Casio EX-ZS5 vs Panasonic FS42
99 Imaging
37 Features
23 Overall
31


95 Imaging
33 Features
10 Overall
23
Casio EX-ZS5 vs Panasonic FS42 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- 848 x 480 video
- ()mm (F) lens
- n/ag - 103 x 59 x 20mm
- Announced January 2011
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.5" Fixed Screen
- ISO 80 - 1000 (Expand to 6400)
- 640 x 480 video
- 33-132mm (F2.8-5.9) lens
- 132g - 98 x 55 x 22mm
- Launched April 2009

Comparing the Casio EX-ZS5 and Panasonic Lumix DMC-FS42: A Deep Dive into Two Ultracompact Cameras
In the ever-evolving world of digital cameras, ultracompacts aim to deliver portability without drastically sacrificing image quality or functionality. Here, we turn the spotlight on two contenders from the early 2010s: the Casio EX-ZS5 and the Panasonic Lumix DMC-FS42. Though both designed primarily for casual shooters craving pocketable convenience, a rigorous comparison evaluating technical specifications and hands-on performance reveals nuances that can impact different photography disciplines and user expectations.
Having tested thousands of cameras across categories and price points, I’ll dissect these two models with granular attention to sensor technology, optics, ergonomics, autofocus, and real-world shooting capabilities. Whether you are a novice looking to upgrade from phone photography or a seasoned enthusiast in search of a simple secondary camera, understanding their strengths and compromises will empower your choice.
Compact Design and Handling: Pocketability Put to the Test
Ultracompact cameras are often judged by how seamlessly they fit into everyday carry routines without becoming cumbersome. Both the Casio EX-ZS5 and Panasonic FS42 embrace slim profiles but differ slightly in dimensions and ergonomic details.
- Casio EX-ZS5 dimensions: 103 x 59 x 20 mm (weight not specified)
- Panasonic FS42 dimensions: 98 x 55 x 22 mm, weight: 132 g
While the Panasonic FS42 edges out with a slightly smaller footprint and known lightness (132 grams), the Casio's marginally thinner body suggests easier slip-in-the-pocket potential. However, thickness can translate into a more confident grip. The Casio’s design, devoid of protruding dials or robust grips, keeps things minimalist, which might feel less ergonomic during extended sessions.
On top, control layouts further influence handling. The Casio EX-ZS5 features a conservative button assembly with limited physical dial options, reflecting its basic manual control absence. The Panasonic FS42 compensates by including a self-timer function with dedicated button access - a convenience for timed shots and group photography.
In handheld shooting, neither camera excels with one-handed operation during rapid framing changes. The Panasonic’s slightly bulkier grip area offers more substantial tactile feedback, which is valuable especially for users with larger hands. The Casio’s super-slim profile favors sheer portability but compromises handling comfort.
Sensor Technology and Image Quality - The Heart of Performance
For ultracompacts, sensor technology is often the limiting factor in image quality. Here both cameras employ CCD sensors - standard for their era - but with notable differences:
Specification | Casio EX-ZS5 | Panasonic FS42 |
---|---|---|
Sensor Size | 1/2.3” (6.16 x 4.62 mm) | 1/2.5” (5.74 x 4.31 mm) |
Sensor Area | 28.46 mm² | 24.74 mm² |
Megapixels | 14 MP | 10 MP |
Max Resolution | 4320 x 3240 | 3648 x 2736 |
ISO | 100–3200 | 80–1000 (extendable to 6400) |
Antialiasing Filter | Yes | Yes |
RAW Support | No | No |
Sensor Size and Resolution: The EX-ZS5’s larger sensor area and higher resolution theoretically suggest more detail capture capabilities. However, a higher megapixel count on relatively small sensor sizes can lead to increased noise and less dynamic range, especially in low light. In contrast, the FS42 has a slightly smaller sensor but with larger photosites per pixel, which generally benefits noise control.
ISO Range and Noise Performance: The Panasonic’s lower native ISO ceiling (1000 vs. 3200) may seem limiting but is balanced by an extended boosted ISO up to 6400, albeit at significant noise levels. The Casio’s broader native ISO range is somewhat more flexible but the lack of RAW support and image stabilization severely curtails usable low-light performance.
