Casio EX-Z450 vs Panasonic ZS15
96 Imaging
34 Features
24 Overall
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92 Imaging
35 Features
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Casio EX-Z450 vs Panasonic ZS15 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 1600
- 1280 x 720 video
- 28-112mm (F2.6-5.8) lens
- 128g - 81 x 56 x 21mm
- Announced August 2009
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 208g - 105 x 58 x 33mm
- Revealed June 2012
- Also referred to as Lumix DMC-TZ25
- Updated by Panasonic ZS20

Casio EX-Z450 vs Panasonic Lumix ZS15: A Practical Comparison for Photography Enthusiasts
When it comes to compact cameras, the choices can be overwhelming, especially if you seek a reliable performer with versatile capabilities without breaking the bank. Today, I’m diving into a detailed comparison between two small sensor compacts from a slightly earlier era: the Casio EX-Z450, launched in 2009, and the Panasonic Lumix ZS15 (aka DMC-TZ25) from 2012. Both are modestly priced and designed primarily for enthusiasts or casual photographers who demand portability paired with a decent zoom range. But beyond the marketing tags, which one truly excels in the real world? Let’s unpack everything you need to know.
First Impressions: Size, Handling, and Ergonomics
Let’s start with what you touch and feel: the physical handling. Here, each camera’s size and control layout influence comfort during long shooting sessions.
The EX-Z450 favors compactness and pocket-friendly dimensions - measuring just 81x56x21 mm and weighing a mere 128 grams including battery. It fits naturally in your hand or a small purse, making it a near-invisible companion. Conversely, the ZS15 is noticeably larger and heavier at 105x58x33 mm and 208 grams - typical for a superzoom compact packing a 16x zoom lens.
From my extensive experience testing compact cameras, such a size difference impacts stability, especially with telephoto shots where the extra bulk can be reassuring but may tire your wrist faster during handheld shooting. The EX-Z450 feels almost toy-like in hand, pleasant for quick snapshots but less so for deliberate framing or extended use.
Control Layout and Interface: Intuitive or Clunky?
Next, the ease of use depends heavily on how controls are arranged. No one likes fumbling with menus or hunting through confusing buttons.
Neither camera offers an electronic viewfinder, so the rear LCD screen is your window - more on that soon. The ZS15 boasts dedicated dials and buttons for key exposure modes (shutter/aperture priority, manual) and bracketing - features absent on the Casio. To me, such physical controls on the ZS15 cater directly to enthusiasts wanting faster manual adjustments on the fly.
The EX-Z450, by contrast, simplifies things with fewer external controls, targeting casual users who prefer auto modes with minimal fuss. However, this simplicity comes at the cost of creative flexibility for users accustomed to more manual control.
Sensor and Image Quality: Same Size, Different Performance?
Both cameras share a 12MP 1/2.3” sensor, though the EX-Z450 uses a CCD sensor and the ZS15 leverages a CMOS variant. Let me explain why that matters.
A CCD sensor, like in the Casio, historically excels in color rendition and low noise up to moderate ISO, but at the expense of slower readout speeds and less efficient power use. The CMOS sensor in Panasonic’s ZS15 offers faster performance, better video capabilities, and improved high ISO handling - essential for low light or sports shooting.
Both provide a maximum resolution of 4000x3000 pixels, adequate for prints up to A3 size. However, the ZS15’s native ISO range extends up to 6400 compared to 1600 on the EX-Z450, implying better noise control at higher sensitivities.
In practical shooting sessions, I noticed the ZS15 delivers cleaner images in dimmer environments and greater overall detail retention thanks to its newer sensor architecture. The Casio’s images felt softer with reduced dynamic range, though still acceptable for casual prints.
LCD Screens: Your Framing Compass
Without an EVF, the rear screen plays a vital role in composing shots accurately.
At 3 inches, both cameras sport similar-sized displays, but the Panasonic’s screen resolution doubles the Casio’s: 460k dots vs 230k dots. This increase means sharper previews and better manual focus precision on the ZS15, especially beneficial in macro or telephoto shooting where tiny focusing errors become glaring.
The EX-Z450’s fixed, non-touch type display limits interactivity, and even the live view can feel sluggish sometimes. Meanwhile, the Panasonic’s live view is smoother, with more responsive AF assist - unsurprising given the newer processor and autofocus system inside.
Zoom and Lens Versatility: Casual Zoom vs Superzoom Beast
Lens reach is a huge factor when choosing compact cameras. The Casio offers a 28-112 mm (4x) zoom range with a bright maximum aperture of f/2.6 at wide-angle, reducing to f/5.8 telephoto - decent for a camera of its class.
The Panasonic, however, wipes the floor with an impressive 24-384 mm (16x) zoom lens, covering everything from wide landscapes to far-away wildlife or sports subjects, although starting at a dimmer f/3.3 aperture.
If you prioritize framing flexibility, the ZS15 wins hands down. That extensive zoom range opens creative doors and reduces reliance on cropping or swapping lenses - invaluable on travel or street shoots.
The EX-Z450 macro capability stops at 10cm focusing distance, while the Panasonic edges closer to 3cm, enhancing close-up potential.
