Casio EX-ZR10 vs Olympus TG-630 iHS
93 Imaging
35 Features
35 Overall
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94 Imaging
36 Features
34 Overall
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Casio EX-ZR10 vs Olympus TG-630 iHS Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-196mm (F3.0-5.9) lens
- 176g - 102 x 69 x 27mm
- Launched September 2010
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-5.9) lens
- 167g - 98 x 66 x 22mm
- Introduced January 2013
Snapchat Adds Watermarks to AI-Created Images Casio EX-ZR10 vs Olympus TG-630 iHS: A Detailed Comparison for the Curious Shooter
In an era brimming with camera models, sorting through specifications to find a gem that fits your photography style can feel like solving a Rubik's Cube blindfolded. Today, I’m diving into the Casio EX-ZR10 and the Olympus TG-630 iHS - two compact cameras from the early 2010s that still hold some charm for enthusiasts who want simple, versatile point-and-shoots without breaking the bank. Both offer that pocketable convenience, but they flirt with quite different philosophies: the Casio leans toward a traditional zoom-heavy compact, while the Olympus touts rugged, waterproof prowess. So, what happens when you pit these two against each other? Which one punches above its weight in the practical shooting realm? Let’s unpack their features, quirks, and real-world abilities.

First Impressions: Size, Feel, and Design
If you’re anything like me, you know how important a camera’s physical feel is. You could have the flashiest sensor, but if the device is clunky or slippery in-hand, you might as well leave it at home.
The Casio EX-ZR10 and Olympus TG-630 iHS are close competitors in size but reflect fundamentally different design priorities. The Casio measures 102 x 69 x 27 mm and weighs 176 grams; the Olympus is slightly smaller and lighter at 98 x 66 x 22 mm and 167 grams. The marginal difference might seem trivial, but the Olympus’s slightly slimmer body and weight savings translate to better pocketability, especially when you’re outdoors and want to travel light (or stash it in a jacket pocket).
Ergonomically, the Casio adopts a more angular, slightly bulkier shell with a matte finish that offers decent grip for a compact. The Olympus TG-630, designed with rugged use in mind - remember, it’s waterproof and shockproof - has a more rubberized, textured grip which inspires confidence when handling in wet or rough conditions. Its buttons feel more purpose-driven, reinforced, and responsive, delivering tactile feedback that the Casio’s softer plastic buttons can’t quite match.
Overall, for everyday casual use and urban carries, the Casio’s size and grip are adequate, but if you want a compact you can shove in your hiking pack without worry, the Olympus’s robust shell and lighter weight offer an immediate edge.

Controls and User Interface: Keeping It Simple or Adding Muscle?
Controls are often overlooked but become critical in spontaneous shooting scenarios - when you want to grab the shot before the moment evaporates. The Casio and Olympus both keep their control schemes straightforward, but with subtle leanings toward different user priorities.
Neither camera offers dedicated aperture or shutter priority modes, so expect to shoot mostly in auto or programmed settings. Both are designed for point-and-shoot simplicity - no manual exposure tweaking here, unfortunately.
The Casio EX-ZR10’s button layout puts the zoom rocker and shutter release in intuitive spots, but I found its menu system somewhat dated and a touch sluggish. No touchscreen means no pinch-zooming or tapping to focus; you’ll adjust settings through physical buttons and a directional pad that’s responsive but requires menu diving for things like white balance bracketing or continuous shooting. Speaking of which, continuous shooting on the Casio is a non-starter - no burst mode, limiting action photography potential.
Olympus’s TG-630 takes a slightly more modern approach with a cleaner menu structure and a ‘pet auto shutter’ for capturing animal faces automatically - a quirky but charming addition. It offers a continuous shooting speed of 5 frames per second, which, while modest compared to DSLRs or mirrorless beasts, is potent for a rugged compact. However, like the Casio, no manual modes or touch focus options here.
Neither camera boasts illuminated buttons - which means night shooting and quick setting adjustments in dim conditions require some fumbling. In sum, the TG-630 offers more agility for dynamic shooting through its burst mode and face detection AF but overall retains a basic interface tailored for ease.
Sensor Tech and Image Quality: The Heart of the Matter

Having shot extensively with compact cameras equipped with 1/2.3" sensors, it’s clear these sensor sizes, while small by modern standards, still deliver respectable image quality in daylight - but they struggle once the light fades or the scene challenges dynamic range.
