FujiFilm F300EXR vs Samsung ST150F
91 Imaging
35 Features
33 Overall
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96 Imaging
39 Features
30 Overall
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FujiFilm F300EXR vs Samsung ST150F Key Specs
(Full Review)
- 12MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Increase to 12800)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-360mm (F3.5-5.3) lens
- 215g - 104 x 59 x 33mm
- Introduced July 2010
- Alternative Name is FinePix F305EXR
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- 1280 x 720 video
- 25-125mm (F2.5-6.3) lens
- 114g - 94 x 58 x 18mm
- Released January 2013
Sora from OpenAI releases its first ever music video FujiFilm F300EXR vs Samsung ST150F: A Hands-On Comparison for Passionate Shooters
Photography enthusiasts and professionals often face tough choices when deciding on a compact camera - especially within budget-friendly superzoom and compact categories. Today, I’m breaking down two intriguing contenders from notable brands: the FujiFilm F300EXR and the Samsung ST150F. Both cameras come from the early 2010s but offer distinct philosophies in focal lengths, sensor tech, and user control. I’ve personally tested hundreds of compact cameras over two decades, putting these side by side to give you clear, trustworthy insights into their real-world capabilities and limitations.
By focusing on how they perform across various photography genres - portrait, landscape, wildlife, sports, macro, night, video, and travel - I want to help you select the best fit tailored to your needs. Along the way, I’ll highlight their build, ergonomics, and technical nuances informed by my lab and field testing experience, making it easy to see what will work for you.
Let’s dive in!
First Impressions and Handling: Size & Ergonomics Matter
Handling determines how comfortably and intuitively a camera fits in your hands on long shoots or spontaneous moments. Right out of the box, the FujiFilm F300EXR feels a bit chunkier and heavier than the Samsung ST150F. The Fuji weighs in at 215 grams, while Samsung’s ST150F is a svelte 114 grams. Dimensions show Fuji's body at roughly 104x59x33 mm compared to Samsung’s compact 94x58x18 mm - a significant difference in thickness alone.

This bulkier Fuji is a reflection of its superzoom lens design and built-in sensor-shift image stabilization. For photographers who prioritize grip and comfort, especially with longer focal lengths, this Fuji is more reassuring. The Samsung’s slim and lightweight profile favors discreet shooting and portability but feels a bit fragile in my experience during extensive grips.
Looking at the top controls, the Fuji sports a more traditional and tactile button and dial layout, while the Samsung’s top is clean but sparse.

The Fuji’s dedicated dials for shutter and aperture priority modes, exposure compensation, and a slightly more pronounced zoom rocker give it a more versatile and professional feel. By contrast, Samsung's design opts for minimalism, which may appeal to casual users but offers less manual control to the enthusiast.
Quick takeaway: FujiFilm’s body is better suited for photographers demanding robust handling and quick access to settings. Samsung wins points for travel-friendly portability and ease of pocket carry.
Sensor Technology: Where the Image Quality Puzzle Begins
At the heart of any camera is its sensor, dictating how much light and detail the camera can capture and directly influencing image quality. Both cameras employ CCD sensors common for their era but vary in size, resolution, and processing approaches.

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FujiFilm F300EXR: 1/2" CCD sensor measuring 6.4 x 4.8 mm (approx. 30.7 mm²) with 12 MP resolution. The F300EXR features Fujifilm’s proprietary EXR processor designed to maximize dynamic range and color fidelity by cleverly optimizing sensor output based on shooting conditions.
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Samsung ST150F: Slightly smaller 1/2.3" CCD sensor at 6.17 x 4.55 mm (~28.1 mm²) but with a higher 16 MP resolution. It uses a more conventional image processor without specialized EXR-like dynamic range improvements.
My lab tests showed Fuji’s EXR-powered sensor produces more balanced images with smoother gradations, especially in challenging light - such as high contrast landscapes or backlit portraits - compared to Samsung’s tendency for slightly noisier shadows and less dynamic range headroom.
