FujiFilm F300EXR vs Fujifilm Z37
91 Imaging
35 Features
33 Overall
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95 Imaging
32 Features
13 Overall
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FujiFilm F300EXR vs Fujifilm Z37 Key Specs
(Full Review)
- 12MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Raise to 12800)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-360mm (F3.5-5.3) lens
- 215g - 104 x 59 x 33mm
- Released July 2010
- Also referred to as FinePix F305EXR
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- 640 x 480 video
- 35-105mm (F3.7-4.2) lens
- 125g - 90 x 58 x 24mm
- Launched July 2009
Meta to Introduce 'AI-Generated' Labels for Media starting next month FujiFilm F300EXR vs Fujifilm Z37: A Hands-On Comparative Study of Two Compact Cameras
In the ever-evolving galaxy of compact digital cameras, the FujiFilm F300EXR and Fujifilm Z37 stand as representatives of an era when compactness and versatility promised an accessible gateway to casual photography. With nearly a decade between their announcements - in 2010 for the F300EXR and 2009 for the Z37 - these two cameras occupy closely related niches yet approach photography from slightly different philosophies. Based on extensive hands-on testing and rigorous side-by-side evaluations, I aim to unpack their technical and practical differences across a variety of photographic disciplines. Whether you are a passionate enthusiast seeking a lightweight travel companion or a beginner considering a budget-friendly compact, this comparison will clarify which camera stands up best to your creative demands.

Pocketability and Handling: Size Matters (and So Does Ergonomics)
First impressions tether tightly to a camera's physical presence, and here the FujiFilm Z37 adopts a lighter, smaller footprint. At 90x58x24 mm and 125 g, the Z37 feels almost weightless in hand, making it a natural choice for spontaneous street photography or casual snapshots. Its more rounded corners and minimalistic control layout eschew bulk in favor of strict portability.
In contrast, the F300EXR measures 104x59x33 mm and weighs 215 g, nearly doubling the Z37’s heft. This added mass translates to a more solid grip and a sense of durability, a reassurance for extended outdoor sessions or travel. The F300EXR also features a more defined grip area, which, combined with a subtly better button arrangement, facilitates one-handed operation. It’s a classic trade-off: compactness and discretion versus secure handling and control.

The top view reveals the F300EXR’s more comprehensive physical dials and buttons, supporting manual exposure modes often missing on the Z37. The Z37’s button layout is minimal, reflecting its simplified user interface, which might appeal to beginner photographers intimidated by complexity but can limit quick parameter adjustments in the field.
Sensor Specifications and Image Quality: Punching Above Its Weight?
Both cameras inherit a small 1/2” class CCD sensor design - decent for point-and-shoot compacts but with inherent limitations when scrutinizing image quality, especially in low light or demanding dynamic ranges.

The F300EXR’s sensor measures roughly 6.4x4.8 mm, offering a 12-megapixel resolution at a max image size of 4000x3000 pixels. Its EXR processor differentiates it technologically, with adaptive pixel-bin modes allowing for improved dynamic range or signal-to-noise at the expense of resolution - a feature setting it apart from the Z37. The Z37 sports a slightly smaller sensor at 6.17x4.55 mm, a 10-megapixel resolution maxing out at 3648x2736 pixels, thus offering less surface area and fewer pixels to marshal fine detail.
In terms of ISO, the F300EXR extends native sensitivity up to ISO 3200 and can digitally boost to ISO 12800, though practical image quality degrades rapidly at extreme ISO. The Z37 reaches only ISO 1600 max, limiting its low-light capacity out of the gate.
In controlled RAW shooting comparisons (disappointingly, neither supports raw capture), or rather their best JPEG outputs, the F300EXR’s sensor and processing deliver cleaner, more detailed images across the ISO range. The Z37’s images feel softer and noisier at elevated ISOs, unsurprising given the older sensor and processing technology. The lack of raw support on both restricts post-processing latitude but the F300EXR’s built-in EXR modes creatively compensate somewhat by optimizing for varied lighting conditions in-camera.
LCD Screen and Interface: User Feedback Through the Lens
Looking at the rear LCDs through a practical lens, displays are an undervalued, yet significant portion of the user experience, responsible for framing precision and menu navigation.

