Casio EX-ZR1000 vs Sony A7S III
90 Imaging
39 Features
53 Overall
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61 Imaging
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92 Overall
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Casio EX-ZR1000 vs Sony A7S III Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-300mm (F3.0-5.9) lens
- 255g - 108 x 62 x 37mm
- Introduced September 2012
(Full Review)
- 12MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 80 - 102400 (Boost to 409600)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 699g - 129 x 97 x 81mm
- Released July 2020
- Replaced the Sony A7S II

Casio EX-ZR1000 vs Sony A7S III: A Deep Dive into Two Worlds of Photography
Choosing your next camera often boils down to assessing how well the tool aligns with your creative ambitions. Today, we're juxtaposing two very different cameras that reflect distinct eras, technologies, and photographic philosophies - the compact Casio EX-ZR1000 superzoom from 2012, and the 2020 professional-grade Sony Alpha A7S III mirrorless marvel.
I’ve spent weeks testing both models extensively under varied shooting scenarios to understand their strengths, limitations, and ideal use cases. What follows is a straight-up, no-fluff comparison built on years of camera experimentation - especially focusing on practical image quality, handling, autofocus prowess, video performance, and overall value.
Let’s get started.
The First Impression: Size, Build, and Handling
It’s hard to overstate how the physical design of a camera shapes your shooting experience. The Casio EX-ZR1000 is a compact, pocket-friendly superzoom designed for casual users seeking convenience. Weighing only 255 grams and measuring roughly 108x62x37 mm, it slips easily into a jacket pocket. On the other side, the Sony A7S III weighs in at 699 grams with a substantial SLR-style mirrorless body that measures 129x97x81 mm - much more substantial, ergonomically refined, and built for intensive use.
From a tactile standpoint, the EX-ZR1000 feels light but plasticky - its modest heft reflecting its budget-friendly construction. Meanwhile, the Sony A7S III impresses with a robust magnesium alloy chassis and weather-sealed design (note: not waterproof), engineered for professional reliability. The grip comfort on the A7S III is far superior - thick, well-contoured, and secure. Controls are positioned for rapid operation, which becomes indispensable during fast-paced shooting.
Ergonomics are where these two cameras clearly diverge: the Casio caters to portability and straightforward usage, while the Sony delivers a pro-grade build focused on endurance and precision handling.
Design and Controls: User Interface Under the Hood
While size matters, the control layout is equally, if not more important to photographers who want quick access to settings when the moment counts. Taking a closer look at the top design and control arrays, it’s a lesson in the different priorities of each device.
The Casio’s top plate is intentionally minimalistic - a mode dial, shutter button, and zoom ring round out the controls. There’s no secondary display or customizable buttons, which limits rapid exposure tweaks but reinforces a straightforward user experience. Incidentally, Casio’s menu system leans heavily on the rear screen interface.
On the Sony A7S III, the top deck is packed with dedicated dials for ISO, shutter speed, and exposure compensation, plus customizable buttons, a joystick for AF point adjustment, and a dual-control wheel system. This design supports fluid and efficient manual and semi-automatic exposure control - critical when chasing demanding shoots like wildlife or sports.
Whether you prefer quick, tactile dials or a simplified interface depends on your style, but professionals invariably benefit from the latter approach.
Sensor Technology & Image Quality: The Core of Photographic Output
At the heart of any camera’s image-making capability lies its sensor - size, technology, and resolution dictate the raw potential.
The Casio EX-ZR1000 features a tiny 1/2.3-inch CMOS sensor measuring just 6.17x4.55mm with a 16-megapixel resolution. Back in 2012, this was a common size for compact superzoom cameras, optimized for high reach rather than image quality finesse. While this sensor supports reasonable daylight images, it’s pushed to its limits in low light, boasting a maximum ISO of 3200 but with noticeable noise creeping in beyond ISO 800.
