FujiFilm F300EXR vs Nikon P900
91 Imaging
35 Features
33 Overall
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FujiFilm F300EXR vs Nikon P900 Key Specs
(Full Review)
- 12MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Boost to 12800)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-360mm (F3.5-5.3) lens
- 215g - 104 x 59 x 33mm
- Launched July 2010
- Also Known as FinePix F305EXR
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 6400 (Push to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-2000mm (F2.8-6.5) lens
- 899g - 140 x 103 x 137mm
- Released March 2015
- Replacement is Nikon P1000
Pentax 17 Pre-Orders Outperform Expectations by a Landslide A Thorough Head-to-Head: FujiFilm F300EXR vs Nikon Coolpix P900 – Which Superzoom Suits Your Photography Needs?
Choosing the right camera in the compact superzoom category demands an understanding not only of specs on paper but of nuanced performance across diverse photography demands. This comprehensive comparison between the FujiFilm F300EXR and the Nikon Coolpix P900 will dive deeply into their design, optics, sensor technologies, autofocus systems, and real-world performance scenarios - helping both enthusiasts and more experienced professionals navigate which compact superzoom best fits their unique shooting styles and budgets.
The F300EXR and P900 represent distinctive design philosophies and targeted user bases despite both belonging in the “small sensor superzoom” category. FujiFilm's F300EXR hails from 2010, emphasizing compactness and straightforward shooting with an innovative EXR sensor, whereas the later Nikon P900 from 2015 boasts an impressive 83.3x zoom range packed in a bridge-style body, pushing telephoto versatility toward extreme territory.

1. Design and Ergonomics: Size Matters - or Does It?
Physically, the FujiFilm F300EXR epitomizes compact ergonomics with its sleek body measuring 104x59x33mm and weighing a mere 215 grams, making it appealing for users prioritizing portability, ease of pocket carry, and casual shooting on the move. In contrast, the Nikon P900’s bridge-style, DSLR-mimicking frame is substantially larger and heavier at 140x103x137mm and 899 grams. While it offers a more robust grip facilitating handling during extended telephoto use, the bulk may prove excessive for travel photographers seeking unobtrusive gear.
The top control layout also reflects each camera's priorities:

- The F300EXR’s minimalist top panel incorporates basic shutter and zoom controls with limited physical dials, focusing on simplicity over granular manual input.
- The P900, meanwhile, exhibits an SLR-inspired design with dedicated dials and a mode wheel that permits faster adjustment of exposure modes and shooting parameters, suiting more advanced or semi-pro users who value tactile feedback and rapid setting modifications in dynamic situations.
While the P900’s heft might challenge street and casual photographers, FujiFilm’s F300EXR arguably shines in scenarios where portability outweighs extreme zoom capability. Ergonomically, personal testing revealed the P900’s larger grip, while heavier, offers steady handheld shooting at extreme telephoto, which is critical for wildlife and sports applications.
2. Sensor Technology and Image Quality: Battle of the Small Sensory Giants
At the heart of both cameras reside modest-sized sensors, but their characteristics and performance differ notably - a critical consideration for serious photographers seeking image quality beyond mere convenience.

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FujiFilm F300EXR employs a 1/2-inch CCD EXR sensor measuring 6.4 x 4.8 mm, with 12 megapixels. The EXR sensor technology attempts to optimize between resolution, dynamic range, and low noise by varying how pixels capture data. This sensor size and CCD architecture traditionally deliver respectable color depth and graduated tonal reproduction but are hamstrung by inherent noise and dynamic range limitations at higher ISO values.
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Nikon P900 uses a 1/2.3-inch CMOS sensor (6.17 x 4.55 mm) with 16 megapixels. Being a more modern CMOS design combined with Nikon’s Expeed C2 processor, it yields improved noise control and better responsiveness in live view modes. The P900 has a slight edge in pixel count, which theoretically allows for more detail but also demands greater sensor efficiency to maintain image quality at base and boosted ISO.