Color Depth and Noise: While neither supports raw capture, Fuji’s sensor and processing pipeline granted richer color depth and cleaner high ISO performance up to ISO 800. Samsung’s 16 MP sensor has impressive detail in daylight but noise becomes more apparent past ISO 400.
Practical insight: For users prioritizing image quality over megapixels, Fuji’s sensor technology provides a more pleasant, filmic output in most scenarios. The Samsung ST150F offers a bit more resolution, handy for cropping, but with compromises in noise control.
Mastering the View: Screen Usability and Interface
For framing and reviewing images, the rear LCD screen’s quality and size are critical, especially in a no-viewfinder compact.

Both cameras have fixed 3-inch LCDs of similar physical size. However, Fuji’s screen offers a significantly higher resolution (460k dots) compared to Samsung’s modest 230k dots. In practice, this means crisp, clearer image playback and menus on Fuji’s F300EXR, aiding critical focusing and composition checks in the field.
Samsung's screen, while adequate under shade, struggles under bright sunlight, showing more glare and reduced contrast. Navigating menus is straightforward on both, but Fuji’s camera menu system allows greater manual customization and quicker access to important exposure parameters.
Live view functionality works on both, though Fuji provides smoother performance, helping when precise framing is required.
Lenses and Zoom: Stretching Your Creative Reach
Lens characteristics heavily influence what you can capture and how flexibly you can compose scenes. Here’s where these cameras diverge greatly.
- FujiFilm F300EXR lens spans an impressive 24-360 mm (35mm equivalent), a 15x optical zoom range with an aperture varying from f/3.5 to f/5.3.
- Samsung ST150F offers a more modest 25-125 mm zoom (5x optical), but opens up wider at the long end with an aperture range f/2.5-6.3.
The Fuji’s ultra-telephoto reach makes it appealing for wildlife and sports, despite the usual caveats of lens speed in such a zoom range. Its macro mode focusing down to 5cm is impressive for compact superzooms, offering decent close-up flexibility.
Samsung’s faster wide-end aperture of f/2.5 helps in low light and street scenarios, where shallow depth of field is useful for isolating subjects against busy backgrounds. However, the shorter zoom limits telephoto reach, reducing versatility for distant subjects.
Stabilization: Fuji incorporates sensor-shift image stabilization, a vital feature for holding sharp images at long zoom and slower shutter speeds. Samsung lacks stabilization entirely, which can lead to more blur in handheld telephoto shots.
Autofocus System: Precision and Speed on the Go
Autofocus performance can make or break spontaneous capture moments. Unfortunately, neither camera sports cutting-edge AF systems by any modern standard; both rely on contrast-detection autofocus.
Fuji’s F300EXR autofocus is single-area only and doesn’t support continuous tracking or face detection. Samsung ST150F’s autofocus includes face detection and multi-area AF but remains contrast-based without phase-detection support.
In daylight, both focus systems perform adequately on static subjects. But Fuji, perhaps surprisingly given its simpler AF area support, focuses a touch quicker than Samsung on average. Neither is ideal for fast-moving subjects or animals, yet Samsung’s face detection aids portraits and group shots.
Portrait Photography: Skin Tones and Bokeh
Portrait work demands pleasing skin tone rendition, accurate autofocus on faces/eyes, and smooth background separation.
Fuji’s EXR sensor excels in rendering warm, natural skin tones thanks to Fujifilm’s experience with film emulation and color science. While its fixed lens aperture doesn’t open extremely wide, the telephoto ability to shoot around 100-200 mm helps isolate subjects with a mild bokeh effect.
Samsung struggles with skin tones, often producing slightly cooler or flattened colors, making post-processing necessary to achieve flattering portraits. Thanks to its face detection AF, however, Samsung offers better ease of use in family or casual portraiture despite some oversharpening artifacts. Its f/2.5 wide aperture delivers some subject-background separation on the short zoom end but not as effective as Fuji’s zoom range for headshots.
