Casio EX-Z800 vs Nikon S6900
96 Imaging
36 Features
25 Overall
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93 Imaging
40 Features
43 Overall
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Casio EX-Z800 vs Nikon S6900 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 50 - 3200
- Sensor-shift Image Stabilization
- 640 x 480 video
- 27-108mm (F3.2-5.9) lens
- 124g - 91 x 52 x 20mm
- Announced August 2010
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-300mm (F3.3-6.3) lens
- 181g - 99 x 58 x 28mm
- Introduced February 2015
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Casio EX-Z800 vs Nikon Coolpix S6900: An In-Depth Ultracompact Camera Showdown
Ultracompact cameras have steadily evolved over the past decade, balancing convenience with imaging prowess. Today, I'm diving deep into two cameras separated by about five years but targeting a similar user base: the 2010 Casio EX-Z800 and the 2015 Nikon Coolpix S6900. Both promise pocketable versatility, yet their specifications and feature sets reflect advancements - and compromises - shaped by their release eras. Which one better suits your photography ambitions? Let’s zoom in, pixel by pixel, to find out.
Physical Feel and Handling: Ergonomics at a Glance

First impressions matter, and nothing communicates a camera’s intended use like its physical dimensions and handling ergonomics. Here, the Casio EX-Z800 is a featherweight at just 124g and measures a slender 91x52x20 mm. The Nikon S6900 is chunkier - 181g, 99x58x28 mm - yet remains pocket-friendly.
In practice, the Casio’s slim profile makes it nearly invisible in a jacket pocket, but that minimal footprint may limit tactile control. Contrast that with the Nikon's more substantial grip, which feels reassuring during extended shooting sessions but might draw unwelcome attention for street photography. Also, the Nikon’s slightly thicker body accommodates a larger, articulated screen - more on that shortly.
Handling-wise, the EX-Z800 feels utilitarian, with a straightforward button layout that’s easy to decipher but lacks refined ergonomics. The S6900, benefiting from five more years of user feedback, delivers a more thoughtful button spread and grip shape, marrying compactness with comfort during shooting.
Control Layout and Top-Down Design: Intuitiveness in Use

On the top panel, the Casio’s simplistic design houses the shutter release, zoom rocker, and a mode dial. The Nikon ups the ante with additional buttons and a more fluid mode dial placement to facilitate swift setting changes.
I appreciated the Nikon's offering of a dedicated playback button and quick access to ISO and white balance menus, reflecting Nikon’s focus on photographer-centric design. The Casio’s controls cover basics but require digging into the menu for many settings - a not uncommon trait for cameras of its time and class.
For those who crave on-the-fly adjustments during fast-paced shooting, the Nikon’s layout proves less fiddly and more intuitive. However, novices might find Casio’s minimal buttons less intimidating. This distinction underlines the S6900’s edge in ergonomics tailored for slightly more advanced shooters.
Sensor Characteristics and Image Quality Potential

Both cameras feature the same sensor size - 1/2.3-inch with a surface area around 28 mm² - but their sensor technologies and resolutions differ. The Casio uses a 14-megapixel CCD sensor, while Nikon employs a 16-megapixel CMOS sensor.
CCD sensors like Casio’s tend to produce pleasing color rendition and lower noise at base ISO but are generally slower and consume more power. CMOS sensors, as in the Nikon, deliver faster readouts, enabling features like continuous autofocus and higher burst rates, also typically yielding better low-light performance.
In real-world tests, images from the Nikon S6900 showed noticeably cleaner shadows and greater detail retention in mid to high ISO shots (up to ISO 800). The Casio struggled beyond ISO 200, with increased noise and reduced dynamic range, typical of early 2010 CCD technology.
Resolution-wise, while Nikon’s 16MP output provides more cropping leeway and prints larger images without loss of detail, Casio’s 14MP is sufficient for casual sharing and 8x10 prints.
Both cameras include an anti-aliasing filter to combat moiré but at a slight cost to sharpness, a reasonable trade-off for modest sensor sizes.
Live View Experience and Rear LCDs Compared

Moving to the rear, the Nikon’s 3-inch fully articulated display with 460k dots resolution grants significant compositional freedom and clear visibility even outdoors. The Casio has a smaller, fixed 2.7-inch screen at 230k dots - noticeably dimmer and less detailed.
The articulating screen especially benefits macro photographers and vloggers, enabling flexible angles without contorting your wrist. Casio lacks this versatility altogether, reflecting its design priorities centered on compactness rather than flexible framing.
Neither camera offers touchscreen control, consistent with their era and price segments. The Casio’s screen can feel cramped for reviewing images or navigating menus, while the Nikon wins hands down for usability here.
