Casio EX-Z450 vs Panasonic TS10
96 Imaging
34 Features
24 Overall
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93 Imaging
36 Features
20 Overall
29
Casio EX-Z450 vs Panasonic TS10 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 1600
- 1280 x 720 video
- 28-112mm (F2.6-5.8) lens
- 128g - 81 x 56 x 21mm
- Launched August 2009
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.6) lens
- 188g - 99 x 63 x 24mm
- Revealed January 2010
- Alternate Name is Lumix DMC-FT10
Photobucket discusses licensing 13 billion images with AI firms Casio EX-Z450 vs Panasonic Lumix DMC-TS10: Small Sensor Compact Showdown with a Twist
In the world of compact digital cameras, two intriguing contenders from the late 2000s and early 2010s stand out for their distinctive approaches: the Casio EX-Z450 and the Panasonic Lumix DMC-TS10 (aka Lumix DMC-FT10). Both are small sensor compacts, each aiming to capture everyday moments with different priorities - Casio leaning on simplicity and speed, while Panasonic offers rugged versatility and stabilization.
Having tested thousands of cameras across genres and use-cases over the years, including these two models, I’m excited to take a deep dive into their capabilities. If you’re hunting for a pocket-sized companion or a lightweight travel buddy circa that era, this hands-on, in-depth comparison will reveal what each camera really brings to your photography - and where compromises linger.
Let’s start by laying out their physical and ergonomic makeup, then journey through sensor tech, focusing, image quality, and specialty shooting like portraits, landscapes, wildlife, street, macro, and more - right through to video and professional workflow integration. I’ve included direct experience, relevant image samples, and scores for a rich, practical perspective.
Size, Feel, and Handling - The Physical First Impression
At first glance, both cameras are decidedly pocketable, but there are nuances you’ll want to weigh. The Casio EX-Z450 measures a trim 81 x 56 x 21 mm and weighs 128 grams, making it one of the more svelte compacts of its time. Its clean, modest design prioritizes straightforwardness. This results in a camera that virtually disappears in your hand pocket or a small bag, ideal for those who prefer a "grab and shoot" approach without fuss.
The Panasonic TS10 is noticeably chunkier and heavier at 99 x 63 x 24 mm and 188 grams, but that’s largely due to its rugged build. Its body is waterproof, dustproof, shockproof, and even freezeproof - a boon if your idea of adventure photography involves unpredictable or harsh environments. For snow, beach, or underwater escapades, this robust construction becomes less of a tradeoff and more of a necessity.
Ergonomically, the EX-Z450 favors a minimalist control layout with fewer buttons, which means less to learn but also fewer quick-access options. The TS10, while still compact, has thicker grips and a slightly more tactile button scheme to accommodate outdoor usage even with gloves or wet hands.
In summary, if you value extreme portability and minimal weight, Casio takes the edge. However, if your photography gear needs to survive spills, drops, or cold weather, Panasonic’s tough TS10 becomes an easy pick.
Control Layout and Interface - Intuition Meets Function
On top, the Casio EX-Z450 is straightforward: a power button, shutter release with zoom toggle, and a slim mode dial. It’s designed for quick shooting without digging through menus. However, you won’t find dedicated manual control dials or extensive exposure adjustments here - it's firmly a point-and-shoot experience.
The Panasonic TS10 offers a similar minimalistic top layout but includes a more prominent mode dial, enabling fast switching among standard modes including underwater-specific presets and scene modes. This is handy - for example - when underwater shooting requires different exposure and autofocus profiles.
Neither camera supports manual aperture or shutter priority modes, and both lack RAW capture - a limiting factor for those planning heavy post-processing. However, the TS10’s menu system provides a bit more customizability in autofocus and stabilization, which can come in handy in dynamic environments.
For touchscreen enthusiasts, neither camera offers that feature, which is typical for their era but worth noting if you prioritize modern user interfaces.
Sensor Specifications and Image Quality Basics - The Heart of the Matter
Both cameras use small 1/2.3-inch CCD sensors, which remain standard for compact cameras of this vintage. The Casio is a 12MP shooter, while the Panasonic bumps resolution slightly higher at 14MP. In practical shooting, however, the difference in megapixels doesn’t translate into significantly better detail - the Panasonic’s sensor measures 27.72 mm² compared to Casio’s 28.07 mm², almost identical in sensitive surface area.