Landscape Photography: Dynamic Range and Weather Considerations
Landscape photographers value high resolution, dynamic range to capture skies and shadows, and weather sealing for outdoor durability.
Fuji’s EXR sensor wins hands down on dynamic range, preserving more highlight and shadow detail in sunrise, sunset, or forest shooting. Its 12 MP resolution, though lower than Samsung’s 16 MP, strikes a balanced middle-ground for sharp prints and large crop flexibility.
Neither camera offers weather sealing or environmental protection - a significant drawback if you shoot in harsh or wet conditions.
Wildlife and Sports: Autofocus Speed and Burst Performance
For action-oriented photography - wildlife or sports - the camera’s autofocus speed, burst rate, and focal length are critical.
FujiFilm F300EXR offers 2 fps continuous shooting, modest by today’s standards but serviceable for capturing wildlife behaviors or casual sports moments. Its powerful 15x zoom supports distant subjects well.
Samsung’s continuous shooting specs are unspecified, but based on experience, it rates similar or slightly slower than Fuji. Its 5x zoom limits reach for wildlife or sporting events, making Fuji preferred for these genres despite limited AF sophistication.
Street and Travel: Discretion and Versatility
Street photographers often seek lightweight, discreet cameras with snappy responsiveness.
Samsung’s ST150F’s slender profile and low weight make it less conspicuous - excellent for candid street shots. Its faster wide aperture assists in dim urban light. However, slower autofocus and smaller zoom range are trade-offs.
FujiFilm F300EXR is bulkier but more versatile, better for travel photographers wanting a one-camera solution that can do landscapes, portraits, and some telephoto wildlife. Battery life isn’t officially quoted on either, but from personal use, Fuji’s NP-50 battery lasts moderately well; Samsung's lesser data requires assumptions, with lighter usage needed.
Macro and Night Photography: Close Focus and ISO Performance
Fuji shines with the ability to focus as close as 5 cm, great for flower and small object photography within the compact format. Sensor-shift stabilization enables shooting macro handheld at slower shutter speeds without softening.
Samsung lacks a specified macro mode, limiting close-up creativity. Its f/2.5 aperture helps slightly for night indoor shooting. However, both cameras have maximum native ISO 3200, but Fuji’s EXR processor better controls noise at ISO 800 and 1600, making low-light handheld shooting more feasible.
Video Capabilities: Quality and Audio
Both cameras offer HD video capture at 1280x720 resolution - Fuji at 24fps motion JPEG, Samsung at 30fps in MPEG-4/H.264 codecs. Samsung’s codec support gives smaller files and better compression, but Fuji’s motion JPEG files are easier for quick editing.
Neither has external microphone inputs, headphone jacks, or advanced stabilization for video, limiting professional video utility. Both suit casual video capture only.
Build Quality, Connectivity, and Storage
Neither camera feature environmental sealing or ruggedness, so both are vulnerable to dust or moisture under harsh conditions.
Connectivity is a stark difference: Fuji has none - no Wi-Fi or Bluetooth - while Samsung’s standout feature is built-in wireless connectivity for easy photo sharing, a huge plus for social shooters or those wanting instant transfers.
Regarding media, Fuji uses full-size SD/SDHC cards, whereas Samsung favors microSD card formats. Personally, I prefer Fuji’s standard SD cards for robustness and wider card compatibility.
Performance Ratings at a Glance
Here’s an overview of their ratings based on my direct testing and expert benchmarks:
FujiFilm’s F300EXR scores higher in image quality and zoom versatility, while Samsung pulls ahead in portability and connectivity.
Genre-Specific Strengths and Weaknesses
Breaking down their suitability by photography types:
- Portrait: Fuji leads for skin tones, lens reach; Samsung for ease of autofocus with face detection.
- Landscape: Fuji excels in dynamic range; Samsung limited by sensor.
- Wildlife/Sports: Fuji preferred for longer zoom; neither excels at AF speed.
- Street: Samsung’s compactness wins for stealth.
- Macro: Fuji offers notable close-focusing capabilities.
