FujiFilm AX350 vs Fujifilm S8200
94 Imaging
38 Features
16 Overall
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61 Imaging
39 Features
42 Overall
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FujiFilm AX350 vs Fujifilm S8200 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Raise to 3200)
- 1280 x 720 video
- 33-165mm (F3.3-5.9) lens
- 168g - 93 x 60 x 28mm
- Revealed January 2011
- Also referred to as FinePix AX355
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-960mm (F2.9-6.5) lens
- 670g - 123 x 87 x 116mm
- Revealed January 2013

FujiFilm AX350 vs Fujifilm S8200: Which Compact Zoom Suits Your Photography Style?
When stepping into the world of digital photography, especially while eyeing FujiFilm’s offerings, you encounter a spectrum from pocket-sized snap-and-shoots to bridge cameras that flirt with semi-pro features. Today, I’m putting the FujiFilm AX350 and the Fujifilm S8200 head-to-head. Both straddle the compact zoom category but with markedly different ambitions and user profiles. I've handled both extensively, and I’ll share hands-on insights - not just spec-sheet parroting - to help you figure out which camera suits your needs, whether you’re a casual clicker, a budding enthusiast, or a budget watcher seeking the best bang for your buck.
Size and vintage styling vs modern heft: AX350’s ultra-compact frame on the left, S8200’s DSLR-mimicking beef on the right.
A Tale of Two Bodies: Portability Vs. Hand-Holding Control
Starting with the obvious - size and handling are night and day here. The FujiFilm AX350 leans into the ultra-compact end of the spectrum: measuring a tiny 93x60x28mm and weighing a featherweight 168 grams powered by AA batteries. This is your “throw in your bag and forget about it” companion, perfect for travel without the bulk or fuss.
On the flip side, the Fujifilm S8200 presents a bridge-style DSLR-esque body, weighing in at 670 grams and substantially chunkier at 123x87x116mm. It demands a bit more real estate and hand-holding effort but provides a robust grip and dedicated physical controls that are a blessing during intensive shooting. It’s powered by four AA batteries - a nod to convenience, but expect a bit more weight and bulk with spares in your pocket.
If you like to be stealthy - think street photography or casual day-to-day shooting - the AX350’s compactness trumps the S8200. However, for those who want a better grip and more manual control, the S8200 is the clear winner.
Top view showing the S8200’s array of dials and buttons versus AX350’s minimalistic control scheme.
Controls and Ergonomics: Clubs for Thumbs or Tap-and-Go?
Looking at the top panel and control layout, the S8200 clearly targets users who prefer manual engagement. It offers aperture priority, shutter priority, and full manual exposure modes, with dedicated buttons and dials - these are game-changers for photographers wanting creative control or quick adjustments on the fly.
The AX350 couldn’t be more different. It sticks to full automatic and limited scene modes with no manual exposure, no aperture or shutter control, essentially making it a highly simplified point-and-shoot. While this boosts ease of use for beginners or casual users, serious enthusiasts will find the lack of manual override frustrating. No exposure compensation? Not even bracketing? It’s a no-go for those who like to fine-tune exposures.
If you’re the type who likes to tweak, tweak, tweak, S8200’s controls feel like clubs for your thumbs - robust and purposeful. The AX350 hands you a simple, lightweight controller, great for vacationers but limiting for technique-driven photographers.
Sensor size and tech comparison: Both sport a 1/2.3" sensor, but the S8200 wields a more modern BSI-CMOS sensor; the AX350 keeps it classic CCD.
Sensor and Image Quality: The Magic Behind the Lens
Now we get to the heart of any camera - the sensor. Both the AX350 and S8200 use the same physical sensor size: 1/2.3-inch (6.17x4.55mm), standard for compact cameras aiming to balance zoom range and package size. However, the technology diverges:
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FujiFilm AX350: Uses a CCD sensor. While CCDs were once the gold standard for image quality, they've largely been supplanted by CMOS technology given its lower power consumption, faster readout, and better noise characteristics. The CCD sensor here is decent for daylight shoots but struggles in low light. Max ISO tops out at 1600, boosted to 3200, but expect noisy images at the upper end.