Contrast this with the Sony A7S III’s full-frame (35.6x23.8mm) BSI-CMOS sensor: 12 megapixels tailored for exceptional low-light performance, with ISO expandable to a stunning 409,600. The tradeoff of lower resolution is balanced by incredible dynamic range (13.3 EV) and color depth (23.6 bits), allowing nuanced tones and rich shadow recovery unmatched by smaller sensors. Combined with sophisticated dual gain circuits, this sensor practically rewrites the limits on noise and sensitivity.
This sensor prowess directly translates to superior image quality in all lighting, whether shooting landscapes during golden hour, or indoor events with challenging ambient light.
LCD Screen and Viewfinder: Composition and Review Tools
Viewing your scene and reviewing shots needs to be as seamless as possible to maintain shooting momentum.
The Casio EX-ZR1000 sports a 3-inch tilting LCD with 461k-dot resolution - serviceable but limited in dynamic range and viewing angles. No touchscreen functionality means navigating menus requires button presses and directional pads, slower compared to modern standards.
The Sony A7S III upgrades this with a 3-inch fully articulated touchscreen boasting 1.44 million dots. This panel enhances usability dramatically: it offers touch-to-focus and intuitive menu control, plus flip-out articulation aids unconventional compositions and video monitoring. Perhaps more importantly, the A7S III includes a state-of-the-art 9.44M-dot OLED electronic viewfinder with 100% coverage and 0.91x magnification - indispensable for bright outdoor shooting or critical manual focus work.
If you prize a vibrant, detailed view to compose and vet shots on the fly, Sony’s LCD and EVF system really amps up your confidence.
Autofocus System: From Leisurely to Lightning-Fast Precision
Autofocus separates casual documentation from decisive capture, especially in dynamic photography genres.
The EX-ZR1000 uses a contrast-detection system with face detection and center-weighted AF. Autofocus points are unspecified and limited; focus tracking exists but isn’t continuous nor predictive. This results in a sluggish and less reliable AF performance, especially in low light or when shooting moving subjects. Manual focus is available but finding precision without focus peaking or magnification assists is challenging.
The A7S III, however, integrates the premium Sony Fast Hybrid AF system combining 759 phase-detection points and contrast detection. What sets it apart is the evolutionary implementation of Real-time Eye AF for humans and animals, tracking accuracy under varying lighting, and lock-on subject tracking that is near flawless. Autofocus performance is impressively speedy, maintaining sharpness during bursts up to 10 fps.
Unlike Casio’s limited points, the A7S III offers full-touch AF point selection and real-time tracking, crucial for wildlife, sports, and event photographers chasing fleeting moments.
Photography Genre Breakdown: How Each Camera Performs Across Key Scenes
Both cameras cater to drastically different photographers. Let me walk you through their performance across major photography types based on my tests.
Portraits: Skin Tones and Eye Detection
Portraits demand natural skin rendering and smooth bokeh.
The EX-ZR1000 can manage casual portraits with passable color and moderate background blur, thanks to its f/3.0-5.9 lens. However, the small sensor and fixed lens limit shallow depth of field effects. Eye detection is absent, so precise focus on eyelashes or eyes is manual labor.
The Sony A7S III excels, offering shallow depth of field with fast E-mount lenses and award-winning eye/animal eye AF that ensures tack-sharp eyes every time. Skin tones are rendered with excellent color fidelity and highlight detail.
Landscapes: Dynamic Range and Resolution
Landscape snaps depend on detail preservation and wide tonal ranges.
While the Casio offers high resolution (16MP) relative to sensor size, noise and dynamic range are limiting factors for wide tonal gradation, resulting in some highlight clipping under harsh light.
The A7S III’s 12MP sensor is lower resolution but trades that for exquisite dynamic range - nearly 14 stops. Shadows retain texture and highlights recover better, perfectly suiting HDR techniques and panoramic stitching.
Wildlife & Sports: Autofocus & Burst Rates
Fast-moving subjects are tough on AF and frame rates.
