Casio EX-ZR400 vs Sony a5000
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Casio EX-ZR400 vs Sony a5000 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-300mm (F3.0-5.9) lens
- 205g - 105 x 59 x 29mm
- Introduced January 2013
(Full Review)
- 20MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 269g - 110 x 63 x 36mm
- Released January 2014
- Replaced the Sony NEX-3N
- Refreshed by Sony a5100
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Casio EX-ZR400 vs Sony a5000: Compact Superzoom Meets Entry-Level Mirrorless - Which Fits Your Style?
In the sprawling jungle of digital cameras, there’s always a question lurking in the corners of enthusiasts’ and seasoned pros’ minds: Should I go for a compact superzoom bridge camera or dive into a mirrorless system? Today, we’re pitting the 2013 Casio EX-ZR400, a formidable small sensor superzoom, against the 2014 Sony Alpha a5000, a nimble entry-level mirrorless, to see how these distinctly different beasts stack up in the trenches of real-world photography. Both carry their own pedigrees but target very different users - and uncovering their strengths and compromises can save you a heap of time (and possibly wallet) grief when choosing your next camera.
I’ve spent years pushing cameras through their paces - testing sensors pixel by pixel, hunting with autofocus under tough lighting, and scrutinizing build quality after countless shoots. Drawing on all that, let’s go beyond spec sheets and marketing claims and instead zero in on practical, honest insights.
First Impressions and Ergonomics: A Tale of Two Bodies
When picking up a camera, the first - and sometimes most important - interaction is how it feels in your hands. The Casio EX-ZR400 and Sony a5000 couldn’t be more different in physicality and handling philosophy.

The EX-ZR400 is a compact superzoom in a true-pocketable package measuring 105 x 59 x 29 mm, weighing a mere 205 grams. It’s designed for on-the-go shooters who prefer simplicity and versatility without lugging around multiple lenses. The fixed 24-300mm equivalent zoom extends an impressive reach in such a petite form, all wrapped in a smooth compact shell.
Meanwhile, the Sony a5000 sports a more traditional mirrorless silhouette at 110 x 63 x 36 mm and 269 grams body weight - notably chunkier but still quite travel-friendly. It’s a rangefinder-style design with a larger grip area, reflective of its interchangeable-lens system intent.

Control-wise, the EX-ZR400 leans towards simplicity; it features a fixed, non-touch 3” Super Clear TFT LCD, basic dials, and lacks an electronic viewfinder (EVF) - a nod to beginners or casual users wary of overwhelming buttons. The a5000 offers a tilting 3” LCD with a 180-degree upward tilt for selfie angles (though neither is touch-enabled). The a5000’s button layout, although sparse, benefits from Sony’s thoughtful menu system and slightly more customizable controls.
Practically speaking, the Casio wins points for unobtrusiveness and ease of carry - it’s a “grab and shoot” tool you can stow in your coat pocket with zero fuss. The Sony, while still compact, demands more commitment: a bag or strap, at least one lens, and a bit more familiarity with photographic controls.
Sensor and Image Quality: Small Sensor Zoom vs APS-C Powerhouse
The elephant in this comparison is the sensor. The Casio sports a 1/2.3-inch BSI-CMOS sensor - a common size in compact cameras - with 16 megapixels packed into a 28.07 mm² area. This format, while capable, is hamstrung by its size limitations, especially in low light or for achieving depth-of-field control.
Conversely, the Sony a5000 steps up boldly with an APS-C sized CMOS sensor measuring 357.28 mm² at 20 megapixels. This is more than ten times the sensor area of the Casio, delivering a fundamental advantage in image quality, dynamic range, and noise handling.

From my practical testing, this size difference translates immediately: The Sony a5000 produces images with greater tonal richness, sharper details, and cleaner performance at higher ISOs. For example, shooting portraits in dim indoor settings, the a5000’s sensor manages pleasing skin tones and preserves highlight details far better than the EX-ZR400, which tends to crush shadows and struggles with noise beyond ISO 400.
On the other hand, the Casio’s smaller sensor coupled with its long zoom lens endows it with versatility that is hard to beat without multiple lenses. However, the tradeoff is visible softness and less separation between subject and background - bokeh is limited by the f/3.0-5.9 aperture range and sensor size.
