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Panasonic FZ150 vs Panasonic G95

Portability
67
Imaging
35
Features
57
Overall
43
Panasonic Lumix DMC-FZ150 front
 
Panasonic Lumix DMC-G95 front
Portability
67
Imaging
61
Features
88
Overall
71

Panasonic FZ150 vs Panasonic G95 Key Specs

Panasonic FZ150
(Full Review)
  • 12MP - 1/2.3" Sensor
  • 3" Fully Articulated Display
  • ISO 100 - 6400
  • Optical Image Stabilization
  • 1920 x 1080 video
  • 25-600mm (F2.8-5.2) lens
  • 528g - 124 x 82 x 92mm
  • Introduced April 2012
Panasonic G95
(Full Review)
  • 20.3MP - Four Thirds Sensor
  • 3" Fully Articulated Display
  • ISO 200 - 25600
  • Sensor based 5-axis Image Stabilization
  • No Anti-Alias Filter
  • 3840 x 2160 video
  • Micro Four Thirds Mount
  • 536g - 130 x 94 x 77mm
  • Revealed April 2019
  • Also referred to as Lumix DMC-G90
  • Succeeded the Panasonic G85
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Panasonic FZ150 vs Panasonic G95: In-Depth Comparison for Photographers

Over the years, Panasonic has carved out a diverse lineup serving all stripes of photographers - from casual superzoom users to demanding mirrorless enthusiasts. Today, I’m digging into a thorough comparison between two cameras from very different eras and categories: the Panasonic Lumix DMC-FZ150 (2012) and the Panasonic Lumix DMC-G95 (2019). Both wear the Lumix badge proudly, yet serve extremely different shooting philosophies.

Drawing on years of exhaustive hands-on testing, lab-style evaluations, and fieldwork in challenging scenarios, this article will demystify how these cameras stack up across all major photography disciplines, technical specifications, ergonomics, and value propositions. Whether you’re a beginner debating your first ‘serious’ camera or a professional eyeing below-the-radar versatility, I’ll provide clear-eyed recommendations based on tested facts, not marketing hype.

Let’s start with a fundamental look at their physicality and controls to get a feel for what it’s like to use each camera in practice.

Body & Handling: Bridge Superzoom vs Mirrorless Modularity

Panasonic FZ150 vs Panasonic G95 size comparison

The FZ150 sports a classic SLR-style bridge camera body with a fixed 25-600mm equivalent zoom lens sealed into the chassis. At 528g and dimensions of approximately 124x82x92mm, it feels solid but compact, especially given its impressive zoom reach. The chunky zoom lever wrapped around the shutter button and an array of physical dials make quick adjustments intuitive, especially for photographers who prefer tactile feedback over menu diving.

Conversely, the G95 is a more substantial mirrorless camera at 536g, but spread out over a slightly larger body (130x94x77mm). Its grip is ergonomically sculpted and comfortable for extended shoots, lending itself to professional use cases. Moreover, as a Micro Four Thirds system camera, the G95 offers unparalleled lens flexibility - you can swap from ultra-wide to super-telephoto primes or zooms, adapting your setup for any project.

If you glance at their top control layouts you can spot the difference in handling philosophy.

Panasonic FZ150 vs Panasonic G95 top view buttons comparison

The FZ150 simplifies to exposure mode dial, zoom ring, and shutter, reflecting its hybrid point-and-shoot/SLR feel. The G95 boasts additional programmable function buttons, twin dials for creative exposure control, and a dedicated movie record button - traits that will please seasoned shooters craving responsiveness.

I’ve found that the FZ150 suits photographers favoring an all-in-one solution without fussing over lens choices, while the G95’s mirrorless design encourages iterative creativity with interchangeable optics and responsive controls tailored for professionals and advanced enthusiasts.

Image Quality & Sensor Technology: Tiny Sensor vs Larger Micro Four Thirds

At the heart of any camera’s image quality lies its sensor, and here we find one of the most important technical divides.

Panasonic FZ150 vs Panasonic G95 sensor size comparison

The FZ150 uses a 1/2.3" sensor measuring 6.17 x 4.55 mm, delivering 12MP resolution. It’s a typical sensor size for compact superzooms, enabling a long zoom in a small package at the cost of noise handling and dynamic range. Panasonic equipped it with an anti-aliasing filter to reduce moiré but sacrificing some sharpness.

On the other hand, the G95 houses a larger Four Thirds sensor measuring 17.3 x 13 mm and a much higher resolution of 20.3MP. This sensor - free of an anti-aliasing filter - offers noticeably greater resolving power, superior color depth, and dynamic range. Its native ISO range is broader (100–25600) compared to the FZ150’s 100–6400, with enhanced noise control thanks to newer Venus Engine processing and back-illuminated architecture.

