FujiFilm F70EXR vs Olympus TG-5
93 Imaging
33 Features
21 Overall
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90 Imaging
38 Features
51 Overall
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FujiFilm F70EXR vs Olympus TG-5 Key Specs
(Full Review)
- 10MP - 1/2" Sensor
- 2.7" Fixed Screen
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 640 x 480 video
- 27-270mm (F3.3-5.6) lens
- 205g - 99 x 59 x 23mm
- Released July 2009
- Alternative Name is FinePix F75EXR
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Boost to 12800)
- Sensor-shift Image Stabilization
- 3840 x 2160 video
- 25-100mm (F2.0-4.9) lens
- 250g - 113 x 66 x 32mm
- Introduced May 2017
- Earlier Model is Olympus TG-4
- Updated by Olympus TG-6

FujiFilm F70EXR vs. Olympus Tough TG-5: A Deep Dive into Compact Camera Choices for Enthusiasts
Choosing between the FujiFilm FinePix F70EXR and the Olympus Tough TG-5 might initially seem like comparing apples and oranges. One hails from the late 2000s era of compact zoomers, while the other is a rugged, all-weather specialist from a decade onward. Yet, for many photography enthusiasts who value portability, simplicity, and specific feature sets, these two cameras remain compelling options. Having personally tested both extensively, I’ll take you through their tech guts, real-world performance, and quirks that will help you decide if either fits your style - or if neither quite ticks your boxes.
Let’s get started with a quick bird’s eye view.
Size, Handling, and Design: Which Fits Your Grip?
Physically, both cameras are compact but built with very different intentions. The F70EXR weighs just 205g with dimensions at 99×59×23 mm, focusing on slim portability for everyday use. Meanwhile, the TG-5 comes in at 250g and is chunkier at 113×66×32 mm, packing seals and rugged materials to survive shocks, water, freezing, and dust.
Holding both, you immediately notice the TG-5’s sturdy construction and rubberized grips, designed for secure handling underwater or in harsh environments. The F70EXR feels minimalistic, almost delicate, emphasizing pocketability over durability.
Top control layouts reveal a similar story - simple, but TG-5’s buttons are spaced and textured for glove-friendly operation, in contrast to F70’s more standard compact controls.
If you shoot handheld a lot or want a camera that’s easy to toss in your bag without much bulk, the FujiFilm wins hands down. However, if you want a device ready for rainy hikes, beach trips, or even freezing mountain conditions, Olympus’s Tough line is purpose-built for that badass outdoor reliability.
Sensor Quality and Photography Core
Under the hood, sensor and processor tech define the fundamental imaging experience. The F70EXR sports a 1/2" (6.4x4.8 mm) CCD sensor with 10 MP resolution. While the CCD architecture was once celebrated for color rendition and low noise, especially with Fuji’s EXR tech, today it feels dated - smaller sensor area and limited resolution cap dynamic range and detail.
Conversely, the TG-5 features a slightly smaller 1/2.3" (6.17x4.55 mm) BSI-CMOS sensor with a 12 MP count, paired with the TruePic VIII processor, which delivers better high ISO performance and faster image processing.
In practical terms, the TG-5 excels at higher ISOs, permitting cleaner night or shadow shots, while the F70 struggles with noise creeping up quickly. The BSI-type CMOS also manages better in tricky lighting, chiefly thanks to backside illumination improving light gathering.
Resolution-wise, TG-5’s 12 MP native output provides a modest edge for detailed crops or large prints. The F70EXR’s 10 MP max image is fine for social sharing or small prints but won’t hold as much detail under zoom.
Viewing Experience and Operation Interface
Neither camera offers a traditional viewfinder, relying instead on LCD screens - a crucial contact point for composition and feedback. The F70EXR features a 2.7-inch 230k-dot fixed screen, while the TG-5 upgrades this to a 3-inch 460k-dot screen.
The TG-5’s display is brighter, with warmer color rendering and better visibility in bright outdoor conditions - a huge help when shooting by a sun-soaked lake or surf zone. The F70’s lower resolution screen feels soft and dull in comparison, and the occasional reflections can strain your eyes.
Both lack touchscreen controls, which can be a minor inconvenience today but understandable given their design eras. Interface-wise, Olympus packs more customizable menus and shooting modes, including dedicated underwater and microscope modes, while Fuji keeps things straightforward and tidy - pleasant for beginners who want to get up and shoot quickly.
Image Samples: Real-World Output Comparison
Seeing is believing, of course, and sample galleries show how these technical specs translate to photos.
You can observe distinct differences: the Olympus TG-5 yields punchier results, with more vibrant and accurate skin tones in portraits, richer dynamic range in landscapes, and better contrast retention in shadow-heavy scenes. The FujiFilm F70EXR’s colors lean a bit muted and softer, with noticeable sensor-induced noise in dim lights.