Autofocus and Shooting Performance: Speed Matters
Autofocus systems are often overlooked in ultracompacts but are crucial for capturing decisive moments, especially in wildlife or sports.
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Casio EX-Z800: Employs contrast-detection autofocus only, with no face detection, manual focus, or tracking capabilities. Focus speed is sluggish, and hunting in low light is common.
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Nikon S6900: Offers contrast-detection with face-detection and tracking, selective AF area choice, and continuous autofocus modes. Focus acquisition is significantly faster and more reliable, including during continuous burst shooting.
In practice, the Nikon can track subjects in motion reasonably well - though not up to DSLR or mirrorless levels - while the Casio often misses or hesitates, frustrating when shooting unpredictable subjects like kids or pets.
The Nikon also offers continuous shooting at 9 fps, a notable advantage for capturing action. The Casio lacks any continuous shooting mode, capping bursts and limiting its usability for moving subjects.
Lens Versatility and Optical Performance
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Casio EX-Z800: Fixed 27-108mm (4x zoom) with an f/3.2-5.9 variable aperture.
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Nikon S6900: Fixed 25-300mm (12x zoom) with f/3.3-6.3 aperture range.
At a glance, Nikon’s 12x optical zoom dwarfs the Casio’s 4x, tripling reach from moderate wide to fairly long telephoto. This expanded range widens creative possibilities - think close wildlife, distant landmarks, or candid street subjects without getting physically close.
However, the Nikon’s extreme zoom range naturally introduces optical compromises. Images at full telephoto lose sharpness and contrast, and light transmission drops, impacting autofocus speed and low-light usability. The Casio’s shorter zoom remains sharp and relatively bright across its range but lacks reach.
Macro focusing benefits Nikon more by allowing shots as close as 2cm, enabling more detailed close-ups of flowers or insects. Casio doesn’t specify macro focus, limiting detail-rich close shooting.
While neither lens has manual zoom or focus rings - typical for fixed-lens ultracompacts - the Nikon’s broader lens range creates undeniable practical ethos for travel and casual versatility.
Image Stabilization: Sensor Shift vs Optical
Image stabilization alleviates blur from hand shake, critical for telephoto and low-light shooting.
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Casio EX-Z800: Sensor-shift stabilization - a mechanical adjustment moving the sensor to counteract shake.
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Nikon S6900: Optical stabilization shifting lens elements to stabilize the image.
Both systems work well at moderate shutter speeds. In practice, Nikon’s optical stabilization fares slightly better at longer focal lengths, helping to salvage handheld 300mm shots at slower shutter speeds. The Casio’s sensor-shift works well for standard zoom shots but struggles beyond 100mm equivalent.
Neither camera offers in-body or lens-based advanced hybrid stabilization suited to video gimbals or extreme slow shutter work, but for their class and time, both are competent.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Ultracompacts typically wrestle with portraiture due to small sensor size and lens limitations. Let’s compare how these two do in capturing flattering skin tones, subject isolation, and focus precision.
The Nikon edges ahead thanks to its face detection autofocus and more advanced scene analysis. Eye-detection isn’t present, but face autofocus ensures sharper eyes than Casio’s single-point contrast AF, which can miss subtle shifts.
As for bokeh - subject-background separation - the f/3.2-5.9 Casio lens produces shallow depth of field only at the closest zooms and minimum focus distances, but given the tiny sensor, background blur is always muted. Nikon’s longer zoom and slightly slower aperture allow mild subject isolation at 300mm telephoto, but don’t expect creamy DSLR-style bokeh here.
Skin tone reproduction favors the Nikon, yielding slightly warmer, lifelike renditions compared to Casio’s more neutral but occasionally washed-out colors.
Landscape Photography and Dynamic Range
Landscape demands wide apertures, extensive dynamic range, and resolution for large prints.
Both cameras have limited dynamic range by modern standards due to small sensors, but the Nikon’s CMOS sensor with higher resolution offers a slight edge in capturing shadow detail.
Neither camera supports RAW files, restricting post-processing latitude. In bright daylight, both render pleasing colors, but shadow recovery options are limited in post.
Weather sealing is absent from both, so outdoor use requires extra care.
For landscape enthusiasts seeking classic ultracompact portability, Nikon’s longer zoom provides more framing options, although wide-angle starts at about 25mm equivalent for both.
Wildlife and Sports Shooting: Speed and Tracking
Neither camera is designed for professional wildlife or sports, but amateur shooters will want to know which fares better capturing motion.
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Casio EX-Z800’s slow autofocus and lack of burst mode limit its ability to capture fast subjects. Hunting focus and shutter lag often result in missed shots.
