Epson R-D1 vs Fujifilm F660EXR
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Epson R-D1 vs Fujifilm F660EXR Key Specs
(Full Review)
- 6MP - APS-C Sensor
- 2" Fixed Screen
- ISO 200 - 1600
- No Video
- Leica M Mount
- 620g - 142 x 89 x 40mm
- Launched March 2004
- Refreshed by Epson R-D1x
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Bump to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-360mm (F3.5-5.3) lens
- 217g - 104 x 59 x 33mm
- Introduced January 2012
Sora from OpenAI releases its first ever music video Epson R-D1 vs Fujifilm FinePix F660EXR: A Thorough Real-World Comparison for Photography Enthusiasts
In a world brimming with countless camera options, standing still while the landscape shifts dramatically every year can be a choice as valid as sprinting after the latest powerhouse models. Today, I pulled two very different cameras from distinct eras and categories off my shelf: the Epson R-D1, a venerable rangefinder-style mirrorless camera from the early days of digital, and the Fujifilm FinePix F660EXR, a compact superzoom designed for versatility and convenience. Both carry unique legacies and design philosophies, so I wanted to explore them head-to-head - sensor technology, usability, image quality, and suitability for various photographic disciplines.
Whether you're a collector intrigued by pioneering digital rangefinders or a casual shooter who craves all-in-one versatility, this comparison will clarify the strengths and limits of these two distinctive models. Let’s dig deep.
First Impressions and Ergonomics: Size and Handling Matter
Starting with physical presence, the Epson R-D1 feels like stepping back into analog heritage - a substantial body reflecting its rangefinder inspiration, built for a tactile shooting experience. In contrast, the Fujifilm FinePix F660EXR slips comfortably into a jacket pocket, embodying a modern compact designed for grab-and-go photography.

At 142 x 89 x 40 mm and roughly 620 grams, the R-D1 feels robust, with a metal shell and pronounced controls ideal for photographers who want to engage manually. The Fujifilm, meanwhile, is far more diminutive at 104 x 59 x 33 mm weighing 217 grams - light enough to forget you’re carrying it.
Ergonomic preference ultimately boils down to shooting style and patience. The R-D1 demands deliberate composition, manual focus, and engagement, offering a slow, thoughtful pace. The FinePix, being automated and zoom-capable, delivers instant gratification and convenience.
Design Language and Control Layout: Clarity Through the Viewfinder and Buttons
Now let’s look at the camera top decks and user controls - this is where the philosophy of each model shows clearly.

The Epson R-D1 features a clean top plate with manual dials for shutter speed, aperture priority, and exposure compensation. There’s no electronic viewfinder - just a classic optical rangefinder window, forcing you to rely on manual focusing skills. The controls are stiff but precise, designed for a photographer deeply involved in craft rather than casual snaps.
On the Fujifilm FinePix F660EXR, control is relegated to compact, modestly sized buttons typical of point-and-shoot compacts. Aperture and shutter speed are adjustable, but the camera automates focus and exposure where possible, including scene detection, face detection autofocus, and multiple autofocus modes.
If you value tactile, mechanical dials and a viewfinder you can trust in bright conditions, the R-D1 wins hands down. However, if ease and versatility in framing with liveplay LCD and autofocus appeal, the FinePix suits you better.
Diving Into the Heart: Sensor Technology and Image Quality
Sensor prowess often dictates how well a camera performs across genres - the raw details, colors, and noise it can manage. These two devices couldn’t differ more in sensor technology and intended output.

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Epson R-D1: Uses a 6-megapixel APS-C CCD sensor (23.7 x 15.6 mm), typical of early 2000s advanced mirrorless models. CCD sensors of this era tend to preserve rich tonal gradations and smooth skin tones exceptionally well. The 6MP resolution means images max out at 3008x2000 pixels, which by today’s standards is modest but still suitable for prints up to roughly 13x19 inches without glaring quality loss.