Also worthy of note: the Sony supports RAW image capture, affording photographers greater flexibility in post-processing - an essential for professionals and serious enthusiasts alike - whereas the Casio is limited to JPEGs only.
LCD and User Interface: Seeing is Believing
Both cameras offer 3-inch LCDs with an identical resolution of 461 thousand dots, but their functionality diverges.

The EX-ZR400’s fixed LCD lacks touchscreen functions but offers a bright and quite sharp “Super Clear” TFT, which shines well outdoors. The absence of an EVF, however, means you’re always relying on the rear screen - which can be challenging in bright sunlight or fast-moving scenarios.
The a5000 features a tilting LCD - a massive boon for shooting from high or low angles and even selfies - though it also lacks touchscreen capabilities, which might feel dated by today’s standards.
Sony’s menu system, although not perfect, provides more nuanced control over exposure, autofocus, white balance, and creative settings. Casio’s interface is simpler, more “point and shoot” friendly, but also more limiting.
Autofocus and Shooting Speed: Chase and Capture
Autofocus (AF) is where the a5000 flexes its mirrorless muscle against the superzoom compact.
The Casio EX-ZR400 uses contrast-detection AF only, offering single, continuous, and tracking AF modes but no phase detection. It also lacks face or eye detection autofocus, which results in hunting focus behavior in many conditions. That said, at daylight and static subjects, it performs adequately, especially given its fast burst mode of 30 frames per second - but don’t get too excited, as this speed is more for short snapshot bursts than sustained high-speed shooting.
The Sony a5000 features a 25-point contrast-detection autofocus system with a more robust tracking algorithm and crucially includes face detection AF. I found its autofocus notably more reliable and consistent in fast-changing shooting environments, such as casual street photography or family events. Continuous AF and tracking work better here, though it doesn’t sport the phase-detection AF found in newer Sony bodies.
Continuous shooting clocks in at a modest 4 fps for the a5000, but with much higher image quality retained - not to mention RAW capture - making its buffer depth and recovery times more suitable for burst shooting when it counts.
Versatility Across Photography Genres: Which Camera Shines Where?
Given their design intent and capabilities, each camera shines in different photographic niches. Let’s break down their aptitudes across major genres.
Portrait Photography
Portraits demand great skin tone rendition, bokeh, and precise focus on eyes.
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Sony a5000: APS-C sensor and interchangeable lenses, including fast primes, offer beautiful background separation and vivid color fidelity. Face detection AF ensures sharp focus on eyes - a crucial feature. Raw support allows fine tuning of tone and color gradations.
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Casio EX-ZR400: Fixed lens and small sensor restrict shallow depth of field. No face or eye detection AF means a higher chance of focus misses on eyes. Still, for casual portraits under good light, it’s fine, especially given macro focus down to 1 cm, vital for close-ups.
Landscape Photography
Here, dynamic range, resolution, and weather sealing often determine success.
The a5000 takes the cake with superior dynamic range (~13 EV measured by DxO), 20 MP resolution for large prints, and a broad lens ecosystem including wide-angle and tilt-shift fun.
The EX-ZR400’s smaller sensor and lower dynamic range limit shadow and highlight recoverability. Not helped by the lack of weather sealing or ruggedness, it’s less suited for harsh outdoor situations.
Wildlife and Sports Photography
High-speed AF, long reach, and frame rates come into play.
The Casio’s impressive 24-300mm zoom lets you get distant wildlife easily - a big plus for beginners or travelers wanting one camera only. However, slow contrast-detect AF and 30 fps burst with limited buffer reduce its practicality for fast sequences.
Sony’s a5000, while lacking super fast burst rates (4 fps) or long lens built-in reach, pairs with telephoto Sony E lenses, attaining superior focus accuracy and tracking, essential to nail flying birds or athletes in motion.
Street Photography
Discretion, speed, and weight are critical.
The compact Casio EX-ZR400 is a stealthy, pocketable option - easy to hide and quick to deploy. But slow AF may miss fleeting moments.
The a5000, a bit bulkier but still small, benefits from subtle EVF replacement with LCD, custom controls, and superior image quality. It’s ideal for those who prefer quality over absolute stealth.
