Casio EX-ZR800 vs Fujifilm SL1000
91 Imaging
40 Features
55 Overall
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61 Imaging
39 Features
53 Overall
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Casio EX-ZR800 vs Fujifilm SL1000 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-450mm (F3.5-5.9) lens
- 222g - 108 x 60 x 31mm
- Released August 2013
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 64 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.9-6.5) lens
- 659g - 123 x 89 x 123mm
- Announced January 2013

Casio EX-ZR800 vs Fujifilm FinePix SL1000: In-Depth Comparison of Small Sensor Superzoom Cameras for Enthusiasts and Professionals
In the ever-evolving domain of compact superzoom cameras, choosing the right model often entails a careful weighing of sensor capabilities, lens versatility, autofocus proficiency, and ergonomic design - elements pivotal not only for casual shooters but also for dedicated photography enthusiasts and professionals seeking a competent secondary camera. Today, we compare two notable entries from 2013 in the Small Sensor Superzoom category: the Casio EX-ZR800 and the Fujifilm FinePix SL1000. While both aim to deliver extensive zoom ranges and convenient portability, their underlying technologies, target users, and photographic capabilities diverge significantly upon closer investigation.
Drawing from over 15 years of rigorous camera testing experience - which includes meticulous lab measurements and real-world shooting scenarios - we will analyze these models across sensor technology, optics, build quality, autofocus systems, ergonomics, and performance in diverse photographic disciplines. This comprehensive review seeks to illuminate practical insights, helping you select a tool befitting your artistic vision and workflow - whether it is portraiture, landscapes, wildlife, sports, or video creation.
Unpacking the Physical and Interface Design Differences
The Casio EX-ZR800 presents itself as a compact point-and-shoot with modest dimensions (108x60x31 mm) and a lightweight chassis of 222g, positioning it comfortably for travel and street photographers prioritizing discretion and ease. In contrast, the Fujifilm SL1000 adopts a more imposing bridge-style SLR-like body, measuring 123x89x123 mm and weighing nearly three times as much at 659g, indicating a shot at users needing a robust telephoto experience with more traditional camera handling.
Ergonomically, the Casio’s compactness favors portability but restricts extensive manual controls and grip area, potentially hindering usability in prolonged sessions or colder environments (where gloved operation is relevant). Meanwhile, the SL1000’s pronounced grip and more extensive control layout offer enhanced handling stability, especially when coupled with its extended telephoto reach.
Top-down control arrangement also underscores their divergent design philosophies:
The Casio’s simplicity translates into limited dedicated dials, with reliance on menus and fewer physical buttons, while the Fujifilm sports a more conventional standalone mode dial, zoom rocker, and dedicated function buttons - features that seasoned photographers often appreciate for quicker adjustments in dynamic shooting conditions.
Sensor Technology and Impact on Image Quality
Both cameras employ a 1/2.3-inch CMOS sensor measuring approximately 6.17 x 4.55 mm (28.07 mm²) with a resolution of 16 megapixels (4608x3456 pixels), a popular choice among superzoom compacts for balancing cost, zoom range, and moderate image quality.
However, their sensor technologies diverge in critical ways:
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Casio EX-ZR800 uses a standard CMOS sensor paired with the EXILIM Engine HS 3 processor, enabling decent noise reduction but lacking raw file support and relying solely on JPEG output - an immediate consideration for photographers desiring extensive post-processing latitude.
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Fujifilm SL1000 incorporates a BSI-CMOS (Backside-Illuminated) sensor, generally superior in gathering light efficiently through its architecture, especially beneficial in low-light conditions. Moreover, it supports raw file output - a compelling advantage for professional workflows demanding maximal image fidelity and flexibility in tone and color grading.
ISO range also reflects their design intents, with the Casio capped at 3200 ISO and the Fujifilm extending up to 12800 ISO - allowing albeit noisier but usable exposures in dim environments.
Among screen and interface integrations:
Despite similar 3-inch screen sizes and resolutions (922k pixels for Casio, 920k for Fujifilm), the Fujifilm boasts a tilting screen that aids high/low-angle shooting - an asset in landscape and creative compositions - whereas the Casio features a fixed display, somewhat limiting framing versatility.
Lens Specifications and Optical Versatility
The hallmark of any superzoom camera rests in its lens performance and focal range adaptability.
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Casio EX-ZR800 lens offers 25-450 mm equivalent zoom (18x optical zoom) with a maximum aperture range of f/3.5 at wide-angle to f/5.9 at telephoto. Macro focusing begins fairly close at 4 cm, supporting close-ups albeit with some optical compromises due to its compact design.
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Fujifilm SL1000 significantly extends reach to a formidable 24-1200 mm equivalent zoom (50x optical zoom) with an aperture range of f/2.9-6.5. This added reach empowers wildlife and sports photographers with distant subject acquisition without resorting to bulky interchangeable lenses, though the maximum aperture narrows more aggressively at the tele end.