APS-C size notably provides a good balance of depth of field control and light-gathering capability compared to smaller sensors.
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Fujifilm F660EXR: Packs a far smaller 1/2-inch EXR CMOS sensor (6.4 x 4.8 mm) with 16 megapixels resolution. Fujifilm’s innovative EXR technology aims to optimize dynamic range and low-light performance through pixel-binning and multiple capture modes. Final images can be quite detailed at close range, but small sensor size inherently limits low-light performance and introduces more noise at higher ISOs.
In practice, the Epson R-D1 excels in image quality where light is abundant and deliberate compositions matter - e.g., portraits, landscapes - delivering smoother gradation and cleaner shadows. The FinePix enables greater flexibility with a longer zoom and higher resolution but sacrifices image quality particularly in low light or emphasizing fine details.
Image Review: Sample Shots From Both Cameras
To get concrete about how these specs translate into photos, I tested both side-by-side. Look closely:
- The Epson R-D1’s portrait shots offer creamy bokeh and natural skin tones thanks to the lens line-up and APS-C sensor size.
- Fujifilm’s landscape snaps pop with vibrant colors but lack the fine detail and depth found in the R-D1’s files.
- The superzoom on the FinePix affords telephoto reach that the Epson simply cannot match, opening up casual wildlife or sports possibilities.
- At high ISO levels, the R-D1’s CCD produces less granular noise than the smaller sensor FinePix, which is more prone to color smearing and loss of detail.
Autofocus and Shooting Speed: Catching the Moment
For wildlife, sports, and street photography, autofocus speed and accuracy matter immensely. Let’s see how these cameras stack up.
| Feature | Epson R-D1 | Fujifilm F660EXR |
|---|---|---|
| Autofocus Type | Manual focus via rangefinder | Contrast-detection autofocus with face detection |
| Continuous Shooting Rate | N/A (no continuous shooting) | Up to 11 fps |
| Autofocus Points | N/A | Multi-area and center pinpoint |
| Face Detection | No | Yes |
The R-D1 requires full manual focus - which historically appeals to traditionalists, rangefinder fans, and street photographers who want a more immersive process. However, it can be limiting for fast action or erratically moving subjects.
The FinePix’s autofocus system is much more modern and versatile, with continuous AF tracking and multiple focus modes. Its burst shooting mode at 11 frames per second is impressive for a compact, making it capable of capturing fleeting moments - though image quality and noise compromise at these rates.
For dynamic genres - wildlife, sports, fast street photography - the FinePix holds a clear advantage.
Build Quality and Weather Sealing: How Tough Are These Cameras?
Neither camera boasts professional-level ruggedness or weather sealing, but there’s interesting material differences.
The Epson R-D1 has a substantial metal body, typical for cameras following the Leica M mount standard. Its build quality lends durability and solidity, though it lacks any official weather or dust sealing.
Meanwhile, the Fujifilm F660EXR is a lightweight plastic construction typical of superzooms aimed at casual users. It’s clearly not designed for rugged environments or inclement weather but fares well enough for everyday use.
Neither will replace your pro-level weatherproof cameras but expect the Epson to withstand ordinary wear slightly better.
LCD Screens and User Interface: Convenience Versus Classic Control
Having a good screen is critical for image review and menu navigation.

The Epson’s fixed 2-inch screen with 235K pixels is small and low resolution, reflective of its mid-2000s era and focus on optical rangefinder use. No live view here, so framing relies heavily on experience.
The Fujifilm features a larger 3-inch, 460K pixel LCD with live view and easy menu navigation. While no touchscreen, the screen clarity and size are quite usable even in bright daylight after dialing screen brightness.
For users used to modern digital interfaces, the fine detail and touchscreen absence on the Epson is a hurdle. The FinePix provides convenience and feedback for on-the-spot review.
Diving Into Video and Connectivity Features
If videography is on your radar, these two models also couldn’t be more different.
The Epson R-D1 offers no video capabilities whatsoever - no recording functionality is built in.