Autofocus Performance: Fast and Flexible vs Basic Contrast Detection
Autofocus can make or break wildlife and sports photography, where moments vanish in milliseconds.
The EX-Z450 relies solely on contrast-detection AF with a single autofocus point - resulting in slower, more hesitant focusing particularly under low light or fast-moving subjects. No face or eye detection is available either.
The ZS15 integrates contrast detection but advances with 23 focus points, center-weighted AF, face detection, and continuous AF tracking - features that significantly improve acquisition speed and accuracy during action or low contrast conditions.
In my testing, while neither camera will rival modern mirrorless giants, the Panasonic consistently nails focus quicker and more reliably under varied conditions, making it more suited for casual sports or wildlife photography.
Burst Shooting and Video Abilities
Let’s talk about continuous shooting and video, which have become essential even for amateurs.
The Casio modestly offers 10 frames per second burst mode - impressive on paper, but actual image buffer fills quickly, limiting sustained shooting. Video maxes out at 720p and a paltry 24fps, recorded as Motion JPEG, which creates large files quickly and affects playback smoothness.
The Panasonic disappoints in burst mode with just 2 fps, though its buffer is better optimized for longer sequences. However, the ZS15 redeems itself spectacularly with 1080p Full HD video at 60fps, using efficient MPEG-4 and AVCHD codecs - yielding smooth, high-quality footage. Plus, Panasonic includes optical image stabilization, critical for video shooting without a tripod.
If you care about video quality and handheld shooting versatility, the Panasonic clearly provides more comprehensive tools.
Build Quality and Durability: Neither Rugged, Both Light
Neither the Casio nor Panasonic cameras offer weather sealing, waterproofing, or ruggedized bodies common in higher-end compacts. Both rely on plastic constructions that prioritize light weight and portability over harsh environment toughness.
Given their intended use as casual or travel cameras, I found both adequately robust when handled carefully, but neither fares well in dusty, wet, or shock-prone scenarios.
Battery Life and Storage: Small But Serviceable
Battery specs vary among compact cameras, influencing a shooter's endurance during long days out.
The Panasonic claims around 260 shots on a single charge with a proprietary battery pack, while the Casio’s NP-40 battery specs are less documented but generally yield fewer shots, as is typical for older models.
Both accept SD/SDHC cards, but the Panasonic uniquely supports SDXC cards for larger storage capacity. Neither model supports dual card slots or extensive in-camera file management.
Connectivity and Additional Features
Wireless connectivity is almost essential today. The Casio offers Eye-Fi card compatibility, allowing wireless image transfer when paired with special SD cards, whereas the Panasonic lacks wireless but does include an HDMI port for convenient direct TV connection - useful for quick slideshows or on-the-go presentations.
Real-World Performance Across Photography Genres
Now, let’s focus on genre-specific insights, highlighting each model’s suitability with real-world scenario testing and my personal experience.
Portraits: Skin Tones and Bokeh
Both cameras manage decent skin tone reproduction thanks to 12MP sensors; however, the Casio’s wider 28mm f/2.6 aperture favors moderately good subject-background separation in brighter conditions.
The ZS15’s longer telephoto end aids flattering compressed perspective and tighter framing from a distance, although its narrower maximum aperture (f/3.3) slightly reduces achievable bokeh smoothness.
Neither incorporates eye detection AF, which I missed when shooting portraits where sharp eyes are critical. Panasonic’s face detection AF compensates somewhat by ensuring faces stay in focus within the frame - even in complex compositions.
Landscapes: Dynamic Range and Resolution
Landscape photography demands sharpness, dynamic range, and weather sealing. While neither camera is weather sealed, they both produce 12MP images resolute enough for moderate-sized prints or digital sharing.
Dynamic range is capped by the small sensor, but Panasonic’s CMOS sensor typically handles shadows and highlights better. I recommend shooting in conditions with balanced lighting or with RAW workflows (unfortunately unsupported by both models) for best results.
Wildlife and Sports: Autofocus and Burst Rates
The ZS15’s 16x zoom paired with continuous AF tracking and Full HD video at 60 fps gives it a clear advantage when capturing moving subjects.
Casio’s 10 fps burst is tempting but limited by sluggish AF and short buffers - meaning you risk missing crucial moments.
Street Photography: Discretion and Portability
With a significantly smaller and lighter body, EX-Z450 excels in unobtrusive shooting - ideal for street photographers valuing discretion.
The Panasonic’s larger lens barrel and heft may draw unwanted attention or fatigue during long city walks.
Both lack silent shutter modes, which may be a downside in quiet environments.
Macro Photography: Focus Precision and Reach
Panasonic’s 3cm macro focus outperforms Casio’s 10cm minimum, letting you get impressively close for detailed shots of flowers or insects.
The higher resolution screen makes manual focusing easier here on the ZS15.
Night and Astro Photography: High ISO and Exposure Modes
Neither camera supports manual exposure bracketing or long exposures ideal for astrophotography, though the Panasonic’s shutter speed range down to 15 seconds is a helpful tool the Casio lacks.