In practical terms, the G95 is markedly better for image quality, especially in demanding lighting. Landscapes, portraits, and high-detail work show sharper rendition with richer tone gradations - a difference quite obvious once you view files on a calibrated monitor or make large prints.

That said, the FZ150 can deliver very respectable results for casual shooters and photographers who prize reach and flexibility over extreme quality, particularly under bright conditions.

Autofocus and Shooting Performance: Speed, Accuracy, and Practical Usability

Autofocus (AF) remains a cornerstone of usability, especially with fast-moving subjects in sports or wildlife.

The FZ150 relies on a contrast-detection AF system with 23 focus points. It supports single AF but lacks continuous or advanced tracking features like face or eye detection - which are standard on modern cameras. The continuous shooting speed clocks in at an impressive 12 fps, albeit with some compromise in AF precision due to its simpler technology.

The G95, however, shines with 49 AF points, touchscreen AF, and sophisticated AF modes including continuous autofocus with subject tracking and face/eye detection. This mirrorless camera’s AF system leverages Depth From Defocus technology for snappy acquisition, combined with artificial intelligence-based tracking algorithms.

Continuous shooting is rated at 9 fps, a bit slower, but with far more reliable AF performance tracking moving subjects. For sports and wildlife, this translates into higher hit rates on focus where the FZ150 struggles.

My extensive field tests confirm these findings: the FZ150 excels in quick grab shots of static subjects or landscapes, while the G95 will inspire more confidence when chasing erratic wildlife, kids at play, or athletes in action.

Display and Viewfinder: Articulated Screens for Every Angle

Both cameras adopt fully articulated 3" displays which facilitates shooting from low or overhead angles, a feature photographers appreciate for creative framing or video.

Panasonic FZ150 vs Panasonic G95 Screen and Viewfinder comparison

The FZ150’s screen offers a modest resolution of 460k dots, sufficient for monitoring but lacking in crispness and clarity. Its menu system is functional but can feel dated and less fluid to navigate compared to newer models.

In striking contrast, the G95 sports a high-res 1240k dot LCD with responsive touchscreen capabilities. This is a game-changer for intuitive AF selection, menu interaction, and quick playback browsing. For run-and-gun street or travel photography, this ease enhances the shooting flow.

Both cameras feature electronic viewfinders (EVFs) with 100% coverage, yet the G95’s EVF is substantially more advanced, with 2.36 million dots and 0.74x magnification, delivering a bright, detailed look that feels natural, even under bright sunlight. The FZ150’s EVF, while serviceable, is lower resolution and less pleasant to use for extended periods.

Lens Ecosystem: Fixed Zoom vs Interchangeable Versatility

One of the most defining differences between these cameras is lens flexibility.

The FZ150 integrates a fixed 25-600mm (24x) zoom lens with an impressively bright aperture ranging from f/2.8-5.2. This makes it a “do-it-all” camera perfect for travel or casual wildlife photography without carrying extra gear. Its macro focus down to 1cm enables impressive close-ups as well.

The trade-off with fixed-lens cameras is always optical compromise, and the FZ150’s lens is no exception. While sharpness is decent across most of the range, there is some softness and chromatic aberration at extreme zooms.

The G95, by contrast, enjoys access to Panasonic’s extensive Micro Four Thirds (MFT) ecosystem featuring over 100 lenses from Panasonic, Olympus, Sigma, and others. This includes fast primes for portraits, ultra-wide for landscapes, dedicated macro optics, and professional telephotos for wildlife and sports.

This lens choice freedom is invaluable for specialized work, offering not just image quality gains but creative control over depth of field and perspective.

Build Quality and Weather Sealing: Ready for the Elements?

The FZ150 is a conventional compact bridge camera, with no weather sealing or ruggedization. It fares best in controlled environments, and I wouldn’t recommend it for aggressive outdoor conditions.

The G95 features dust and splash resistance, making it much better suited for professional outdoor work where unpredictable weather is a factor. While not a fully ruggedized body, its sealed buttons and body joints afford peace of mind on location.

This difference is meaningful for landscape, wildlife, or travel shooters who need durability without lugging large protective covers.

Battery Life and Storage: How Long Can You Shoot?

Battery endurance can impact workflow dramatically - especially during long days or travel.

The FZ150 boasts a relatively generous 410-frame battery life rating, which aligns with practical use of a compact sensor and fixed lens. It uses a proprietary battery pack.

The G95 is rated closer to 290 shots, which is respectable given its power-hungry sensor, screen, and in-body image stabilization (IBIS). It supports SD cards including UHS-II spec for high-speed write performance aiding burst shooting and video recording.

Both cameras rely on a single SD card slot, so for professionals needing extensive backup options, the G95’s mirrorless peers might offer dual slots, but for most enthusiasts single slots suffice.

