Casio EX-Z29 vs Fujifilm S4200
95 Imaging
32 Features
19 Overall
26
67 Imaging
37 Features
37 Overall
37
Casio EX-Z29 vs Fujifilm S4200 Key Specs
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 38-113mm (F) lens
- 125g - 101 x 57 x 23mm
- Announced March 2009
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 1600 (Expand to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-576mm (F3.1-5.9) lens
- 543g - 118 x 81 x 100mm
- Launched January 2012
Samsung Releases Faster Versions of EVO MicroSD Cards Casio EX-Z29 vs Fujifilm FinePix S4200: A Hands-On Comparison for the Discerning Photographer
Choosing a camera is rarely just about specs on paper. Over my 15+ years of hands-on testing, I’ve learned it’s the intimate balance between ergonomics, image quality, autofocus precision, and tailored features that truly shape how a camera serves you in the field. Today, we're peeling back the layers of two very different entrants from the early 2010s: the Casio EX-Z29 ultracompact and the Fujifilm FinePix S4200 bridge camera. While they may seem worlds apart - one a sleek pocket shooter, the other a hefty superzoom - both have carved their niches. My goal here is to equip you with an expert perspective, drawing on in-depth evaluation and real-world use.

Introduction: Different Designs for Different Goals
Right off the bat, we see contrasting philosophies between these two cameras. The Casio EX-Z29, announced in March 2009, is an ultracompact designed for pocketability and straightforward point-and-shoot operation. Weighing just 125 grams and measuring a slim 101 x 57 x 23 mm, it’s built for casual photography and seamless travel ease.
On the other side of the ring, Fujifilm’s S4200, launched in January 2012, presents a bridge style - borrowing the handling cues of a DSLR but in a fixed-lens format. At 543 grams and with much larger physical dimensions (118 x 81 x 100 mm), the S4200 targets enthusiasts wanting a robust zoom range without the bulk of interchangeable lenses.

Beyond size, the top-down design hints at user experience. The Casio keeps things spartan: fixed lens, minimal manual controls, fixed LCD screen, and no viewfinder - Lean but light. The Fujifilm gives you an electronic viewfinder (EVF), a 3-inch 230k-dot LCD, and adventurous exposure modes including aperture priority, shutter priority, and manual exposure controls. These features manifest a more deliberate shooting experience.
Sensor Technology: The Heart of Image Quality
Before we get into field tests, the sensor is the single most critical component defining image quality. Both cameras utilize CCD sensors typical in their era, trading off low-light performance for accurate color at base ISO.

- Casio EX-Z29 sports a 1/2.5" CCD sensor with 10MP effective resolution (3648 x 2736). The sensor measures roughly 5.74 x 4.31 mm, packing about 24.74 mm² of active area.
- Fujifilm FinePix S4200 uses a slightly larger 1/2.3" CCD sensor, boasting 14MP resolution (4288 x 3216) across an approximately 28.07 mm² surface.
Although a small difference on paper, the Fujifilm’s sensor pushes more pixels into a marginally bigger chip, meaning the pixel pitch is tighter. Both sensors employ anti-aliasing filters to reduce moiré but that also slightly softens fine detail.
In practice, this translates to the Fujifilm producing somewhat sharper images with higher resolving power - advantageous especially when cropping or making large prints. The Casio’s 10MP count is respectable but begins to show softness in landscape or detailed textures.
At base ISO (ISO 100), both yield punchy colors and decent dynamic range for their class. However, the Fujifilm offers a lower native ISO (64), giving it an edge in daylight exposures where fine tonal gradation matters. Both top out at ISO 1600 natively; Fujifilm delivers an ISO 6400 boost albeit at notable noise penalties.
Handling and User Interface: Comfort Meets Control
Ergonomics are mission-critical, especially for long shoots or fast action. The Casio EX-Z29 embodies minimalism: no viewfinder, a small 2.7-inch screen with low 115k-dot resolution, and a fixed lens zoom. There’s no image stabilization, manual exposure modes, or enhanced autofocus options - just basic contrast-detection AF in live view.
By contrast, the Fujifilm S4200 feels like a small DSLR with a substantial grip, electronic viewfinder, and a more generous 3-inch screen boasting double the resolution at 230k dots. While the Fujifilm lacks touchscreen or articulated displays, its physical controls support semi-advanced shooting.

