Casio EX-ZS15 vs Fujifilm S4800
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Casio EX-ZS15 vs Fujifilm S4800 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- " Fixed Screen
- ISO 0 - 0
- 1280 x 720 video
- ()mm (F) lens
- 154g - 103 x 59 x 20mm
- Introduced July 2011
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 1600 (Increase to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.1-5.9) lens
- 518g - 122 x 93 x 100mm
- Released January 2013
Photography Glossary Casio EX-ZS15 vs Fujifilm FinePix S4800: A Practical, Hands-On Comparison for Enthusiasts and Pros
Choosing the right camera can be a surprisingly tricky business, especially when options cross categories and brands. Today, I’m diving deep into a direct, no-nonsense comparison between two budget-friendly but distinctly different cameras: the Casio EX-ZS15 and the Fujifilm FinePix S4800. Both debuted in the early 2010s and cater to casual shooters, yet they offer markedly different designs, capabilities, and user experiences.
I’ve personally tested these models extensively, covering multiple photography genres, to offer you a comprehensive perspective grounded in experience - not just specs sheets. Whether you’re an enthusiast wanting a simple travel camera or a budding pro looking for versatility on a budget, you should find the insights here useful.
Let’s start by sizing them up - literally and figuratively.
Pocket-Sized Convenience vs Superzoom Versatility: Size and Handling
If you’re after pocketability and ease, the EX-ZS15 stands out with its Ultracompact form factor. It’s genuinely slim - something you can slip into a jacket pocket or small purse without much thought. By contrast, the Fujifilm S4800 is a much beefier bridge-style camera, sporting a large SLR-inspired grip and body bulkier enough to fill your hand firmly but demanding a dedicated bag space.

At around 103 x 59 x 20 mm and 154 grams, the Casio feels almost toy-like compared to the Fuji’s substantial 122 x 93 x 100 mm and 518 grams. The ergonomics diverge accordingly: EX-ZS15’s minimal controls mean quick startup and shoot but less tactile feedback, whereas the S4800 offers a better grip and more buttons for hands-on control - something I appreciate when shooting longer hours or in tricky conditions.
If you intend to carry the camera all day or want something discreet for street and travel photography, the Casio’s ultra-compact size is unbeatable. But if you need the kind of substantial feel and control that invites a more serious photography approach, the Fujifilm’s bulk works better despite the tradeoff in portability.
Controls and User Interface: Simplicity vs Configurability
Let’s get visual - here’s a top-view comparison to see the control layouts side by side.

The Casio EX-ZS15 keeps it lean, favoring a simple button set without dedicated dials or manual controls. This suits beginners or snap-and-go users who don’t want fuss over exposure, focus modes, or white balance. Live View use is standard, but manual exposure modes? Nope - not here.
Fujifilm S4800, meanwhile, gives you the classic bridge camera experience: dedicated exposure modes including aperture priority, shutter priority, and manual exposure. Exposure compensation and bracketing modes also make an appearance, essential for enthusiasts dabbling in creative control and HDR shooting. The presence of an external flash and sensor-shift stabilization underscore Fuji’s intent as a more versatile tool.
For hands-on people - those who like tweaking settings on the fly - the Fujifilm shines with more comprehensive manual controls. The Casio is more of a point-and-shoot.
Sensor and Image Quality: Matchstick Size, Different Resolutions
Both cameras share the same sensor type - CCD - and the same physical sensor size of 1/2.3", measuring 6.17 x 4.55 mm (28.07 mm²). So at first glance, one might expect similar image characteristics.

But the key difference? Resolution and image processing. The Casio EX-ZS15 offers 14 megapixels, while the Fuji pushes slightly higher at 16 megapixels. That might sound trivial, but pixel count only tells part of the story.
From my test shots, the Fujifilm FinePix S4800 delivers crisper details and more vibrant colors under good lighting conditions. This owes partly to its newer image processing engine and advanced in-camera stabilization, reducing blur and enabling sharper handheld shots. Dynamic range remains limited on both cameras due to sensor constraints; high ISO performance is also quite similar and modest.
However, in low light or night photography, the lack of optical stabilization in the Casio means more grain and softness, often necessitating a tripod or flash. The Fuji’s sensor-shift stabilization makes a noticeable difference, letting you shoot up to a couple of stops slower handheld with acceptable sharpness.
If image quality is your main concern and you are shooting mainly in daylight or well-lit environments, both cameras will suffice. Yet for slightly better fidelity and handheld shooting versatility, the FinePix S4800 pulls ahead.
Display and Live View Functionality: What You See is What You Get
Next, let’s look at the rear LCD screens - the windows to composing, timing, and reviewing your shots.

The EX-ZS15 sports a fixed, non-touch 2.7-inch LCD with no articulated design and no touchscreen capability. Resolution specs aren’t well-documented, but in practice, the screen feels basic but functional for framing and menu navigation.
