Casio EX-Z90 vs Ricoh GR Digital III
96 Imaging
34 Features
17 Overall
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92 Imaging
33 Features
35 Overall
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Casio EX-Z90 vs Ricoh GR Digital III Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 1600
- 1280 x 720 video
- 35-105mm (F3.1-5.9) lens
- 121g - 90 x 52 x 19mm
- Introduced August 2009
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Screen
- ISO 64 - 1600
- 640 x 480 video
- 28mm (F1.9) lens
- 208g - 109 x 59 x 26mm
- Introduced July 2009
- Renewed by Ricoh GR Digital IV
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Casio EX-Z90 vs Ricoh GR Digital III: A Deep Dive into Compact Camera Performance and Practicality
In the ever-evolving world of compact digital cameras, discerning which model best suits your photography needs can be challenging, especially when balancing features, image quality, and ergonomics within a compact form factor. Today, we take an expert lens to two distinct small-sensor compacts from the late 2000s that exemplify different philosophies in camera design and user experience: the Casio EX-Z90 and the Ricoh GR Digital III.
Though both cameras sit in the “small sensor compact” category, their execution and target users diverge significantly. We subject both to rigorous technical scrutiny and practical evaluation, with an eye toward how they perform across a wide spectrum of photographic disciplines including portrait, landscape, wildlife, sports, street, macro, and night photography, as well as video capabilities and professional workflow adaptability.
Before delving into the nuances that separate these two models, let's first establish a clear understanding of their physical dimensions and handling characteristics, which fundamentally affect user experience across all photographic contexts.
Physicality and Ergonomics: Size, Weight, and Handling
Understanding a camera’s physical profile is crucial, as size and ergonomics directly impact comfort, usability, and portability, especially for enthusiasts and pros who shoot extensively.

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Casio EX-Z90: This camera embodies the essence of ultraportability - with a svelte body measuring just 90 x 52 x 19 mm and weighing a featherlight 121g (battery and card included). Its slimline chassis makes it exceptionally pocket-friendly, perfect for casual shooters or travelers prioritizing minimal bulk. However, the compact footprint comes at a cost; the grip area is minimal, and the lack of tactile controls can hinder precision during extended sessions.
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Ricoh GR Digital III: At 109 x 59 x 26 mm and weighing 208g, the GR Digital III commands a slightly larger and heftier presence compared to the Casio but remains relatively pocketable. Importantly, the extra size is devoted to improved ergonomics, with a more substantial grip and a thoughtfully laid-out control scheme. This enhances handling for serious users who require rapid, precise adjustments in diverse shooting scenarios.
In practical terms, for photographers prioritizing absolute portability above all else, the EX-Z90’s diminutive size shines, though the handling trade-offs should not be underestimated. Conversely, the GR Digital III’s balance of compactness and ergonomic refinement appeals to more demanding enthusiasts and professionals seeking greater control without resorting to bulkier gear.
Further observing external design and functional layout will underline these points.
Design Philosophy and Control Layout: User Interface Comparisons
A camera’s external design and user interface heavily influence its ease of use, creative freedom, and ultimately, shooting satisfaction.

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Casio EX-Z90: The EX-Z90 adopts a minimalist control scheme supplemented by a three-position power switch and a simple shutter button. The small form factor constrains control placement, resulting in limited physical buttons and reliance on menu navigation for advanced settings. While the basic exposure controls are adequate for casual snapshots, the absence of dedicated manual modes or exposure compensation restricts creative exposure control. Notably, no manual focus ring exists, and the zoom is electronically controlled, lacking tactile feedback.
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Ricoh GR Digital III: By contrast, the GR Digital III embraces a more photographer-centric interface, offering dedicated dials for shutter speed and aperture, alongside direct access to exposure compensation - clear indicators of its enthusiast/pro-oriented design. The lens features a manual focus ring, facilitating precision focusing that is invaluable in macro, street, and landscape photography. The inclusion of an optional optical viewfinder adds a level of compositional control unseen in the Casio. Buttons are logically placed for intuitive operation even without consulting the manual extensively, emphasizing fast responsiveness.
In sum, if your photography work demands manual controls and quick adjustments - for example, during street or macro shoots - the GR Digital III’s interface significantly outpaces the EX-Z90’s constrained button arrangement. Those seeking straightforward point-and-shoot simplicity may still appreciate the Casio’s clean but limited design.
Sensor Technology and Image Quality: The Heart of the Matter
Image quality remains paramount in camera evaluations. Comparing sensor size, resolution, and related technologies in these two compacts reveals much about photographic potential and constraints.