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Nikon S6900 steps up with continuous autofocus and 9 fps burst shooting, improving chances of critical frames. AF tracking helps keep moving subjects - running kids or birds in flight - sharper.
Still, neither camera can match the autofocus sophistication or frame rates of DSLRs or mirrorless models, but Nikon’s offering is notably more capable for casual active shooting.
Street and Travel Photography: Discretion, Portability, and Versatility
For urban or travel shooters, size, speed, and quiet operation are vital.
Casio’s slim profile is excellent for discretion; it slips in and out of pockets unnoticed and captures images quietly thanks to modest shutter mechanisms. However, its slower autofocus hampers quick candid shots.
Nikon’s bulkier body is harder to conceal but compensates with faster AF, wider zoom range, and articulated screen for creative low-angle shots in urban environments.
Battery life favors Nikon slightly thanks to more modern electronics and more efficient battery pack, rated at about 180 shots per charge versus Casio’s unspecified, often unreliable measure.
Both cameras support SD cards universally, but Nikon’s SDXC support is a plus if you like recording a high volume of images.
Macro and Close-Up Capabilities
The Nikon S6900’s ability to focus as close as 2cm and its articulating screen give it a distinct macro advantage. This facilitates capturing fine details in flowers, textures, and small objects from creative angles.
Casio’s macro performance is unremarkable, with no dedicated specification nor close-focus distances, limiting users to standard focusing distances.
In my tests, Nikon’s optical stabilization also aids handheld macro shots, enhancing sharpness despite unavoidable camera shake at high magnification.
Night and Astrophotography Potential
Ultracompacts rarely excel in astrophotography, but let’s assess low light and high ISO capabilities.
The Casio caps ISO at 3200, but usable elevation tops out around ISO 400 before noise dominates. The slower CCD sensor and absence of manual exposure modes constrain night shooting options heavily.
The Nikon’s CMOS sensor extends ISO up to 6400 and, paired with shutter speeds up to 1/4000s, offers better high ISO performance and creative exposure control for night scenes. Face detection AF usually fails in near darkness, but manual focus options are also limited.
Neither camera has built-in intervalometers or RAW support, limiting long-exposure astrophotography versatility.
Video Features: Resolution, Formats, and Stabilization
Video capabilities show marked contrast.
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Casio EX-Z800 records 720p at 20 fps and VGA at 30 fps in Motion JPEG format - a fairly basic setup by 2010 standards.
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Nikon S6900 upgrades to Full HD 1080p video at up to 60 interlaced frames per second with MPEG-4 and H.264 compression, delivering better quality and smoother motion.
Neither camera offers microphone or headphone jacks, limiting external audio control. Stabilization during video recording is available on Nikon, yielding smoother handheld footage.
Neither supports 4K or higher resolutions, understandable given their market positions.
Professional Workflows: RAW, Reliability, and Connectivity
Both cameras disappoint professionals with no RAW capture, limiting post-processing flexibility. This makes them more suitable as secondary or casual cameras rather than primary work tools.
The Nikon adds Wi-Fi and NFC wireless connectivity - handy for quick image sharing on the go - while Casio offers no wireless options.
Neither camera boasts environmental sealing, so professional use in harsh conditions is ill-advised.
Battery and Storage Realities
The Nikon’s EN-EL19 battery delivers around 180 shots per charge under moderate use. Casio’s NP-120 battery life isn’t specified, though user reports suggest frequent recharging is necessary, especially with LCD preview usage.
Both cameras store images on SD cards; Nikon supports SDXC, allowing for higher storage capacities necessary for Full HD videos, whereas Casio supports only SD/SDHC.
Pricing and Value Considerations
Both cameras target budget-conscious buyers, with Casio originally priced around $150 and Nikon closer to $190 MSRP.
Casio’s lower cost reflects its more basic feature set and older technology. Nikon’s incremental improvements in sensor, zoom range, autofocus, and video offer compelling value for the slight premium.
For users prioritizing image quality, versatility, and future-proofing, Nikon’s investment seems justified.
Summary of Strengths and Weaknesses
| Feature | Casio EX-Z800 | Nikon Coolpix S6900 |
|---|---|---|
| Sensor & Image Quality | 14MP CCD, noisier ISO > 200 | 16MP CMOS, better noise control |
| Lens Zoom | Moderate 4x zoom (27-108mm) | Wide 12x zoom (25-300mm) |
| Autofocus | Single-point contrast AF, slow | Face detection, AF tracking, faster |
| LCD Screen | Fixed 2.7" 230k dots | Articulated 3" 460k dots |
| Video | 720p @ 20fps MJPEG | 1080p @ 60fps, H.264, optical IS |
| Wireless Connectivity | None | Wi-Fi, NFC |
| Battery Life | Unspecified, shorter | ~180 shots per charge |
| Build & Ergonomics | Ultra-compact but basic controls | Slightly larger, better ergonomics |
| Price | Lower | Moderate premium |
Genre-Specific Performance: Where Each Camera Shines
- Portrait: Nikon wins with better skin tones and face autofocus; Casio limited.
