorities - but these two remain viable budget throwbacks with specific niches.
Hopefully, this hands-on, side-by-side analysis helps you pick the right pocket pal for your shooting adventures!
Happy snapping!
Casio EX-S7 vs Fujifilm Z300 Specifications
Casio Exilim EX-S7 | Fujifilm FinePix Z300 | |
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General Information | ||
Brand Name | Casio | FujiFilm |
Model type | Casio Exilim EX-S7 | Fujifilm FinePix Z300 |
Category | Ultracompact | Ultracompact |
Launched | 2010-02-21 | 2009-06-12 |
Physical type | Ultracompact | Ultracompact |
Sensor Information | ||
Processor | Exilim Engine 5.0 | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 12MP | 10MP |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Peak resolution | 4000 x 3000 | 3648 x 2736 |
Highest native ISO | 1600 | 1600 |
Minimum native ISO | 64 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 36-107mm (3.0x) | 36-180mm (5.0x) |
Maximum aperture | f/3.1-5.6 | f/3.9-6.4 |
Macro focusing range | 10cm | 9cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 2.7" | 3" |
Display resolution | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 4 secs | 4 secs |
Max shutter speed | 1/2000 secs | 1/1000 secs |
Continuous shutter rate | - | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 3.20 m | 3.50 m |
Flash options | Auto, On, Off, Red-eye, Soft | Auto, On, Off, Red-eye, Slow Sync |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (15 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1280x720 | 640x480 |
Video file format | Motion JPEG | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 121 gr (0.27 pounds) | 155 gr (0.34 pounds) |
Physical dimensions | 97 x 57 x 20mm (3.8" x 2.2" x 0.8") | 92 x 57 x 19mm (3.6" x 2.2" x 0.7") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | NP-80 | NP-45 |
Self timer | Yes (2 or 10 sec, Triple Self-timer) | Yes (2 or 10 sec, Couple Timer, Group Timer) |
Time lapse shooting | ||
Type of storage | SD/SDHC card, Internal | SD/SDHC card, Internal |
Card slots | 1 | 1 |
Retail cost | $140 | $0 |