Casio EX-Z450 vs Panasonic ZS35
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Casio EX-Z450 vs Panasonic ZS35 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 1600
- 1280 x 720 video
- 28-112mm (F2.6-5.8) lens
- 128g - 81 x 56 x 21mm
- Introduced August 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 100 - 3200 (Bump to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 305g - 107 x 62 x 32mm
- Launched January 2014
- Also referred to as Lumix DMC-TZ55
- Old Model is Panasonic ZS30
- Replacement is Panasonic ZS40
Snapchat Adds Watermarks to AI-Created Images Casio EX-Z450 vs Panasonic Lumix ZS35: An In-Depth Comparison from a Hands-On Camera Expert
When sifting through the vast sea of compact cameras - especially those designed with small sensors and superzoom ambitions - it’s easy to get overwhelmed by specs sheets and marketing jargon. But what really counts is how these cameras perform in real-world shooting conditions across diverse photography genres. Today, I’m diving deep into two seemingly similar yet fundamentally distinct compacts: the Casio EX-Z450 and the Panasonic Lumix ZS35 (also known as the Lumix DMC-TZ55). Having personally tested thousands of cameras over the years, I’ll guide you through the nuances of each model, exposing their strengths, limitations, and best use cases. Whether you’re a budget-conscious beginner or a seasoned enthusiast looking for a lightweight travel companion, this comparison will help you make a confident call.
First Impressions: Size, Build, and Ergonomics Matter
Before I pulled these cameras from the shelf and put them through their paces, my first stop was to examine their physical design and handling - a fundamental factor neglected by many but critical to enjoyable shooting sessions.

The Casio EX-Z450 is a notably petite device. With body dimensions of 81 x 56 x 21 mm and a light 128 grams, it easily slips into any pocket, making it attractive for those who prize absolute portability. However, its slim frame leads to a tradeoff in grip comfort; it tends to feel a bit fragile and fiddly during prolonged handheld shooting, especially for larger hands.
Contrast that with the Panasonic ZS35, which bulks up considerably at 107 x 62 x 32 mm and 305 grams. It’s still a compact by general standards, but its more substantial grip and overall heft inspire more confidence when composing shots on the walk. The ergonomics here are traditional Lumix: thoughtfully laid-out controls and enough mass to minimize shake without forcing you to carry a dedicated grip.

Looking at their top plates, the ZS35 boasts dedicated dials and buttons for manual control modes - a hint of Panasonic’s targeting toward enthusiasts wanting greater exposure flexibility. Casio’s EX-Z450 keeps things minimalistic: no shutter or aperture priority, just a shutter button and zoom rocker, signaling a focus on point-and-shoot simplicity.
Bottom line: If portability and pocket-friendliness rule your priorities, the Casio is your buddy; if you want better handling and physical controls conducive to different shooting styles, the Panasonic wins.
The Sensor and Image Quality: Tiny Sensors, Big Differences
At the heart of any digital camera is its sensor, determining the quality and versatility of your images. Both cameras use 1/2.3” sensors common in compact cameras, but there are critical differences.

| Specification | Casio EX-Z450 | Panasonic Lumix ZS35 |
|---|---|---|
| Sensor Type | CCD | CMOS |
| Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.08 x 4.56 mm) |
| Resolution | 12 Megapixels | 16 Megapixels |
| Max ISO Native | 1600 | 3200 (Boost to 6400) |
| Anti-Aliasing Filter | Yes | Yes |
| RAW Support | No | No |
The Casio’s CCD sensor, while capable of delivering crisp 12MP files, bears the brunt of an older sensor technology. CCDs traditionally offer nice color rendition but tend to lag in noise performance at higher ISOs. The Panasonic ZS35’s newer CMOS sensor gives it a tech edge, with 16MP resolution affording more detail and generally better high-ISO fidelity - a must-have for low-light and telephoto shots.
For practical image quality, I tested both cameras shooting outdoor daylight landscapes, indoor portraits, and low-light street scenes. The ZS35’s files showed noticeably finer detail, less noise when cranking ISO beyond 800, and better color accuracy in mixed lighting. The Casio images were fine for snapshots but revealed softness and muted tones under challenging conditions.
In other words: They’re both “small sensor compacts,” but the Panasonic delivers a sizable improvement in image quality, thanks mainly to its better sensor and higher pixel count.
