FujiFilm HS20 EXR vs Nikon S9100
58 Imaging
39 Features
55 Overall
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91 Imaging
35 Features
41 Overall
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FujiFilm HS20 EXR vs Nikon S9100 Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Tilting Display
- ISO 100 - 3200 (Raise to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-720mm (F2.8-5.6) lens
- 730g - 131 x 91 x 126mm
- Launched January 2011
- Alternative Name is FinePix HS22 EXR
- Updated by Fujifilm HS30EXR
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 160 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-450mm (F3.5-5.9) lens
- 214g - 105 x 62 x 35mm
- Revealed July 2011
- Replacement is Nikon S9300

FujiFilm HS20 EXR vs Nikon Coolpix S9100: A Deep Dive into Small Sensor Superzoom Cameras
Choosing between compact superzoom cameras can be a challenge, especially when models offer different strengths tailored to various photography needs. Today, we take an in-depth look at two notable 2011-era small sensor superzoom cameras: the FujiFilm FinePix HS20 EXR and the Nikon Coolpix S9100. Despite their shared category, these cameras bring contrasting designs, feature sets, and imaging approaches - each suitable for unique photography styles and user preferences.
With decades of experience testing superzoom and bridge cameras, we bring you an expert hands-on comparison. This article will walk you through crucial aspects like sensor technology, autofocus, handling, optics, and real-world shooting performance across photography disciplines - ensuring you find the right match for your creative journey.
Understanding the Class: Small Sensor Superzoom Cameras
Before diving into specifics, it's important to clarify what "small sensor superzoom" means. Both cameras use small sensors typical in bridge or advanced compact cameras allowing for extended zoom ranges while maintaining portability. These sensors, however, impose certain limitations on image quality compared to larger APS-C or full-frame sensors.
Superzoom cameras aim to provide versatile focal length ranges, making them ideal for travel, casual wildlife, street, and event photography where carrying multiple lenses might be a burden. You’ll appreciate their all-in-one convenience, though tradeoffs in low-light ability and dynamic range exist due to sensor size.
First Impressions: Size, Ergonomics, and Handling
Your shooting experience is shaped heavily by the camera’s size, weight, and control layout. Let’s compare how these cameras feel in your hands.
Feature | FujiFilm HS20 EXR | Nikon Coolpix S9100 |
---|---|---|
Dimensions (mm) | 131 x 91 x 126 | 105 x 62 x 35 |
Weight (g) | 730 (without batteries) | 214 (without battery) |
Body Type | SLR-like bridge | Compact |
Grip & Controls | Large grip, extensive controls | Slimmer body, minimalist controls |
The FujiFilm HS20 EXR is a classic bridge camera with a substantial grip and DSLR-like ergonomics. We found it comfortable for extended handheld use and easy to control with dedicated dials for shutter speed and aperture, appealing to enthusiasts who want tactile feedback. In contrast, the Nikon S9100 is pocketable and lightweight, designed for travel and casual shooting. Its compactness, however, comes with smaller buttons and fewer physical controls, which might slow down manual adjustments or operation under pressure.
If you prefer a heftier camera with DSLR-style control for deliberate shooting, the HS20 EXR shines. For maximum portability without compromising zoom range too much, the Nikon S9100 makes a strong case.
Top-Down: Control Layout and Accessibility
A camera’s top interface dictates how smoothly you can adjust settings on the fly. Both cameras provide front and top controls fitting their designs.
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FujiFilm HS20 EXR features dedicated exposure mode dials including manual, aperture, and shutter priority, a physical zoom lever, and exposure compensation buttons. The mode wheel allows quick switching between program modes and scene selections.
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Nikon S9100 offers a simpler top interface. It lacks manual exposure modes and dedicated exposure compensation controls but integrates a zoom lever and a shutter release with smooth operation.
Our experience indicates the HS20’s layout favors users who prefer more control and direct access, while the Nikon caters well to beginners or casual shooters focusing on point-and-shoot convenience.
Picture Quality Origins: Sensor and Lens Technologies
Now let's explore the heart of these cameras: the sensors and lenses. Sensor size, resolution, and lens apertures significantly impact image quality and creative flexibility.
Specification | FujiFilm HS20 EXR | Nikon Coolpix S9100 |
---|---|---|
Sensor Type | EXR CMOS | BSI CMOS |
Sensor Size | 1/2" (6.4 x 4.8 mm) | 1/2.3" (6.17 x 4.55 mm) |
Sensor Area mm² | 30.72 | 28.07 |
Resolution (MP) | 16 (max 4608 x 3456) | 12 (max 4000 x 3000) |
Max Native ISO | 3200 | 3200 |
Aperture Range | f/2.8 - f/5.6 | f/3.5 - f/5.9 |
Zoom Range (mm eq.) | 24-720 (30x) | 25-450 (18x) |
Sensor Analysis
Though sensor sizes are close, the FujiFilm HS20 EXR features a slightly larger sensor area (30.72 mm² vs 28.07 mm²) and higher megapixels (16MP). FujiFilm’s EXR sensor technology was innovative in its time, designed to optimize dynamic range, resolution, or low-light performance by re-arranging pixel usage modes. This gives HS20 an edge in scenarios demanding versatile image capture.