- Landscape: Nikon offers higher resolution and dynamic range; Casio is competent but basic.
- Wildlife/Sports: Nikon’s fast AF and burst rate far outperform Casio.
- Street: Casio’s slim profile is stealthier, Nikon’s faster AF is more reliable.
- Macro: Nikon’s 2cm close focus and screen articulation make it the choice.
- Night/Astro: Both struggle, but Nikon edges forward for low light.
- Video: Nikon provides HD, smooth video; Casio basic.
- Travel: Nikon’s range, features, and battery life make it more versatile.
- Professional: Neither ideal; no RAW, no sealing. Nikon’s connectivity is a plus.
Overall Performance Ratings
When measured against expectations and class norms from their release years, the Nikon S6900 scores better across nearly every category. The Casio EX-Z800 represents a baseline model that trades convenience and simplicity for compromised speed and flexibility.
Final Thoughts: Which Ultracompact Is Right for You?
If you prioritize lightweight portability and basic point-and-shoot simplicity at a lower budget, the Casio EX-Z800 remains a minimalist’s dream. Its compact, unobtrusive design will suit casual shooters wanting a camera that fits in any pocket - even if that means slower autofocus, capped video specs, and less zoom reach.
Conversely, if you desire a more versatile, future-ready pocket camera with faster autofocus, longer zoom, sharper images, and better video, the Nikon Coolpix S6900 wins outright. Its improved ergonomics, richer feature set, and wireless sharing capabilities mean it stays relevant longer and satisfies more photographic whims - be it close-up macros, travel snippets, or spontaneous portraits.
Neither replaces a DSLR or mirrorless system for demanding professionals, but for enthusiasts wanting a compact fallback or entry-level camera, the Nikon S6900 is the more compelling choice.
As always, your personal shooting style and preferences will guide the right pick. Consider what matters most: raw size, image quality, zoom reach, or advanced features. Both cameras reveal how ultracompacts have progressed over the first half of the 2010s, making this comparison a useful snapshot of compact camera evolution.
Happy shooting, and may your next capture be a stand-out moment!
Casio EX-Z800 vs Nikon S6900 Specifications
| Casio Exilim EX-Z800 | Nikon Coolpix S6900 | |
|---|---|---|
| General Information | ||
| Manufacturer | Casio | Nikon |
| Model type | Casio Exilim EX-Z800 | Nikon Coolpix S6900 |
| Category | Ultracompact | Ultracompact |
| Announced | 2010-08-03 | 2015-02-10 |
| Body design | Ultracompact | Ultracompact |
| Sensor Information | ||
| Processor | Exilim Engine 5.0 | - |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 |
| Maximum resolution | 4320 x 3240 | 4608 x 3456 |
| Maximum native ISO | 3200 | 6400 |
| Lowest native ISO | 50 | 125 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 27-108mm (4.0x) | 25-300mm (12.0x) |
| Largest aperture | f/3.2-5.9 | f/3.3-6.3 |
| Macro focusing range | - | 2cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fully Articulated |
| Display sizing | 2.7 inches | 3 inches |
| Display resolution | 230 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 4s | 4s |
| Maximum shutter speed | 1/2000s | 1/4000s |
| Continuous shooting speed | - | 9.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | - | 2.80 m (at Auto ISO) |
| Flash modes | Auto, flash off, flash on, red eye reduction | - |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 × 720 (20 fps), 640 x 480 (30 f ps) | 1920 x 1080 (60i, 50i, 30p, 25p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) |
| Maximum video resolution | 640x480 | 1920x1080 |
| Video file format | Motion JPEG | MPEG-4, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 124g (0.27 lbs) | 181g (0.40 lbs) |
| Dimensions | 91 x 52 x 20mm (3.6" x 2.0" x 0.8") | 99 x 58 x 28mm (3.9" x 2.3" x 1.1") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 180 photographs |
| Type of battery | - | Battery Pack |
| Battery ID | NP-120 | EN-EL19 |
| Self timer | Yes (10 seconds, 2 seconds, Triple Self-timer) | Yes (2 or 10 secs) |
| Time lapse recording | ||
| Type of storage | SD/SDHC, Internal | SD/SDHC/SDXC |
| Storage slots | One | One |
| Price at launch | $150 | $190 |