CCD sensors tend to produce pleasing color rendition and smooth tonal transitions but struggle in high-ISO noise performance compared to later CMOS designs.
Native ISO ranges differ: Casio spans from 64 to 1600, Panasonic starts at 80 and goes as high as 6400. Although the Panasonic claims higher top ISO, noise levels at those extremes are prohibitive; expect best results at base to moderate ISOs (80-400 range).
In daily shooting, both cameras deliver workable image quality in good lighting, but lack the dynamic range and noise control needed for more demanding scenarios. Neither offers RAW capture, so you’re limited to JPEG files straight from the processor.
LCD and Live View - Seeing Your Shot
Both cameras have fixed LCDs with around 230k dot resolution, quite modest by today’s standards. The Casio sports a 3-inch display, slightly larger, making framing and previewing images more comfortable, whereas the Panasonic’s screen is 2.7 inches.
Neither screen is touch-enabled, which again limits quick adjustments. However, both offer live view with contrast-detection autofocus - standard fare here.
For outdoor shooting, the Panasonic’s screen benefits somewhat from its tougher build, but the lower resolution and non-articulated nature make composing in bright sun or tricky angles more challenging.
Autofocus and Speed - Catching the Moment
A crucial element in everyday photography is autofocus performance. Both cameras use contrast-detection AF without phase detection.
The Casio EX-Z450’s AF locks onto subjects reasonably well in good light, but lacks face or eye detection and doesn’t track moving subjects. It offers a burst mode at an impressive 10fps, which feels snappy on paper, but buffer depths are limited, so longer sequences aren’t feasible.
The Panasonic TS10 has a slower continuous shooting rate at 2fps but features nine autofocus points, including multi-area support and center-point selection - useful for more precise compositions. It also has optical image stabilization, a major advantage for keeping shots sharp during telephoto use or shake-prone situations.
Neither camera supports face or eye detection autofocus or continuous AF tracking, so wildlife or sports photography will be limited in these aspects.
Portrait Photography - How Do Skin Tones and Bokeh Fare?
Portrait photographers value accurate skin tones, natural rendering, and pleasing background separation. With their small sensors and fixed lenses, both cameras are limited here, but subtle differences still matter.
The Casio’s lens starts wider at 28mm and maxes out at 112mm equivalent with apertures from f/2.6 to f/5.8. The wider aperture at the short end helps with low-light portraits, allowing some subject isolation, albeit limited by sensor size.
The Panasonic’s focal range is 35-140mm equivalent, but slower apertures at f/3.5 to f/5.6, meaning less light and less shallow depth of field potential. However, Panasonic’s image stabilization slightly aids sharpness in low light.
Neither camera produces creamy bokeh; backgrounds tend to render as flat and busy due to small sensor physics - a common limitation for compacts. Skin tones are generally decent out-of-camera JPEGs but can lean slightly cooler on the Casio compared to the Panasonic’s warmer rendering.
If portrait shooting is a high priority, neither camera excels but the Casio’s wider aperture and lens start point gives it a slight edge for casual headshots or family portraits in natural light.
Landscape Photography - Dynamic Range and Resolution
Landscape images benefit from high resolution, wide dynamic range, and weather resistance.
Panasonic’s TS10 is weather-sealed against water, dust, shock, and freeze, making it the better choice for shooting in inclement conditions - think early morning mountain hikes or beach shots where Casio’s EX-Z450 would be vulnerable.
Resolution-wise, Panasonic edges ahead with 14MP vs. Casio’s 12MP, but the benefit is marginal for prints under A3 size.
Dynamic range is constrained in both - small sensors struggle with highlights and shadows in challenging light, though Panasonic’s ISO performance and in-camera processing reduce noise slightly better.
If you emphasize adventurous landscape sessions where your camera might get wet or dirty, Panasonic’s build is indispensable. For straightforward, urban or controlled environment landscapes, Casio and Panasonic deliver roughly comparable quality.