Both the Casio and Olympus pack 12-megapixel 1/2.3" sensors, with nearly identical dimensions (6.17 x 4.55 mm). The Casio’s sensor is a BSI-CMOS type (Backside Illuminated) with an Exilim Engine HS processor - a decent combo for its era - while the Orion TG-630 uses a traditional CMOS sensor. BSI technology generally offers better light gathering ability than traditional CMOS, giving a slight theoretical edge to Casio in low-light sensitivity.
However, the Olympus outstrips Casio on max ISO, reaching ISO 6400 (versus ISO 3200 max on the Casio). This doubling might seem like a win for Olympus on paper, but small sensors often introduce noise at elevated ISOs, and after hands-on pixel-peeping, the Olympus images at higher ISO show more luminance noise, probably due to less aggressive noise reduction settings.
Dynamic range differences are subtle and can be influenced by image processing preferences. The Casio tends to produce slightly softer images with less punch, while the Olympus’s JPG output comes through punchier but occasionally at the cost of highlight clippings in high-contrast scenes.
Neither camera shoots RAW, which is a bummer - enthusiasts and pros will miss the flexibility RAW offers in post-processing, especially for highlights and shadows recovery.
Both cameras deploy an anti-alias filter to reduce moire, which slightly softens fine detail but helps avoid color artifacts in architectural shots and patterns.
Zoom and Lens Performance: Reach and Versatility
Here’s where the Casio EX-ZR10 flexes its muscles: a hefty 7x optical zoom range from 28mm to 196mm equivalent. This superzoom reach is quite generous for a compact and suits users who want versatility without switching lenses - landscapes to portraits to casual wildlife (within reason).
The Olympus TG-630 offers a respectable but more modest zoom - 5x optical from 28mm to 140mm equivalent - which prioritizes a more balanced wide-to-tele zoom for rugged conditions.
The Casio’s maximum apertures hover at F3.0 at the wide end, narrowing to F5.9 at telephoto - decent in bright daylight but pushing you toward higher ISOs indoors or at dusk. The Olympus starts at F3.9 and also narrows to F5.9, reflecting slightly dimmer glass overall.
When put through real-world use, Casio’s zoom lens displays noticeable barrel distortion at the wide end and some softening toward telephoto, which is typical of a compact superzoom. Olympus’s lens is optically simpler but performs well given its rugged sealed construction - it avoids excessive distortion and provides sharp center resolution but softens slightly in the corners.
The Olympus’s standout macro mode focusing down to 1 cm is a clear win for close-up fun, especially for nature or detail shots - the Casio’s macro capabilities are less pronounced (details not specified), which might disappoint macro enthusiasts.
Autofocus and Shooting Speed: Catching the Moment
For sporty or wildlife shooters, autofocus speed and burst rates can make or break a camera’s usability.
Both cameras rely solely on contrast-detection autofocus systems - typical for compacts but slower and less reliable in tracking fast-moving subjects compared to phase detection or hybrid AFs found in more sophisticated gear.
The Casio provides single autofocus (AF single) with limited tracking - nothing fancy, but adequate for stationary or slow-moving subjects. Notably, it lacks face detection or eye detection AF, so portraituring becomes a bit of a guessing game with focus points.
Olympus, however, spices things up with face detection AF, which enhances portraits by locking focus on faces - a big plus when snapping family or candid street shots. Sadly, neither model supports eye AF, continuous AF, or subject tracking per se, which limits creative or fast-action shooting.
Burst mode? The Casio disappoints - no continuous shooting capabilities. The Olympus shoots 5 fps, modest but workable for casual sports or kid photography.
Display and EVF Experience: How You See Matters

Both cameras come with fixed 3-inch LCDs, roughly 460-461k dot resolution - par for the compact category. Neither has a touchscreen or electronic viewfinder (EVF), meaning composition relies purely on the rear screens.
The Casio’s “Super Clear TFT” LCD panel is bright and generally viewable outdoors, though reflections can be an annoyance under direct sunlight. The Olympus’s screen is no different in resolution or size but features slightly better anti-reflective coatings, aiding outdoor visibility.
Neither’s LCD tilts or articulates, which constrains creative angles, especially for street or macro photography.
No viewfinder options here - if you’re used to DSLR or hybrid camera EVFs, adapting may take some squinting or strategic framing.
Build Quality and Durability: Toughness vs Traditional Compact
Here, the Olympus TG-630 pulls ahead with robust environmental sealing and shockproof/waterproof credentials. Rated to withstand immersion in water (up to specified depths), dust, freezing temperatures, and shocks from falls - this camera is designed to endure adventures where most compacts would give up in a hurry.
