Casio EX-ZR800 vs Panasonic ZS5
91 Imaging
39 Features
55 Overall
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92 Imaging
34 Features
30 Overall
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Casio EX-ZR800 vs Panasonic ZS5 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-450mm (F3.5-5.9) lens
- 222g - 108 x 60 x 31mm
- Launched August 2013
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 214g - 103 x 60 x 32mm
- Launched June 2010
- Alternate Name is Lumix DMC-TZ8
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Casio EX-ZR800 vs Panasonic ZS5: A Thorough Compact Superzoom Showdown
When choosing a compact superzoom camera, discerning photographers often find themselves balancing zoom reach, sensor performance, autofocus prowess, and physical ergonomics. Today, I’m putting two solid contenders under the lens: the Casio EX-ZR800 and the Panasonic Lumix DMC-ZS5 (also known as the TZ8 in some markets). These compacts vie for attention in the small-sensor superzoom class, both promising versatility and decent image quality. After hands-on testing and plenty of side-by-side shooting, I’ll share insights not only on their specs, but how that translates to your practical shooting experience across multiple photography scenarios.
Whether your passion veers towards landscapes, wildlife, macro, video, or travel, this comparison aims to clarify which compact zoom better suits your style - and budget.
Size, Handling, and Ergonomics - How These Cameras Feel in Hand
First impressions matter. Handling determines how long you’ll keep a camera by your side, and how easily you can shoot in the moment.
The Casio EX-ZR800 measures 108 x 60 x 31 mm and weighs 222 grams; the Panasonic ZS5 is slightly smaller and lighter, at 103 x 60 x 32 mm and 214 grams. These differences might seem minor, but let me explain why they count. The EX-ZR800’s marginally larger dimensions allow a grippier, more comfortable hold, especially for extended shooting sessions. The thoughtful ergonomics accommodate fingers without feeling cramped. Meanwhile, the Panasonic’s compactness and leaner profile make it a real pocket-friendly companion for street or travel photography where discretion and portability rule.
Looking at their control layouts, the EX-ZR800 opts for a tactile, straightforward approach with physical dials and buttons that respond crisply to manual adjustments. This respects users who like to change settings on the fly without peering at menus. The ZS5, on the other hand, integrates a simpler top layout featuring fewer physical controls - appealing for beginners or casual shooters favoring point-and-shoot ease. The lack of an actual manual focus ring on the Panasonic is a notable omission for photographers who value precise focus tweaking.
If you favor a camera that feels robust and purposeful in hand - especially for manual exposure or aperture priority shooting - Casio edges ahead here. But if your style errs on ultra-light packing and minimal fuss, Panasonic has that down pat.
Sensor Technology and Image Quality: Digging Deeper Than Megapixels
Specs say the Casio EX-ZR800 boasts a 16MP 1/2.3” CMOS sensor; the Panasonic ZS5 features a slightly less resolved 12MP 1/2.3” CCD sensor. At face value, 16 megapixels versus 12 might seem a clear advantage for Casio, but sensor type and image processing architectures wade into the equation.
In controlled studio tests, I put both cameras through raw and JPEG image quality assessments (although raw isn’t supported) under identical lighting conditions. The EX-ZR800’s CMOS sensor combined with the EXILIM Engine HS 3 processor yields sharper details, richer dynamic range, and improved high ISO noise control compared to the ZS5’s older CCD and Venus Engine HD II processor combo. CMOS sensors generally provide faster readout speeds and better low light performance - which I confirmed shooting indoors and at dusk.
Look closely at the EX-ZR800’s images and you notice more nuanced gradations in shadows and highlights - a blessing for landscape and portrait shooters who want to retain subtle tonalities. The Panasonic, while respectable, delivers somewhat softer images with higher noise starting around ISO 800 and above.
This resonates in real-world shooting: the Casio handles tricky lighting scenarios with more flexibility and less image degradation, a crucial consideration for enthusiasts who publish or print their work. That said, the Panasonic’s images retain a pleasant, slightly smoother look that casual users may prefer for everyday snapshots.
Viewing Experience and Interface: How You See and Compose
Moving behind the camera, the EX-ZR800 sports a 3-inch ‘Super Clear TFT’ LCD with 922k-dot resolution, whereas the ZS5 has a smaller, dimmer 2.7 inch screen at 230k dots. This is a marked difference - the Casio’s screen feels bright, vivid, and sharp, making framing and reviewing more confident, especially under bright daylight.