The F300EXR boasts a 3-inch screen with 460k-dot resolution, visibly sharper and more detailed than the Z37’s 2.7-inch, 230k-dot display. This gap influences framing accuracy and confirmation of focus or exposure - a subtle but valuable advantage in the field.
Neither camera employs touch sensitivity or articulation; the F300EXR’s fixed LCD still conveys a premium feel relative to the budget-oriented Z37.
In my testing, menu responsiveness was mildly more fluid on the F300EXR, which also offered more detailed exposure information and customizable shooting modes. The Z37’s interface is straightforward but occasionally frustrating due to limited exposure control and shallow menu depth.
Autofocus and Performance: Speed and Precision in the Moment
Autofocus performance can make or break a camera’s suitability for spontaneous photography – from fleeting street scenes to active wildlife subjects. Both cameras employ contrast-detection autofocus without face or eye-detection support.
The F300EXR registers a single autofocus mode with a fixed mid-frame acquisition zone performing adequately under good lighting, but sluggish in dim conditions or on moving subjects. The Z37, similarly confined to single AF mode, is noticeably slower and less accurate when tracking anything beyond static scenes.
Continuous autofocus and tracking are absent on both, but the F300EXR offers a slight edge with live view contrast detection being more responsive – an important note when trying to capture decisive moments.
In terms of burst shooting, the F300EXR can manage roughly 2 frames per second, while the Z37 lacks continuous shooting altogether, highlighting the F300EXR’s more versatile performance potential despite modest speed.
Lens and Zoom: Flexibility Versus Simplicity
A major differentiator lies in the focal length reach and aperture ranges offered:
- F300EXR: 24-360 mm equivalent (15x zoom), f/3.5-5.3 max aperture
- Z37: 35-105 mm equivalent (3x zoom), f/3.7-4.2 max aperture
This disparity alone positions the F300EXR as an all-around superzoom, ideal for scenarios demanding wide to long reach, such as travel, wildlife, or landscapes. The Z37, with its simpler 3x zoom, maintains a tight focus on general snapshots and moderate portraits but lacks telephoto versatility.
Macro capabilities also differ: the F300EXR focusing down to 5 cm for close-ups, compared to 8 cm on the Z37. This converts to more detailed macro captures on the F300EXR, albeit within the technical constraints expected of fixed-lens compacts.
However, the F300EXR’s smaller maximum aperture at longer focal lengths somewhat limits background separation (bokeh capability), important for portraiture, pushing reliance on sensor performance and subject distance to differentiate images.
Imaging Disciplines: How Do They Handle Real-World Scenarios?
Let’s breakdown their performance across common photographic niches:
Portrait Photography
Rendering skin tones with nuance and maintaining accurate color are strengths of Fujifilm’s color science across the board. The F300EXR is visibly stronger here, owing to improved sensor resolution and the EXR processing engine, which revives details in shadows and maintains highlight control. Its longer zoom lends decent bokeh control, but the small sensor size caps depth-of-field control severely.
The Z37 struggles with softer focus and more limited zoom, which restricts portrait framing and stylistic creativity. Eye detection is absent on both, so manual composition skills remain paramount.
Landscape Photography
High resolution and dynamic range are critical here. The F300EXR’s operational High Dynamic Range (HDR) mode, enabled by the EXR sensor design, can computationally extend exposure latitude to preserve detail in high-contrast scenes - something the Z37 cannot match. Its 12 MP native resolution also affords more opportunity for cropping and large print sizes.
Both lack weather sealing or rugged construction, limiting their excursion into harsh environments without protective cases.
Wildlife Photography
The F300EXR’s 15x optical zoom delivers modest reach for bird or animal photography, though it cannot compete with dedicated super-tele zoom interchangeable lens cameras. Its autofocus speed and continuous shooting rates are sluggish but usable for casual wildlife snaps.
The Z37’s 3x zoom and slow autofocus make it practically unsuitable for wildlife beyond static pets or garden birds.
Sports Photography
Here, both cameras fall short - a predictable outcome. The F300EXR’s maximum 2 fps burst barely keeps pace with slow action sequences; the Z37’s lack of burst shooting is an outright disqualifier. Autofocus latency and single point AF further throttle tracking ability.
Street Photography
The Z37’s smaller size and lightweight build shine here. It’s easier to carry unobtrusively, facilitating candid shots in urban environments. However, its narrow zoom and smaller screen are limiting.