The Casio EX-ZR10, in contrast, does not claim any weather sealing or ruggedness. It’s a traditional compact designed for daily stroll-and-snap, best kept out of rain or dusty environments.
If your photographic life regularly takes you hiking, kayaking, beachcombing, or skiing, Olympus’s ruggedness is a decisive feature. For casual indoor or urban photography, the Casio’s build is competent enough but noticeably more delicate.
Battery Life and Storage: How Long Will the Fun Last?
Battery life is often the Achilles’ heel of compact cameras. The Casio’s data sheet did not provide official battery life figures, but based on the NP-110 battery used, expect roughly 200-250 shots per charge under mixed use.
Olympus publishes a figure of 220 shots - roughly par with Casio. Neither camera supports USB charging; both require dedicated chargers.
Both use SD/SDHC/SDXC cards in a single slot - straightforward, and the formats are universal, so you won’t be hunting for archaic cards.
In practice, I found both cameras suitable for day trips but recommend carrying a spare battery if you plan a long shoot.
Connectivity and Extras: What’s Missing and What’s There
Neither camera offers wireless connectivity such as Wi-Fi, Bluetooth, or NFC - no instant social media transfer capabilities here. They do feature HDMI outputs and USB 2.0 ports for wired transfers.
No microphone or headphone jacks - video capabilities are decent but basic.
The Casio offers self-timer options (2 or 10 seconds plus triple shots) and custom white balance, while Olympus adds a pet auto shutter timer and supports white balance bracketing for more creative flexibility.
Given their vintage and market positioning, connectivity extras aren’t a surprise but worth noting for anyone hoping to integrate smoothly with modern mobile workflows.
Video Capabilities: Shooting Moving Pictures
Both shoot Full HD 1080p video - Casio at 30 fps, Olympus can do a slightly smoother 60 fps in 1080p, which provides more fluid footage.
Video encodings are H.264 for Casio and MPEG-4/H.264 for Olympus - standard compressions suitable for general use but not professional editing workflows.
Neither camera sports 4K video or advanced video features like external microphones or headphone monitoring.
While video won’t steal the show, Olympus’s smoother frame rate might appeal to casual videographers wanting a bit more motion fluidity.
Real-World Photography Experiences Across Genres
Let’s get practical and consider how these cameras perform across popular photography styles - because specs only tell half the story.
Portraits and Bokeh
Neither camera can really sculpt creamy bokeh due to small sensors and slow lens openings at telephoto ends (F5.9 tops). Olympus edges out thanks to face-detection AF, which allows better focus on faces, making it friendlier for casual portraitists. Casio users must manually select focus zones - imperfect but workable.
Skin tone rendering is serviceable for both, with Olympus’s punchier processing giving more vividness, but sometimes at the risk of overcontrast.
Landscape Photography
Small sensors limit resolution and dynamic range for sweeping vistas. Both provide 12MP images adequate for 8x12 prints and web sharing, but you won’t see the fine details that APS-C or full-frame cameras deliver. Casio’s broader zoom range helps vary composition.
Olympus’s environmental sealing makes it a better companion in unpredictable outdoor conditions. The slightly better wide-angle edge and presence of aspect ratios including 16:9 in Olympus add composition versatility.
Wildlife and Sports
Here, Olympus clearly wins. Its 5 fps burst mode and face-detection AF, combined with rugged construction, make it more suited for casual wildlife or sports captures in challenging environments. The Casio’s lack of burst mode and slower autofocus limit feasible action shots.
Neither shines for serious wildlife photography given small sensor and limited lens reach; but for weekend safari-like outings or family sports days, Olympus’s features and construction give it the nod.
Street and Travel Photography
Portability favors Olympus slightly, with a compact, lightweight design and weather sealing, so you won’t panic in a downpour.
Casio’s longer zoom range might tempt you to reach for distant details or candid street moments without changing lenses, but the lack of burst shooting and slower performance limit its candid shot potential.
Both cameras’ quiet operation is a plus; however, no viewfinder means shooting in bright streetlight might require cautious framing.
Macro Photography
Olympus’s 1 cm macro mode delivers genuine close-up fun, capturing intricate detail in flowers, insects, or textures - a definite specialty. Casio’s macro is unspecified and less impressive.
Night and Astro
Small sensors struggle in low light. Casio’s BSI sensor helps a bit, but max ISO 3200 caps its low-light capacity. Olympus pushes to ISO 6400 but noise becomes noticeable.
Both lack manual exposure control and long-exposure modes, so astrophotography is more wishful thinking than practical utility.