High ISO performance favors the ZS15, where ISO 6400 is usable albeit noisy, compared to ISO 1600 max on EX-Z450, which introduces heavy noise.
Video Recording: Specifications and Stabilization
Panasonic’s video capabilities trump the Casio by a mile. The ZS15 records gorgeous 1080p 60fps HD video with optical stabilization - this reduces handheld shake dramatically.
The Casio delivers lower-quality 720p video at 24fps and lacks any stabilization, which leads to evident jitter.
Neither features microphone inputs or headphones, a common omission in this class.
Travel Photography: Versatility and Battery
Panasonic’s large zoom range, better autofocus, superior video, and decent battery life make it a preferred traveler’s companion.
Casio’s compactness is a plus if ultra-light packing matters more than zoom reach or manual control.
Professional Use: Workflow and Reliability
Both cameras are entry-level compacts, suitable for casual or enthusiast use but not professional reliability or workflow demands.
No RAW shooting or tethered capture exists, limiting post-processing control.
Overall Performance and Ratings
Looking deeper into performance metrics consolidates these observations.
We see the Panasonic ZS15 scoring higher in autofocus, video, and image quality categories, while the Casio shows strength in burst shooting speed (despite practical limitations) and sheer portability.
How They Stack Up Across Photography Styles
- Portraits: Panasonic edges out due to zoom and face AF.
- Landscape: Panasonic favored for dynamic range.
- Wildlife: Panasonic clearly superior with better AF and zoom.
- Sports: Neither ideal, but Panasonic still better.
- Street: Casio preferred for compact size.
- Macro: Panasonic wins.
- Night/Astro: Panasonic better with longer exposures, higher ISO.
- Video: Panasonic decisively superior.
- Travel: Panasonic more versatile; Casio more pocketable.
- Professional: Neither fully meets high-end needs.
Who Should Buy the Casio EX-Z450?
If you want a lightweight, affordable camera that slips easily into your pocket, for quick snapshots during casual outings or as a simple backup camera, the Casio EX-Z450 fits the bill. It’s best for beginners or street photographers prioritizing ease over control.
However, expect compromises in autofocus speed, video quality, and creative flexibility.
Who Should Opt for the Panasonic Lumix ZS15?
For enthusiasts seeking a versatile superzoom compact capable of tackling landscapes, wildlife, casual sports, and video recording with better manual exposure tools, the ZS15 offers more bang for your buck.
It balances zoom power, image quality, and controls, serving well on travel or sessions demanding a bit more precision.
Final Thoughts: Choosing Based on Your Needs and Budget
The Casio EX-Z450 and Panasonic Lumix ZS15 both represent accessible entry points into compact camera photography, yet they serve subtly different audiences.
- For ultimate portability and simple operation, pick the Casio.
- For flexibility, zoom reach, video, and better autofocus, the Panasonic is clearly the stronger contender.
From my years testing cameras, priorities like autofocus reliability and zoom versatility increasingly dominate the conversation - traits the Panasonic delivers convincingly. That said, if you prize discreet street shooting, the Casio remains relevant.
Either way, understanding these nuanced differences will help you avoid buyer’s remorse and select a compact camera that matches your shooting style.
If you’d like to see more in-depth sample images and original test files from both cameras, refer to the gallery above and my detailed video review linked at the start. Remember, handling these cameras yourself, even briefly, is invaluable for feeling which suits your personal shooting approach.
Happy shooting!
Disclaimer: All technical data and personal testing observations referenced here are based on camera samples and official specifications available at the time of writing. New firmware updates or user modifications may impact performance.
Casio EX-Z450 vs Panasonic ZS15 Specifications
Casio Exilim EX-Z450 | Panasonic Lumix DMC-ZS15 | |
---|---|---|
General Information | ||
Brand Name | Casio | Panasonic |
Model | Casio Exilim EX-Z450 | Panasonic Lumix DMC-ZS15 |
Otherwise known as | - | Lumix DMC-TZ25 |
Category | Small Sensor Compact | Small Sensor Superzoom |
Announced | 2009-08-18 | 2012-06-29 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 12MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 4000 x 3000 |
Maximum native ISO | 1600 | 6400 |
Minimum native ISO | 64 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 23 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-112mm (4.0x) | 24-384mm (16.0x) |
Max aperture | f/2.6-5.8 | f/3.3-5.9 |
Macro focus distance | 10cm | 3cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3" | 3" |
Screen resolution | 230 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 1/2 secs | 15 secs |
Fastest shutter speed | 1/1000 secs | 1/4000 secs |
Continuous shutter rate | 10.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.00 m | 6.40 m |
Flash modes | Auto, On, Off, Red-eye, Soft | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (15 fps) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 128 grams (0.28 lbs) | 208 grams (0.46 lbs) |
Physical dimensions | 81 x 56 x 21mm (3.2" x 2.2" x 0.8") | 105 x 58 x 33mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 260 photos |
Battery style | - | Battery Pack |
Battery model | NP-40 | - |
Self timer | Yes (2 or 10 sec, Triple) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC card, Internal | SD/SDHC/SDXC, Internal |
Card slots | One | One |
Pricing at release | $229 | $279 |