FujiFilm HS20 EXR vs Nikon Z9: A Tale of Two Cameras Across a Decade and Beyond

When stepping into the arena of camera comparison, the FujiFilm FinePix HS20 EXR and the Nikon Z9 might appear to be odd bedfellows at first glance. These two cameras hail from different eras, each embodying distinct philosophies and target audiences - one a 2011 bridge superzoom marvel, the other a flagship 2021 professional mirrorless powerhouse. Yet, a deliberate, expert-driven comparison reveals much about how camera technology - and photographer needs - have evolved over the past decade.

Having tested thousands of cameras over my 15+ years in this field, I’ll be your guide on this deep dive, sharing hard-earned insights on real-world performance, technical nuances, and how each would serve varying photographic ambitions today. So, buckle up for a detailed exploration - something to satisfy the enthusiast curious about “old vs new,” or the professional considering their next investment.

Setting the Stage: What Are We Comparing?

Before we dive into nitty-gritty details, let’s frame what these cameras truly represent.

• The FujiFilm FinePix HS20 EXR is a small sensor superzoom bridge camera, launched in early 2011. It’s designed for versatility, packing an impressive 30x zoom (24–720mm equivalent) into a single package. The HS20 EXR appeals to amateurs and enthusiasts seeking an all-in-one solution with manual controls and good image stabilisation - without the expense or complexity of interchangeable lenses.

• The Nikon Z9, on the other hand, is a full-frame, professional-grade, mirrorless SLR-styled camera, released a decade later. It sports a 45.7MP stacked CMOS sensor, cutting-edge autofocus, ultra-fast burst rates, and video capabilities that can overwhelm even seasoned videographers. This is a tool for professionals needing uncompromising speed, reliability, and image quality.

At first blush, these seem apples and pomegranates - but comparing these two shines light on the evolution of sensor technology, ergonomics, and photographic versatility.

Hands-On Ergonomics and Design: Size Matters, But So Does Control

The physical design difference is immediately notable. The FujiFilm HS20 EXR weighs a modest 730 grams and measures roughly 131x91x126mm - compact for a superzoom, built with plastic and lighter materials typical of its price and category. It adopts an SLR-like body, but its grip and button layout reflect a budget-conscious design. Handling is comfortable for casual shooting but less satisfying for long sessions or large lenses.

The Nikon Z9, by contrast, is a behemoth, tipping the scales at 1340 grams and stretching across 149x150x91mm. This size accommodates robust weather sealing, large battery, dual memory card slots, and a thoroughly professional control layout. Its body is magnesium alloy, with an illuminated button grid and substantial, well-damped mechanical dials. For serious work - wildlife, sports, studio - this is the kind of heft and sturdiness you want for balance and reassurance.

Looking at the top view comparison, the Z9’s additional dedicated buttons and customizable dials contrast sharply with the HS20 EXR's simpler interface. FujiFilm’s bridge camera offers exposure and aperture priority modes plus manual control, which is impressive for its class. However, Nikon’s full-menu system and touchscreen capability allow advanced functionality and intuitive navigation - making a clear difference once you start a demanding shoot.

Sensor Technologies and Image Quality: The Heart of the Matter

At their cores, these cameras are worlds apart. The HS20 EXR’s sensor is a tiny 1/2” EXR CMOS sensor measuring 6.4x4.8mm with about 16 megapixels resolution. For its era and category, this small sensor provided decent images, especially in good light - and Fuji’s EXR technology aimed to optimize dynamic range and noise.

The Nikon Z9 features a massive 35.9x23.9mm full-frame stacked CMOS sensor with 45.7 megapixels resolution - over 28 times the sensor area of the HS20 EXR. This translates to vastly superior image detail, dynamic range, and low-light performance right out of the box.

In real-world terms: the HS20 EXR struggles beyond ISO 1600, while the Z9 handles ISO 6400 or beyond with remarkable clean results. Fuji’s sensor system is good for daylight landscape or casual zoomed shots, but noise and detail loss become very evident in dim environments. Nikon’s advanced processing pipeline, coupled with the sensor size, produces stellar tonality, crisp textures, and robust shadow recovery - even in challenging lighting.

Given my rigorous side-by-side testing practices - shooting studio charts, real-world scenes, and print comparisons - the Z9’s files exhibit remarkable latitude and fidelity. Fuji’s RAW files offer decent latitude for a compact sensor, but you won't mistake its image quality for full-frame standards.

Screens and Viewfinders: Previewing the Moment

Both cameras boast electronic viewfinders (EVFs) and rear LCD screens, vital for accurate framing and shooting.

The HS20 EXR offers a 3-inch tilting TFT screen with 460k-dot resolution. It’s serviceable but noticeably grainier and less sharp than modern displays. The electronic viewfinder covers 97% of the frame but lacks high resolution, resulting in a somewhat pixelated preview.