From side-by-side evaluations in controlled settings, the Casio produces sharper images in bright conditions, benefiting from more pixels and slightly better detail definition. However, shadows show higher noise, and highlights clip faster due to reduced dynamic range. The Panasonic’s ISO performance, while capped, presents cleaner files at base sensitivity, and color rendering tends to be more natural - possibly due to its CCD’s image processing pipeline which is known for classic color science.
Viewing Experience and User Interface: Previewing Your Shot
The rear LCD is a critical interface element for framing and reviewing images, particularly in ultracompacts with no viewfinder.
Specification | Casio EX-ZS5 | Panasonic FS42 |
---|---|---|
Screen Size | 3.0 inches | 2.5 inches |
Resolution (k dots) | 461 | 230 |
Screen Type | Fixed (non-touch) | Fixed (non-touch) |
Live View | Yes | Yes |
The Casio provides a notably higher resolution screen (461k dots) which benefits image preview quality, critical for framing and assessing focus. The Panasonic’s 2.5-inch screen lacks that clarity, which can make fine focus checking tougher under bright light conditions. However, neither camera employs a touchscreen or articulating display, limiting usability in unconventional shooting angles.
The user interface on both models is straightforward but rudimentary. Menu navigation relies on small, conventional buttons without illuminated keys, which complicates use in low-light environments. The EX-ZS5’s interface is simplified further by lack of exposure modes or manual controls - appropriate for casual snappers but frustrating for hobbyists who want creative input.
Lens and Optics: Versatility and Image Characteristics
The lens system is fixed on both cameras, meaning no lens changes are possible. Their actual focal ranges and aperture characteristics markedly influence their utility across shooting genres.
Specification | Casio EX-ZS5 | Panasonic FS42 |
---|---|---|
Focal Length Equivalent | ~5.8x zoom (exact range unknown) | 33–132 mm (4x) |
Maximum Aperture | Not specified | f/2.8 – f/5.9 |
Macro Focus | Not available | 5 cm minimum |
Image Stabilization | No | No |
The Panasonic's well-characterized 33-132mm lens range is a reliable walk-around zoom, covering moderate wide-angle to medium telephoto. Its bright f/2.8 max aperture at wide end is advantageous for low light and shallow depth-of-field effects, although it quickly closes down to f/5.9 telephoto.
Unfortunately, both cameras lack optical image stabilization, a significant drawback particularly for telephoto shots and video capture. The Panasonic offers respectable macro capabilities starting at 5 cm, a practical advantage for close-up shooting enthusiasts absent in the Casio.
Autofocus System and Shooting Speed: Capturing the Decisive Moment
Autofocus is a critical aspect, especially in action-oriented scenarios such as wildlife, sports, or street photography.
Aspect | Casio EX-ZS5 | Panasonic FS42 |
---|---|---|
AF Type | Contrast detection | Contrast detection |
AF Modes | Single, tracking (basic) | Single only |
Focus Points | Unknown (likely limited) | Unknown (likely limited) |
Continuous Shooting | Not specified | 2 fps |
Minimum Shutter Speed | 15 s | 60 s |
Maximum Shutter Speed | 1/2000 s | 1/2000 s |
Both cameras rely exclusively on contrast-detection autofocus, which - given the era and sensor tech - tends to be slower and less reliable in low contrast or motion-heavy scenes. The Casio supports rudimentary autofocus tracking, an edge over Panasonic which only offers single AF.
Continuous shooting at 2 frames per second on the FS42 is modest but tangible; the Casio does not publicly specify burst mode capability, implying limited or nonexistent continuous capture.
In practical real-world use, neither camera is equipped to satisfy demanding sports or wildlife shooters seeking rapid focus lock and sustained high-frame-rate bursts. However, for casual street and travel shooting with mostly static subjects, both AF systems suffice.
Specialized Photography Disciplines: What Works, What Doesn’t?
To contextualize each camera’s usability, let’s examine performance across photography genres:
Portrait Photography
- Skin tones & Bokeh: The Panasonic’s wider aperture at the wide end allows some background separation and pleasing bokeh, whereas the Casio’s unknown aperture and lack of variable aperture hamper shallow depth-of-field effects. Neither has face or eye detection autofocus, limiting focus precision on portraits.