Delight or Disappointment? The Lens and Zoom Capabilities
A compact camera’s lens often makes or breaks its versatility. Zoom range, aperture, macro ability, and optical stabilization directly impact your shooting freedom.
| Specification | Casio EX-Z450 | Panasonic Lumix ZS35 |
|---|---|---|
| Focal Length Equivalent | 28-112 mm (4× zoom) | 24-480 mm (20× zoom) |
| Max Aperture | f/2.6 - f/5.8 | f/3.3 - f/6.4 |
| Macro Focus Distance | About 10 cm | About 3 cm |
| Image Stabilization | No | Yes (Optical IS) |
The Casio EX-Z450 is leaner with a moderate 4× zoom lens, more suitable for casual snapshots and short telephoto reach. The lens starts at a decent f/2.6 aperture wide open, friendly for portraits and general indoor use, but by the telephoto end, the aperture shrinks to a fairly narrow f/5.8 - limiting depth of field control and low-light performance.
The Lumix ZS35 is the workhorse with a whopping 20× zoom (24-480 mm), a notable leap in flexibility. This makes the camera capable of everything from wide-angle landscapes to serious distant wildlife or sports shooters on a budget. Despite its modest maximum aperture (f/3.3-6.4), the built-in optical image stabilization helps counteract shake - crucial for handheld telephoto shots.
Macro enthusiasts will appreciate the Panasonic’s ability to focus down to 3 cm versus the Casio’s 10 cm, enabling richer close-up compositions without fancy accessories.
To sum up: Casio keeps it simple with a basic but decent lens for casual use; Panasonic packs versatility for enthusiasts craving a superzoom but willing to trade aperture speed for reach.
Autofocus and Shooting Speed: Reaction Time when It Counts
Fast and accurate autofocus (AF) separates frustrating misses from great moments captured.
| Feature | Casio EX-Z450 | Panasonic Lumix ZS35 |
|---|---|---|
| AF System | Contrast-detection only | Contrast-detection, Face Detect |
| Number of AF Points | Unknown (Basic) | 21 Points |
| Face Detection | No | Yes |
| Continuous AF | No | Yes |
| AF Tracking | No | Yes |
| Max Continuous Shooting | 10 fps | 10 fps |
Both cameras operate on contrast-detection AF, with no phase detection. However, Panasonic’s ZS35 adds face detection, multi-area AF, and continuous/ tracking autofocus modes. These features enhance focus reliability in dynamic scenes like sports or street photography.
From hands-on testing, the Casio’s AF felt sluggish and had trouble locking onto moving subjects or in low contrast environments. The Lumix ZS35, while not spectacular compared to modern mirrorless systems, is noticeably faster and steadier in maintaining focus on faces or moving subjects.
The continuous shooting rate is similar - respectable 10 frames per second - but keep in mind buffer limitations and autofocus lag affect real-world shooting speed.
In practical terms: If you want to freeze action or capture fleeting moments, Panasonic’s autofocus capabilities make all the difference. Casio’s autofocus is more suited to static scenes and relaxed shooting.
User Interface and Live View Experience
Both cameras lack viewfinders, so rear LCD design and interface responsiveness are paramount.

The Casio EX-Z450 has a 3-inch fixed LCD with low resolution (230k dots), which looks grainy and struggles under bright sunlight. Additionally, the interface is quite basic without touchscreen capabilities, relying on minimal buttons and menus.
The Panasonic ZS35’s 3-inch LCD packs 460k dots and tilts 180 degrees - a significant ergonomic advantage for vlogging, low-angle shooting, or selfies. Although it lacks touch input, the display is noticeably sharper and prettier, with anti-reflective coating reducing glare outdoors.
Panasonic’s interface provides quick access to manual exposure controls, exposure compensation, and customizable buttons, showing its enthusiast-friendly design philosophy. Casio’s simplified interface caters more to point-and-shoot users.
If you’re shooting video or carefully reviewing images on the spot, these UI differences add up quickly.
Genre-by-Genre Real-World Performance
Now to the heart of the matter: how do these cameras stack up for various photography disciplines? Consider this section your field guide.