The Fujifilm FinePix F660EXR records Full HD 1920 x 1080 at 30fps video in H.264 format, with stereo audio (though no microphone or headphone jacks). It also includes sensor-shift stabilization to reduce handheld shake during recording.
Connectivity wise, neither camera offers Wi-Fi or Bluetooth, but the FinePix includes USB 2.0 and HDMI output for easy image transfer and playback on external displays. The Epson lacks all such connectivity.
If video or easy file sharing are important, Fujifilm is your only option here.
Lens Ecosystem and Compatibility: Creative Freedom or Fixed Convenience?
The Epson’s Leica M-mount compatibility opens up access to an exceptional arsenal of lenses - 59 lens options at the time of the R-D1 launch and many more now. This stretches from wide-angle primes to fast portrait lenses offering superb optical quality and beautiful bokeh, enhancing the camera’s strength in portrait and landscape photography.
By contrast, the Fujifilm’s lens is fixed - a versatile 15x zoom (24–360 mm equivalent) with variable aperture f/3.5–f/5.3. While this grants huge framing flexibility in a compact body, it can’t compete with prime lenses in optical clarity, low-light performance, or depth-of-field control.
Legions of Epson users prize its manual focus lenses as an artistic tool, while FinePix owners benefit from a “one ring to rule them all” approach suited to travel and casual shooting.
Battery Life and Storage: Practical Every-Day Considerations
Battery endurance often influences whether a camera can keep pace on trips or long sessions.
- Epson R-D1 battery life details are scarce but given the lack of an electronic viewfinder and no autofocus motors, it’s mainly limited by LCD usage and shutter actuations.
- Fujifilm F660EXR rates around 300 shots per charge from the included NP-50A pack - respectable for a compact but still requiring spares on longer outings.
Both cameras use a single SD card slot, adequate for typical use but perhaps limiting for professional workflows demanding redundancy.
Performance Ratings and Genre-Specific Strengths
To synthesize all this data, I compiled performance scores and ratings based on direct testing across major photography disciplines.
Summary from the charts:
| Genre | Epson R-D1 Strengths | Fujifilm F660EXR Strengths |
|---|---|---|
| Portrait | Excellent skin tone rendering, bokeh control | Decent, but less control over DOF |
| Landscape | Rich colors, high dynamic range in daylight | Good color, limited dynamic range |
| Wildlife | Limited by manual focus and no zoom | Excellent zoom and burst rate |
| Sports | Slow shooting, manual focus only | Fast burst and continuous autofocus |
| Street | Ideal for deliberate manual shooting | Quick grab-and-shoot convenience |
| Macro | Not designed specifically; lens dependent | Good close focus (5cm), image stabilization |
| Night/Astro | Favorable low ISO noise with APS-C sensor | High ISO noise, stabilization helpful |
| Video | None | Full HD video plus image stabilization |
| Travel | Bulkier, suited for slower paced trips | Lightweight, versatile zoom |
| Professional Work | Raw support, Leica lens compatibility | Raw unsupported, limited professional features |
Final Thoughts and Recommendations: Which Camera Fits Your Style?
So, which of these distinct machines deserves your attention?
Choose the Epson R-D1 if:
- You value tactile manual control and traditional rangefinder shooting.
- You prioritize image quality with natural skin tones and subtle colors at moderate resolution.
- You enjoy lens swapping with Leica M-mount lenses.
- Your photographic style is deliberate portraiture, landscapes, and street at a slower tempo.
- You do not need video, autofocus, or rapid continuous shooting.
- You appreciate build quality and classic camera design.
This camera is best for enthusiasts and professionals craving a rewarding manual experience, not for speed or versatility.
Choose the Fujifilm FinePix F660EXR if:
- You want an all-in-one compact with impressive zoom reach for diverse shooting.
- Autofocus, face detection, and burst modes are important to capture active subjects or family life.
- Video recording capability and on-the-fly convenience matter.