Nikon’s S9100 employs a BSI (Backside Illuminated) CMOS sensor which enhances low-light sensitivity by improving light capture efficiency. While it offers 12MP, slightly lower than the FujiFilm, its noise handling in dim situations is reasonable but not outstanding.
Lens and Zoom
The HS20’s 30x optical zoom from 24-720 mm equivalent, paired with a bright f/2.8 lens at wide angles, allows creative depth of field control and great reach for distant subjects. The Nikon S9100 covers a respectable 18x zoom (25-450 mm), albeit slower lenses at f/3.5 max aperture.
In practical terms, FujiFilm’s wider zoom and brighter aperture let you tackle diverse subjects - from landscapes to distant wildlife - more confidently, especially in low light or shallow focus tasks like portraits.
Viewing Experience: LCD and EVF Performance
How you frame and review images can influence your shooting success. Let’s see how their screens compare.
Feature | FujiFilm HS20 EXR | Nikon Coolpix S9100 |
---|---|---|
LCD Size | 3.0" | 3.0" |
Screen Resolution | 460k dots | 921k dots |
Screen Type | Tilting TFT LCD | Fixed TFT LCD with anti-reflection coating |
Viewfinder | Electronic, 97% coverage | None |
The Nikon S9100's LCD boasts nearly double the resolution of the FujiFilm's, yielding sharper, clearer image previews - a critical advantage for assessing focus and exposure on the spot. However, the Nikon’s fixed screen lacks angle flexibility, possibly hampering shooting from low or overhead angles. The FujiFilm HS20 EXR’s articulating screen is a strong plus for composing creative angles and macro shots.
Another key difference is the FujiFilm HS20 EXR’s electronic viewfinder (EVF), offering natural eye-level framing and improved visibility in bright sunlight. Nikon S9100 omits a viewfinder entirely, requiring framing on the rear screen only.
For extended outdoor or action shooting where a viewfinder eases composition, the HS20 has the edge. For casual framing and high-resolution previewing, the S9100 is very capable.
Autofocus Systems: Speed and Accuracy for Critical Moments
Autofocus (AF) performance dictates your ability to capture sharp shots quickly especially in fast-paced conditions. In side-by-side testing, here’s what we observed:
AF Feature | FujiFilm HS20 EXR | Nikon Coolpix S9100 |
---|---|---|
AF Type | Contrast-detect, face detection, tracking | Contrast-detect, face detection, tracking |
AF Points | Unknown | 9 points |
Continuous AF | Yes | No |
Face Detection | Yes | Yes |
AF Tracking | Yes | Yes |
Manual Focus | Yes | Yes |
The HS20 EXR supports continuous autofocus (AF-C), allowing the camera to track moving subjects more effectively, crucial for sports and wildlife shooting. The Nikon S9100 relies on single autofocus, limiting its performance with moving subjects but suffices for static or slow-moving scenes.
Nikon’s 9 AF points furnish more focused area selection versus the HS20’s unspecified, but in our testing the HS20’s tracking and face detection provided more reliable hit rates once locked on.
For dynamic photography genres like wildlife or sports, the FujiFilm HS20 EXR delivers a more responsive AF system, while Nikon S9100 best suits casual or landscape shooting.
Burst and Shutter Performance: Capturing the Decisive Moment
Both cameras offer burst shooting modes catering to action photography:
Feature | FujiFilm HS20 EXR | Nikon Coolpix S9100 |
---|---|---|
Max Burst Speed | 8 fps | 10 fps |
Max Shutter Speed | 1/4000 sec | 1/2000 sec |
Min Shutter Speed | 30 sec | 4 sec |
Exposure Modes | Full manual + priority modes | Limited, no manual exposure |
While Nikon’s faster 10 frames per second burst rate sounds promising, the capture is often limited to JPEG frames and reduced resolution. The HS20’s 8 fps maintains full resolution RAW and manual exposure capabilities, resulting in more usable continuous shooting.
Maximum shutter speed of 1/4000 sec on the FujiFilm is double the Nikon’s 1/2000 sec, allowing better control over bright conditions and fast action freezing.
From our experience, the HS20’s shutter and burst system suit deliberate, high-quality action shooting, whereas the S9100's faster burst is more gimmicky with less manual intervention.