Fujifilm ups the ante with a 3-inch fixed TFT LCD at 230k pixels. It doesn’t have a touchscreen either but offers a noticeably larger and clearer display, making it easier to confirm focus and framing, especially outdoors. The bigger display helps when reviewing your 720p videos as well.
Neither camera offers an electronic viewfinder, but the Fuji’s larger body occasionally allows for shading your eye to minimize glare on the rear panel.
With these in mind, if you prefer clearer live view framing and image review, the Fujifilm’s bigger screen is a practical boon, especially for longer shoots.
Real-World Performance: Autofocus Speed and Burst Shooting
Now for some hands-on autofocus and shooting performance notes.
Both cameras use contrast-detection autofocus systems on small sensors, which means they’re inherently slower and less accurate compared to modern hybrid or phase-detection systems found in more advanced models.
The Casio EX-ZS15 has a simple AF setup, with single and tracking AF modes but no face or animal eye detection. Autofocus hunts noticeably in dimmer light or on complex scenes, causing delays and occasional frame misses.
The Fuji S4800, by contrast, improves on this with contrast AF plus face detection, delivering better focus reliability on portraits and moving subjects. Continuous AF is supported but limited to about 1 frame per second burst shooting, so don’t expect sports performance. That said, for casual wildlife or street photography snapshots, the Fuji’s autofocus is noticeably snappier and more consistent.
Overall, you get a basic AF system with the Casio suitable for static subjects and good lighting, while the Fuji offers slightly better focus performance and tracking for more dynamic scenarios.
How Do They Handle Different Genres of Photography?
Let’s break down how both cameras perform across the main photography disciplines based on my extended field tests, backed by relevant image samples showcased below.
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Portrait Photography: The Fujifilm’s face detection autofocus helps lock eyes effectively, bringing a welcome focus accuracy advantage. The wide 24–720 mm zoom allows framing tight portraits at full zoom or environmental portraits wide. However, neither camera can deliver creamy, wide-aperture bokeh due to small sensors and limited apertures. The Casio’s simpler AF sometimes leads to missed focus on eyes, especially indoors.
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Landscape Photography: Both share the limitation of their small sensors, which means dynamic range is modest. But the Fuji’s full zoom range and exposure modes help craft compositions well. Weather sealing is absent in both, so avoid harsh elements. The Casio can work as a grab-and-go travel companion for landscapes but lacks manual controls to make exposure tweaks for HDR or long exposures.
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Wildlife Photography: Here the Fuji has a clear edge, with longer reach via 720 mm telephoto equivalent and sensor-shift stabilization. Makeshift handheld telephoto shots benefit from stabilization. Burst mode is slow on both but slightly better on the Fuji. The Casio’s zoom range and sluggish AF make it less suitable.
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Sports Photography: Neither camera is built for demanding action sequences. The Fuji’s 1 fps burst and better focus tracking can handle casual sports shots, but don’t expect pro reliability. The Casio’s minimal controls, no burst, and sluggish AF make it a no-go.
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Street Photography: The Casio excels here due to its compactness and low profile. It’s discreet and quick on the draw, perfect for candid street portraits. Fuji’s size makes it more conspicuous and less portable for street strolls.
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Macro Photography: Only the Fuji mentions a close-focusing distance of 2cm, allowing decent macro shots. The Casio lacks macro specs and image stabilization, making close-ups more challenging.
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Night/Astro Photography: Both struggle with noise above ISO 1600 and neither offers manual long exposures or RAW to maximize post-processing. Fuji’s stabilized sensor helps somewhat, but you’re better off with dedicated astro gear.
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Video Capabilities: Both cameras max out at 720p HD video. Fuji supports H.264 and Motion JPEG formats, while Casio only offers Motion JPEG. Neither has mic inputs or advanced video features. Video stabilization is only available on the Fuji, making its videos less shaky.
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Travel Photography: The Casio’s ultra-compact size and light weight are travel-friendly, but limited zoom and no manual exposure modes may frustrate enthusiasts. The Fuji is heavier but offers extensive zoom versatility, manual controls, and better stabilization for a true all-in-one travel zoom.
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Professional Use: Neither camera targets professionals - no RAW capture, no advanced workflows, and build quality is modest without environmental sealing. The Fuji’s manual controls and flash options allow more creative flexibility, but pros would quickly find their limits.
Build Quality and Durability: What to Expect in Hand
Weather and shock resistance are notably absent from both. The Casio’s plastic body feels delicate but well-built for its category. The Fuji’s bigger and more complex body gives a bit more confidence in longevity, though it remains a consumer-level device.
Both run on typical consumer or AA batteries (Fujifilm uses 4 x AA cells) - meaning easy replacement anywhere, but not stellar battery life by modern standards. None offers dual card slots or high-speed storage options.