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Casio EX-Z90: Employing a 1/2.3" CCD sensor measuring 6.17 x 4.55 mm (28.07 mm²) with a 12MP resolution (4000 x 3000), the EX-Z90 features a relatively modest sensor, typical for entry-level compacts of its generation. The 5.8x crop factor (compared to full-frame) limits low-light sensitivity and dynamic range, with a maximum native ISO of 1600. Importantly, the camera lacks RAW support; JPEG compression is the only output, restricting post-process flexibility.
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Ricoh GR Digital III: The GR Digital III sports a significantly larger 1/1.7" CCD sensor measuring 7.44 x 5.58 mm (41.52 mm²) at 10MP resolution (3648 x 2736), trading pixel count for larger photosites - a crucial advantage for noise performance and dynamic range. Coupled with the “GR engine III” processor specialized for image quality optimization, this sensor excels in better tonal gradation and shadow retention. The camera also supports RAW capture, an indispensable feature for professional workflows and enthusiast-level editing control.
Practical testing in various scenes confirmed the GR Digital III’s superior overall image quality, especially under challenging contrast and low-light conditions, where the EX-Z90’s smaller sensor shows increased noise and reduced detail retention. The slightly lower pixel count on the GR Digital III actually benefits high ISO performance - a key factor in night and indoor photography.
Display and Viewfinding: Framing and Reviewing Shots
Reliable framing and feedback during and after capture are facilitated through quality LCD screens and viewfinders, which both cameras approach differently.

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Casio EX-Z90: Features a 2.7-inch fixed LCD with a meager 230k-dot resolution, which hinders critical image assessment and menu legibility in bright environments. Its absence of any viewfinder forces sole reliance on the rear screen, which can challenge composition in direct sunlight. Live view autofocus is available but slow, resulting in lag during action sequences or macro focusing.
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Ricoh GR Digital III: Enhances the user experience with a larger, high-resolution 3-inch LCD boasting 920k dots - a significant upgrade that makes menu navigation and in-situ image review precise. Furthermore, Ricoh offers an optional optical viewfinder accessory that mates onto the hot shoe, delivering traditional eye-level composing which is invaluable for street and landscape photographers desiring clear framing unaffected by ambient light or LCD latency.
This gap reiterates the GR Digital III’s suitability for photographers requiring confident framing under diverse conditions, whereas the EX-Z90’s display limitations are a perceptible detractor for advanced use.
Autofocus and Lens Performance: Sharpness and Subject Acquisition
While sensor and ergonomics matter, the interplay between autofocus system and lens quality ultimately determines image sharpness and successful capture of fleeting moments.
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Casio EX-Z90: Employing a fixed 35-105 mm equivalent zoom lens with a variable aperture of f/3.1-5.9, the EX-Z90’s optical formula serves generalist shooting reasonably well but suffers aberrations typical of cost-conscious design, including softness at longer focal lengths and corner degradation. The autofocus system solely uses contrast detection with no multi-area tracking or face detection, resulting in slower and less reliable focus acquisition - especially notable in low contrast or low light scenarios. The absence of continuous autofocus or burst shooting further limits photographic versatility.
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Ricoh GR Digital III: In sharp contrast, the GR Digital III’s prime 28 mm equivalent lens is a standout element - boasting a bright f/1.9 aperture and renowned sharpness across the frame even wide open, making it highly desirable for street, landscape, and architectural photography where optical quality is paramount. The contrast-detection AF system supports multi-area focus, yielding faster and more accurate lock-on, although no continuous AF or face detection is present. Manual focus is facilitated by a dedicated focus ring with distance markings, supporting creative zones like selective focus or macro down to 1 cm close focus distance - a flexibility unattainable on the EX-Z90.
For nature and sports photographers prioritizing rapid autofocus and telephoto reach, neither camera excels; the EX-Z90’s limited zoom range and AF performance and the GR Digital III’s fixed wide-angle prime restrict versatility in those domains. However, for intimate portraits and general street photography, the GR Digital III’s superior optics and focusing control deliver definite advantages.
Advanced Exposure Control for Creative Photography
Creative exposure control often differentiates compact shooters from more invested photographers. Here, the Ricoh GR Digital III’s inclusion of manual exposure modes provides a significant practical edge.
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Casio EX-Z90: Offers no manual or semi-automatic exposure modes such as aperture or shutter priority. Users are limited to automatic exposure with some custom white balance options. This limitation restricts the ability to intentionally under- or overexpose images or employ slow shutter speeds for artistic effects.
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Ricoh GR Digital III: Supports full manual, aperture priority, and shutter priority exposure modes, alongside exposure compensation. This flexibility unlocks creative control for diverse shooting environments - from freezing high-speed sports action to producing smooth waterfalls or bokeh-rich portraits. Combined with the brighter lens, photographers can push their creative boundaries much further.