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Fujifilm S8200: Packs a more modern BSI-CMOS sensor, a clear advantage in sensitivity and dynamic range. The S8200 supports ISO up to 12,800, offering more flexibility in varied light, including night or indoor conditions.
Both yield 16MP files with a max resolution around 4608x3456 pixels, but the S8200’s sensor will perform better in terms of color fidelity, noise control, and general image clarity.
If you’re mostly shooting outdoor portraits or landscapes in good light, the AX350 can do the trick. However, for low-light situations, indoor events, or any astrophotography experiments, S8200’s advanced CMOS sensor will hold its own.
Rear LCD and interface: The S8200 sports a larger, higher-resolution 3” screen compared to the AX350’s tiny 2.7” low-res display.
The Viewfinder and Screen: How You Frame Matters
Neither the AX350 nor the S8200 sports a touchscreen, which is an unfortunate downside in 2024 but understandable given their age and price points.
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The AX350 offers a 2.7-inch fixed TFT LCD screen with a modest 230k-dot resolution - adequate but lacking clarity and brightness for tricky lighting conditions. No electronic viewfinder (EVF) is present - so composing in bright sunlight is a challenge.
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The S8200 steps up with a larger 3-inch TFT LCD at 460k dots, doubling the resolution of the AX350’s screen and providing a brighter and clearer preview. Best of all, it includes a modest 200-dot electronic viewfinder, which is a blessing when shooting outdoors or where precise framing is needed.
From a practical standpoint, if you prefer carefully composing shots - especially in bright or variable lighting - the S8200’s EVF and larger screen improve usability dramatically.
Photography in the Wild: Who Wins at Which Genres?
Let’s now analyze each camera’s suitability across common photography disciplines.
Portrait Photography: Skin Tones and Bokeh
Portrait shooters crave flattering skin tone rendering, smooth background blur (bokeh), and accurate eye detection for tack-sharp focus on the subject’s face.
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The AX350 has a modest zoom (33-165 mm equivalent), but its small sensor and f/3.3-5.9 aperture range yield limited bokeh potential. There’s no face or eye detection autofocus, and the contrast-detection AF system is slow. Skin tones are passable in good light, but there’s little finesse or dynamic color rendering.
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The S8200, maintaining the same sensor size but sporting an aperture range of f/2.9-6.5, allows better light intake at wide angles, aiding shallow depth. It lacks dedicated face or eye detection too, which is common for cameras in this tier but offers quicker focus in ideal light. Bokeh is still limited, given sensor size, but better than the AX350.
Verdict: For weddings or portraits where subtlety in skin tones and focus matters, neither camera will rival APS-C or full-frame enthusiasts, but the S8200 has a clear edge in image quality and focusing reliability.
Landscape Photography: Dynamic Range and Resolution
Landscape lovers demand wide dynamic range, good resolution for prints, and weather resistance if shooting outdoors.
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Both cameras have the same nominal 16MP resolution and sensor size, but the S8200’s BSI-CMOS sensor delivers better dynamic range. However, neither offers weather sealing, dustproofing, or robust environmental resistance, so take care in harsh conditions.
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The AX350’s narrower zoom limits wide-angle framing (33mm equiv. is a little tight), while the S8200’s 24mm ultra-wide angle is far more versatile.
For landscape outings, the S8200’s flexibility and better sensor put it ahead - but both work best under stable, fair weather given their lack of weather sealing.
Wildlife and Sports Photography: Autofocus and Burst Rate
Quick autofocus and high burst mode frame rates are king here.
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The AX350 offers continuous AF but only manages a meager 1 fps continuous shooting speed - painfully slow for action.
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The S8200 improves with 10 fps burst shooting and a more advanced AF system. However, it lacks continuous AF tracking and face detection, limiting its ability to lock onto fast-moving subjects.
