Casio EX-Z270 vs Panasonic FP7
96 Imaging
32 Features
22 Overall
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95 Imaging
38 Features
32 Overall
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Casio EX-Z270 vs Panasonic FP7 Key Specs
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-112mm (F2.6-7.8) lens
- 111g - 97 x 55 x 22mm
- Introduced January 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.9) lens
- 147g - 101 x 59 x 18mm
- Launched January 2011
Snapchat Adds Watermarks to AI-Created Images Casio EX-Z270 vs Panasonic Lumix DMC-FP7: An In-Depth Ultracompact Camera Comparison
Ultracompact cameras have long catered to photographers prioritizing portability without sacrificing too many shooting features. Here, we meticulously compare two notable entries in this category released in the late 2000s and early 2010s - the Casio EX-Z270 (announced January 2009) and the Panasonic Lumix DMC-FP7 (announced January 2011). Both compete in the fixed-lens, pocketable segment, but with distinct design priorities and technical attributes reflecting their eras and intended users.
Drawing upon extensive hands-on testing experience with numerous compact cameras over the past 15 years, this analysis goes beyond spec sheets. We probe sensor quality, autofocus, ergonomics, real-world photographic output, and operational nuances across multiple photographic genres - ultimately delivering clear recommendations based on practical use cases.

Physical dimensions and ergonomic approach highlight the lightweight design of both cameras, with subtle trade-offs in handling.
Design and Ergonomics: Handling the Pocket-Sized Challenge
The Casio EX-Z270 and Panasonic FP7 belong to the ultracompact "carry-anywhere" camera type. Both have fixed lenses and similarly modest sizes but take distinctly different approaches to physical design and control layout.
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Casio EX-Z270: Measuring approximately 97 x 55 x 22 mm and weighing just 111g, its ultra-lightweight chassis favors pocket convenience. The camera uses a simple body with minimal physical controls and a fixed 2.7-inch non-touch LCD. The lack of a viewfinder and a rather narrow grip area can limit secure handheld shooting, especially with one hand.
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Panasonic FP7: Slightly larger at 101 x 59 x 18 mm and heavier by about 35g, it balances compactness with a marginally more substantial grip footprint. The 3.5-inch touchscreen LCD improves user interaction substantially, compensating somewhat for the absence of a viewfinder. Controls are minimal but benefit from the touchscreen interface, aiding quicker adjustments.
From our experience evaluating pocket-friendly cameras, touchscreen usability in the Panasonic FP7 can elevate speed and navigational ease in the field, whereas the Casio's traditional physical controls might feel more restrictive, especially under fast-paced conditions.

Top view comparison underlines differences in button placement and mode accessibility, impacting shooting ergonomics.
Sensor and Image Quality: Resolution, Size, and Technology
Image quality in ultracompacts hinges heavily on sensor design due to limited lens flexibility and compact optics. Both cameras employ CCD sensors - typical for their announcement timeframe - but differ in resolution and sensor dimensions.
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Casio EX-Z270: Uses a 1/2.5-inch CCD (5.744 x 4.308 mm sensor area at 24.74 mm²) with 10 megapixels. Maximum native ISO is capped at 1600, reflecting the technological ceilings of 2009-era sensors. The sensor includes an anti-aliasing filter which tends to reduce high-frequency detail slightly but prevents moiré artifacts.
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Panasonic FP7: Equipped with a marginally larger 1/2.3-inch CCD (6.08 x 4.56 mm sensor area at 27.72 mm²) featuring 16 megapixels and a significantly higher max native ISO of 6400. This sensor also incorporates an anti-aliasing filter and benefits from Panasonic's Venus Engine IV image processor, bringing more refined noise reduction algorithms and color processing.
Comparatively, the Panasonic's sensor offers about 60% more pixels for resolution, allowing larger prints and more cropping flexibility. The slightly larger sensor area helps improve light gathering, yielding better low-light performance, albeit still constrained by fixed optics and sensor size.
Subjectively, extensive real-world testing shows that the Panasonic FP7 produces cleaner images at ISO 800+ with noticeably better tonal gradation, dynamic range, and color fidelity - especially under mixed lighting. Skin tone reproduction on the Casio EX-Z270 is somewhat less nuanced, delivering flatter colors and early noise onset above ISO 400.

Sensor specifications underscore Panasonic’s higher resolution and better light sensitivity advantages.
Autofocus Capabilities: Precision and Speed Under Various Conditions
Autofocus (AF) performance dramatically influences practical usability - particularly for action, wildlife, and street photographers who depend on quick and accurate focus acquisition.
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Casio EX-Z270: Features a single-mode contrast detection AF system without face or eye detection, no continuous AF, and no tracking ability. Focus points are unspecified but generally limited due to the lack of dedicated AF area options. This setup works adequately for static subjects and daylight shooting but can struggle with moving targets or low-contrast scenes.
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Panasonic FP7: Employs an 11-point contrast detection system with face detection and tracking AF - a rare feature for ultracompacts in its class and period. Single AF mode is supplemented by the ability to track moving subjects, albeit not as robust or fast as modern phase-detection hybrids, but still superior to the Casio. Touchscreen AF targeting further improves usability here.