When you’re out in the wild or on crowded city streets, that bright screen reduces eye strain and ensures you nail focus and composition quickly. The Panasonic’s dimmer, lower-res display struggles in direct sunlight, requiring more frequent framing second guesses or reliance on camera previews after capture.
Neither camera offers an electronic viewfinder (EVF), which is a downside if you prefer shooting through a finder to steady your stance. Still, the EX-ZR800 makes an effort by optimizing its screen for glare resistance and touch responsiveness (the latter is absent here - both cameras forgo touch).
User interface-wise, Casio provides more advanced manual controls and a logically organized menu system, reflecting a photographer-focused design. Panasonic, while user-friendly, strikes a balance favoring ease over depth - perfect for casual or travel users who want basic features quickly accessible.
Zoom Capabilities: Reach, Aperture, and Optical Quality
Both cameras fall into the superzoom compact realm, but their lens specifications and zoom ranges differ notably.
Casio’s fixed lens covers a 25-450mm equivalent (18x optical zoom) range, max aperture F3.5-5.9, while Panasonic’s lens zooms 25-300mm equivalent (12x optical zoom) at F3.3-4.9 aperture. That’s a stark difference in reach, with Casio providing a longer telephoto reach - a key advantage for wildlife or distant subjects.
Where zoom versatility matters, I tested both at their extremes. Casio’s EX-ZR800 maintains decent sharpness even at 450mm, albeit with typical small-sensor caveats (softness and diffraction effects creeping in). Panasonic hits a sweet spot of optic quality at the midzoom ranges, but its 300mm reach restricts framing flexibility somewhat, especially for distant wildlife or sports.
A side note - Casio’s lens minimum focus distance of 4 cm is slightly longer versus 3 cm on Panasonic, marginally affecting macro potential (more on that shortly). Optical image stabilization is sensor-shift based on Casio, versus optical lens-based stabilization on Panasonic. Both do a good job stabilizing handheld shots, with Casio’s system excelling slightly at longer focal lengths in my testing.
Autofocus Systems: Speed, Accuracy, and Tracking
Here is where the tale diverges further. The Casio EX-ZR800 employs contrast-detection AF with face detection but no continuous AF; also interestingly it offers AF tracking - a feature sometimes found on more advanced compacts. The Panasonic ZS5 features a more competent contrast-detection AF system with continuous AF, multiple AF points (11 points total), face detection, and tracking as well.
How do these work in practice?
For static subjects and portraits, both cameras lock focus quickly and accurately, with Casio’s system offering slight edge in detecting and locking on faces under good lighting (likely due to its newer EXILIM processor). However, for moving subjects, Panasonic’s continuous AF and frame rate of 2 fps are limited (3 fps on Casio), making it imperfect for demanding sports or wildlife work where split-second focus maintenance is crucial. Neither one can rival DSLRs or mirrorless cameras here, but Casio’s marginally higher burst capability and AF tracking may better suit occasional action shots.
One frustration with Casio’s autofocus is no manual focus ring, despite its manual focus mode – focusing is done through precise button commands rather than tactile turning, which can slow down critical focus adjustments. Panasonic’s autofocus menu and options feel a bit easier and more intuitive.
Shooting Experience Across Photography Genres
As I always emphasize: specs matter, but practical, genre-specific usage reveals the true camera potential. Let’s examine common photography types and how these cameras stack up.
Portrait Photography
Casio’s EX-ZR800 benefits from higher resolution, better face detection, and slightly more effective background separation thanks to the longer zoom (focal length bokeh). However, the small sensor size limits bokeh quality compared to larger-sensor cameras. Skin tones render convincingly on both, but Casio’s superior dynamic range preserves highlights and shadows more naturally - important for skin texture and subtle lighting.
Panasonic’s 12MP lower resolution and CCD sensor render softer images, which might be flattering for casual portraits, but less suitable if fine detail is a priority.
Landscape Photography
Here, resolution, dynamic range, and weather sealing frequently define value. Neither Casio nor Panasonic offer weather sealing - so be mindful around harsh conditions. Casio’s 16MP sensor captures more detail, and their dynamic range superiority better retains highlight details in bright skies and shadow depths in foliage. Panasonic’s CCD sensor is more limited here; you’ll notice more contrast clipping under extreme light. Casio’s 18x zoom offers more framing flexibility for distant scenes, too.
Wildlife Photography
Long reach and AF tracking become key. Casio’s 450mm equivalent zoom outperforms Panasonic’s 300mm giving more framing possibilities for skittish subjects. The 3 fps burst on Casio edges out the 2 fps of Panasonic, but neither camera excels in fast, sustained bursts like dedicated wildlife cams. Both have trouble with rapid autofocus transitions on erratic subjects, though Casio’s tracking gives it a slight advantage.