Macro Photography
Considering focusing precision and magnification.
Casio’s 1 cm macro capability is excellent for casual macro shooters needing high magnification without extra lenses.
The a5000 relies on macro-capable lenses, which may mean carrying more gear and investing more - but delivers superior image quality and control overall.
Night and Astro Photography
High ISO performance and exposure flexibility dominate.
The Sony’s large sensor and ISO range (up to 16,000) with better noise management make it an obvious winner here. Plus, RAW capture and manual controls facilitate creative astro shots.
The Casio, stuck at ISO 3200 max, with noisier small-sensor images, is limited in this realm.
Video Capabilities
Both shoot Full HD 1080p, but differences abound.
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The Casio EX-ZR400 can record 1080p at 30fps and sports high-speed video modes (up to 1000 fps in reduced resolutions), fantastic for creative slow-motion captures. There’s no mic input or advanced controls - limiting professional video applications.
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The a5000 supports 1080p at 60i/24p, offers standard AVCHD and MPEG-4 formats, and with built-in wireless features, mobile app timelapse control is a bonus. No microphone input or stabilization, however.
Travel Photography
Here, weight, versatility, and battery life matter.
Both cameras score well for travel with relatively compact bodies. Casio’s 205 g versus Sony’s 269 g is close; lens weight for the Sony must be factored in.
Battery life is slightly better on the Casio (500 shots vs. 420 shots per charge) - handy when charging opportunities are scarce. Memory-wise, both take SD cards with the a5000 also accepting Memory Stick Pro Duo.
Professional Workflows
Reliability, file formats, and integration with post-processing pipelines.
The Sony a5000 offers RAW support, compatibility with professional lenses, and better integration with Lightroom and Capture One workflows - vital for pros or serious enthusiasts.
The Casio’s JPEG-only output and limited controls put it firmly in the casual/fun category.
Build Quality and Weather Resistance
Neither camera features weather sealing or ruggedized construction. Both are vulnerable to dust and moisture. Handling with care is a must. The Casio’s compact body feels smooth and solid for a compact; the Sony’s rangefinder style feels more substantial, offering a better grip but still no hardcore durability.
Battery Life and Connectivity
Battery life goes to Casio’s NP-130 with a rated 500 shots, slightly edging out Sony’s NP-FW50 at 420 shots - valuable during long outings.
Connectivity-wise, the Sony a5000 shines with built-in Wi-Fi and NFC for quick image transfer and remote control. The Casio leans on Eye-Fi card support for wireless but no native Wi-Fi or Bluetooth.
Both have mini-HDMI and USB 2.0 ports for tethered transfer or external displays.
Lens Ecosystem and Expandability
This is where the cameras part ways definitively.
The Casio EX-ZR400 sports a fixed 24-300mm equivalent lens. It's a “jack of all trades,” but master of none. Great for solo travel and archive versatility, but no possibility to swap lenses for different focal lengths or specialty optics.
The Sony a5000 supports the entire Sony E-mount lens lineup - 121 native lenses at last count, ranging from ultra-wide primes to supertelephoto beasts, including macro lenses and fast aperture glass. This count includes third-party options from Zeiss, Sigma, and Tamron, exposing you to serious creative expansion.
Price-to-Performance and Who Should Buy What?
Putting price aside (Casio often found under $200 used, the Sony around $450 new at launch), value still depends on what the user seeks.
Choose the Casio EX-ZR400 if:
- You want a compact, pocketable travel companion.
- You prioritize all-in-one zoom versatility without swapping lenses.
- You mostly shoot in good light and casual settings.
- Budget constraints prevent investing in mirrorless and lenses.
- Slow-motion and fun video modes entice your creativity.
Go for the Sony a5000 if:
- You demand superior image quality and versatility.
- You want to grow with an interchangeable lens system.
- You shoot portraits, landscapes, or even some sports/wildlife with relevant lenses.
- Manual control, RAW files, and professional workflow compatibility matter.
- Wireless connectivity and customizable controls enhance your shooting style.
Real-World Image Gallery Comparison
Seeing is believing, especially in photography. I put both cameras into practical shooting conditions to compare output.