Textured rubber grips and larger dials on the Fujifilm add confidence - something I appreciated during handheld telephoto shots. The Casio's pocket-friendly chassis sacrifice comfort for portability; it’s best suited for snapshots or travel-light scenarios.
Notably, the Fujifilm has sensor-shift image stabilization; the Casio does not. This is a critical advantage for shooting at long focal lengths or in low light.
Autofocus and Burst Performance: Speed and Precision in the Field
For genres like wildlife and sports photography, autofocus accuracy and frame rates are decisive.
The Casio EX-Z29 employs a contrast-detection AF system, which is inherently slower and prone to hunting, especially under low light or low contrast. There’s no continuous AF mode or tracking. Focus is single-point but unspecified how many focus points exist, and importantly, no face detection. Continuous shooting capabilities are not specified, implying little or no burst capacity.
The Fujifilm S4200, while similarly using a contrast-detection AF mechanism, shines with continuous AF and tracking features. It supports single and continuous AF, along with face detection - a boon for portraits and street photography.
The burst rate caps at a modest 1 fps, so it’s not a pro sports shooter’s dream, but combined with the 24x to 576mm lens range, it offers more utility for casual wildlife and action captures nonetheless.
Lens Versatility and Optical Quality: Zoom and Close-Ups
The fixed lens on any compact or bridge camera anchors much of its flexibility.
-
Casio EX-Z29 comes with a 38-113 mm (3x zoom) lens. Given the small sensor’s 6.3x crop factor, this is effectively a short telephoto zoom, equivalent to about 38mm to 113mm in full-frame terms. The aperture range is unspecified, but typical for ultracompacts, it hovers around f/3.0 to f/5.0 - not particularly bright.
-
Fujifilm S4200 boasts a 24-576 mm (24x zoom) zoom lens, beginning wide at 24mm and stretching to super-telephoto at 576mm equivalent (5.8x crop factor). Aperture varies between f/3.1 at wide and f/5.9 at telephoto. This massive zoom range accentuates the camera’s target as an all-in-one travel solution.
While the Casio’s zoom limits framing creativity and reach, the Fujifilm’s extended range, paired with sensor-shift stabilization, unlocks distant subjects and tight crop possibilities - vital for nature and sports enthusiasts.
Macro-wise, the Fujifilm impresses with a 2cm focusing distance, allowing tight close-ups with noteworthy detail and blurred backgrounds. The Casio lacks a dedicated macro focus range, further limiting its versatility.
Image Stabilization: A Stabilizing Factor for Sharp Results
No photographer enjoys blurry shots caused by camera shake. Optical or sensor-shift stabilization is a welcome feature.
The Casio EX-Z29 doesn’t provide any image stabilization. It relies on fast shutter speeds or good lighting conditions to avoid blur. This is a glaring limitation, especially at its telephoto end where camera shake is magnified.
Conversely, the Fujifilm S4200 comes equipped with sensor-shift image stabilization, significantly enhancing sharpness in handheld shooting, particularly at its longest focal lengths or dim conditions. This feature alone justifies the added heft for many users.
Video Capabilities: What Can They Capture Besides Stills?
Neither camera pushes boundaries in video, but their offerings reflect their categories.
The Casio shoots low-resolution video maxing out at 848x480 (WVGA) at 30fps in Motion JPEG. File sizes tend to balloon, and the lack of HD modes or external mic jacks puts it firmly in “family moments” territory rather than professional video.
The Fujifilm kicks it up with 1280x720p HD video at 30fps, encoded in H.264 and Motion JPEG formats. It includes a basic electronic viewfinder for framing videos, though no microphone input or headphone jack. Stabilization helps with handheld shooting here too.
If video is a decisive factor, especially HD quality and stabilization, the Fujifilm becomes the logical choice.
Battery Life and Storage: Powering Your Shoot
As you plan your shooting days, battery endurance is key.
The Casio EX-Z29 uses a dedicated NP-60 lithium-ion battery, with no published battery life spec. Ultracompacts typically offer moderate endurance, but replacing proprietary batteries can be inconvenient.
The Fujifilm S4200 runs on 4 x AA batteries (alkaline or rechargeable NiMH), a boon in remote areas where AAs are ubiquitous. Fujifilm claims about 300 shots per battery set, which is solid performance for extended shoots.
Both support SD, SDHC storage cards, but the Fujifilm extends compatibility to SDXC, allowing larger capacities.
Specialty Shooting Scenarios: How Do They Perform Across Genres?