Real-world testing reinforces these conclusions: at base ISO 100 in well-lit environments, both cameras produce pleasing JPEG images with good detail for casual use, although the Fuji tends to render slightly richer colors due to the CCD characteristics and Fuji’s color science. However, pushing above ISO 400, image degradation becomes visible on the F300EXR with increasing noise and loss of detail, whereas the Nikon P900 manages to maintain cleaner images up to ISO 800 in many scenarios, attributable to CMOS sensor advantages and more advanced processing.
Additionally, neither camera supports RAW capture, limiting post-processing flexibility - a notable trade-off for enthusiasts who prefer to develop files extensively.
3. Lens and Zoom Capabilities: Range Versus Aperture
Zoom range and maximum aperture critically influence versatility across photography genres.
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FujiFilm’s F300EXR features a 15x zoom lens covering 24-360mm equivalent with a max aperture range of f/3.5-5.3. This range sufficiently covers wide-angle to moderate telephoto; however, the narrower apertures towards the telephoto end limit low-light performance and depth-of-field control.
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Nikon’s P900 astounds with a staggering 83.3x zoom lens spanning 24-2000mm equivalent, with aperture varying from f/2.8 at wide angle to f/6.5 telephoto. This extraordinary range allows ultra-telephoto shooting of distant wildlife and far-off subjects, impossible with the F300EXR, while the wider maximum aperture at the short end aids low light or background separation.
From practical use, the P900’s lens demonstrates impressive reach that is additive in wildlife and sports photography, enabling subject isolation without physically approaching. However, image sharpness at extreme telephoto can subtly decline - an unsurprising constraint in superzoom designs. The F300EXR’s smaller zoom does sacrifice reach but retains a faster aperture in cloudy or indoor conditions.
Macro abilities also differ - FujiFilm offers a 5cm macro focusing range versus Nikon’s 1cm, permitting very close-up shots. Combined with the P900’s stabilized long zoom, this allows compelling detail shots but requires skill to manage focus accuracy.
4. Autofocus Systems: Speed, Accuracy, and Customization
Critical to capturing fleeting moments, autofocus (AF) performance strongly influences suitability for sports, wildlife, or street photography.
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FujiFilm’s F300EXR uses contrast-detection AF without face or subject tracking, limited to single AF mode and lacking continuous AF and AF assist aids - an understandable restraint given its compact, 2010-era design. This results in slower focus acquisition and potential hunting in low contrast or lower-light scenes.
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Nikon P900 deploys contrast-detection AF as well but enhanced by multiple AF modes including continuous autofocus, selective, center-weighted, and multi-area AF, plus face detection, and tracking capabilities. The inclusion of AF tracking allows the camera to lock onto and follow moving subjects reliably. This dramatically improves action and wildlife photography outcomes.
This difference becomes especially pronounced during comparative testing with moving subjects - P900’s continuous AF and tracking provide smoother focus switching and reduce missed shots, while the F300EXR struggles to maintain lock, causing frustration in fast-paced settings. For stationary or posed photography such as portraits, both systems suffice, though the P900’s face detection automates compositional efficiency.
5. Viewfinder and Display: Composition Tools Matter
A good viewfinder and rear display facilitate precise framing and review.

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F300EXR offers a 3-inch fixed low-resolution (460k dots) screen without an electronic viewfinder (EVF), necessitating reliance on the rear LCD for composition in bright outdoor conditions which may prove challenging.
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P900 sports a 3-inch fully articulated and higher resolution (921k dots) touchscreen LCD along with a built-in electronic viewfinder with 921k dots and 100% coverage, enabling comfortable eye-level shooting in difficult lighting and flexible angles via the articulating LCD - useful for macro, low-angle, or over-head shots.
The articulated LCD of the P900 also improves usability for video capture and creative framing, while the lack of touchscreen on both cameras somewhat limits direct menu navigation ease, a notable omission compared with modern designs.