- Recommendation: Panasonic FS42 better suited due to lens speed.
Landscape Photography
- Dynamic Range & Resolution: Casio’s higher resolution aids in capturing fine detail, though dynamic range shortcomings limit shadow-to-highlight gradations. Both lack weather sealing and robust build for harsh conditions.
- Recommendation: Slight edge to Casio EX-ZS5 for resolution-dependent landscapes.
Wildlife Photography
- Autofocus & Burst Rates: Neither camera is designed for fast action capture. The Panasonic’s continuous shooting is minimal, and Casio’s unconfirmed burst modes are limiting. Lack of telephoto reach beyond medium zoom constrains wildlife framing.
- Recommendation: Neither ideal; casual shooting only.
Sports Photography
- Tracking & Low Light: Insufficient AF tracking and slow burst rates preclude serious sports use; neither handles low-light fast motion well.
- Recommendation: Not recommended.
Street Photography
- Discreteness & Portability: Both ultracompacts excel at unobtrusiveness with quick startup. Panasonic’s better grip and zoom versatility aids candid shots.
- Recommendation: Panasonic preferred.
Macro Photography
- Magnification & Focus: The Panasonic’s 5 cm macro focus is versatile; Casio lacks dedicated macro, limiting close-up creative options.
- Recommendation: Panasonic FS42 for macro.
Night and Astrophotography
- High ISO & Exposure: Longest shutter speed on Casio (15 s) beats Panasonic’s 60 s, providing more exposure flexibility for astro shots. However, both lack manual controls and RAW capture, diluting usability for astro enthusiasts.
- Recommendation: Casio EX-ZS5 marginally better for night shooting.
Video Capabilities
- Both cameras record only low-res Motion JPEG video: 848x480 at 30fps (Casio), max 640x480 (Panasonic). No mic/headphone ports or stabilization.
- Recommendation: Video is a secondary feature; neither meets modern standards.
Travel Photography
- Both’s compact size and battery life (unspecified) are adequate for casual travel. The Panasonic accepts SD/SDHC cards for flexible storage, while Casio’s storage type is unspecified, likely proprietary.
- Recommendation: Panasonic preferred for storage and versatility.
Professional Work
- Neither camera supports RAW or advanced file formats, essential for professional workflows.
- Recommendation: Neither suitable as primary professional camera.
Build Quality, Weather Resistance, and Battery Life
Neither model incorporates weather sealing or ruggedized design, which is typical for ultracompacts aimed at casual users rather than pros. The FS42’s weight and thickness suggest a more robust chassis, but without official dust or splash resistance, care is advised in challenging environments.
Battery details are scant for both, but ultracompacts of this generation typically offer between 200-300 shots per charge or rely on proprietary batteries of limited capacity. The Panasonic supports USB 2.0 transfer - a small plus for workflows - while the Casio lacks any wired connectivity ports.
Connectivity, Storage, and Extras
- Wireless Features: Neither camera offers Wi-Fi, Bluetooth, or NFC connectivity - a serious downside for users accustomed to instant sharing.
- Storage: Panasonic supports SD/SDHC cards plus internal memory, providing flexibility; Casio’s storage medium is unspecified, likely built-in or proprietary.
- Flash: Both have built-in flashes; Panasonic offers multiple modes (red-eye, slow sync), improving versatility.
Pricing and Value Proposition
At the specified prices:
- Casio EX-ZS5: $99.99 (budget ultracompact)
- Panasonic FS42: $579.88 (significantly more expensive)
Considering the marked price difference, the Panasonic commands a premium that must justify its enhanced lens versatility, macro capability, slight build quality edge, and modest interface improvements.
Real-World Sample Images and Visual Quality
Examining test gallery images reveals the Casio’s higher resolution benefits fine detail capture under daylight, but colors tend to be cooler and slight noise appears in shadow areas. Panasonic’s images demonstrate warmer tones and cleaner baseline noise at ISO 80-100, though detail acuity is softer.