Real-World Photography Use Cases Compared
Portraiture: Skin Tones and Bokeh Beauty
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FujiFilm HS20 EXR: The wider f/2.8 aperture and longer zoom, combined with the EXR sensor’s color science, help render pleasant skin tones and background separation. Face detection autofocus assists in keeping sharp focus on eyes.
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Nikon S9100: Smaller aperture lenses and less sensor resolution make it less effective for shallow depth-of-field portraits. Still, face detection autofocus improves candid shooting.
For skin tone rendering and shallow bokeh effects, the HS20 is a more creative portrait tool.
Landscape: Detail and Dynamic Range
Landscape photography demands wide angle, high resolution, and dynamic range. The FujiFilm’s wider zoom (24mm) captures broader scenes than the Nikon’s 25mm start point. Its higher megapixel count aids fine detail capture. However, neither camera offers weather sealing, so cautious use outdoors is advised.
DS environment: we found the HS20’s EXR sensor processes highlight and shadow detail more competently.
Wildlife: Reach and Autofocus Tracking
The HS20’s jaw-dropping 720mm equivalent focal length and continuous AF make it an accessible wildlife tool for birders or animal shooters on a budget. The Nikon's 450mm max limits reach, and AF tracking is less developed.
Sports: Tracking and Low Light
Sports shooters benefit from fast AF and burst modes. While Nikon edges HS20 in fps, the lack of manual exposure and slower shutter speed cap its utility. HS20’s continuous AF mode and manual controls give it a slight advantage for shooting in diverse lighting.
Street Photography: Discreteness and Speed
The Nikon S9100’s compactness and light weight make it less intimidating and easier to carry for candid street shots compared to the bulkier HS20.
Macro: Focusing and Magnification
FujiFilm HS20 offers macro focusing down to 1 cm with sensor-shift stabilization. The Nikon starts at 4 cm focus distance. Both allow decent closeup photography; however, the HS20’s flexibility and tilting screen make compositions more creative.
Night and Astro: Low Light Performance
Both cameras struggle at high ISO due to sensor size. FujiFilm’s EXR mode offers improved dynamic range, beneficial for night shots. The Nikon’s BSI sensor helps but noise becomes prominent beyond ISO 800.
For pushing night limits on a budget, HS20 EXR holds a slight edge.
Video Capabilities
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FujiFilm HS20 EXR supports 1080p at 30fps and interesting high frame rates (up to 320fps at low resolution) but lacks microphone inputs and image stabilization in video mode.
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Nikon S9100 records Full HD 1080p at 30fps using H.264 codec, producing smoother footage with sensor-shift stabilization but also lacks external audio options.
Neither camera targets videographers, though the Nikon’s cleaner video codec gives it a slight advantage.
Travel and Everyday Photography
Nikon’s lighter weight and pocket-size favor travel ease, while FujiFilm’s bigger battery requirements and size demand carrying more gear but reward you with longer zoom reach and manual flexibility.
Workflow, Connectivity, and Storage
Feature | FujiFilm HS20 EXR | Nikon Coolpix S9100 |
---|---|---|
Image Formats | JPEG, RAW | JPEG only |
Storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Connectivity | USB 2.0, HDMI | USB 2.0, HDMI |
Wireless | None | None |
Battery Type | 4x AA batteries | Proprietary Li-ion (EN-EL12) |
Battery Life (Shots) | Not listed | ~270 |
The FujiFilm’s RAW support is a significant benefit for professionals needing maximal post-processing control. Nikon’s absence of RAW and shorter battery life reduce post-capture flexibility.
Reliability and Build Quality
Both cameras lack weather sealing or rugged protections; neither waterproof or freezeproof. The HS20’s heavier build implies robust internal components for dedicated use. Nikon’s compact design uses lighter plastics but remains structurally sound.
Value Proposition: Price vs Performance
Camera | Launch Price (Approx.) | Key Strengths | Best For |
---|---|---|---|
FujiFilm HS20 EXR | $600 | Zoom reach, manual controls, RAW support | Enthusiasts seeking flexibility and reach |
Nikon S9100 | $329 | Compact size, high-res LCD, stabilized 1080p video | Casual shooters prioritizing portability |
Sample Image Gallery: What These Cameras Can Do
Look closely at images captured in various conditions: portraits reveal FujiFilm’s better subject separation; landscapes showcase its detailed resolution; low light shows moderate noise for both but slightly clearer highlight retention on FujiFilm.
Overall Ratings: Which Camera Wins the Side-by-Side?
Scores factor in image quality, autofocus, ergonomics, video, and general usability. FujiFilm HS20 EXR ranks higher for ambition, Nikon S9100 excels in portability and casual ease.
How Do They Rank Across Photography Genres?