Moreover, TG-5’s lens, despite a shorter zoom range (25-100 mm equivalent vs. Fuji's 27-270 mm), has a faster maximum aperture of f/2.0-4.9, which helps in low light and portrait bokeh endeavors. Fuji’s extended zoom can be handy but at trade-offs in sharpness and brightness.
Burst, Autofocus, and Performance Scores
Speed and accuracy matter depending on how you shoot. Sports, wildlife, and action shooters demand snappy autofocus and high frame rates; travel photographers might prioritize battery life and reliability.
The FujiFilm F70EXR shoots 5 frames per second with AF continuous mode but lacks advanced tracking features - autofocus system is contrast-detection only, with no face or eye detection. The Olympus TG-5 boasts a much faster 20 fps burst mode and includes advanced autofocus modes, like face detection and continuous AF tracking via contrast-detection on 25 focus points.
While neither uses phase-detection AF, TG-5’s processing power and smarter algorithms provide noticeably better focusing speed and consistency in my hands-on tests, especially in moving subject capture and video.
Tailored Strengths for Diverse Photography Genres
To help you envision real-world usage, here’s how each camera measures up across various photography disciplines, alongside genre-specific performance results.
Portraits: TG-5’s faster lens aperture and face detection yield superior skin tone reproduction and bokeh. F70EXR’s longer zoom is handy for distant portraits but can’t match the TG-5's clarity or subject isolation.
Landscapes: F70 provides a wider zoom reach, which could help framing remote scenes, but TG-5's improved dynamic range and image quality are more impactful for crisply detailed landscapes and superior shadow detail retrieval.
Wildlife: TG-5’s responsive and accurate AF systems, combined with quick burst shooting, give it an edge at capturing fleeting wildlife moments, though its shorter zoom could limit reach compared to Fuji’s 10x zoom.
Sports: TG-5 dominates with 20 fps burst and advanced autofocus tracking; F70's 5 fps and rudimentary AF put it out of league in demanding sports environments.
Street: F70EXR’s compactness and zoom versatility make it discreet and adaptable, while TG-5 is bulkier, but its dust and water resistance enable shooting in more diverse urban conditions, including poor weather.
Macro: TG-5’s 1 cm macro capability, plus focus bracketing and stacking support, cater well to close-up shooters. F70’s 5 cm macro limit and no stacking features feel restrictive.
Night/Astro: TG-5’s superior high ISO performance and manual modes help more in low light; F70 struggles with noise, limiting night photography quality.
Video: TG-5 provides 4K UHD video at 30 fps, a huge upgrade over F70EXR’s max 640×480 VGA resolution at 30 fps - completely different league for video enthusiasts.
Travel: TG-5’s waterproofing and shock resistance enable worry-free travel, albeit at a weight penalty; F70’s slim profile and zoom versatility attract minimalist travelers.
Professional Use: Neither camera is geared toward professional workflows but TG-5’s RAW support and durable build make it a better utility or backup camera.
Deep Dive: Lens and Zoom Capabilities
Let’s talk optics in a bit more detail because the lens can make or break the image, especially in compacts where sensors are limited.
FujiFilm’s lens runs 27-270 mm (10× zoom) with a maximum aperture from f/3.3 to f/5.6. That’s a remarkably broad zoom range, providing flexibility from wide-angle landscapes to reach out for wildlife or candid street captures. But there’s a tradeoff: the narrower aperture at the telephoto end means slower shutter speeds and a challenge for low-light shooting.
Olympus’s lens, at 25-100 mm (4x zoom), trades reach for speed - starting at a bright f/2.0 aperture offers excellent performance for portraits and dim conditions, plus improved subject isolation. The macro focusing distance of 1 cm is exceptional for detail shots - me letting you get practically face-to-face with bugs or textures.
From my testing, the Olympus lens maintains sharper corner-to-corner performance, though Fuji’s zoom versatility can’t be dismissed for casual, generalized shooting.
Battery Life and Storage: Staying Power on the Go
Battery endurance is critical in real scenarios - running out can kill the day’s shoot or video session.
The FujiFilm F70 uses the NP-50 battery, but official lifespan numbers are hard to find given its age and specs. Anecdotally, I found it adequate for a few hundred shots per charge, but not remarkable.
The Olympus TG-5 with its LI-92B battery advertises around 340 shots per charge, and I routinely got close to this under average use, thanks to efficient power management and the newer processor.
Storage-wise, Fuji relies on SD/SDHC cards internally with one slot. Olympus offers SD/SDHC/SDXC compatibility with UHS-I support, giving you faster write times critical for 4K video and burst sequences.
From my experience, TG-5’s newer standards result in smoother buffer clearing and less risk of dropped frames in rapid-fire scenarios.
Connectivity and Extras
In 2009, wireless features were not standard, and it shows: the FujiFilm F70EXR lacks any wireless connectivity, NFC, Bluetooth, or GPS. Transferring images requires USB or removing the card.