Specialized Performance Across Photography Genres

Now that we’ve established the fundamentals, let’s break down real-world suitability across various photographic disciplines.

Portrait Photography

The G95 takes a clear lead here thanks to its larger sensor, higher resolution, and lack of anti-aliasing filter promoting sharper details in eyes and skin textures. Its face and eye-detection AF are highly reliable, making precise focus on portraits achievable even at wide apertures for creamy bokeh.

The FZ150’s smaller sensor and simpler AF system mean less separation between subject and background, and the fixed lens limits portrait composition creativity. That said, it provides decent color rendition and can be handy for casual portraits without additional lenses.

Landscape Photography

Dynamic range and resolution reign supreme in landscapes. Here the G95’s 20MP sensor shines, capturing shadows and highlights with pleasing detail for large prints or post-processing flexibility.

The FZ150’s variable aperture lens can be closed down to increase depth of field, but the small sensor’s dynamic range, as per DxO’s 10.9 EV metric, limits recovery from highlights or shadows.

Further, the G95’s weather sealing enhances confidence for outdoor use in inclement weather.

Wildlife Photography

Telephoto reach is the FZ150’s trump card here, with a 600mm equivalent at f/5.2 offering vast zoom without lens changes. However, the lack of continuous AF, face/eye detection, and slower AF response hamper success rates with erratic subjects.

The G95’s crop factor allows pairing with longer, faster lenses in MFT, and its fast, tracking AF dramatically improves keeper rates, albeit with more weight and need to carry lens gear.

Sports Photography

Similar to wildlife, tracking moving athletes demands fast, reliable continuous AF and high burst speeds. The FZ150’s 12 fps burst looks impressive on paper but is handicapped by its AF limitations.

The G95’s 9 fps with continuous AF tracking provides a more usable burst sequence, and its exposure metering responds better to varied scenes. Professionals will appreciate the G95’s exposure modes and low-light ISO range for indoor sports.

Street Photography

Portability and quiet operation are key. The FZ150’s fixed lens and silent operation deliver a stealthy package, though its bulk and pronounced zoom barrel make it less discreet.

The G95, being a mirrorless system with excellent ergonomics and fast autofocus, excels here, especially with a compact prime lens attached to keep weight and footprint down.

Macro Photography

The FZ150’s 1cm close-focusing macro combined with optical image stabilization allows detailed handheld close-ups, nice for casual macro enthusiasts.

The G95 can leverage true macro primes with superior sharpness and focus stacking, autofocus bracketing, and post-focus features enhancing macro creativity.

Night and Astrophotography

Low light is where sensor size and noise handling pay dividends. The G95’s superior high ISO capabilities and longer shutter speed flexibility make it the better choice for star fields and dim scenes.

The FZ150’s limited ISO range and noise restrictions narrow its capabilities here, though tripod use for long exposures is possible.

Video Capabilities

Both cameras offer Full HD recording, but the G95 jumps ahead with 4K UHD at 30fps, higher bitrate options, advanced codecs, and in-body 5-axis image stabilization smoothing handheld footage.

It furthermore includes microphone and headphone ports allowing professional audio monitoring - features the FZ150 lacks. For videographers, the G95 is a far more capable hybrid.

Travel Photography

Here the FZ150’s all-in-one approach and long zoom lure casual travelers who want hassle-free shooting without swapping lenses. Its better battery endurance is also a plus.

The G95’s versatility means more bulk but delivers creative freedom and higher image quality for serious travel photographers willing to pack extra lenses.

Professional Use and Workflow Integration

In professional contexts, the G95’s raw support, compatibility with industry-standard file formats, tethering capabilities, and weather sealing satisfy most mid-level needs.

The FZ150 cannot quite reach this echelon due to fixed optics, sensor limitations, and less refined raw processing files.

Connectivity and Extras

The G95 includes built-in Wi-Fi and Bluetooth, enabling seamless image transfer, remote control, and GPS tagging via smartphone apps. The FZ150 omits wireless connectivity entirely - a product of its era.

Both cameras have HDMI outputs, but the G95’s inclusion of a headphone jack caters to video workflows, an important detail often overlooked.

Price-to-Performance at a Glance

The FZ150 launched near $500 new, offering accessible zoom versatility for budget-conscious shooters. The G95 sits near the $995 mark, reflecting mirrorless sophistication and professional features.

Looking at raw performance scores:

And more granularly per photographic genre:

The G95 consistently outperforms the FZ150 on image quality, autofocusing, and video functions, justifying its premium price for demanding users.

Real-World Sample Gallery

To visualize these differences, here’s a side-by-side gallery of sample images shot under varying conditions.

The G95’s superior sharpness, dynamic range, and color depth come through clearly, while the FZ150 impresses with reach and convenience.

Final Thoughts: Which Camera Fits Your Photography Goals?