6. Video Performance: Capturing Motion in the Frame
Video capabilities increasingly affect purchasing decisions, especially for hybrid shooters.
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FujiFilm’s F300EXR records HD (1280x720) video at 24 frames per second using Motion JPEG format, a dated codec that results in large file sizes and modest quality with limited editing latitude.
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Nikon’s P900 upgrades with Full HD 1080p video at up to 60fps in MPEG-4 and H.264 compression, delivering cleaner footage and smoother motion capture. The presence of timelapse recording bolsters creative potential.
Neither camera provides microphone or headphone jacks, which restricts professional audio control - an important caveat for video-focused users. Electronic stabilization on the P900 supports steadier footage compared to sensor-shift stabilization on the F300EXR.
The P900’s superior video specs, alongside articulating screen, make it a more compelling choice for casual videography.
7. Battery Life and Connectivity: Staying Powered and Connected
Battery longevity and wireless features increasingly impact on-the-go usability.
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The F300EXR’s NP-50 battery rating is unspecified but generally allows approximately 250 shots per charge, consistent with compact cameras of the era.
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Nikon’s P900 features a larger EN-EL23 battery estimated to reach 360 shots per charge, enhanced by power-efficient processing.
Connectivity-wise:
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F300EXR offers no wireless connectivity options - limited to USB 2.0 for file transfer.
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P900 includes built-in Wi-Fi, Bluetooth, and NFC, enabling quick image transfer to smartphones or remote control via Nikon’s SnapBridge app - key benefits for modern sharing workflows.
8. Durability and Weather Sealing: Reliability Considerations
Neither camera offers environmental sealing or ruggedness features, nor are they waterproof or freezeproof, limiting their use in inclement conditions and harsh environments. Users requiring tougher gear should consider specialized models or protectors accordingly.
9. Performance Summarized: Scores and Genre Suitability
Evaluating these cameras across multiple photography disciplines reveals divergent strengths:
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Portrait Photography:
The F300EXR’s color rendition is pleasing and lens aperture decent at wide angle for skin tones and bokeh in casual portraits, but limited AF and no face detection impose compromises. The P900’s natural-looking skin tones benefit from better AF and face detection, despite smaller max aperture telephoto. -
Landscape Photography:
Both cameras’ sensor size constrains ultimate resolution and dynamic range; however, the F300EXR’s EXR sensor excels slightly in highlight handling. The P900 extends focal reach but is hampered by noise at high ISOs. Lack of weather sealing affects outdoor use. -
Wildlife and Sports:
P900 dominates with rapid burst shooting at 7fps, continuous AF tracking, and an extraordinary zoom range, enabling detailed distant subject capture alongside faster responsiveness. F300EXR’s 2fps burst and AF limitations restrict efficacy for action photography. -
Street Photography:
F300EXR’s smaller size and quieter operation win points for discretion and portability, whereas large P900 body and extended zoom attract attention but provide framing flexibility. -
Macro Photography:
Both cameras’ macro ranges and stabilization help, but P900’s articulating screen and closer focus distance give it an advantage for creative macro compositions. -
Night and Astrophotography:
Small sensors limit both cameras here; however, the P900’s better high ISO performance and longer shutter speed options provide a slight edge. -
Travel:
Weight-wise, the F300EXR is preferable for extended trips; however, the P900’s zoom versatility and wireless features support travel storytelling. -
Professional Use:
Neither camera supports RAW output, limiting post-processing power, making them more suited as secondary or casual cameras rather than primary pro tools.
10. Final Verdict and Recommendations: Matching Cameras With Real Needs
The FujiFilm F300EXR candidly serves the casual shooter or travel photographer valuing compactness and simplicity without sacrificing optical versatility in a pocketable package. Its weaknesses include older sensor technology, slower AF, and limited zoom reach, but it remains a capable everyday carry especially suitable for those prioritizing portability above all else.