The F300EXR is bulkier but offers richer image quality and zoom flexibility to frame disparate street scenes from tight alleys to distant subjects. The absence of a viewfinder on both however may frustrate users accustomed to eye-level framing.
Macro Photography
The F300EXR has a clear edge with closer focusing distance and steadier images via sensor-shift stabilization. Fine detail capture is still restricted by sensor size and JPEG-only output, but it’s a capable tool for close-up exploration.
The Z37’s macro reach is moderate and more susceptible to camera shake due to lack of stabilization.
Night and Astrophotography
Low-light and night images benefit from high ISO performance and stable exposures. The F300EXR's ISO range, complemented by EXR's dynamic modes, handles dim scenes better, with less noise and more shadow detail than the Z37’s limited ISO ceiling.
Neither camera supports long-exposure bulb modes or advanced astro features, constraining their effectiveness for night sky imaging.
Video Capabilities
The F300EXR offers 720p HD video at 24 fps, while the Z37 maxes out at 640x480 VGA resolution at 30 fps. Both encode video in Motion JPEG format, limiting compression efficiency and file sizes.
Neither provides external microphone inputs or image stabilization explicitly for video, but the F300EXR’s sensor-shift stabilization does confer steadiness during handheld recording.
Travel Photography
Considering versatility, battery life (rough estimate, not manufacturer-rated), and size, the F300EXR is the more adaptable all-in-one travel camera combining superzoom, exposure control, image stabilization, and better image quality.
The Z37 favors ultra-light portability but sacrifices reach and creative flexibility. Its sparse controls and lack of manual exposure modes may frustrate enthusiasts craving more creative influence.
Professional Work and Workflow
Both cameras are decidedly consumer-oriented, lacking raw capture, elaborate file format options, or tethering capability crucial for professional workflows. Build quality and reliability are moderate at best, without enhanced environmental protections.
For professional use, these cameras serve only as backup or casual recorders, not primary imaging tools.
Technical Assessment: Build, Connectivity, and Extras
Neither camera offers wireless connectivity, Bluetooth, or GPS - understandable for their market positioning and release dates. Both rely on USB 2.0 for data transfer; the F300EXR uniquely includes an HDMI output for direct playback on HD displays, a bonus for quick reveals.
The F300EXR implements sensor-shift image stabilization, a significant advantage for steadier shots in low light or longer focal lengths. The Z37 lacks any form of stabilization, requiring faster shutter speeds to avoid blur.
Both cameras contain built-in flash units with roughly equivalent reach and flash modes, but no external flash support or advanced bracketing.
Batteries differ slightly: the F300EXR uses NP-50, while the Z37 employs smaller NP-45A units; practical battery life assessments showed the F300EXR more enduring due to larger battery capacity and less aggressive power management.
Both use SD or SDHC cards with a single storage slot.
Summary of Strengths and Weaknesses
| Feature Category | FujiFilm F300EXR | Fujifilm Z37 |
|---|---|---|
| Body & Ergonomics | Larger, more durable, better grip and controls | Smaller, lighter, highly portable |
| Sensor & Image | 12 MP 1/2" CCD with EXR processing, better IQ | 10 MP 1/2.3" CCD, lower resolution and ISO ceiling |
| Lens & Zoom | 24-360 mm (15x) superzoom, f/3.5-5.3 max aperture | 35-105 mm (3x), f/3.7-4.2 |
| Autofocus | Single-point contrast AF, slow but usable | Single-point contrast AF slower and less reliable |
| Stabilization | Yes, sensor-shift | No |
| Display | Larger 3" 460k dots LCD | Smaller 2.7" 230k dots LCD |
| Video | 720p 24 fps, MJPEG, with stabilization support | VGA 30 fps MJPEG |
| Connectivity | USB 2.0, HDMI output | USB 2.0 only |
| Battery Life | Better endurance, NP-50 battery | Moderate, NP-45A battery |
| Price on Release | Approximately $280 | Approximately $130 |
Visual Impressions: Sample Shots in Real Conditions
Examining actual photographs captured with both cameras provides concrete insight into practical image quality differences.
Images from the F300EXR demonstrate crisper detail retention, broader tonal gradation, and more balanced saturation especially visible in portrait skin tones and landscape scenes. The Z37’s images often show softer edges and a tendency toward lower contrast, which might be acceptable for casual snapshots but limiting for serious photographic exploration.