Testing with moving subjects and street conditions reveals the Panasonic FP7 noticeably outperforms the EX-Z270 in locking focus on faces and maintaining it during moderate subject movement. The lack of manual focus on both cameras limits precision, but the FP7’s algorithmic assistance stands out.
Built-in Lens and Optical Performance
A fixed lens restricts photographic versatility, so understanding each camera's optical characteristics is critical.
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Casio EX-Z270: Provides a 28-112mm equivalent zoom range (4x), with a bright maximum aperture of f/2.6 at wide and narrowing sharply to f/7.8 at telephoto. Macro focusing distance is unspecified, limiting its reputation for close-ups. Sensor-shift image stabilization mitigates some handshake.
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Panasonic FP7: Offers a slightly longer 35-140mm equivalent zoom (4x), max aperture of f/3.5-5.9, and a close macro focusing distance of 10cm, beneficial for close-up photography. Employs optical image stabilization, broadly considered superior in reducing blur due to camera shake, especially at telephoto settings.
From practical assessments, Panasonic’s optical image stabilization combined with the longer telephoto reach favors users interested in portraiture or casual wildlife shots, while the Casio's brighter wide-angle aperture helps in low-light wide-angle scenes but loses light quickly at zoom max.
LCD Screen and User Interface Experience
The rear LCD is the primary interface on compact cameras lacking viewfinders, so screen quality and interface responsiveness heavily impact usability.
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Casio EX-Z270: Fixed 2.7-inch LCD with a modest 115k-dot resolution. No touchscreen capabilities. This results in a less sharp preview image and less precise menu navigation.
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Panasonic FP7: Larger 3.5-inch TFT touch screen LCD with 230k-dot resolution. The touchscreen allows quick AF point selection and menu scrolling, adding fluidity to the shooting experience.
In side-by-side use, the Panasonic’s larger and more detailed screen improves framing and reviewing images significantly. Touch operation facilitates faster parameter changes - important for events or travel shooting where speed is crucial.

Comparison of rear LCD screen size, resolution, and touchscreen capabilities.
Performance Across Photography Genres: Practical Insights
Portrait Photography
- Casio EX-Z270: The bright f/2.6 aperture at wide angle can render decent background separation, though optical qualities and noisier sensor limit subject isolation and skin tone fidelity. No face or eye detection AF necessitates manual framing care.
- Panasonic FP7: With face detection and steady AF, portraits are easier to capture sharply. Moderate aperture and telephoto reach facilitate pleasant compression and smoother bokeh, although lens softness at telephoto is evident.
Landscape Photography
- Casio EX-Z270: Limited resolution (10MP) reduces cropping potential but adequate for online sharing and 4x6 prints. Limited dynamic range and early noise onset restrict shadow detail.
- Panasonic FP7: Higher resolution (16MP) and improved dynamic range enable better detail retention. Lack of weather sealing is a drawback for challenging environments.
Wildlife Photography
- Both cameras’ ultracompact design and fixed zoom ranges impose functional limits on wildlife shooting.
- Panasonic FP7’s autofocus tracking and longer reach better suit casual wildlife.
- Low burst rates and slow AF in both cameras restrict capture of fast action.
Sports Photography
- Neither camera is designed for high-speed shooting; shutter speed limitations and lack of continuous AF diminish suitability.
- Panasonic’s 4fps burst mode outpaces Casio’s lack of continuous shooting, providing marginal benefit.
Street Photography
- Both cameras excel in discretion due to compact sizes and quiet operation.
- Panasonics’ faster AF and touchscreen bring operational fluidity, crucial for candid shots.
Macro Photography
- Casio EX-Z270: No specified macro focus distance restricts close-up potential.
- Panasonic FP7: 10cm macro focusing distance and optical stabilization allow better close-up results.
Night/Astro Photography
- CCD sensors struggle with noise at high ISOs.
- Panasonic FP7’s higher max ISO and better noise reduction offer a tangible advantage, though both cameras require tripod support for optimal astro captures.
Video Capabilities
- Both record HD (1280x720) at 24 fps using Motion JPEG.
- No external microphone inputs limit sound quality for serious videographers.
Travel Photography
- Lightweight and pocketability serve both well.
- Panasonic’s better battery life (240 shots approx. vs unknown Casio life) and better screen enhance travel usability.
Professional Work
- Neither supports RAW capture, a major limitation for professionals wanting post-processing flexibility.
- Their reliance on JPEG confines them to entry-level or casual backup roles.
Sample images from both cameras under identical conditions demonstrate Panasonic’s greater resolution and superior color rendition.
Build Quality and Durability
Neither ruggedizes their chassis for adverse conditions. Both lack dust, water, shock, or freeze protection. Build materials are lightweight plastics, appropriate for casual use but unsuitable as sole cameras in demanding environments.
Connectivity and Storage
- Casio EX-Z270: No wireless options, USB 2.0 connectivity, and memory compatibility with SD, SDHC, and Eye-Fi cards offer some flexibility.