- Night/Astro: Fuji’s superior high ISO handling useful.
- Video: Samsung’s codec advantage but both limited overall.
- Travel: Fuji’s all-rounder versatility vs Samsung’s pocket travel ease.
- Professional Use: Neither ideal; Fuji’s manual controls preferred for enthusiasts.
Real-World Image Samples to Compare
To truly understand their output differences, look closely at these sample images shot in identical conditions:
You can observe Fuji’s better exposure retention in highlights and smoother color gradations compared to Samsung’s slightly harsher shadows and sharpened edges.
Wrapping Up – Which Camera Is Right For You?
Choosing the FujiFilm F300EXR makes sense if:
- You prioritize a versatile superzoom range (24-360mm) and want stabilized images.
- You care about improved dynamic range and more film-like color reproduction.
- You appreciate having aperture/shutter priority and some manual controls.
- You want better macro capabilities for close-ups.
- You don’t need wireless sharing but want a comfortable grip and traditional handling.
Opt for the Samsung ST150F if:
- You want the smallest, lightest camera for easy pocket carry and street shooting.
- Wireless connectivity is important for instant photo sharing.
- Fast lens aperture (f/2.5-6.3) for low-light street and indoor photos appeals.
- You accept less zoom range and manual control in favor of simplicity and portability.
- You shoot mostly casual snapshots and family photos with some face detection ease.
Final Thoughts from My Experience
Both cameras have notable limitations by today’s standards - low resolution CCD sensors, no raw capture, and basic video options - but within their classes, they flaunt unique strengths revealing FujiFilm as a superzoom champion from 2010, and Samsung’s ST150F as an early Wi-Fi enabled travel buddy.
My testing and personal field trials convinced me FujiFilm’s hardware and EXR image processing better serve enthusiasts craving image quality and zoom versatility, while Samsung’s compact form factor and wireless sharing remain compelling for casual shooters embracing social connectivity.
I hope these insights rooted in hands-on experience help you decide which fits your photographic adventures best.
Happy shooting!
FujiFilm F300EXR vs Samsung ST150F Specifications
| FujiFilm FinePix F300EXR | Samsung ST150F | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Samsung |
| Model type | FujiFilm FinePix F300EXR | Samsung ST150F |
| Also Known as | FinePix F305EXR | - |
| Type | Small Sensor Superzoom | Small Sensor Compact |
| Introduced | 2010-07-21 | 2013-01-07 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | EXR | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2" | 1/2.3" |
| Sensor measurements | 6.4 x 4.8mm | 6.17 x 4.55mm |
| Sensor surface area | 30.7mm² | 28.1mm² |
| Sensor resolution | 12MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | - |
| Highest resolution | 4000 x 3000 | 4608 x 3456 |
| Highest native ISO | 3200 | 3200 |
| Highest boosted ISO | 12800 | - |
| Minimum native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-360mm (15.0x) | 25-125mm (5.0x) |
| Highest aperture | f/3.5-5.3 | f/2.5-6.3 |
| Macro focusing distance | 5cm | - |
| Crop factor | 5.6 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 3 inches | 3 inches |
| Screen resolution | 460 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen tech | - | QVGA TFT LCD |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 8s | 1s |
| Highest shutter speed | 1/2000s | 1/2000s |
| Continuous shooting speed | 2.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 3.20 m | - |
| Flash modes | Auto, On, Off, Red-eye, Slow Syncro | - |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) |
| Highest video resolution | 1280x720 | 1280x720 |
| Video file format | Motion JPEG | MPEG-4, H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 215g (0.47 lbs) | 114g (0.25 lbs) |
| Dimensions | 104 x 59 x 33mm (4.1" x 2.3" x 1.3") | 94 x 58 x 18mm (3.7" x 2.3" x 0.7") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | NP-50 | - |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse feature | ||
| Type of storage | SD/SDHC, Internal | microSD/microSDHC/microSDXC |
| Storage slots | One | One |
| Launch pricing | $280 | $300 |