Casio EX-Z270 vs Panasonic FS12
96 Imaging
32 Features
22 Overall
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95 Imaging
34 Features
14 Overall
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Casio EX-Z270 vs Panasonic FS12 Key Specs
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-112mm (F2.6-7.8) lens
- 111g - 97 x 55 x 22mm
- Introduced January 2009
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600 (Raise to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 31-124mm (F2.8-5.9) lens
- 129g - 97 x 55 x 22mm
- Introduced April 2009
Photography Glossary Compact Camera Showdown: Casio EX-Z270 vs Panasonic Lumix FS12 - An Expert Comparison for Photography Enthusiasts
Selecting a compact camera that fits your creative vision can be surprisingly challenging, especially when options appear similar on paper but differ vastly in real-world performance. Today, we take a deep dive into two popular ultracompact cameras launched in 2009: the Casio EX-Z270 and the Panasonic Lumix FS12. Both were designed to cater to casual shooters and enthusiasts looking for a pocketable camera without the complexity and bulk of DSLRs or mirrorless systems.
Having spent thousands of hours evaluating cameras across genres, I'll walk you through the key technical and practical aspects that differentiate these machines. Whether you’re a novice photo explorer, an advanced hobbyist, or a professional seeking a reliable travel-backup camera, this side-by-side comparison will help you assess which is right for your photographic needs.
Putting Size and Ergonomics Under the Microscope
Before we even consider specs, size and handling play an outsized role in how much you enjoy using a camera daily. Some ultracompacts feel like a smooth extension of your hand, while others can be fiddly or awkward.
Both the Casio EX-Z270 and Panasonic FS12 share almost identical body dimensions at 97x55x22 mm, a footprint that easily slides into pockets and small purses.

- Casio EX-Z270: Weighing just 111 grams, this model is one of the lightest in its class. Its compactness is complemented by a gently rounded profile, making it feel organic and natural in your grip.
- Panasonic FS12: Slightly heavier at 129 grams, it still feels fairly light but with a bit more substantial build. The extra heft can aid stability when shooting longer focal lengths.
Ergonomics and Controls
Looking at the top view design:

- Casio keeps it basic with minimal controls - straightforward but limited customization.
- Panasonic offers similar button layout, but with better tactile feedback and more control options like a dedicated flash mode dial.
While neither offers manual focus or exposure modes (both cameras are firmly aimed at point-and-shoot users), the Panasonic’s buttons feel more natural to operate quickly, which can make all the difference when capturing spontaneous moments.
Screen and Interface
A 2.7-inch fixed LCD screen adorns both cameras, but the differences lie in resolution and visibility.

- The Casio has a 115k-dot display, adequate under shaded conditions but challenging in bright sunlight.
- Panasonic doubles that with a 230k-dot screen, delivering crisper previews that are easier to frame and review outdoors.
Neither offers touchscreen interaction, so menu navigation relies on physical buttons, which may feel a little dated but are reliable.
Sensor Technology and Image Quality: Tiny But Mighty?
Image quality is paramount, even in ultracompacts. Both the EX-Z270 and FS12 deploy 1/2.5-inch and 1/2.3-inch CCD sensors respectively, commonly used in budget compacts of their era.

Resolution and Sensor Size
| Feature | Casio EX-Z270 | Panasonic Lumix FS12 |
|---|---|---|
| Sensor Type | CCD | CCD |
| Sensor Size | 1/2.5" (5.74 x 4.31 mm) | 1/2.3" (6.08 x 4.56 mm) |
| Effective Megapixels | 10 MP | 12 MP |
| Maximum Image Resolution | 3648 x 2736 px | 4000 x 3000 px |
| Anti-aliasing Filter | Yes | Yes |
What this means for you: The Panasonic FS12’s slightly larger sensor area and higher megapixel count allow for marginally higher resolution shots with a bit more detail - something you'll notice in landscapes and fine textures. A larger sensor generally means better light gathering, but the difference here is subtle.