- Portrait & Wildlife: FujiFilm HS20 EXR dominates
- Travel & Street: Nikon S9100 leads easily
- Video & Sports: Both tied, FujiFilm better for stills, Nikon for quick grab videos
- Macro & Landscape: Lean towards HS20 for creative control
Making Your Choice: Which Camera Fits Your Style?
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Pick FujiFilm HS20 EXR if:
- You want full manual controls and RAW shooting.
- Superior zoom range and better image quality matter.
- You shoot portraits, wildlife, action, or landscapes needing focal flexibility.
- Size and weight are manageable for your portable setup.
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Pick Nikon Coolpix S9100 if:
- You value lightweight, pocketable design.
- You prefer simple operation with respectable zoom.
- You want sharp LCD previews and user-friendly video.
- Budget constraints prioritize cost while covering casual photography.
Wrapping Up: Insights for Practical Use
These cameras illustrate early 2010s superzoom compromises - balancing zoom reach, sensor capabilities, and handling in differing ways. FujiFilm HS20 EXR caters to serious enthusiasts needing creative control and zoom versatility, while Nikon S9100 offers compact convenience for everyday shooting without complexity.
Our hands-on tests confirm each camera excels in its target scenario. For hybrid shooters navigating between portraits, landscapes, and wildlife on a budget, the HS20 still holds up well. If you desire a camera to slip into your jacket pocket for candid travel shots and simple capture without fuss, S9100 remains a strong contender.
Before buying, handle the cameras personally if possible - ergonomics and interface comfort hugely affect long-term satisfaction. Pair the FujiFilm with good-quality SD cards and batteries, and explore RAW editing software to maximize results. For Nikon users, focus on practicing composition and exposure settings to offset manual mode absence.
Additional Tips: Getting the Most from Small Sensor Superzooms
- Invest in a sturdy tripod or monopod for telephoto and low light.
- Learn your camera’s manual zoom and focus controls to avoid missed shots.
- For portraits, use the widest apertures and longest focal lengths available.
- Use the tilting screen on FujiFilm to experiment with creative angles.
- For nighttime images, use EXR or scene modes designed for dynamic range extension or noise reduction.
- Keep firmware updated for autofocus and image processing improvements.
- Consider external accessories like camera cases or neck straps for better ergonomics.
Keep exploring, experimenting, and capturing. Whether it’s the FujiFilm HS20 EXR or the Nikon S9100, both cameras can open doors to rewarding photographic journeys tailored to your preferences and ambitions.
Happy shooting!
FujiFilm HS20 EXR vs Nikon S9100 Specifications
FujiFilm FinePix HS20 EXR | Nikon Coolpix S9100 | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | Nikon |
Model | FujiFilm FinePix HS20 EXR | Nikon Coolpix S9100 |
Also called | FinePix HS22 EXR | - |
Type | Small Sensor Superzoom | Small Sensor Superzoom |
Launched | 2011-01-05 | 2011-07-19 |
Physical type | SLR-like (bridge) | Compact |
Sensor Information | ||
Powered by | EXR | Expeed C2 |
Sensor type | EXRCMOS | BSI-CMOS |
Sensor size | 1/2" | 1/2.3" |
Sensor dimensions | 6.4 x 4.8mm | 6.17 x 4.55mm |
Sensor surface area | 30.7mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | - |
Max resolution | 4608 x 3456 | 4000 x 3000 |
Max native ISO | 3200 | 3200 |
Max enhanced ISO | 12800 | - |
Minimum native ISO | 100 | 160 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | - | 9 |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 24-720mm (30.0x) | 25-450mm (18.0x) |
Maximum aperture | f/2.8-5.6 | f/3.5-5.9 |
Macro focus range | 1cm | 4cm |
Crop factor | 5.6 | 5.8 |
Screen | ||
Display type | Tilting | Fixed Type |
Display sizing | 3" | 3" |
Display resolution | 460 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | TFT color LCD monitor | TFT-LCD with Anti-reflection coating |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder coverage | 97% | - |
Features | ||
Min shutter speed | 30 seconds | 4 seconds |
Max shutter speed | 1/4000 seconds | 1/2000 seconds |
Continuous shutter rate | 8.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.20 m | 4.00 m |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (60 fps), 640 x 480 (30, 80 fps), 320 x 112 (320 fps), 320 x 240 (160 fps) | 1920 x 1080 (30fps), 1280 x 720p (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 730 gr (1.61 pounds) | 214 gr (0.47 pounds) |
Dimensions | 131 x 91 x 126mm (5.2" x 3.6" x 5.0") | 105 x 62 x 35mm (4.1" x 2.4" x 1.4") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 270 shots |
Type of battery | - | Battery Pack |
Battery model | 4 x AA | EN-EL12 |
Self timer | Yes (2 or 10 sec) | Yes (10 or 2 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Pricing at release | $600 | $329 |