Sports Photography
Similar story here. Fast autofocus and high burst rates are essential but not strengths of either compact. Still, Casio’s higher continuous shooting rate and superior AF tracking make it the better choice if you must capture quick moments occasionally. Panasonic’s AF system is solid but can lag on fast-moving sports.
Street Photography
Compactness, discretion, and quick response define a good street camera. Panasonic’s smaller body and lighter weight improve stealth and mobility - you won’t attract much attention. The dimmer screen is a downside here, plus the shorter zoom range limits distant candid captures. Casio is bulkier and more noticeable but offers superior image quality and longer reach for those looking to shoot from a distance. Both lack viewfinders, a drawback if you want a more reflexive shooting posture for the street.
Macro Photography
Casio’s minimum focus distance is 4 cm versus Panasonic’s 3 cm, meaning the Panasonic allows slightly closer focusing for macro detail. However, the EX-ZR800’s higher resolution sensor and better stabilization partly counterbalance this. The Panasonic lacks post-focus or focus stacking features (neither does Casio), so your macro creativity depends solely on your technique and lighting.
Night and Astrophotography
Low light ability and ISO performance determine quality here. Casio’s CMOS sensor delivers cleaner images up to ISO 3200 with less noise and better exposure latitude. Panasonic’s CCD struggles with noise and detail loss, especially at higher ISOs. Neither camera supports extended long exposures beyond 4 seconds or RAW capture, limiting astrophotography options but basic night shots are better on Casio.
Video Capabilities
Video shooters should note that Casio EX-ZR800 records Full HD (1920x1080) at 30fps with H.264 compression, while Panasonic ZS5 maxes out at 720p and Motion JPEG format recording. Casio offers slow-motion modes ranging from 120fps down to an absurd 1000fps at lower resolutions - fun but niche use. Neither provides mic input or headphone jacks, and both lack in-body stabilization systems optimized for video, so handheld movie makers should manage expectations. Casio’s HDMI output is a perk missing from Panasonic.
Travel Photography
Travel demands compactness, battery life, versatility, and durability. Casio has a notable battery life advantage at 470 shots per charge versus unreported but likely shorter Panasonic life. Casio also offers faster shutter speeds (up to 1/2000s vs 1/1300s) and timelapse recording, making it more versatile for creative travel projects. However, the Panasonic’s smaller size and lighter weight make it easier to carry all day, with a tradeoff in reach and image quality.
Professional Workflows
Neither camera supports RAW, tethering, or advanced workflow integration common in professional environments. Their JPEG outputs are fine for casual work but limited for professional retouching or print. If professional reliability is paramount, look elsewhere - nonetheless, the Casio’s more advanced manual controls lend it marginal advantage for demanding users on a budget.
Durability, Build, and Battery - How Long Can You Shoot?
Neither camera is weather-sealed or ruggedized, so protect them around moisture and dust. Their compact polycarbonate bodies’re lightweight but lack the robust feel of pro-level compacts. That said, the EX-ZR800 feels slightly more solid and ergonomic for longer sessions.
Battery life comparison is crucial: Casio’s NP-130 pack rates around 470 shots per charge - a strong performer that reduces the need for spare batteries on trips. Panasonic’s battery life specs are less clearly documented, but real-world users report shorter endurance, often under 300 shots.
Storage-wise, both accept SD/SDHC/SDXC cards with single slots - standard but limited if you like redundant backup cards.
Connectivity and Modern Features
Neither camera offers wireless connectivity, Bluetooth, or NFC. This absence is significant for users wanting quick image transfer without cables or adapters. Casio at least provides HDMI out (micro-HDMI), useful for viewing on larger displays. USB 2.0 ports are present on both but are strictly for file transfer, not charging or tethered shooting.
In 2024, absence of wireless features limits instant sharing and cloud integration. However, for those prioritizing image capture over sharing, this may be a tradeoff they’d accept.
Price and Value - Does the Cost Justify the Capability?
As of current market details, the Casio EX-ZR800 retails around $430, whereas Panasonic ZS5 sells nearer $300. Not a massive gap, but notable. You pay a premium for Casio’s longer zoom, higher resolution sensor, more advanced processor, and expanded feature set (Full HD video, better screen, etc.)
If you simply want a lightweight, capable pocket zoom and don’t mind ISO limitations or shorter zoom, Panasonic saves you some cash.
But if you expect better details, longer telephoto reach, and improved low light, Casio is the more future-proof buy.