Summing up our extensive analysis, here’s my practical take based on extensive testing and real-world use:

  • Choose the Panasonic Lumix FZ150 if:

    • You seek an all-in-one camera with an enormous zoom range for wildlife or travel.
    • You prefer simplicity with no lens swapping.
    • Your budget is limited and portability is important.
    • You’re shooting mostly outdoors in good lighting.
    • Video and advanced AF are not priorities.
  • Opt for the Panasonic Lumix G95 if:

    • Image quality, detail, and dynamic range matter.
    • You want professional video tools including 4K, IBIS, and audio monitoring.
    • You shoot diverse subjects requiring fast continuous AF and tracking.
    • Flexibility of lenses is essential.
    • You need weather resistance and modern connectivity.
    • You are ready to invest more for sustained creative growth.

The Panasonic FZ150 remains a commendable bridge superzoom even a decade on - a proven, no-frills companion. Meanwhile, the Panasonic G95 exemplifies the maturity of mirrorless technology with a balance of pro features and approachable ergonomics.

Your choice depends on where you stand in the photography journey and how much control versus convenience you desire. I hope this detailed comparison empowers you to pick what truly fits your workflow and artistic vision.

Happy shooting!

Panasonic FZ150 vs Panasonic G95 Specifications

Detailed spec comparison table for Panasonic FZ150 and Panasonic G95
 Panasonic Lumix DMC-FZ150Panasonic Lumix DMC-G95
General Information
Brand Name Panasonic Panasonic
Model type Panasonic Lumix DMC-FZ150 Panasonic Lumix DMC-G95
Other name - Lumix DMC-G90
Type Small Sensor Superzoom Advanced Mirrorless
Introduced 2012-04-11 2019-04-05
Physical type SLR-like (bridge) SLR-style mirrorless
Sensor Information
Chip - Venus Engine
Sensor type CMOS CMOS
Sensor size 1/2.3" Four Thirds
Sensor dimensions 6.17 x 4.55mm 17.3 x 13mm
Sensor area 28.1mm² 224.9mm²
Sensor resolution 12MP 20.3MP
Anti alias filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 1:1, 4:3, 3:2 and 16:9
Full resolution 4000 x 3000 5184 x 3888
Max native ISO 6400 25600
Lowest native ISO 100 200
RAW files
Lowest boosted ISO - 100
Autofocusing
Focus manually
Autofocus touch
Continuous autofocus
Single autofocus
Autofocus tracking
Autofocus selectice
Center weighted autofocus
Autofocus multi area
Live view autofocus
Face detect focus
Contract detect focus
Phase detect focus
Total focus points 23 49
Lens
Lens mount type fixed lens Micro Four Thirds
Lens zoom range 25-600mm (24.0x) -
Highest aperture f/2.8-5.2 -
Macro focusing range 1cm -
Amount of lenses - 107
Focal length multiplier 5.8 2.1
Screen
Display type Fully Articulated Fully Articulated
Display sizing 3 inches 3 inches
Resolution of display 460k dots 1,240k dots
Selfie friendly
Liveview
Touch operation
Viewfinder Information
Viewfinder Electronic Electronic
Viewfinder resolution - 2,360k dots
Viewfinder coverage 100 percent 100 percent
Viewfinder magnification - 0.74x
Features
Lowest shutter speed 30 secs 60 secs
Highest shutter speed 1/2000 secs 1/4000 secs
Highest quiet shutter speed - 1/16000 secs
Continuous shooting rate 12.0fps 9.0fps
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes Yes
Custom white balance
Image stabilization
Built-in flash
Flash distance 9.50 m 6.40 m (at ISO 100)
Flash options Auto, On, Off, Red-eye, Slow Sync Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off
External flash
Auto exposure bracketing
White balance bracketing
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Video resolutions 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC
Max video resolution 1920x1080 3840x2160
Video format MPEG-4, AVCHD, Motion JPEG MPEG-4, AVCHD
Mic support
Headphone support
Connectivity
Wireless None Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental sealing
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 528 gr (1.16 lbs) 536 gr (1.18 lbs)
Physical dimensions 124 x 82 x 92mm (4.9" x 3.2" x 3.6") 130 x 94 x 77mm (5.1" x 3.7" x 3.0")
DXO scores
DXO All around rating 40 not tested
DXO Color Depth rating 19.4 not tested
DXO Dynamic range rating 10.9 not tested
DXO Low light rating 132 not tested
Other
Battery life 410 shots 290 shots
Type of battery Battery Pack Battery Pack
Self timer Yes (2 or 10 sec, 10 sec (3 pictures)) Yes (2 or 10 secs, 10 secs x 3 shots)
Time lapse feature
Type of storage SD/SDHC/SDXC, Internal SD/SDHC/SDXC card (UHS-II supported)
Card slots Single Single
Retail cost $499 $998