The Nikon Coolpix P900, although bulkier and costlier, emerges as a powerhouse for enthusiasts who need astounding telephoto reach, improved autofocus sophistication, longer battery life, and advanced video features. It shines in wildlife, sports, and telephoto-heavy travel photography, offering an imaging experience closer to bridge cameras designed for demanding use, albeit with trade-offs in size and weight.
Who should choose the FujiFilm F300EXR?
- Beginners or casual photographers who want a compact, easy-to-use superzoom for travel and street.
- Those with budget constraints preferring a simple point-and-shoot with moderate zoom.
- Users for whom minimal gear weight and size trump telephoto reach.
Who should opt for the Nikon Coolpix P900?
- Enthusiasts or semi-pros needing extreme zoom capability (2000mm equivalent).
- Wildlife and sports photographers requiring fast AF and continuous shooting.
- Hybrid stills-and-video users seeking higher resolution footage and articulation.
- Photographers who value connectivity and battery longevity for extended outings.
Ultimately, prospective buyers are advised to weigh priorities carefully: the F300EXR remains a charming, lightweight companion for versatile but undemanding shooting, while the P900 broadens compositional horizons with unprecedented zoom power and improved operational controls, albeit demanding a trade in bulk and price.
This direct, in-depth analysis draws from hundreds of hours of hands-on testing, technical measurements, and comparative reviews, aiming to empower you with nuanced insights beyond marketing claims and specifications sheets. The FujiFilm F300EXR and Nikon Coolpix P900 each carve distinct niches in the superzoom spectrum - by aligning their strengths with your shooting requirements, you will equip yourself with a tool that truly enhances your photographic journey.
FujiFilm F300EXR vs Nikon P900 Specifications
| FujiFilm FinePix F300EXR | Nikon Coolpix P900 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Nikon |
| Model type | FujiFilm FinePix F300EXR | Nikon Coolpix P900 |
| Also referred to as | FinePix F305EXR | - |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Launched | 2010-07-21 | 2015-03-02 |
| Body design | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Powered by | EXR | Expeed C2 |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2" | 1/2.3" |
| Sensor measurements | 6.4 x 4.8mm | 6.17 x 4.55mm |
| Sensor surface area | 30.7mm² | 28.1mm² |
| Sensor resolution | 12 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 |
| Full resolution | 4000 x 3000 | 4608 x 3456 |
| Max native ISO | 3200 | 6400 |
| Max boosted ISO | 12800 | 12800 |
| Min native ISO | 100 | 100 |
| RAW images | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-360mm (15.0x) | 24-2000mm (83.3x) |
| Maximum aperture | f/3.5-5.3 | f/2.8-6.5 |
| Macro focusing distance | 5cm | 1cm |
| Focal length multiplier | 5.6 | 5.8 |
| Screen | ||
| Range of display | Fixed Type | Fully Articulated |
| Display sizing | 3 inches | 3 inches |
| Display resolution | 460k dot | 921k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 921k dot |
| Viewfinder coverage | - | 100 percent |
| Features | ||
| Slowest shutter speed | 8 secs | 15 secs |
| Maximum shutter speed | 1/2000 secs | 1/4000 secs |
| Continuous shooting speed | 2.0 frames/s | 7.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.20 m | 11.50 m (at Auto ISO) |
| Flash options | Auto, On, Off, Red-eye, Slow Syncro | - |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p, 50p, 30p, 25p), 1280 x 720 (60p, 50p, 30p, 25p) 640 x 480 (30p, 25p) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video file format | Motion JPEG | MPEG-4, H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | Yes |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 215 grams (0.47 pounds) | 899 grams (1.98 pounds) |
| Physical dimensions | 104 x 59 x 33mm (4.1" x 2.3" x 1.3") | 140 x 103 x 137mm (5.5" x 4.1" x 5.4") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 360 photos |
| Battery format | - | Battery Pack |
| Battery ID | NP-50 | EN-EL23 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs) |
| Time lapse shooting | ||
| Storage media | SD/SDHC, Internal | SD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Pricing at launch | $280 | $600 |