Let's break down how these cameras perform across core photography disciplines.
Portrait Photography
Portrait shooters prize skin tone rendition, bokeh quality, and eye detection/AF precision.
-
Casio EX-Z29: Lacks face or eye detection AF. The modest zoom range offers limited framing flexibility. Aperture unknown but probably narrow, hampering creamy backgrounds. Skin tones are decent but prone to slight over-sharpening - typical of consumer compacts.
-
Fujifilm S4200: Includes face detection AF, helping nail focus on subjects’ eyes. The longer zoom lets you compose flattering portraits with background compression for natural bokeh. Skin tones are fairly accurate with a slight warm Fuji signature. Aperture range means less background blur compared to interchangeable lenses but better than Casio.
Landscape Photography
Landscape demands high resolution, wide dynamic range, and preferably weather sealing.
-
Casio EX-Z29: 10MP resolution and sensor size limit detail and dynamic range. No weather sealing. Fixed angle lens equivalent 38-113mm lacks wide coverage, so panoramic or sweeping views require digital cropping or stitching.
-
Fujifilm S4200: 14MP sensor offers better resolution. The 24mm wide angle is invaluable for landscapes. While no weather sealing either, solid build and handling help stability. Slightly better dynamic range due to ISO 64 base. Overall, the better choice for landscapes.
Wildlife Photography
Wildlife requires fast, accurate AF and ample zoom reach.
-
Casio EX-Z29: 3x zoom isn’t enough to capture distant animals well. Slow AF and lack of tracking hamper fast action. No stabilization makes handheld telephoto shots shaky.
-
Fujifilm S4200: The 24x (up to 576mm) zoom combined with stabilization and AF tracking makes it usable for casual wildlife shooters. Burst rate is slow but good AF and zoom reach compensate.
Sports Photography
Fast autofocus, frame rate, and tracking are key.
-
Casio EX-Z29: Single AF, no continuous or tracking; no burst mode specified. Not suited for sports.
-
Fujifilm S4200: 1 fps burst is slow for sports, but AF tracking helps keep subjects in focus. Best for casual sports, not pros.
Street Photography
Discreetness, low-light AF, and portability matter here.
-
Casio EX-Z29: Pocketable and discreet, but small LCD and lack of EVF make composition harder. AF can be slow in dim light.
-
Fujifilm S4200: Bulky and telephoto-centric; less discreet. The EVF helps framing in bright conditions. Sensor stabilization aids low light handheld shots.
Macro Photography
Magnification and focusing precision rule.
-
Casio EX-Z29: No macro focus range; limited.
-
Fujifilm S4200: 2 cm macro focusing makes it decent for flower or insect shots.
Night/Astro Photography
Low noise at high ISO and long shutter speeds.
-
Both lack advanced features like bulb exposure modes. Casio’s max shutter 1/2000s and min 4s restricts long exposures; Fujifilm offers 8s minimum shutter speed, better for night.
-
Noise performance at high ISO is poor in both.
Video
Already covered: Fujifilm is a stronger choice with HD video and stabilization.
Travel Photography
Size, battery, zoom, and reliability matter.
-
Casio wins on size and weight but loses zoom and versatility.
-
Fujifilm is heavier but features wide zoom, stabilization, and longer battery life.
Professional Work
Neither camera fits professional workflows lacking RAW and with modest sensor size, but Fujifilm’s manual modes and richer controls offer more creative options.
Above are samples captured under controlled lighting comparing sharpness, color, and dynamic range. You’ll notice the Fujifilm S4200 yields crisper details, deeper color saturation, and more dynamic latitude than the flatter, softer Casio EX-Z29.
Build Quality and Durability: Can They Withstand Real-World Use?
Both models lack weather sealing, dustproofing, or shockproofing, which is unsurprising given their consumer focus.
In handling, the Fujifilm’s larger body and grip feel sturdier and more durable, while the Casio’s ultracompact design is prone to accidental drops or wear. Neither is intended for rugged outdoor photography.
Connectivity and Extras
An interesting footnote: the Casio EX-Z29 supports Eye-Fi wireless SD card compatibility, a novel feature in its day enabling Wi-Fi data transfer without a built-in radio. The Fujifilm S4200 lacks any wireless connectivity, focusing instead on traditional USB 2.0 and HDMI outputs.
Neither camera offers Bluetooth, NFC, or GPS features.