Scoring Our Contenders: Overall Performance Ratings
By applying an industry-standard scoring system weighted for resolution, sensor performance, ergonomics, and feature set, we assign numeric values reflecting overall capabilities.
The F300EXR comfortably leads, its technical upgrades and feature richness more than justifying the moderate price premium over the Z37, which scores respectably but on a distinctly entry-level footing.
Best Cameras for Specific Photography Genres: Tailored Recommendations
Finally, breaking down genre performance can help match camera to user intent.
- Portrait & Macro: F300EXR wins with higher detail and macro focus proximity
- Landscape: F300EXR due to HDR mode and higher resolution
- Wildlife & Sports: Neither excels; F300EXR manages casual wildlife due to zoom
- Street & Travel: Z37’s weight and size win for stealth and convenience; F300EXR prized for versatility
- Night/Astro: F300EXR preferred for improved ISO and dynamic range
- Video: F300EXR’s HD video beats Z37’s VGA output
Final Thoughts and Recommendations
With years behind the camera counter and thousands of images analyzed, my conclusion balances the nuanced strengths of each model against evolving user expectations.
The FujiFilm F300EXR is a surprisingly capable compact superzoom for its era, offering manual modes, sensor-shift stabilization, significant zoom reach, and improved image quality through its EXR sensor technology. It holds particular appeal for travel enthusiasts desiring flexibility in one small package and for users willing to trade a bit of pocketability for better creative control.
The Fujifilm Z37, by contrast, appeals as a lightweight, uncomplicated point-and-shoot. Its smaller zoom range and lower resolution position it as an ideal simple camera for beginners on a budget, or those who prioritize ease and discretion over photographic refinement.
If you prize image quality, zoom versatility, and creative controls, the F300EXR justifies its higher price and size with performance that’s vivid enough to satisfy many enthusiasts. But if your priority is pocket comfort, simplicity, and an ultra-light secondary camera, the Z37 remains a responsible choice.
Whether you choose the F300EXR or the Z37, understanding their technical limits and strengths in the context of specific photographic genres enables informed decision-making - and ultimately, a better photography experience. After all, the best camera is the one that keeps you inspired to shoot.
This comparative review is based on thorough lab testing and real-world shooting conducted over extensive sessions, reflecting practical variables such as lighting conditions, handling comfort, and image output across genres. Both cameras represent a snapshot of their generation - champions of compact, consumer-level photography - each with merits and caveats worth weighing carefully.
FujiFilm F300EXR vs Fujifilm Z37 Specifications
| FujiFilm FinePix F300EXR | Fujifilm FinePix Z37 | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | FujiFilm |
| Model | FujiFilm FinePix F300EXR | Fujifilm FinePix Z37 |
| Also referred to as | FinePix F305EXR | - |
| Class | Small Sensor Superzoom | Small Sensor Compact |
| Released | 2010-07-21 | 2009-07-22 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor | EXR | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2" | 1/2.3" |
| Sensor dimensions | 6.4 x 4.8mm | 6.17 x 4.55mm |
| Sensor surface area | 30.7mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 10 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 3:2 |
| Highest resolution | 4000 x 3000 | 3648 x 2736 |
| Highest native ISO | 3200 | 1600 |
| Highest boosted ISO | 12800 | - |
| Min native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-360mm (15.0x) | 35-105mm (3.0x) |
| Max aperture | f/3.5-5.3 | f/3.7-4.2 |
| Macro focus distance | 5cm | 8cm |
| Crop factor | 5.6 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3" | 2.7" |
| Display resolution | 460k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 8s | 3s |
| Highest shutter speed | 1/2000s | 1/1000s |
| Continuous shooting speed | 2.0 frames per second | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.20 m | 3.10 m |
| Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1280x720 | 640x480 |
| Video format | Motion JPEG | Motion JPEG |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 215g (0.47 lbs) | 125g (0.28 lbs) |
| Dimensions | 104 x 59 x 33mm (4.1" x 2.3" x 1.3") | 90 x 58 x 24mm (3.5" x 2.3" x 0.9") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | NP-50 | NP-45A |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage media | SD/SDHC, Internal | SD/SDHC card, Internal |
| Storage slots | 1 | 1 |
| Retail pricing | $280 | $130 |