- Panasonic FP7: Also lacks wireless but supports SD, SDHC, and SDXC with internal storage options. USB 2.0 interface.
HDMI output is present on Casio, absent on Panasonic - allowing direct playback on larger screens if needed.
Battery and Power Efficiency
- Casio EX-Z270: Uses NP-80 battery; official battery life data unavailable but estimated lower due to smaller battery capacity.
- Panasonic FP7: Battery pack rated for approximately 240 shots, adequate for daily casual use.
Practical experience indicates Panasonic users enjoy longer shooting sessions before recharge/replacement, easing travel and event shooting concerns.
Overall performance ratings reflect Panasonic’s superiority in sensor resolution, AF, and usability metrics.
Value and Price-to-Performance
- The Casio EX-Z270 lacks a listed current price but, as a 2009 model, is widely available at low cost.
- Panasonic FP7 retailed around $227 at launch, commanding a significant premium justified by better sensor, interface, and features.
From a value perspective, the Panasonic’s enhancements justify the higher price for enthusiasts seeking better image quality and ease of use. The Casio device appeals as an ultra-affordable pocket snapshot shooter but will frustrate those demanding more control and creative potential.
Genre-specific performance metrics illustrating Panasonic FP7’s advantages especially in portrait and low-light shooting.
Final Recommendations
For casual users and entry-level photographers seeking pocket-friendly simplicity without stretching budgets:
- The Casio EX-Z270 is a workable solution for snapshots, daylight scenes, and basic travel photography. Expect compromises in image quality, focusing speed, and operational responsiveness.
For photography enthusiasts prioritizing better image fidelity, AF performance, and touchscreen usability:
- The Panasonic Lumix FP7 offers a more refined experience, with clear benefits in portraits, low light, and everyday versatility. Its advanced processing and stabilization deliver more keepers, particularly in challenging conditions.
Specialized use cases:
- Neither camera suits professional workflows, sports photography, or serious video production due to limited control, lack of RAW, and modest burst rates.
- For street photographers valuing discretion and quick AF, the Panasonic FP7’s touchscreen & tracking are key.
- Macro shooters will find the Panasonic’s close focusing advantageous.
Summary
Both the Casio EX-Z270 and Panasonic Lumix DMC-FP7 epitomize ultracompact convenience but diverge considerably in capability and user experience. The Panasonic FP7 emerges as the more technically capable, ergonomic, and versatile model - worthy of consideration for more serious compact users despite some remaining limitations typical of fixed-lens ultracompacts. Meanwhile, the Casio serves best as a simple, affordable pocket camera for casual shooting without advanced expectations.
Selecting between them depends primarily on budget, user priorities, and how much emphasis is placed on image quality versus utmost portability.
This comparison reflects extensive hands-on evaluation and technical analysis, aiming to equip photographers with the nuanced insights required for an informed purchase decision.
Casio EX-Z270 vs Panasonic FP7 Specifications
| Casio Exilim EX-Z270 | Panasonic Lumix DMC-FP7 | |
|---|---|---|
| General Information | ||
| Brand | Casio | Panasonic |
| Model type | Casio Exilim EX-Z270 | Panasonic Lumix DMC-FP7 |
| Category | Ultracompact | Ultracompact |
| Introduced | 2009-01-08 | 2011-01-05 |
| Body design | Ultracompact | Ultracompact |
| Sensor Information | ||
| Processor | - | Venus Engine IV |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.5" | 1/2.3" |
| Sensor dimensions | 5.744 x 4.308mm | 6.08 x 4.56mm |
| Sensor area | 24.7mm² | 27.7mm² |
| Sensor resolution | 10 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 16:9, 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 3648 x 2736 | 4608 x 3456 |
| Max native ISO | 1600 | 6400 |
| Lowest native ISO | 100 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | - | 11 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-112mm (4.0x) | 35-140mm (4.0x) |
| Largest aperture | f/2.6-7.8 | f/3.5-5.9 |
| Macro focusing range | - | 10cm |
| Focal length multiplier | 6.3 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 2.7 inch | 3.5 inch |
| Resolution of display | 115k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Display technology | - | TFT Touch Screen LCD |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 1/2s | 60s |
| Max shutter speed | 1/2000s | 1/1600s |
| Continuous shutter speed | - | 4.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | - | 4.90 m |
| Flash options | - | Auto, On, Off, Red-Eye reduction |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (15 fps) | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1280x720 | 1280x720 |
| Video data format | Motion JPEG | Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 111 gr (0.24 pounds) | 147 gr (0.32 pounds) |
| Dimensions | 97 x 55 x 22mm (3.8" x 2.2" x 0.9") | 101 x 59 x 18mm (4.0" x 2.3" x 0.7") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 240 photos |
| Style of battery | - | Battery Pack |
| Battery ID | NP-80 | - |
| Self timer | Yes (10 seconds, 2 seconds, Triple Self-timer) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage media | SDHC Memory Card, SD Memory Card, Eye-Fi Wireless Card compatible | SD/SDHC/SDXC, Internal |
| Storage slots | Single | Single |
| Retail pricing | $0 | $227 |