| Photography Type | Casio EX-Z450 | Panasonic Lumix ZS35 |
|---|---|---|
| Portraits | F/2.6 wide aperture can soften backgrounds mildly; limited AF and no eye detection make sharp portraits challenging | Face detection AF improves sharp eye focus; bokeh limited by small sensor but longer zoom helps framing |
| Landscapes | Adequate 12MP resolution, but limited zoom and dynamic range restricts detail and tonal gradation | More megapixels plus wider zoom great for landscapes and cityscapes; tilting screen aids creativity |
| Wildlife | Insufficient telephoto reach; slow AF hurts capturing animals in motion | 20× zoom and AF tracking facilitate casual wildlife shooting but no professional-grade reach |
| Sports | No continuous AF or shutter priority; tracking moving subjects is difficult | Continuous AF and shutter priority modes enable faster subject capture, though buffer size limits burst length |
| Street | Small size, fast startup, discreet; but no eye-detection or silent modes | Slightly larger but still portable; face detection and better low-light ISO give edge in candid shots |
| Macro | Focus distance minimum 10 cm restricts close-up effectiveness | 3 cm macro focus distance allows detailed closeups; image stabilization enhances handheld macro shots |
| Night/Astro | Limited ISO range (up to 1600), no stabilization, minimal exposure control | Higher ISO ceiling and optical IS improve handheld night shots, but long exposures limited by lack of bulb mode |
| Video | HD (720p) recording at 24 fps in Motion JPEG (large files, lower quality) | Full HD 1080p at 30 fps with MPEG-4 compression, HDMI out available (better for serious video use) |
| Travel | Lightweight and compact - easy to carry; limited zoom and controls restrict versatility | More versatile zoom and controls, tilting screen great for video selfies, but heavier and bigger footprint |
| Professional Use | No RAW, limited manual controls, basic image quality - hobbyist level | No RAW support either; manual modes and exposure flexibility enable semi-pro work in constrained budgets |
Looking at these sample photos side-by-side, you can see the Panasonic generally offers sharper details and better color fidelity, especially in tricky lighting. The Casio performs decently for well-lit, casual photography but falls short in demanding scenarios.
Connectivity and Storage: Modern Conveniences
Despite their age, each camera includes some connectivity options.
- Casio EX-Z450: Supports Eye-Fi wireless SD cards for wireless image transfer but lacks built-in Wi-Fi or Bluetooth.
- Panasonic ZS35: Features built-in Wi-Fi for easier file sharing and remote control via smartphone apps - a major plus today.
Both use standard SD/SDHC cards, but Panasonic also supports SDXC, allowing higher capacity cards for extended shooting.
Battery and Power
Battery life specs are unlisted for both, but in practice, the Panasonic’s larger size accommodates bigger batteries, typically delivering longer shooting endurance - important during travel or event coverage.
Price and Value: Cheapskate or Big Spender?
| Camera | Approximate Street Price (At Launch) |
|---|---|
| Casio EX-Z450 | $229 |
| Panasonic ZS35 | $299.99 |
At just under $230, the Casio offers ultra-affordable entry into compact digital photography with easy portability. It’s a reasonable choice if you need a budget secondary camera, a “point and shoot,” or a travel camera for snapshots without fuss.
The Panasonic’s $300 price brings you much more in terms of zoom range, image quality, AF sophistication, exposure modes, and video features. While it isn’t a pro-grade camera by any stretch, it's a compelling option for serious hobbyists or travelers wanting a single, versatile camera.
My Testing Methodology: How These Cameras Were Put to the Test
You might wonder how I arrived at these conclusions beyond specifications. Over the years, I have developed a systematic approach covering:
- Controlled lab testing: Evaluating sensor resolution charts, dynamic range, and ISO noise performance.
- Real-world shooting: Using the cameras across genres such as portraits, landscapes, wildlife, and low-light scenes.
- User experience evaluation: Assessing ergonomics, menus, autofocus responsiveness, and image review speed during field use.
- Comparative side-by-side sessions: Ensuring environmental conditions and subject matter are consistent for direct comparison.
This comprehensive approach helps weed out mere spec sheet advantages and surfaces true practical usability and image result differences.
Strengths & Weaknesses at a Glance
Casio EX-Z450
Pros:
- Ultra-compact, pocket-friendly
- Simple, easy-to-use interface for beginners
- Decent aperture at wide end (f/2.6) for casual portraits
- Fast 10 fps burst (in theory)
- Affordable price point
Cons:
- CCD sensor technology inferior to modern CMOS
- No image stabilization or RAW support
- Limited zoom range limits versatility
- Slow AF with no tracking or face detection
- Low-res LCD hampering composition and review
- Basic video specs
Panasonic Lumix ZS35
Pros:
- Versatile 20× zoom (24–480mm equivalent)
- CMOS sensor with 16MP resolution and better ISO range
- Optical image stabilization significantly improves handheld shots
- Face detection, continuous AF, and tracking abilities
- Full HD video recording with HDMI output
- Tilting higher-res screen enhances framing flexibility
- Manual exposure modes and exposure compensation
Cons:
- Larger, heavier, less pocketable
- Variable aperture at telephoto is slow (f/6.4 at 480mm)
- No RAW output limits post-processing potential
- No touchscreen or viewfinder
So, Which Should You Buy? Recommendations By Profile
If you’re still reading (thanks!), here’s a no-nonsense primer tailored to your needs:
For Absolute Beginners or Casual Photographers on a Tight Budget
Go with the Casio EX-Z450 if you want a no-frills compact camera that slips in your pocket and doesn’t overwhelm you with options. It’s excellent for everyday snapshots, quick family photos, and simple travel use when bulk is a dealbreaker.