ISO Sensitivity and Low-Light
Both cameras list a maximum ISO of 1600 native; however, Panasonic offers a boosted ISO 6400 mode, which is more experimental and results in noisy images. The Casio holds fast at ISO 1600.
Though both cameras use CCD sensors - which excel in color depth and natural colors for daylight - noise performance at high ISO is mediocre, as expected for sensors of this size and vintage. Low-light photography and night scenes will inevitably show grain.
Lens and Aperture Ranges
| Specification | Casio EX-Z270 | Panasonic Lumix FS12 |
|---|---|---|
| Focal Length | 28–112 mm (35mm equiv.) | 31–124 mm (35mm equiv.) |
| Optical Zoom | 4x | 4x |
| Maximum Aperture Range | f/2.6–7.8 | f/2.8–5.9 |
| Macro Mode | Not specified | 5 cm minimum focusing distance |
The Casio mans a slightly wider angle at the wide end (28mm vs 31mm), giving a bit more framing flexibility for landscapes and interiors, while Panasonic extends slightly longer on telephoto, useful for casual portraits or street photography.
The Casio’s brighter aperture at f/2.6 wide open is beneficial for shooting in lower light or creating modest background separation - valuable for portraits.
Autofocus and Shooting Performance: Speed Counts
Autofocus performance is crucial for quick, accurate framing, especially for moving subjects or candid shooting.
Both cameras employ contrast-detection AF systems without any phase detection technology, limiting speed and tracking capabilities.
- Casio EX-Z270: Single AF only, no continuous or tracking autofocus. Focus area options are minimal, relying on central framing.
- Panasonic FS12: Also single AF with no tracking but offers continuous shooting at 2 fps for brief bursts.
Neither camera supports face or eye detection, which by today’s standards feels limiting but was common for their release period. Both cameras do live view focusing via their LCDs.
| Feature | Casio EX-Z270 | Panasonic Lumix FS12 |
|---|---|---|
| Autofocus Type | Contrast Detection | Contrast Detection |
| AF Modes | Single only | Single only |
| Continuous AF | No | No |
| Continuous Shooting Rate | N/A | 2 fps |
| Burst Frames Limit | N/A | Limited |
For wildlife or sports photography, neither camera is ideal. The Panasonic’s modest continuous shooting gives it a slight edge for action but remains insufficient for more serious tracking.
Practical Photo Use Cases: Matching Cameras to Your Genre
Let’s review how these cameras perform in popular photography disciplines so you can gauge which meets your specific needs.
Portrait Photography
- Casio EX-Z270 offers a wider aperture (f/2.6), helping produce modest subject-background separation. However, lacking face detection or eye AF means you control focusing entirely.
- Panasonic FS12 counters with higher resolution and longer zoom, good for casual portraits but without advanced focusing aids.
Neither camera will create creamy bokeh like larger sensor cameras, but for casual portraits under good lighting, you can achieve respectable results.
Landscape Photography
Dynamic range and resolution shine here.
- Panasonic FS12 wins with its higher megapixel count (12MP vs 10MP) and a slightly larger sensor aiding image detail and tonal gradation.
- Both cameras lack weather sealing; rugged field use requires extra care.
The Panasonic’s better screen aids composition while reviewing landscapes outside.
Wildlife and Sports Photography
The cameras struggle with speed and autofocus:
- Both lack fast continuous AF, low-latency shutter, or high FPS burst rates.
- Panasonic’s 2 fps burst is better than nothing but inadequate for fast-moving subjects.
- Both zoom ranges stop at 4x optical, limiting telephoto reach.
If your focus is wildlife or sports, neither is ideal. Consider interchangeable lens systems or more modern compacts.
Street Photography
Portability is king here.
- Casio EX-Z270’s exceptionally light weight (111g) and compactness make it a discreet street shooter.
- Both cameras operate quietly with electronic shutter modes, though shutter speeds are limited.
- Low-light performance is mediocre, but the Casio’s slightly brighter aperture provides a small advantage.