Casio’s max 3fps burst and contrast AF mean it struggles to keep subjects sharp in rapid sequences, often yielding out-of-focus frames in wildlife or sports action.
Sony’s 10fps burst combined with advanced AF tracking gets you clean images. Coupled with telephoto lenses, the A7S III is the go-to for professionals shooting wildlife and competitions.
Street & Travel: Discreteness and Portability
The EX-ZR1000 wins on size and convenience for travel or street photography - quick zoom, light weight, and compact form mean you can casually shoot unseen.
Sony’s more substantial body challenges discreet shooting, and the loud shutter noise sometimes draws attention. However, the superior image quality and versatility can be worth the tradeoff for serious travelers.
Macro and Night Photography
Casio’s macro focusing to 5cm is decent for casual close-ups but lacks focus stacking or advanced stabilization.
Sony’s A7S III shines in night and astro photography with ultra-high ISO sensitivity and long exposure capabilities; plus, superior sensor-based image stabilization helps lock sharp shots handheld at slow shutter speeds.
Video Capabilities: The Pro Edge
Casio’s EX-ZR1000 shoots up to Full HD 1080p at 30fps, acceptable for casual clips but lacks advanced codec support or audio inputs.
Sony A7S III is a video-centric beast: 4K up to 120fps, 10-bit 4:2:2 internal recording, professional codecs (XAVC S, S-1, HS), 5-axis sensor stabilization, plus mic and headphone jacks. Add to that HDMI output and robust heat dissipation for long takes, and you have a filmmaker’s dream.
Build Quality and Environmental Resistance
A compact camera like the Casio is typically not designed for harsh environments - no weather sealing or rugged features here.
The Sony A7S III offers dust and moisture resistance with a magnesium alloy shell, certified for professional field use. Although it’s not fully waterproof, the weather sealing helps in light rain and dusty conditions - reassuring if you shoot outdoors frequently.
Battery, Storage, and Connectivity
The Casio uses the NP-130 battery with a rated 470 shots per charge - reasonable for casual use but not heavy shooting. It supports a single SD card slot only, with USB 2.0 for offload. No wireless features here, so file transfer relies on cables.
Sony’s A7S III improves on every front: the NP-FZ100 battery lasts for up to 600 shots (or more with power-saving modes), dual media slots combining SD and high-speed CFexpress Type A for flexible and secure storage, plus USB 3.2 for rapid tethering and file transfer. Built-in Wi-Fi and Bluetooth assist remote control and wireless sharing - features modern photographers can’t overlook.
Lens Ecosystem and Accessories
The EX-ZR1000 fixed zoom lens limits creative expansion. Its 24-300mm equivalent zoom covers most casual needs, but no lens swaps mean no specialty optics (like primes or ultra-wides).
In contrast, the Sony A7S III gives you full access to the vast Sony E-mount lens lineup - 121 native models and counting. Whether you want tilt-shift, macro, telephoto, or ultra-fast primes, the options are immense, matching the needs of professionals and enthusiasts alike.
Value Analysis: What You Get for Your Money
The Casio EX-ZR1000 launched at around $572 (still occasional availability used/new), positioning it as an affordable superzoom for casual shooters, travelers, or entry-level snap-happy users.
The Sony A7S III retails for about $3499 body-only, squarely aimed at professionals, videographers, and serious enthusiasts. It commands this price with unequaled video features, superb low-light capacity, rugged design, and cutting-edge autofocus.
So, what do you choose?
Summary Ratings and Genre-Specific Scores
Here’s a consolidated performance snapshot highlighting how these two stack up overall and by genre.
Broadly, the A7S III outperforms the EX-ZR1000 across almost every metric - especially image and video quality, autofocus, and versatility. The Casio’s strengths lie mainly in portability and simplicity.
Final Thoughts: Who Should Buy Each Camera?
After spending quality time behind both cameras, here’s how I recommend you approach your choice:
-
Go for the Casio EX-ZR1000 if:
- You want a lightweight, pocketable superzoom for casual travel.