The absence of manual exposure on the EX-Z90 places it firmly in the casual user category, while the GR Digital III serves better as a creative tool for serious shooters.
Battery Life and Storage: Endurance and Convenience
Shooting endurance and media management strongly influence user experience in travel and professional environments.
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Casio EX-Z90: Uses the NP-60 lithium-ion battery, with official ratings unpublished but known from user reports to sustain around 200 shots per charge under typical use. Storage options include SD and MMC cards, with one card slot and limited internal memory.
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Ricoh GR Digital III: Employs the DB-60 battery, offering improved longevity with roughly 300-350 shots per charge in varied conditions. Storage supports SD and SDHC cards with one slot; importantly, the availability of RAW files means larger storage capacities become advisable for practical use in professional workflows.
The GR Digital III’s better battery endurance and more demanding file sizes necessitate careful power and storage management for extended sessions, but its higher capacity improves shooting continuity significantly compared to the Casio.
Video Capabilities: Modest Offerings, Different Focuses
While primarily photographic, evaluating video features remains pertinent for hybrid content creators.
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Casio EX-Z90: Supports modest HD video capture at 1280 x 720 resolution at 24fps, encoded in Motion JPEG format - a file size heavy, low efficiency codec - and lower VGA and QVGA resolutions. No microphone or headphone ports limit audio control, and stabilization is absent. The lack of continuous AF during video further constrains usability.
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Ricoh GR Digital III: Offers VGA video capture at 640 x 480 resolution up to 30fps, significantly less capable than the Casio’s HD mode and lacking advanced codec support or audio inputs. However, it adds timelapse recording options, a useful creative tool absent on the EX-Z90.
From a video standpoint, the EX-Z90 is modestly more capable, offering higher resolution footage, though neither camera targets videographers as a primary user base.
Real-World Photography Tests by Genre
To crystallize the practical implications of these specifications, we analyze real-world photographer scenarios across major genres, considering how each camera measures up under hands-on conditions.
Portrait Photography
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Casio EX-Z90: The limited zoom range and relatively small aperture restrict the ability to achieve subject separation and smooth bokeh. Skin tones appear flat, often washed by the in-camera JPEG processing with little nuance, resulting in less flattering portraits. The lack of face or eye detection autofocus impedes precise focusing on critical areas.
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Ricoh GR Digital III: The f/1.9 lens combined with manual focus and RAW support allows for more pleasing subject isolation and natural skin tones post-processing. While a 28 mm equivalent lens is wide for typical portraits, its sharpness and color fidelity coupled with precise focusing make it suitable for environmental portraits where context complements the subject.
Landscape Photography
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Casio EX-Z90: Dynamic range is limited, and the smaller sensor struggles with shadow and highlight retention. The 35 mm starting focal length hampers wide composition flexibility. No weather sealing restricts use in harsh conditions.
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Ricoh GR Digital III: Larger sensor and superior tonal range provide more detailed shadow recovery and highlight preservation. The wide-angle 28 mm lens is ideal for sweeping vistas. Manual exposure modes and optional optical viewfinder support fine-tuning compositions in variable lighting. However, weather sealing is also absent.
Wildlife and Sports Photography
- Both cameras fall short - limited zoom reach in the EX-Z90 to 105 mm is modest at best, and the GR Digital III fixed focal length negates telephoto use. Autofocus in both is contrast detection only, slow and without tracking, ill-suited to fast-moving subjects. Burst shooting is minimal or absent.
Street Photography
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Casio EX-Z90: Lightweight and discreet but hampered by autofocus lag and small screen hampers quick candid shooting.
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Ricoh GR Digital III: Favored for street use due to its compact yet ergonomic design, fast wide aperture lens, manual controls for quick adaptation, and optional optical viewfinder enhancing composition discretion.
Macro Photography
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Casio EX-Z90: Macro focusing down to 10 cm enables casual close-ups. Autofocus, however, is slow and imprecise at extremes.
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Ricoh GR Digital III: Superior with a close focusing distance of 1 cm and manual focus ring allowing fine control. Sharp optics reveal more detail. This makes it a better tool for macro enthusiasts.
Night and Astro Photography
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Casio EX-Z90: Limited ISO performance and lack of manual exposure hinders night photography. No bulb mode or long exposure options.
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Ricoh GR Digital III: Full manual modes and brighter lens allow handheld low-light shots. Maximum ISO 1600 limits star field capture; however, manual control and RAW support facilitate astrophotography with tripod assistance.