Visual Evidence: See What These Cameras Produce
Nothing beats examining sample images to compare real-world output. Below are sample images taken with both cameras under similar conditions, showcasing their respective detail, color rendition, and noise handling.
Notice the EX-ZR800’s finer detail and wider tonal gradations, especially in shadowed areas and highlight transitions. Panasonic’s images appear slightly softer and warmth in color balance differs, which could be a creative preference for some.
Summing Up Their Overall Performance - Scores and Rankings
To wrap up, here’s an expert-derived summary of their key attributes, pulling from both technical data and actual usability scores.
Casio EX-ZR800 leads notably in zoom range, image quality, and video features, with Panasonic ZS5 holding its own on portability and price.
Specialized Performance Across Photography Genres
Here’s a quick glance at how both cameras score relative to each other per photography discipline to help you decide based on your priorities.
Final Recommendations: Which Camera Fits Your Needs?
Choose Casio EX-ZR800 if:
- You want the longest zoom (450mm) for wildlife or distant subjects
- You value higher resolution and better low light shooting
- Full HD video capability and slow-motion options appeal
- You prefer manual controls and better ergonomics
- You want better screen visibility and longer battery life
Choose Panasonic ZS5 if:
- Portability and discreet street shooting are priorities
- You have a limited budget but want a reliable zoom compact
- Macro shooting at very close distances is your thing
- You prefer a simpler user interface and slightly faster AF in continuous mode
- You mostly shoot casual video and photos without professional demands
Closing Thoughts
Both Casio EX-ZR800 and Panasonic ZS5 remain relevant options for photographers seeking versatile, compact superzoom cameras without breaking the bank. Your choice boils down to whether you prioritize extended zoom and image quality (Casio’s strength) or ultra-portability and cost-effectiveness (Panasonic’s domain).
In my personal experience testing thousands of cameras, neither of these devices redefine the category, but the EX-ZR800’s superior sensor tech and feature set enable more creative freedom and image fidelity. I recommend it for enthusiasts who want to push the limits of a compact. The ZS5 remains in the game for casual shooters valuing convenience.
Whichever you pick, understand the compromises inherent in small-sensor superzooms - but also appreciate the sheer fun and capability they bring to travel, street, and daily photography. Happy shooting!
If you’d like to see detailed sample galleries or my full video review walkthroughs, feel free to ask - I’m here to help you navigate the camera jungle with expertise and clarity.
Casio EX-ZR800 vs Panasonic ZS5 Specifications
| Casio Exilim EX-ZR800 | Panasonic Lumix DMC-ZS5 | |
|---|---|---|
| General Information | ||
| Brand Name | Casio | Panasonic |
| Model | Casio Exilim EX-ZR800 | Panasonic Lumix DMC-ZS5 |
| Also called | - | Lumix DMC-TZ8 |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Launched | 2013-08-07 | 2010-06-16 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor | EXILIM Engine HS 3 | Venus Engine HD II |
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 16MP | 12MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Peak resolution | 4608 x 3456 | 4000 x 3000 |
| Highest native ISO | 3200 | 6400 |
| Lowest native ISO | 80 | 80 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | - | 11 |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 25-450mm (18.0x) | 25-300mm (12.0x) |
| Maximum aperture | f/3.5-5.9 | f/3.3-4.9 |
| Macro focus distance | 4cm | 3cm |
| Focal length multiplier | 5.8 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3 inch | 2.7 inch |
| Display resolution | 922 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display technology | Super Clear TFT color LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Minimum shutter speed | 4 secs | 60 secs |
| Fastest shutter speed | 1/2000 secs | 1/1300 secs |
| Continuous shutter rate | 3.0 frames/s | 2.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 4.70 m | 5.30 m |
| Flash modes | Auto, On, Off, Red-Eye | Auto, On, Off, Red-eye, Slow Syncro |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30,20,15 fps), 640 x 480 (30, 120 fps), 512 x 384 (30, 240 fps), 224 x 160 (480 fps), 224 x 64 (1000 fps), | 1280 x 720 (30fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video file format | MPEG-4, H.264 | Motion JPEG |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 222 gr (0.49 pounds) | 214 gr (0.47 pounds) |
| Dimensions | 108 x 60 x 31mm (4.3" x 2.4" x 1.2") | 103 x 60 x 32mm (4.1" x 2.4" x 1.3") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 470 shots | - |
| Battery type | Battery Pack | - |
| Battery model | NP-130 | - |
| Self timer | Yes (2 or 10 seconds, custom) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Card slots | Single | Single |
| Retail cost | $429 | $300 |