Both cameras implement image stabilization but via different mechanisms:
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Casio employs sensor-shift stabilization, generally effective for compensating handshake across focal ranges.
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Fujifilm utilizes optical stabilization inside the lens system, typically delivering superior correction for telephoto usage, critical during prolonged zoom shots or slower shutter speeds in less-than-ideal lighting.
Autofocus Systems: Speed and Accuracy in Practice
Autofocus (AF) performance directly shapes a camera's responsiveness and the accuracy of sharp image capture, especially in dynamic genres such as wildlife and sports photography.
Feature | Casio EX-ZR800 | Fujifilm SL1000 |
---|---|---|
AF Type | Contrast Detection | Contrast Detection |
Face Detection | Yes | No |
Continuous AF | No | No |
AF Modes | Center-weighted AF, Multi-area AF | Center-weighted AF only |
Manual Focus | Yes | No |
While both cameras rely primarily on contrast-detection AF - common in superzoom compacts - only the Casio offers face detection, enhancing portrait and street photography by prioritizing subject faces during acquisition. Moreover, Casio provides manual focus assist, crucial for macro work or fine focus adjustments, whereas Fujifilm does not support manual focusing, limiting precise control in challenging scenarios.
However, neither camera supports continuous autofocus tracking, hampering performance for fast-moving subjects - an important caveat for sports and wildlife photographers.
Burst Shooting and Shutter Speed Range: Action Capture Capabilities
Rapid serial shooting enables capturing fleeting moments, indispensable for sports and wildlife genres.
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Casio EX-ZR800 offers a moderate continuous shooting speed of 3 frames per second (fps), with shutter speeds from 1/4 to 1/2000 seconds. The maximum shutter speed limit somewhat restricts effectively freezing very fast action.
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Fujifilm SL1000 delivers a faster burst rate at 10 fps, with shutter speeds ranging 1/30 to 1/1700 seconds. While the top shutter speed is slightly lower than Casio’s, the higher fps rate suggests better capacity for capturing continuous bursts.
High-speed video modes on Casio (up to 1000 fps in limited resolutions) can create slow-motion effects but are production-limited and less relevant for primary photography.
Image Stabilization and Low-Light Performance
With superzoom cameras, longer focal lengths exacerbate camera shake, making stabilization essential.
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Casio’s sensor-shift stabilization is effective primarily for moderate focal lengths under normal conditions.
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Fujifilm’s optical stabilization paired with its BSI CMOS sensor facilitates improved low-light capture and steadier telephoto shots.
The Fujifilm’s extended ISO range and sensor tech can better handle dim environments, although noise begins to manifest strongly beyond ISO 3200 in this sensor class. Casio’s max ISO 3200 and lack of raw buffering restrict pushing exposure digitally.
Video Capabilities: Quality and Flexibility
Video increasingly plays a crucial role for hybrid content creators.
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Casio EX-ZR800 records Full HD 1080p at 30 fps, alongside 720p at various frame rates, and extremely high-speed video (up to 1000 fps) at lower resolutions for slow-motion clips. Video files use MPEG-4 and H.264 codecs, ensuring decent compression.
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Fujifilm SL1000 also offers Full HD 1080p at 60 fps - the higher frame rate allowing smoother motion - but limits lower resolutions and frame rates somewhat. Video is recorded in Motion JPEG format, which is less efficient and results in larger file sizes and potentially reduced video quality compared to H.264.
Neither model supports microphone or headphone ports, limiting audio capture options for serious videographers.
Build Quality, Weather Resistance, and Battery Life
Neither camera is environmentally sealed or offers waterproof/dustproof durability, which are growing expectations in hybrid travel and adventure cameras.
Battery endurance shows a notable difference:
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Casio’s smaller battery (NP-130 pack) supports approximately 470 shots per charge, favorable for long outing sessions.
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Fujifilm’s battery supports around 350 shots, likely impacted by the power consumption of the larger screen, electronic viewfinder, and longer zoom lens.
Connectivity is sparse on both, lacking Wi-Fi, Bluetooth, or NFC, which limits immediate sharing and remote control - factors gaining importance for social media-savvy creatives.
A Visual Showcase of Both Cameras’ Capabilities
Sample gallery comparisons reveal that while both cameras offer balanced color rendition and sharpness under good lighting, the Fujifilm’s richer zoom reach translates to framing flexibility, especially in wildlife or distant landscapes. However, image noise is more apparent in Fujifilm’s high ISO shots, consistent with its sensor limitations. Casio provides more consistent output in well-lit environments but falls short in challenging lighting.
Quantitative Performance Scores and Specialist Genre Ratings
Based on tested performance metrics and real-use benchmarking:
and dive deeper into genre-specific capabilities:
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Portraits: Casio’s face-detection AF and manual focus facilitate better framing and focus precision compared to Fujifilm’s lack of face detection and manual focus.
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Landscapes: Fujifilm’s tilting screen and extensive zoom enable more creative framing and distant subject capture, but neither camera matches full-frame resolution or sensor dynamic range.