Neither camera is tailored for dedicated wildlife or sports work, but the S8200’s faster FPS and zoom range (40x vs 5x) make it the better choice for casual action shots or distant wildlife.
Street Photography: Discretion and Quick Shots
Street photographers benefit from portability, silent operation, and fast autofocus.
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The AX350’s ultra-compact size (+ silent shutter by virtue of simple mechanics) makes it appealing for street shooting with minimal intrusion.
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The S8200 is larger, with louder operation, and slower AF in liveview mode, making it a little cumbersome for fast, candid shooting.
AX350 wins street style simply by being easy to carry and less conspicuous.
Macro Photography: Close Focus and Stabilization
Macro shooters want to get close with precise focus and image stabilization.
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The S8200 offers close focus down to 0 cm, plus optical image stabilization, helping sharp handheld macro shots.
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The AX350 lacks stabilization and does not specify macro focus range - essentially unsuitable for serious close-up work.
For macro, the S8200 stands alone between these two.
Night and Astro Photography: High ISO and Exposure Options
Low-light photographers need high ISO performance, long shutter speeds, and exposure control.
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The AX350 maxes out at ISO 1600 and lacks manual exposure or shutter priority.
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The S8200’s ISO 12,800 ceiling, combined with shutter and aperture priority modes, makes it more versatile for night scenes, even if noise at highest ISOs is considerable.
For astrophotography hobbyists and night shooters, the S8200 is substantially more capable.
Video Capabilities: What Can They Capture?
Resolutions and frame rates matter.
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The AX350 records HD video (1280x720) at 30fps, encoded as Motion JPEG – a bandwidth-heavy, lower quality codec.
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The S8200 steps up with full HD (1920x1080) at 60fps, as Motion JPEG as well, and slo-mo modes up to 480fps at lower resolutions. No HDMI-out for streaming or external recording, no mic input.
While neither is a vlogging powerhouse, the S8200 is clearly better suited for HD video and creative slow-motion clips.
Travel Photography: Versatility and Battery Life
Travel demands a balance of zoom, image quality, battery endurance, and portability.
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The AX350 nails portability and simplicity on the budget but offers just a 5x zoom, which may limit framing flexibility.
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The S8200 is versatile with 40x optical zoom, optical stabilization, and better imaging options - but heavier and bulkier, which can be painful on long treks.
Battery life for both relies on AA batteries, easy to find worldwide but not as enduring as proprietary lithium-ion packs.
Professional Use: Reliability and Workflow
While neither camera is intended for hardcore professional work, some considerations:
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No RAW support limits post-processing flexibility on either model.
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No weather sealing or rugged design makes them unsuitable for challenging professional environments.
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No wireless connectivity or modern workflow-friendly outputs (Wi-Fi, Bluetooth) slows image transfer tasks.
Simply put, these are consumer-level cameras offering ease of use but limited for professional photographers who want advanced control and integration.
Sample images from both cameras under various lighting conditions showing detail retention and color rendition.
Overall performance ratings: The S8200 scores consistently higher thanks to its sensor, controls, and versatility.
Genre-specific performance analysis reveals strengths (green) and weaknesses (red) for both cameras.
Tech Deep Dive: Additional Considerations
Lens Quality and Zoom Range
- AX350’s fixed 5x zoom (33-165mm equiv.) is limited but adequate for snapshots and family use.
- S8200’s massive 40x zoom (24-960mm equiv.) covers everything from ultrawide landscapes to distant wildlife and sports - a true all-round telezoom.
Image Stabilization
- S8200 offers optical stabilization, essential for handheld telephoto shots and video.
- AX350 lacks stabilization, making handheld shots prone to blur, especially at longer focal lengths.
Storage & Connectivity
- Both cameras use SD/SDHC cards; S8200 adds SDXC compatibility for higher-capacity cards, a plus for video and long shoots.
- No wireless (Wi-Fi, Bluetooth) or GPS in either, which is disappointing given modern standards.
Build Quality & Durability
- Neither camera is weather sealed or ruggedized - care is needed outdoors.