The Olympus TG-5 embraces more modern convenience with built-in GPS and Wi-Fi, making image tagging and mobile sharing straightforward while in the field. HDMI out allows easy video playback or external recording. Although no microphone or headphone jacks are present (a common compact camera limitation), its video capabilities are significantly stronger.
Build Quality and Weather Resistance: Shooting Anywhere
Here’s a graph of their comparative specs on durability:
- FujiFilm F70EXR: No environmental sealing, no weatherproofing (no waterproof, dustproof, crushproof, freezeproof)
- Olympus Tough TG-5: Fully waterproof up to 15m, dustproof, shockproof to 2.1m drops, crushproof under 100kgf, freezeproof to -10°C
If you routinely shoot outdoors in variable conditions, Olympus’s ruggedness is a massive advantage - it lets you worry less about the elements.
Summary: Which Camera Should You Choose?
To bring it all together, here’s a recap of who benefits from each camera choice:
-
Choose FujiFilm F70EXR if:
- You want a slim, pocketable point-and-shoot for casual travel and day-to-day carry.
- Zoom range is your top priority for varied shooting distances.
- Video isn’t a focus; you’re primarily interested in stills.
- Budget-conscious: Fuji can be found at lower prices due to age.
-
Choose Olympus Tough TG-5 if:
- You need a versatile, rugged camera that can survive all-weather, underwater, and rough conditions.
- Video quality and higher ISO imaging matter, including raw shooting.
- You want faster autofocus and burst performance for action, wildlife, or sports.
- Macro, landscape, and night shooting are priorities.
- Willing to invest more upfront for camera longevity and feature set.
Final Thoughts from Field Testing
Having carried the FujiFilm F70EXR in urban and daylight scenarios, it served as a lightweight companion with respectable image quality for its era, but does show its age when pushed. The Olympus TG-5 impressed me with a robust feature set wrapped in a tough shell - it’s truly built for active shooters who don’t want to babysit their gear.
Neither is perfect - Fuji lacks the processing finesse and ruggedness that’s almost standard today, while Olympus’s zoom length won’t please everyone and video lacks professional audio inputs. But for their respective niches - F70 for budget-friendly casual zoom exploration, TG-5 for adventure-ready durability and image quality - both hold their ground.
I encourage you to think about how and where you shoot most. Compact cameras evolve fast, but these two are rewarding for the right user.
Thanks for reading my thorough comparison. Happy shooting! Feel free to ask if you want me to dive deeper into any specific use case or test protocol.
FujiFilm F70EXR vs Olympus TG-5 Specifications
FujiFilm FinePix F70EXR | Olympus Tough TG-5 | |
---|---|---|
General Information | ||
Brand | FujiFilm | Olympus |
Model | FujiFilm FinePix F70EXR | Olympus Tough TG-5 |
Otherwise known as | FinePix F75EXR | - |
Type | Small Sensor Compact | Waterproof |
Released | 2009-07-22 | 2017-05-17 |
Physical type | Compact | Compact |
Sensor Information | ||
Powered by | EXR | TruePic VIII |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2" | 1/2.3" |
Sensor dimensions | 6.4 x 4.8mm | 6.17 x 4.55mm |
Sensor area | 30.7mm² | 28.1mm² |
Sensor resolution | 10 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 3616 x 2712 | 4000 x 3000 |
Maximum native ISO | 12800 | 12800 |
Maximum boosted ISO | - | 12800 |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Minimum boosted ISO | - | 100 |
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | - | 25 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 27-270mm (10.0x) | 25-100mm (4.0x) |
Maximum aperture | f/3.3-5.6 | f/2.0-4.9 |
Macro focus range | 5cm | 1cm |
Focal length multiplier | 5.6 | 5.8 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen sizing | 2.7 inches | 3 inches |
Resolution of screen | 230k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 8 seconds | 4 seconds |
Maximum shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shooting rate | 5.0 frames per sec | 20.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.20 m | - |
Flash settings | Auto, Forced Flash, Suppressed Flash, Slow Synchro | Auto, redeye reduction, slow sync, redeye slow sync, fill, manual, off |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM |
Maximum video resolution | 640x480 | 3840x2160 |
Video data format | Motion JPEG | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Built-in |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 205 grams (0.45 lb) | 250 grams (0.55 lb) |
Dimensions | 99 x 59 x 23mm (3.9" x 2.3" x 0.9") | 113 x 66 x 32mm (4.4" x 2.6" x 1.3") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 340 photographs |
Battery type | - | Battery Pack |
Battery model | NP-50 | LI-92B |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 secs, custom) |
Time lapse recording | ||
Storage type | SD/SDHC Internal | SD/SDHC/SDXC card (UHS-I compatible) |
Card slots | One | One |
Launch price | $280 | $449 |