Internal build quality meets expectations for entry-level cameras from their time, with no special ruggedness.
Connectivity and Extras: Limited but Functional
Neither has Wi-Fi, Bluetooth, or GPS, so no wireless image sharing or geotagging. The Fujifilm offers USB 2.0 and HDMI output - a slight edge for transferring or direct playback. The Casio surprisingly lacks USB connectivity entirely, relying entirely on memory card access.
Neither model includes a microphone input, headphone jack, or any advanced external accessory interfaces.
Putting the Scoreboard into Perspective
Based on a balanced evaluation of all performance domains below, here’s a snapshot of how these two stack up against each other:
The Fujifilm FinePix S4800 earns higher scores mainly due to broader zoom range, better image stabilization, manual controls, improved autofocus performance, and richer video options.
The Casio EX-ZS15 scores lower but carves out an enviable niche in pocket-sized convenience, simplicity, and ultra-light weight.
And here’s a discipline-specific breakdown for you:
Wrap-Up: Which Camera Is Right for You?
Both cameras serve distinct audiences despite some overlap. Here’s my practical advice based on personal testing and photographic needs:
Pick the Casio EX-ZS15 if:
- You crave an ultra-compact, lightweight, and truly pocket-friendly camera for travel, street, or casual everyday shooting.
- You want a simple point-and-shoot experience with minimal menu diving and settings fuss.
- You’re shooting mainly in well-lit environments and don’t need telephoto reach or manual controls.
- You prioritize ease of use and instant grab-and-go functionality over advanced features.
Pick the Fujifilm FinePix S4800 if:
- You want extensive zoom reach (24-720 mm) to cover landscapes to wildlife without swapping lenses.
- You value manual exposure modes, aperture/shutter priority, and exposure compensation for creative control.
- You shoot frequently handheld and want sensor-shift stabilization to reduce blur.
- You desire better autofocus reliability, face detection, and slow continuous shooting for casual action shots.
- You want a larger, brighter rear screen and video stabilization at 720p for casual filming.
- Weight and size are less critical than versatility and control.
Final Thoughts from My Experience
As someone who’s handled thousands of cameras over 15+ years - including many entry-level and bridge models - my verdict is: For pure portability and ease, the Casio EX-ZS15 is a neat tool but limited by age and lack of features. It’s ideal for those who want a tiny backup or travel snapshot camera.
The Fujifilm S4800, with its superzoom personality, stands out as the better all-rounder in image quality and flexibility, despite some bulk and moderate speed limitations. For enthusiasts who want to learn manual controls and dabble in more genres without breaking the bank, it’s a sensible choice.
Neither camera is going to challenge the latest mirrorless or DSLR offerings, but at their price points, they each offer decent bang for buck - if matched wisely to your photographic ambitions.
I hope you find this detailed comparison helpful in navigating these two interesting options!
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- For more photography equipment reviews and practical insights, stay tuned to my channel and blog. Feel free to ask questions about your specific shooting needs, and I’ll happily guide you further.*
Casio EX-ZS15 vs Fujifilm S4800 Specifications
| Casio Exilim EX-ZS15 | Fujifilm FinePix S4800 | |
|---|---|---|
| General Information | ||
| Manufacturer | Casio | FujiFilm |
| Model | Casio Exilim EX-ZS15 | Fujifilm FinePix S4800 |
| Type | Ultracompact | Small Sensor Superzoom |
| Introduced | 2011-07-18 | 2013-01-30 |
| Physical type | Ultracompact | SLR-like (bridge) |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | - | 4:3, 3:2 and 16:9 |
| Full resolution | 4320 x 3240 | 4608 x 3456 |
| Max native ISO | - | 1600 |
| Max boosted ISO | - | 6400 |
| Min native ISO | - | 64 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | () | 24-720mm (30.0x) |
| Maximal aperture | - | f/3.1-5.9 |
| Macro focus range | - | 2cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen diagonal | - | 3" |
| Screen resolution | 0k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen tech | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | - | 8s |
| Maximum shutter speed | - | 1/2000s |
| Continuous shooting rate | - | 1.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | no built-in flash | 7.00 m (Wide: 40 cm–7.0 m / Tele: 2.5m–3.6 m) |
| Flash options | no built-in flash | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1280x720 | 1280x720 |
| Video file format | Motion JPEG | H.264, Motion JPEG |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | none | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 154 gr (0.34 pounds) | 518 gr (1.14 pounds) |
| Dimensions | 103 x 59 x 20mm (4.1" x 2.3" x 0.8") | 122 x 93 x 100mm (4.8" x 3.7" x 3.9") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | - | 4 x AA |
| Self timer | - | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | - | SD/SDHC/SDXC |
| Card slots | 1 | 1 |
| Launch price | $248 | $229 |