The Panasonic’s longer zoom is less discreet but may come in handy surreptitiously observing street scenes.
Macro Photography
- Panasonic claims macro focusing down to 5 cm, offering you a better chance at close-up detail shots.
- Casio lacks specific macro support.
Fantastic for flower or product shots in good light; neither camera offers focus stacking or enhanced macro features.
Night and Astro Photography
Neither camera excels here:
- Noise levels at high ISO are elevated.
- No long exposure modes or bulb settings.
- Neither supports RAW capture, limiting postprocessing recovery.
The Casio’s maximum shutter speed tops at 1/2 second, while Panasonic can reach longer during exposure. Neither offers special night modes.
Video Recording Potential
- Casio EX-Z270: Offers 720p HD video at 24 fps.
- Panasonic FS12: Limited to 848x480 pixels at 30 fps.
Both save video in Motion JPEG format - the most basic and least efficient codec today - resulting in large file sizes and lower quality.
No microphone or headphone inputs restrict audio control, limiting options for serious videographers. No 4K or even Full HD video on either.
Travel Photography
This is where these ultracompacts shine.
| Criteria | Casio EX-Z270 | Panasonic FS12 |
|---|---|---|
| Weight | 111 g | 129 g |
| Dimensions | 97x55x22 mm | 97x55x22 mm |
| Battery Life | Moderate (typical of era) | Not specified |
| Lens Range | 28-112 mm | 31-124 mm |
Portability, combined with decent zoom ranges and simple functionality, make both suitable travel cameras. Battery life is conservative, so carrying spares is recommended.
Build Quality and Environmental Resistance
Neither camera offers weather sealing, waterproofing, or shockproofing. Both are delicate electronics meant for everyday casual use rather than rugged adventures.
Connectivity Options and Storage
| Feature | Casio EX-Z270 | Panasonic FS12 |
|---|---|---|
| Wireless Connectivity | None | None |
| Wired Connection | USB 2.0, HDMI | USB 2.0 |
| Memory Card Type | SD/SDHC, Eye-Fi compatible | SD/SDHC, Internal memory |
| Storage Slots | 1 | 1 |
The Casio’s HDMI port is a practical addition for easy playback on TVs. Panasonic offers limited internal memory, which can fill quickly at higher resolutions.
Lens Ecosystem and Expandability
Both cameras come fixed-lens only - no interchangeable lenses or accessory ports.
Comprehensive Sample Image Gallery
Examining actual sample images gives invaluable insight into real-world performance.
- Notice the Panasonic’s enhanced detail and slightly richer colors due to higher resolution sensor.
- Casio shots tend to have a more natural color palette with pleasant, though conservative, contrast.
- Both struggle with noise above ISO 800.
Overall Performance Ratings
While neither camera represents cutting-edge technology, their intended market was casual, point-and-shoot photographers, and by those standards, both perform adequately.
The Panasonic FS12 edges out with higher resolution, better screen, and modest continuous shooting. Casio EX-Z270 wins on pocketability and simplicity.
Genre-Specific Performance Summary
Breaking down strengths per photography type:
- Landscape: Panasonic FS12 leads on resolution/detail.
- Portraits: Casio EX-Z270 benefits from wider aperture.
- Street/Travel: Casio offers lightweight, sleek design advantages.
- Wildlife/Sports: Neither is practical.
- Macro: Panasonic FS12 supports close focusing.
- Night/Astro: Both limited.
- Video: Casio’s HD mode is preferable.
Pricing and Value Considerations
The Casio EX-Z270, discontinued but occasionally found used or as a budget model, typically commands lower prices due to age and feature set.
The Panasonic FS12, originally retailing around $228, delivers more features for the price, though both cameras have been surpassed by newer models offering far superior capabilities.
Final Thoughts and Recommendations
Who Should Consider the Casio EX-Z270?
- You want ultralight, pocket-friendly gear for casual travel or family snapshots.
- You prioritize simplicity and ease of use without superfluous features.
- You occasionally photograph portraits and benefit from a brighter lens aperture.