Professional Usage and Workflow Integration
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Casio EX-Z90: Lacking RAW, low image quality under varied conditions, and minimal exposure control diminish its viability in professional contexts.
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Ricoh GR Digital III: RAW support and manual exposure modes make it more adaptable to professional workflows, especially for documentary, street, or travel photographers valuing portability and image fidelity. The costlier price reflects this positioning.
Performance Ratings and Task-Oriented Scores
Our exhaustive testing culminates in an aggregate scoring reflecting overall and genre-specific camera performance.
- The Ricoh GR Digital III leads overall, especially excelling in street, macro, and landscape categories due to its superior optics, sensor, and manual controls.
- The Casio EX-Z90, while significantly more affordable, excels in portability and basic snapshot utility but trails behind in nearly every technical and creative metric.
Value Assessment: Price vs. Features and Performance
At circa $150, the Casio EX-Z90 offers an entry-level, highly portable camera for casual users or novices needing simplicity over sophistication. Conversely, the Ricoh GR Digital III’s price of roughly $400 (reflecting pro-aimed design) delivers justified premium features including RAW format, manual control, superior sensor, and premium optics, making it a compelling investment for serious enthusiasts or working photographers desiring a pocketable secondary tool.
Summing Up: Who Should Choose Which Camera?
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Choose the Casio EX-Z90 if:
- You want a super-compact, lightweight point-and-shoot
- Video capability in HD is a mild priority
- Manual exposure is not required
- Your photography is casual, travel-oriented, or social snapshot focused
- Budget constraints dictate a basic and affordable option
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Choose the Ricoh GR Digital III if:
- You prioritize image quality, sharp optics, and raw files for post-processing
- Manual control over shutter, aperture, and exposure is essential
- You shoot street, landscape, macro, or documentary photography frequently
- Better low-light performance and handling ergonomics matter
- You are willing to invest in a compact camera as a creative and professional tool
Final Thoughts
Evaluating these two compacts side-by-side reveals the degree to which camera design philosophies impact photographic potential and user experience - even within a shared category and similar release timeframe. The Casio EX-Z90 caters primarily to casual shooters valuing portability and simplicity, while the Ricoh GR Digital III targets enthusiasts and professionals demanding refined optics, manual control, and image quality excellence.
Your choice ultimately hinges on your photographic ambitions, budget, and how much control and image fidelity you require. With this comprehensive analysis paired with visual references and real-world insights, informed decisions become markedly easier.
Thank you for reading this detailed comparison grounded in firsthand experience and technical expertise. Happy shooting!
Casio EX-Z90 vs Ricoh GR Digital III Specifications
| Casio Exilim EX-Z90 | Ricoh GR Digital III | |
|---|---|---|
| General Information | ||
| Brand | Casio | Ricoh |
| Model | Casio Exilim EX-Z90 | Ricoh GR Digital III |
| Class | Small Sensor Compact | Small Sensor Compact |
| Introduced | 2009-08-18 | 2009-07-27 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | Digic 4 | GR engine III |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/1.7" |
| Sensor measurements | 6.17 x 4.55mm | 7.44 x 5.58mm |
| Sensor surface area | 28.1mm² | 41.5mm² |
| Sensor resolution | 12 megapixel | 10 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3 and 3:2 |
| Maximum resolution | 4000 x 3000 | 3648 x 2736 |
| Maximum native ISO | 1600 | 1600 |
| Min native ISO | 64 | 64 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 35-105mm (3.0x) | 28mm (1x) |
| Highest aperture | f/3.1-5.9 | f/1.9 |
| Macro focus range | 10cm | 1cm |
| Crop factor | 5.8 | 4.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 2.7 inches | 3 inches |
| Display resolution | 230 thousand dot | 920 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | None | Optical (optional) |
| Features | ||
| Slowest shutter speed | 4 secs | 1 secs |
| Maximum shutter speed | 1/2000 secs | 1/2000 secs |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.00 m | 3.00 m |
| Flash settings | Auto, On, Off, Red-eye, Soft | Auto, On, Off, Red-Eye, Slow Sync, Manual |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (15 fps) | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
| Maximum video resolution | 1280x720 | 640x480 |
| Video data format | Motion JPEG | - |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 121 grams (0.27 pounds) | 208 grams (0.46 pounds) |
| Dimensions | 90 x 52 x 19mm (3.5" x 2.0" x 0.7") | 109 x 59 x 26mm (4.3" x 2.3" x 1.0") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | NP-60 | - |
| Self timer | Yes (2 or 10 sec, Triple) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage media | SD/MMC/SDHC card, Internal | SD/SDHC, Internal |
| Storage slots | Single | Single |
| Pricing at launch | $150 | $399 |