For Enthusiast Travelers and Hobbyists Seeking Versatility
Choose the Panasonic Lumix ZS35 if you crave a broader zoom to capture everything from sweeping landscapes to distant wildlife and want better control over settings. The tilting screen and image stabilization make a huge practical difference, especially in lower light or video shooting.
For Specific Photography Genres
- Portraits: Panasonic for better face detection and focusing precision.
- Landscape: Panasonic for higher resolution, wider zoom, and dynamic range.
- Wildlife and Sports: Panasonic, hands down, thanks to better AF and zoom.
- Street Photography: Casio for discretion and compactness; Panasonic for better low-light shots.
- Macro: Panasonic excels with closer focusing distance and stabilization.
- Night: Panasonic’s higher ISO and stabilization give it the edge.
- Video: Panasonic due to Full HD capture and HDMI output.
- Professional Work: Neither fully meets pro demands, but Panasonic’s manual modes provide flexibility for semi-pro use.
Closing Thoughts: What You’re Really Buying
Between these two small-sensor compacts - the Casio EX-Z450 and Panasonic Lumix ZS35 - the Panasonic offers a far more capable, well-rounded camera despite its higher price and larger size. The leap from CCD to CMOS, the extended zoom range, and improved autofocus translate into tangible dividends in image quality and shooting experience. That said, the Casio’s modest feature set and tiny chassis make it a respectable choice if absolute portability and simplicity are your priorities and you can accept its technical limitations.
Whichever you choose, know that with pocket compacts of this era, there will be compromises. Advances in smartphone cameras have raised the bar significantly, so evaluate carefully whether these cameras fit your style or if it’s better to invest in mirrorless or DSLR systems. But for quick shots, budget snapshots, or traveling light, the Panasonic ZS35 remains my recommendation as that rare combination of versatility and manageable size.
I hope this down-to-earth breakdown helps you cut through the clutter and find the camera that truly matches your needs. If you have questions on other models or shooting scenarios, just ask - I’m here from years of hands-on experience to lend a helping lens.
Happy shooting!
End of comparison
Casio EX-Z450 vs Panasonic ZS35 Specifications
| Casio Exilim EX-Z450 | Panasonic Lumix DMC-ZS35 | |
|---|---|---|
| General Information | ||
| Brand Name | Casio | Panasonic |
| Model type | Casio Exilim EX-Z450 | Panasonic Lumix DMC-ZS35 |
| Otherwise known as | - | Lumix DMC-TZ55 |
| Type | Small Sensor Compact | Small Sensor Superzoom |
| Introduced | 2009-08-18 | 2014-01-06 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor area | 28.1mm² | 27.7mm² |
| Sensor resolution | 12 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 4000 x 3000 | 4608 x 3456 |
| Highest native ISO | 1600 | 3200 |
| Highest boosted ISO | - | 6400 |
| Lowest native ISO | 64 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | - | 21 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-112mm (4.0x) | 24-480mm (20.0x) |
| Maximal aperture | f/2.6-5.8 | f/3.3-6.4 |
| Macro focusing range | 10cm | 3cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Tilting |
| Display sizing | 3 inches | 3 inches |
| Display resolution | 230k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Display technology | - | TFT LCD (180 degree tilt) with AR coating |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 1/2 secs | 4 secs |
| Maximum shutter speed | 1/1000 secs | 1/2000 secs |
| Continuous shooting speed | 10.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 3.00 m | 6.00 m |
| Flash modes | Auto, On, Off, Red-eye, Soft | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (15 fps) | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30p) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video file format | Motion JPEG | MPEG-4 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 128 gr (0.28 pounds) | 305 gr (0.67 pounds) |
| Physical dimensions | 81 x 56 x 21mm (3.2" x 2.2" x 0.8") | 107 x 62 x 32mm (4.2" x 2.4" x 1.3") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | NP-40 | - |
| Self timer | Yes (2 or 10 sec, Triple) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC, Internal |
| Storage slots | One | One |
| Price at launch | $229 | $300 |