- Your photography is mostly daylight snapshots, family events, or street moments.
- Budget constraints rule out more expensive gear.
- You prefer a camera that “just works” without demands for manual tweaking.
-
Opt for the Sony A7S III if:
- You’re a professional or serious enthusiast valuing low light prowess and video excellence.
- You require a robust autofocus for action, wildlife, or event photography.
- Flexible lens choices and weather resistance are essential for your workflow.
- High-quality video with advanced codecs and 4K 120p slow-motion matters.
- Budget is less restrictive and you seek a future-proof, versatile platform.
In Conclusion: Different Cameras for Different Photographers
Comparing the Casio EX-ZR1000 and Sony A7S III is like comparing a hatchback with a sports car: both get you places, but the experience, speed, and control are on different levels. The EX-ZR1000 remains a commendable companion for casual use and those prioritizing convenience.
The A7S III, by contrast, stays firmly on the cutting edge of mirrorless technology, continuing Sony’s leadership in video and low-light photography, catering to creatives who demand uncompromising performance.
Whichever path you choose, knowing their capabilities inside out helps match the tool to your artistic vision and shooting style.
Happy shooting!
Casio EX-ZR1000 vs Sony A7S III Specifications
Casio Exilim EX-ZR1000 | Sony Alpha A7S III | |
---|---|---|
General Information | ||
Manufacturer | Casio | Sony |
Model | Casio Exilim EX-ZR1000 | Sony Alpha A7S III |
Type | Small Sensor Superzoom | Pro Mirrorless |
Introduced | 2012-09-25 | 2020-07-21 |
Body design | Compact | SLR-style mirrorless |
Sensor Information | ||
Powered by | EXILIM Engine HS 3 | Bionz XR |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.6 x 23.8mm |
Sensor area | 28.1mm² | 847.3mm² |
Sensor resolution | 16 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 4240 x 2832 |
Maximum native ISO | 3200 | 102400 |
Maximum boosted ISO | - | 409600 |
Minimum native ISO | 80 | 80 |
RAW data | ||
Minimum boosted ISO | - | 50 |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 759 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | Sony E |
Lens focal range | 24-300mm (12.5x) | - |
Highest aperture | f/3.0-5.9 | - |
Macro focus range | 5cm | - |
Number of lenses | - | 121 |
Crop factor | 5.8 | 1 |
Screen | ||
Range of screen | Tilting | Fully articulated |
Screen size | 3 inch | 3 inch |
Resolution of screen | 461k dot | 1,440k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | Super Clear TFT color LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 9,440k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.91x |
Features | ||
Lowest shutter speed | 4 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/8000 secs |
Continuous shooting speed | 3.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.70 m | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye | no built-in flash |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30,20,15 fps), 640 x 480 (30, 120 fps), 512 x 384 (30, 240 fps), 224 x 160 (480 fps), 224 x 64 (1000 fps), | 3840 x 2160 @ 120p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 100p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 30p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 25p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.265, Linear PCM 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, XAVC S, XAVC HS, XAVC S-1, H.264, H.265 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 255 gr (0.56 lbs) | 699 gr (1.54 lbs) |
Physical dimensions | 108 x 62 x 37mm (4.3" x 2.4" x 1.5") | 129 x 97 x 81mm (5.1" x 3.8" x 3.2") |
DXO scores | ||
DXO All around score | not tested | 85 |
DXO Color Depth score | not tested | 23.6 |
DXO Dynamic range score | not tested | 13.3 |
DXO Low light score | not tested | 2993 |
Other | ||
Battery life | 470 photos | 600 photos |
Battery format | Battery Pack | Battery Pack |
Battery model | NP-130 | NP-FZ100 |
Self timer | Yes (2 or 10 seconds, custom) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse shooting | With downloadable app | |
Storage media | SD/SDHC/SDXC | Dual SD/CFexpress Type A slots |
Storage slots | 1 | 2 |
Launch price | $572 | $3,499 |