- You’re a casual shooter or traveler seeking lightweight gear.
- You’re okay with smaller sensor limitations on detail and noise.
- Price sensitivity and portability are key considerations.
This is the practical pick for everyday shooting and multimedia capturing in an affordable, compact format.
I Personally Recommend
For my own work where ultimate image quality, manual focus precision, and creative control take precedence, the Epson R-D1 remains a charming and rewarding tool, especially paired with Leica glass. It feels like communicating with the past but delivering timeless image quality.
However, if versatility and speed are your priority - say, quick wildlife snapshots, travel images, or casual video - the Fujifilm FinePix F660EXR packs the punch for its size and price, covering most needs without fuss.
Closing Notes: When Cameras Teach Us More Than Pictures
Handling these cameras side-by-side reminded me why camera selection is so personal. One is an analog-inspired journey demanding focus and patience; the other a practical Swiss Army knife for today’s shutterbugs.
Choosing your next camera means knowing what matters most: manual control or automation, image quality or zoom flexibility, heritage feel or modern convenience.
I hope this deep dive helps you confidently decide which camera better fits your style and goals. Feel free to reach out if you want specific sample files or deeper tests - I’m always thrilled to share my hands-on experience with cameras that tell a story.
Happy shooting!
All specifications are derived from manufacturer data and extensive hands-on comparisons. Image galleries and performance scores reflect controlled tests under standardized conditions.
Epson R-D1 vs Fujifilm F660EXR Specifications
| Epson R-D1 | Fujifilm FinePix F660EXR | |
|---|---|---|
| General Information | ||
| Company | Epson | FujiFilm |
| Model type | Epson R-D1 | Fujifilm FinePix F660EXR |
| Type | Advanced Mirrorless | Small Sensor Superzoom |
| Launched | 2004-03-11 | 2012-01-05 |
| Physical type | Rangefinder-style mirrorless | Compact |
| Sensor Information | ||
| Powered by | - | EXR |
| Sensor type | CCD | EXRCMOS |
| Sensor size | APS-C | 1/2" |
| Sensor dimensions | 23.7 x 15.6mm | 6.4 x 4.8mm |
| Sensor surface area | 369.7mm² | 30.7mm² |
| Sensor resolution | 6 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 3:2 | 4:3, 3:2 and 16:9 |
| Max resolution | 3008 x 2000 | 4608 x 3456 |
| Max native ISO | 1600 | 3200 |
| Max enhanced ISO | - | 12800 |
| Min native ISO | 200 | 100 |
| RAW format | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Lens | ||
| Lens support | Leica M | fixed lens |
| Lens zoom range | - | 24-360mm (15.0x) |
| Largest aperture | - | f/3.5-5.3 |
| Macro focusing range | - | 5cm |
| Number of lenses | 59 | - |
| Crop factor | 1.5 | 5.6 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 2 inch | 3 inch |
| Screen resolution | 235k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen technology | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder type | Optical (rangefinder) | None |
| Features | ||
| Minimum shutter speed | 1 secs | 8 secs |
| Fastest shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shutter rate | - | 11.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | no built-in flash | 3.20 m (Wide: 3.2 m/5.9in / Tele: 90 cm�1.9 m) |
| Flash modes | - | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | - | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | None | 1920x1080 |
| Video format | - | MPEG-4, H.264 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | none | USB 2.0 (480 Mbit/sec) |
| GPS | None | Yes |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 620g (1.37 lb) | 217g (0.48 lb) |
| Physical dimensions | 142 x 89 x 40mm (5.6" x 3.5" x 1.6") | 104 x 59 x 33mm (4.1" x 2.3" x 1.3") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 300 pictures |
| Style of battery | - | Battery Pack |
| Battery ID | - | NP-50A |
| Self timer | No | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) |
| Time lapse recording | ||
| Storage type | SD card | SD/SDHC/SDXC |
| Card slots | 1 | 1 |
| Pricing at release | $1,709 | $230 |