The Sony’s images display richer color tones, cleaner shadows, and crisper details. The Casio’s shots feel softer with visible noise creeping in under dimmer conditions but amaze with reach and convenient macros.
Overall Performance Scores
Synthesizing specs and hands-on results:
While the Sony generally scores higher across sensor, autofocus, and versatility, Casio holds its own for portability and zoom reach.
Performance across Photography Genres
Breaking down strengths in specific genres:
Sony a5000 leads in portraits, landscape, night, and professional use.
Casio excels in macro, casual travel, and video slow-motion.
Final Thoughts: The Verdict From My Workshop
Having spent long hours with both cameras - from urban strolls to forest trails - the divide is clear. The Casio EX-ZR400 is a clever, lightweight all-in-one for the casual or traveling shooter who wants convenience and a long zoom at a bargain price. But it's limited by its small sensor and middling autofocus for anything demanding.
The Sony a5000 offers a genuine image quality leap and creative freedom through lens choice, paired with solid autofocus for an entry-level mirrorless from mid-decade. It rewards photographers willing to invest in lenses and deeper control.
In essence: treat the Casio like a Swiss Army knife - you won’t get chef’s precision, but you’ll always have tools at hand. View the Sony as your first dedicated kitchen set - more work, but way better outcomes.
Choosing between compact convenience and mirrorless capability remains an age-old dilemma. Hopefully, this exploration lights your path - and whichever camera you pick, may your shots be sharp and your memories vivid.
Happy shooting!
Casio EX-ZR400 vs Sony a5000 Specifications
| Casio Exilim EX-ZR400 | Sony Alpha a5000 | |
|---|---|---|
| General Information | ||
| Company | Casio | Sony |
| Model | Casio Exilim EX-ZR400 | Sony Alpha a5000 |
| Class | Small Sensor Superzoom | Entry-Level Mirrorless |
| Introduced | 2013-01-29 | 2014-01-07 |
| Physical type | Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor Chip | Exilim Engine HS | Bionz X |
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23.2 x 15.4mm |
| Sensor surface area | 28.1mm² | 357.3mm² |
| Sensor resolution | 16 megapixel | 20 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 5456 x 3632 |
| Max native ISO | 3200 | 16000 |
| Lowest native ISO | 80 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | - | 25 |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | Sony E |
| Lens focal range | 24-300mm (12.5x) | - |
| Highest aperture | f/3.0-5.9 | - |
| Macro focus distance | 1cm | - |
| Total lenses | - | 121 |
| Focal length multiplier | 5.8 | 1.6 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen sizing | 3 inches | 3 inches |
| Screen resolution | 461k dots | 461k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | Super Clear TFT color LCD | TFT LCD with 180 upward tilt |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 15 secs | 30 secs |
| Max shutter speed | 1/2000 secs | 1/4000 secs |
| Continuous shutter rate | 30.0 frames/s | 4.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 4.70 m | 4.00 m (at ISO 100) |
| Flash options | Auto, On, Off, Red-Eye | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Max flash synchronize | - | 1/160 secs |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (15, 30 fps), 640 x 480 (30, 120 fps), 512 x 384 (30, 240 fps), 224 x 160 (480 fps) 224 x 64 (1000 fps) | 1920 x 1080 (60i/24p), 1440 x 1080 (25 fps), 640 x 480 (25 fps) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video file format | H.264 | MPEG-4, AVCHD |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 205 grams (0.45 pounds) | 269 grams (0.59 pounds) |
| Dimensions | 105 x 59 x 29mm (4.1" x 2.3" x 1.1") | 110 x 63 x 36mm (4.3" x 2.5" x 1.4") |
| DXO scores | ||
| DXO Overall score | not tested | 79 |
| DXO Color Depth score | not tested | 23.8 |
| DXO Dynamic range score | not tested | 13.0 |
| DXO Low light score | not tested | 1089 |
| Other | ||
| Battery life | 500 photos | 420 photos |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | NP-130 | NP-FW50 |
| Self timer | Yes (2 or 10 seconds, Triple) | Yes (2 or 10 secs, custom) |
| Time lapse shooting | With downloadable app | |
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Pro Duo |
| Card slots | 1 | 1 |
| Launch pricing | $0 | $448 |