- You seek a camera with HD video support.
Who Should Lean Toward the Panasonic Lumix FS12?
- You want higher resolution images and finer detail in landscapes.
- You would like a better LCD screen for composition and playback.
- Close-up/macro shooting interests you.
- You appreciate the versatile flash modes and slightly longer zoom range.
- Video is mostly casual; quality has lower priority.
Getting the Most From Your Compact Camera
- Invest in good quality memory cards to prevent lag and increase storage.
- Carry extra batteries, as these cameras are known for average battery life.
- Use camera settings like exposure compensation and white balance to maximize image quality.
- Shoot in bright daylight to reduce noise and take advantage of sharper natural light.
- Consider external accessories like mini tripods or camera pouches to enhance comfort and stability.
Wrapping Up: Choosing Your Next Pocketable Creative Companion
Both the Casio EX-Z270 and Panasonic Lumix FS12 are classic representations of late-2000s ultracompacts and serve well as budget-friendly, straightforward cameras.
While their technology shows signs of age - limited ISO performance, fixed lenses, no RAW capturing, and no advanced AF - their strengths lie in portability and ease-of-use for casual photography.
If you want the lightest possible carry and good low-light lens, go Casio. If you want higher resolution and a better screen for landscape and macro shots, Panasonic wins.
Regardless, these cameras are stepping stones on your creative journey, inviting you to explore compositional fundamentals and storytelling through imagery, no matter your current skill level.
Ready to explore more? Take hands-on trials at local retailers, and check out trusted camera forums for user experiences. Find compatible accessories like SD cards or compact camera cases to enhance your shooting comfort. Most importantly, keep shooting and experimenting - photography is about capturing your unique vision.
Your journey to capturing compelling images starts with the right tool - and now you have the insights to pick the camera that suits your story.
Casio EX-Z270 vs Panasonic FS12 Specifications
| Casio Exilim EX-Z270 | Panasonic Lumix DMC-FS12 | |
|---|---|---|
| General Information | ||
| Brand | Casio | Panasonic |
| Model | Casio Exilim EX-Z270 | Panasonic Lumix DMC-FS12 |
| Category | Ultracompact | Ultracompact |
| Introduced | 2009-01-08 | 2009-04-17 |
| Body design | Ultracompact | Ultracompact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.5" | 1/2.3" |
| Sensor dimensions | 5.744 x 4.308mm | 6.08 x 4.56mm |
| Sensor area | 24.7mm² | 27.7mm² |
| Sensor resolution | 10 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 16:9, 4:3 and 3:2 | 4:3, 3:2 and 16:9 |
| Peak resolution | 3648 x 2736 | 4000 x 3000 |
| Highest native ISO | 1600 | 1600 |
| Highest enhanced ISO | - | 6400 |
| Minimum native ISO | 100 | 80 |
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-112mm (4.0x) | 31-124mm (4.0x) |
| Maximal aperture | f/2.6-7.8 | f/2.8-5.9 |
| Macro focus distance | - | 5cm |
| Crop factor | 6.3 | 5.9 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 2.7 inches | 2.7 inches |
| Screen resolution | 115 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 1/2 seconds | 60 seconds |
| Max shutter speed | 1/2000 seconds | 1/2000 seconds |
| Continuous shutter speed | - | 2.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | - | 6.30 m |
| Flash modes | - | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (15 fps) | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1280x720 | 640x480 |
| Video data format | Motion JPEG | Motion JPEG |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 111g (0.24 lb) | 129g (0.28 lb) |
| Dimensions | 97 x 55 x 22mm (3.8" x 2.2" x 0.9") | 97 x 55 x 22mm (3.8" x 2.2" x 0.9") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | NP-80 | - |
| Self timer | Yes (10 seconds, 2 seconds, Triple Self-timer) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SDHC Memory Card, SD Memory Card, Eye-Fi Wireless Card compatible | SD/SDHC card, Internal |
| Storage slots | 1 | 1 |
| Launch price | $0 | $228 |