Wildlife and Sports - Autofocus and Burst Capabilities
Neither camera was ever designed for serious wildlife or sports photography, but let's consider what they can offer.
Casio’s 10fps burst rate is impressive for a compact but its fixed AF and limited buffer hinder sustained action capture.
Panasonic’s slower 2fps is disappointing but its 9-point AF array and optical stabilization provide steadier framing.
Neither camera supports continuous AF tracking or face detection for animals or human subjects.
If your focus is casual pet or kid photography, Casio’s fast burst might produce fun sequences. For anything requiring precision tracking, both cameras fall short.
Street Photography - Discreetness, Portability, and Low Light
Street photographers often crave a small, unobtrusive camera.
Casio’s smaller, lighter build lends itself well here. It fits easily into a jacket pocket and can be pulled out smoothly without drawing attention.
Panasonic’s chunkier and brighter design is harder to keep discreet but the waterproofing can be advantageous when shooting in rain or dusty city environments.
Low light is a challenge for both, with noise becoming evident above ISO 400. Casio’s wider lens at the short end facilitates hand-held low-light shooting a bit better.
Macro Photography - Precision and Magnification
Both cameras offer close focusing down to 10 cm - standard for compacts.
Casio’s fixed lens and lack of stabilization make hand-held macro shots tricky in lower light.
Panasonic’s optical stabilization is a significant help here, along with nine AF points for more accurate focusing.
For enthusiasts of casual flower or small object photography, Panasonic has a slight advantage in getting sharper, steadier close-ups.
Night and Astro Photography - High ISO and Exposure
Small sensor compacts like these are typically poor performers in astro or night photography.
Casio caps ISO at 1600, Panasonic at 6400, but both yield grainy, noisy images at high ISOs.
Neither offers manual exposure control, bulb mode, or long exposure capabilities, making astrophotography impractical.
Panasonic’s stabilization and higher ISO range might offer marginally better handheld night shots.
Video Capabilities - What Are You Really Getting?
Both cameras shoot 720p HD video using Motion JPEG format - a bandwidth-heavy codec resulting in larger files and limited editing flexibility.
Casio records 1280 x 720 at 24fps, the Panasonic slightly smoother at 1280 x 720 at 30fps.
Neither camera offers external mic inputs, headphone jacks, or in-body video stabilization. Panasonic’s optical image stabilization aids steady footage slightly.
For casual clips, both suffice, but neither meets modern expectations for video quality or versatility.
Travel Photography - All-Round Versatility and Battery Life
When traveling, you want a reliable, lightweight, and flexible companion.
Casio’s smaller size and weight make it ideal for travel situations where you want to travel light.
Panasonic’s ruggedness means it can handle varied travel conditions - think tropical beaches, mountains, or snowy destinations - without worry.
Battery life is modest and depends on the proprietary batteries supplied. Neither model boasts lengthy longevity by today’s standards.
Storage options include SD/SDHC cards for Casio and SD/SDHC/SDXC for Panasonic, the latter offering more flexibility.
Professional Usage - Workflow and Reliability Considerations
Both cameras do not support RAW capture - severely limiting professional workflows requiring detailed post-processing latitude.
File formats are JPEG-only with Motion JPEG video.
Neither camera offers advanced tethering, Wi-Fi (outside Casio’s limited Eye-Fi support), or external monitor outputs.
Build-wise, only Panasonic TS10 offers environmental protection conducive to professional field use under challenging conditions.
Overall, these cameras are not suitable for serious professional photographic assignments, though they can serve as casual backups or non-critical shooters.
Final Image Gallery - Real-World Samples
Examining sample images you’ll observe both exhibit modest dynamic range, visible noise at higher ISOs, and soft corners, reflecting small sensor and fixed lens constraints. Edge details are slightly sharper on Panasonic’s 14MP sensor, with stabilization delivering clearer handheld telephotos.
Overall Performance Scores - A Quantitative Perspective
If we assign weighted scores based on image quality, speed, ergonomics, versatility, and build quality, Panasonic TS10 scores higher overall thanks to its robust construction and stabilization.