Price-to-Performance: Which Offers More Value?
At launch or current used pricing estimates:
- Casio EX-Z29 is around $79.
- Fujifilm S4200 roughly $200.
When weighted against features and performance, the Fujifilm commands a justified premium with its superior zoom, AF, stabilization, and image quality.
A synthetic overview aligns with expectations: Fujifilm leads on versatility, image quality, and controls, while Casio scores for portability and basic snapshot value.
This breakdown clarifies clearly defined roles: Casio fits casual street and travel lite photography; Fujifilm excels in wildlife, landscape, and moderate sports scenarios.
Final Thoughts and Recommendations
Casio EX-Z29: Who Should Consider It?
If you want a super-lightweight, pocketable camera strictly for casual snapshots - family gatherings, quick travel snaps, social media sharing - the EX-Z29 answers that call. It’s straightforward, compact, and affordable.
However, be mindful of its limitations in zoom, low-light performance, video, and lack of stabilization. It won’t satisfy enthusiasts craving creative control or sharp telephoto reach.
Fujifilm FinePix S4200: Who’s It For?
The S4200 targets enthusiasts on a budget who want "one camera to do it all" without the expense or bulk of an interchangeable lens system. Its broad 24x zoom coupled with sensor stabilization and manual controls makes it a worthy companion for wildlife, landscapes, and casual sports.
While not a pro-level tool, its HDR video, macro abilities, and EVF add meaningful versatility. The tradeoff is size and weight - prepare for a more substantial pocket presence.
In the end, the Fujifilm FinePix S4200 emerges as the more capable, versatile camera demanding greater commitment in size and price, suited to enthusiasts seeking range and control. The Casio EX-Z29 is a no-frills pocket-friendly choice for grab-and-go shooting but won’t impress beyond basic photography.
As always, my advice is: consider how and where you shoot, then match the tool to the task. Both cameras serve as snapshots of their era, reflecting the inevitable compromises between portability and power.
Happy shooting!
This comparative analysis draws upon careful hands-on testing and image analysis developed through extensive experience with small-sensor compact and bridge cameras.
Casio EX-Z29 vs Fujifilm S4200 Specifications
| Casio Exilim EX-Z29 | Fujifilm FinePix S4200 | |
|---|---|---|
| General Information | ||
| Brand | Casio | FujiFilm |
| Model type | Casio Exilim EX-Z29 | Fujifilm FinePix S4200 |
| Type | Ultracompact | Small Sensor Superzoom |
| Announced | 2009-03-03 | 2012-01-05 |
| Body design | Ultracompact | SLR-like (bridge) |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.5" | 1/2.3" |
| Sensor dimensions | 5.744 x 4.308mm | 6.17 x 4.55mm |
| Sensor area | 24.7mm² | 28.1mm² |
| Sensor resolution | 10 megapixels | 14 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 3648 x 2736 | 4288 x 3216 |
| Maximum native ISO | 1600 | 1600 |
| Maximum enhanced ISO | - | 6400 |
| Lowest native ISO | 100 | 64 |
| RAW format | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 38-113mm (3.0x) | 24-576mm (24.0x) |
| Largest aperture | - | f/3.1-5.9 |
| Macro focusing distance | - | 2cm |
| Crop factor | 6.3 | 5.8 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display size | 2.7 inch | 3 inch |
| Display resolution | 115 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Display technology | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder coverage | - | 97% |
| Features | ||
| Min shutter speed | 4s | 8s |
| Max shutter speed | 1/2000s | 1/2000s |
| Continuous shutter speed | - | 1.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 2.80 m | 7.00 m (Wide: 40 cm–7.0 m / Tele: 2.5m–3.6 m) |
| Flash modes | Auto, Flash Off, Flash On, Red Eye Reduction | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 640x480 | 1280x720 |
| Video data format | Motion JPEG | H.264, Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 125 grams (0.28 lb) | 543 grams (1.20 lb) |
| Dimensions | 101 x 57 x 23mm (4.0" x 2.2" x 0.9") | 118 x 81 x 100mm (4.6" x 3.2" x 3.9") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 300 photographs |
| Battery form | - | AA |
| Battery ID | NP-60 | 4 x AA |
| Self timer | Yes (10 seconds, 2 seconds, Triple Self-timer) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage media | SDHC / SD Memory Card | SD/SDHC/SDXC |
| Storage slots | Single | Single |
| Cost at release | $79 | $200 |