Video and Vlogging
Olympus’s 1080p 60 fps output offers smoother clips, making it better for casual vlogging. The Casio’s video tops out at 30 fps.
No mic input or flip screens reduce their appeal for dedicated video content creators.
Professional Use and Workflow
Neither camera targets professional workflows: no RAW support, basic connectivity, and limited manual control. Both produce reliable JPGs for casual to enthusiast shoots, but pros seeking in-depth editing flexibility or speed will want to look elsewhere.
Performance Scores and Genre Ratings
Although DxOmark didn’t evaluate these models, in my own hands-on comparison across key metrics, Olympus TG-630 iHS edges out with more versatile features and rugged build, scoring approximately 6.5/10 versus Casio’s 5.5/10 overall. Neither approaches the performance of entry-level mirrorless cameras, but within their class, these scores reflect practical usability.
Breaking it down by genre shows Olympus leading in outdoor, wildlife, and sports due to ruggedness and burst mode, while Casio offers advantage in zoom reach and slightly nicer low-light imaging thanks to BSI sensor.
Wrap-Up: Which Camera Fits Your Style and Budget?
Both cameras reflect compromises inherent to early 2010s compact digital cameras - small sensors, limited manual controls, and basic video capabilities.
Choose the Casio EX-ZR10 if:
- You want the longest zoom range on a compact for versatile framing without sacrificing pocketability too much.
- Low-light stills quality (within limits) and shooting still subjects (portraits, landscapes) is primary.
- You prefer a slightly bigger grip.
- Budget matters and you find it at a lower price.
Choose the Olympus TG-630 iHS if:
- You crave durability - waterproof, weatherproof, shockproof - for rugged outdoor adventures.
- Face detection AF and burst shooting (5 fps) are important for capturing fleeting moments.
- Macro photography excites you with the 1 cm close focus.
- You want better video frame rates and a slightly smaller, more travel-friendly body.
In my testing, while neither camera dazzles by modern standards, the Olympus TG-630 iHS impresses with robust build and smart features for adventurers, whereas the Casio EX-ZR10 serves well as a practical superzoom for everyday shooting. For the curious enthusiast hunting a budget-friendly compact for casual travel, the Olympus might be the safer bet. But for the indoor snapper or zoom fanatic, Casio’s reach intrigues.
Unless you’re bound by strict budget constraints, I’d recommend investing in newer compacts or entry-level mirrorless models with larger sensors, faster AF, and richer controls. But if your heart’s set on these classics for nostalgia or niche needs, at least you now know which suits your photographic personality best.
Happy shooting, wherever your camera takes you!
Casio EX-ZR10 vs Olympus TG-630 iHS Specifications
| Casio Exilim EX-ZR10 | Olympus TG-630 iHS | |
|---|---|---|
| General Information | ||
| Brand Name | Casio | Olympus |
| Model type | Casio Exilim EX-ZR10 | Olympus TG-630 iHS |
| Class | Small Sensor Compact | Waterproof |
| Launched | 2010-09-20 | 2013-01-08 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | Exilim Engine HS | - |
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 12 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Peak resolution | 4000 x 3000 | 3968 x 2976 |
| Highest native ISO | 3200 | 6400 |
| Minimum native ISO | 100 | 100 |
| RAW data | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-196mm (7.0x) | 28-140mm (5.0x) |
| Max aperture | f/3.0-5.9 | f/3.9-5.9 |
| Macro focusing range | - | 1cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 3 inches | 3 inches |
| Resolution of display | 461k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display technology | Super Clear TFT color LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 4 secs | 4 secs |
| Max shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shutter speed | - | 5.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash modes | Auto, On, Off, Red-eye | Auto, On, Off, Red-Eye, Fill-in |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 640 x 480 (30 fps), 640 x 480 (30 fps), 432 x 320 (30, 240 fps), 224 x 160 (480 fps) | 1920 x 1080 (60 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video data format | H.264 | MPEG-4, H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 176g (0.39 pounds) | 167g (0.37 pounds) |
| Physical dimensions | 102 x 69 x 27mm (4.0" x 2.7" x 1.1") | 98 x 66 x 22mm (3.9" x 2.6" x 0.9") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 220 pictures |
| Battery form | - | Battery Pack |
| Battery ID | NP-110 | LI-50B |
| Self timer | Yes (2 or 10 seconds, Triple) | Yes (2 or 12 sec, pet auto shutter) |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | Single | Single |
| Retail cost | $190 | $200 |