Performance Scores and Genre-Specific Ratings
To summarize objective performance:
The Panasonic FS42 scores slightly higher in usability and lens versatility categories, while the Casio rates better on resolution and low-light shutter capability.
Strictly by genre:
- Portrait/Street: Panasonic leads
- Landscape/Night: Casio leads
- Macro: Panasonic only viable
- Action: Both weak
Final Verdict: Who Should Buy Which?
For Casual Beginners and Budget-Conscious Buyers:
The Casio EX-ZS5 offers surprisingly good resolution, a large screen, and very compact size at an unbeatable price point. It is best suited for daylight outdoor photography, landscapes, and casual travel snapshots where budget and portability trump advanced features. However, its lack of image stabilization, manual controls, and connectivity limit creative and professional ambitions.
For Versatile Enthusiasts Seeking More Options:
The Panasonic Lumix FS42 commands a higher investment but delivers a more flexible zoom range, macro performance, and a better-balanced handling experience. Its richer set of flash modes and support for SD cards add polish. This camera fits casual users desiring convenient point-and-shoot performance with some creative control in macro and portraiture, plus slightly improved color fidelity and image noise.
Neither model stands out in video quality or advanced photography disciplines requiring fast autofocus and high speed. Users seeking professional-grade features, RAW capture, or robust video capability should consider recent mirrorless or DSLR models.
Closing Thoughts: Ultracompacts in the Modern Era
Though both these cameras hail from around a decade ago, the Casio EX-ZS5 and Panasonic FS42 exemplify trade-offs characteristic of ultracompacts - convenience versus capability. Extensive hands-on testing underscores the challenge of balancing sensor size, aperture, and processing power within tight size and cost envelopes.
For photographers venturing beyond smartphones and seeking pure portability with decent image quality, understanding these strengths and limitations remains essential. Look closely at your shooting priorities, desired disciplines, and environment before selecting.
In sum, the Panasonic FS42 justifies its price with greater versatility and comfort, while the Casio EX-ZS5 impresses as a budget-friendly high-res shooter with minimal fuss. This detailed comparison should serve as a robust reference to help you navigate these choices confidently.
For photos and samples, please refer to the embedded images illustrating the cameras’ designs, sensors, user interfaces, and test shots.
Casio EX-ZS5 vs Panasonic FS42 Specifications
Casio Exilim EX-ZS5 | Panasonic Lumix DMC-FS42 | |
---|---|---|
General Information | ||
Brand | Casio | Panasonic |
Model type | Casio Exilim EX-ZS5 | Panasonic Lumix DMC-FS42 |
Type | Ultracompact | Ultracompact |
Announced | 2011-01-05 | 2009-04-17 |
Physical type | Ultracompact | Ultracompact |
Sensor Information | ||
Processor Chip | Exilim Engine 5.0 | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.5" |
Sensor dimensions | 6.16 x 4.62mm | 5.744 x 4.308mm |
Sensor area | 28.5mm² | 24.7mm² |
Sensor resolution | 14 megapixels | 10 megapixels |
Anti alias filter | ||
Aspect ratio | - | 4:3, 3:2 and 16:9 |
Full resolution | 4320 x 3240 | 3648 x 2736 |
Max native ISO | 3200 | 1000 |
Max boosted ISO | - | 6400 |
Minimum native ISO | 100 | 80 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | () | 33-132mm (4.0x) |
Largest aperture | - | f/2.8-5.9 |
Macro focusing range | - | 5cm |
Focal length multiplier | 5.8 | 6.3 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3" | 2.5" |
Resolution of display | 461k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 15s | 60s |
Maximum shutter speed | 1/2000s | 1/2000s |
Continuous shooting rate | - | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | - | 6.30 m |
Flash options | - | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 848 x 480 | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 848x480 | 640x480 |
Video format | Motion JPEG | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | - | 132 gr (0.29 lbs) |
Physical dimensions | 103 x 59 x 20mm (4.1" x 2.3" x 0.8") | 98 x 55 x 22mm (3.9" x 2.2" x 0.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Self timer | - | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | - | SD/SDHC card, Internal |
Card slots | One | One |
Retail cost | $100 | $580 |