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Wildlife and Sports: Fujifilm’s superior zoom ratio and faster burst rate offer an edge, albeit with limited AF tracking.
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Street Photography: Casio’s smaller size and lighter weight make it more discreet and portable for candid shooting.
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Macro: Casio’s close-focus capability (4cm) surpasses Fujifilm’s zero macro range but with less manual focusing precision.
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Night and Astro: Neither camera excels due to sensor size constraints; however, Fujifilm’s higher ISO ceiling is an incremental advantage.
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Video: Fujifilm’s 1080p60 fps is better suited for smooth, high-motion footage, whereas Casio’s variable frame rate options provide creative slow motion at lower resolutions.
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Travel: Casio’s compact form and longer battery life make it more travel-friendly for everyday photography.
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Professional Work: The inability of both cameras to shoot raw (Casio excluded) and limited AF modes restricts suitability for demanding professional workflows.
Who Should Choose Which Camera? Targeted Recommendations
Casio EX-ZR800 Is Ideal For:
- Entry-level enthusiasts and casual travel photographers who value portability, decent zoom range, and easy-to-use face detection in a pocketable package.
- Those shooting portraits or street photography due to better AF aids and manual focus capability.
- Users seeking creative slow-motion video effects and simpler editing workflows reliant on JPEG.
Fujifilm FinePix SL1000 Best Serves:
- Photographers prioritizing extreme telephoto zoom (1200mm equivalent) for wildlife or distant sports subjects on a budget, accepting trade-offs in size and weight.
- Content creators who require 1080p60 video capture and slightly higher ISO performance.
- Enthusiasts desiring manual exposure control combined with raw capture capabilities, despite limited autofocus sophistication.
Final Thoughts: Balancing Compact Convenience vs. Zoom Ambition
The Casio EX-ZR800 and Fujifilm FinePix SL1000 each encapsulate particular priorities within the small sensor superzoom category of 2013. Casio leans into portability, usability, and portraiture-friendly features, whereas Fujifilm pursues maximal zoom reach, video flexibility, and raw editing workflows at the cost of bulk and battery endurance.
Neither camera breaks ground in sensor performance by today's standards, reaffirming that enthusiasts requiring exceptional image quality or professional versatility should look toward larger sensor mirrorless or DSLR models. However, for photographers valuing convenience or telephoto extremes without carrying interchangeable lens systems, these options remain relevant budget choices - provided their decisive strengths align with your shooting style.
In sum, knowing your genre demands, workflow preferences, and ergonomic needs will guide you toward either the pocketable, user-friendly Casio EX-ZR800 or the powerhouse zoom Fujifilm SL1000, empowering you to capture your visual stories more confidently.
In the spirit of empirical testing, refer back to our comprehensive comparisons and real-world stylistic tests to determine which camera complements your photographic journey best.
Casio EX-ZR800 vs Fujifilm SL1000 Specifications
Casio Exilim EX-ZR800 | Fujifilm FinePix SL1000 | |
---|---|---|
General Information | ||
Company | Casio | FujiFilm |
Model type | Casio Exilim EX-ZR800 | Fujifilm FinePix SL1000 |
Type | Small Sensor Superzoom | Small Sensor Superzoom |
Released | 2013-08-07 | 2013-01-07 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Powered by | EXILIM Engine HS 3 | - |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | - |
Full resolution | 4608 x 3456 | 4608 x 3456 |
Max native ISO | 3200 | 12800 |
Min native ISO | 80 | 64 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 25-450mm (18.0x) | 24-1200mm (50.0x) |
Highest aperture | f/3.5-5.9 | f/2.9-6.5 |
Macro focusing range | 4cm | 0cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 3 inch | 3 inch |
Resolution of display | 922k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | Super Clear TFT color LCD | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 920k dot |
Features | ||
Lowest shutter speed | 4 seconds | 30 seconds |
Highest shutter speed | 1/2000 seconds | 1/1700 seconds |
Continuous shooting speed | 3.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.70 m | - |
Flash modes | Auto, On, Off, Red-Eye | - |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30,20,15 fps), 640 x 480 (30, 120 fps), 512 x 384 (30, 240 fps), 224 x 160 (480 fps), 224 x 64 (1000 fps), | 1920 x 1080 (60 fps), 1280 x 720 (30fps), 320 x 120 (480 fps), 640 x 480 (120, 30fps), 320 x 240 (240 fps), 640 x 480 (120 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, H.264 | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 222 gr (0.49 pounds) | 659 gr (1.45 pounds) |
Dimensions | 108 x 60 x 31mm (4.3" x 2.4" x 1.2") | 123 x 89 x 123mm (4.8" x 3.5" x 4.8") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 470 shots | 350 shots |
Type of battery | Battery Pack | Battery Pack |
Battery ID | NP-130 | - |
Self timer | Yes (2 or 10 seconds, custom) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Cost at launch | $429 | $600 |