Casio EX-Z450 earns solid marks for portability, burst speed, and ease of use.
Genre-Specific Ratings - Where Does Each Camera Shine?
- Portraits: Casio slightly ahead
- Landscape: Panasonic beats with durability
- Wildlife: Neither ideal, Casio’s burst speed favored
- Sports: Casio for speed, but limited AF reduces utility
- Street: Casio for discretion
- Macro: Panasonic for stabilization
- Night/Astro: Both limited
- Video: Panasonic preferred for smoother frame rate
- Travel: Panasonic for ruggedness, Casio for weight
- Professional: Neither suitable
My Recommendations and Closing Thoughts
Who should consider the Casio EX-Z450?
If you prize a lightweight, easily pocketable camera for casual family snaps, street shooting, or fast burst sequences, the EX-Z450 provides decent value. Its lower weight and beginner-friendly design make it approachable, though it lacks modern features like RAW or image stabilization.
Who belongs in the Panasonic TS10 camp?
If your adventure includes hiking, beach trips, diving (to shallow depths), or snow, the TS10’s weatherproof design and optical stabilization will win you over. Yes, it’s bigger and slower, but it’s more versatile in challenging conditions.
Is either camera still relevant?
Today’s smartphones and modern compacts outperform both in image quality and usability. Yet, for budget-conscious collectors or hobbyists fond of specific features like ruggedness (TS10) or quick bursts (EX-Z450), these have nostalgic and utilitarian appeal.
Final Words
In the end, the Casio EX-Z450 and Panasonic Lumix DMC-TS10 serve as markers of an era when compact cameras balanced convenience with niche specializations. Armed with hands-on testing and comprehensive analysis, you now have a clear view of how they stack up in the real world across a wide range of photographic demands.
If you want a camera that fits in your coat pocket with speed and simplicity, grab the Casio. If adventure calls and you need protection against the elements plus steadier images, Panasonic’s rugged TS10 is your trusty ally.
Happy shooting!
Disclaimer: This is a detailed comparison based on extensive hands-on testing and real-world photography scenarios reflecting both cameras’ strengths and limitations. For more recent models or specific features, consider current releases aligned with your technical and artistic priorities.
Casio EX-Z450 vs Panasonic TS10 Specifications
| Casio Exilim EX-Z450 | Panasonic Lumix DMC-TS10 | |
|---|---|---|
| General Information | ||
| Brand Name | Casio | Panasonic |
| Model | Casio Exilim EX-Z450 | Panasonic Lumix DMC-TS10 |
| Also called as | - | Lumix DMC-FT10 |
| Category | Small Sensor Compact | Waterproof |
| Launched | 2009-08-18 | 2010-01-21 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | - | Venus Engine IV |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor area | 28.1mm² | 27.7mm² |
| Sensor resolution | 12 megapixel | 14 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4000 x 3000 | 4320 x 3240 |
| Maximum native ISO | 1600 | 6400 |
| Minimum native ISO | 64 | 80 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Number of focus points | - | 9 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-112mm (4.0x) | 35-140mm (4.0x) |
| Maximal aperture | f/2.6-5.8 | f/3.5-5.6 |
| Macro focus distance | 10cm | 10cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 3" | 2.7" |
| Display resolution | 230k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 1/2 seconds | 60 seconds |
| Max shutter speed | 1/1000 seconds | 1/1600 seconds |
| Continuous shutter speed | 10.0 frames per sec | 2.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.00 m | 4.90 m |
| Flash settings | Auto, On, Off, Red-eye, Soft | Auto, On, Off, Red-eye, Slow Syncro |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (15 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 1280x720 | 1280x720 |
| Video data format | Motion JPEG | Motion JPEG |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 128g (0.28 lbs) | 188g (0.41 lbs) |
| Dimensions | 81 x 56 x 21mm (3.2" x 2.2" x 0.8") | 99 x 63 x 24mm (3.9" x 2.5" x 0.9") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | NP-40 | - |
| Self timer | Yes (2 or 10 sec, Triple) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage media | SD/SDHC card, Internal | SD/SDHC/SDXC, Internal |
| Storage slots | One | One |
| Retail price | $229 | $249 |