Pros and Cons Summarized
Feature | FujiFilm AX350 | Fujifilm S8200 |
---|---|---|
Pros | Ultra-compact, lightweight, easy for travel | Massive zoom, optical stabilization, manual controls, full HD 60fps video |
Simple operation, budget-friendly | Better sensor, higher ISO, EVF, faster continuous shooting | |
Cons | Slow autofocus, no stabilization, limited zoom | Bulky/heavy, no face detection AF, no RAW support |
No manual exposure controls | Lack of wireless connectivity, heavier AA battery use | |
Best For | Casual travelers, street photographers on a budget | Enthusiasts who want versatile zoom and manual control on a budget |
Not Suitable For | Action, low-light, or manual control users | Those wanting pocket portability or high-end pro features |
My Final Recommendations
If you're a budget-conscious traveler or casual photographer who prioritizes portability and ease-of-use over technical tricks, the FujiFilm AX350 stands as a neat, no-frills camera to grab quick shots - no clubs needed for your thumbs, just point and press.
However, if you want more creative control, a staggering zoom range, and better image quality with respectable video options - and you don’t mind lugging a heavier camera - the Fujifilm S8200 is a clear winner in this matchup. It’s ideal for zoom-hungry enthusiasts exploring landscapes, wildlife, and diverse shooting situations.
Neither camera will satisfy professionals demanding RAW files, fast AF tracking, or robust weather sealing, but for under $500 (S8200’s retail), it ticks many useful boxes.
Wrapping It Up: Which One Should You Choose?
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Choose FujiFilm AX350 if you prioritize ultra-compact size, light weight, and ease for casual use, street photography, or travel where space and budget are tight. It’s a cheerful “grab and go” camera for simple shooting with no fuss.
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Choose the Fujifilm S8200 if you want serious zoom power, manual exposure options, optical stabilization, and video improvements combined with better image quality and faster shooting speeds. It’s the better all-rounder for enthusiasts who want more than a toy camera.
Both are relics of an earlier compact camera era but still viable if you know their limits - and, trust me, knowing the limits saves you many headaches during the shoot.
Happy shooting, and may your next camera unlock your creative potential!
FujiFilm AX350 vs Fujifilm S8200 Specifications
FujiFilm FinePix AX350 | Fujifilm FinePix S8200 | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | FujiFilm |
Model | FujiFilm FinePix AX350 | Fujifilm FinePix S8200 |
Also called as | FinePix AX355 | - |
Type | Small Sensor Compact | Small Sensor Superzoom |
Revealed | 2011-01-05 | 2013-01-07 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti aliasing filter | ||
Peak resolution | 4608 x 3440 | 4608 x 3456 |
Highest native ISO | 1600 | 12800 |
Highest enhanced ISO | 3200 | - |
Lowest native ISO | 100 | 64 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 33-165mm (5.0x) | 24-960mm (40.0x) |
Max aperture | f/3.3-5.9 | f/2.9-6.5 |
Macro focus range | - | 0cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen diagonal | 2.7 inch | 3 inch |
Resolution of screen | 230 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | TFT color LCD monitor | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 200 thousand dot |
Features | ||
Min shutter speed | 8 secs | 8 secs |
Max shutter speed | 1/1400 secs | 1/1700 secs |
Continuous shutter speed | 1.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 3.50 m | - |
Flash options | Auto, On, Off, Red-eye, Slow Sync | - |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60 fps), 320 x 120 (480 fps), 320 x 240 (240 fps), 640 x 480 (120 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 168 gr (0.37 lb) | 670 gr (1.48 lb) |
Dimensions | 93 x 60 x 28mm (3.7" x 2.4" x 1.1") | 123 x 87 x 116mm (4.8" x 3.4" x 4.6") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 180 pictures | - |
Form of battery | AA | - |
Battery model | - | 4 x AA |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC | SD/SDHC/SDXC |
Storage slots | One | One |
Launch pricing | $0 | $450 |