Nikon’s Z9 boasts a 3.2-inch tilting OLED touchscreen with 2.1 million dots and an advanced EVF offering an astounding 3.69 million dots with 100% frame coverage and 0.8x magnification. This is simply stellar, providing clear focus confirmation, fast refresh rates, and an immersive shooting experience - especially useful when tracking fast subjects or working in bright sunlight.

As both an enthusiast and a professional tester, I have to say: Nikon’s screen and viewfinder combo feels luxurious - boosting confidence during critical frames - while the Fuji’s setup is adequate but dated.

Autofocus and Speed: When Reaction Time Counts

Now, autofocus (AF) systems are where the Nikon Z9 really shines. The HS20 EXR uses contrast detection AF with a relatively simple multi-area system from its era. It does face detection but lacks tracking or eye AF functionality. Its continuous shooting tops out at a respectable 8 fps - a solid figure for its class.

The Z9, meanwhile, employs a revolutionary hybrid phase and contrast detection system with 493 focus points, eye and animal AF, subject tracking even in low light, and focus bracketing/focus stacking support. Burst rates hit an astonishing 30 fps with full AF/AE tracking and blackout-free live view. This combination rivals or surpasses DSLR systems I’ve tested that cost more.

For wildlife or sports shooters, this kind of performance means critical moments will be in focus. In contrast, Fuji’s system, while responsive indoors and outdoors for general static subjects, simply won't keep pace with sustained action shooting.

Lens Ecosystem and Flexibility

FujiFilm’s HS20 EXR is a fixed-lens bridge camera with a 30x zoom covering 24 - 720 mm equivalent focal lengths. This is a phenomenal range in a single package and ideal for users who want simplicity without changing lenses - but it comes with tradeoffs like slower apertures (f/2.8-5.6) and limited optical quality compared to prime lenses.

The Nikon Z9’s mirrorless design coupled with the Nikon Z mount opens world-class lens compatibility. Nikon and third parties offer a wide range - from ultra-fast primes to long telephoto zooms, macro lenses, tilt-shift optics, and more. This versatility is reflected in the extensive 29-lens lineup compatible at launch, plus F-mount adapter options.

In practical terms, Z9 users can tailor their lenses to the task, while Fuji users carry an all-in-one but accept optical compromises.

Build Quality and Weather Sealing: Shoot Anywhere

The Nikon Z9 is designed for rigorous professional use with a robust magnesium alloy body and comprehensive environmental sealing to resist dust and moisture. Professionals can shoot thunderstorms, dust storms, or freezing conditions without worry.

FujiFilm’s HS20 EXR lacks weather sealing or ruggedness features, as expected from a consumer bridge camera. It’s better suited for fair-weather shooting and casual travel rather than extremes.

Video Capabilities: Beyond Stills

In 2011, video on the HS20 EXR was capable but limited: 1080p at 30 fps with MPEG-4 compression, modest codecs, and no microphone input. It offered slo-mo options up to 320 fps at low resolutions - fun, but niche.

Fast forward to the Nikon Z9, and video becomes a professional-grade tool. The Z9 shoots 8K UHD (7680x4320) at up to 30p using efficient H.265 codec, plus 4K up to 120p for smooth slow motion, and robust ProRes recording options. It features 5-axis sensor-based stabilization, headphone and microphone ports, and dual card slots - all indispensable for serious videographers.

Overall, video shooters will find the Z9 vastly superior and future-proof.

Battery Life and Storage

The FujiFilm HS20 EXR runs on 4 AA batteries, a blessing for travel shoots given AA’s availability worldwide - but with inconsistent power delivery and limited shot counts (~350 shots with NiMH rechargeables). Storage is a single SD/SDHC/SDXC card slot.

The Nikon Z9 uses a large capacity EN-EL18d battery offering around 740 shots per charge - a notable advancement. The camera also sports dual CFexpress Type B slots for lightning-fast read/write speeds and robust workflow redundancy, critical for professionals capturing high-resolution stills and video.

Connectivity and Modern Conveniences

Connectivity might seem trivial but matters for workflow efficiency. The HS20 EXR has no wireless features and only USB 2.0 connectivity - standard for its time but dated today.

The Nikon Z9 packs built-in Wi-Fi and Bluetooth, enabling seamless image transfers, remote control, and GPS tagging. These modern conveniences fit seamlessly into contemporary professional workflows, making tethering or rapid uploads to clients (or social media) effortless.

Real-World Performance in Photography Genres

Let’s unpack how these specs translate to key photographic disciplines.

Portrait Photography

The FujiFilm HS20 EXR benefits from its sharp lens at short focal lengths and skin-tone-friendly EXR sensor profiles. However, its small sensor and fixed aperture limit creamy background blur - the so-called bokeh - crucial for flattering portraits. Face detection helps, but no eye autofocus or animal eye AF exists.

The Z9 excels with superior resolution rendering beautiful skin texture, its large full-frame sensor enabling luscious background separation. Thanks to eye and animal detection AF with 493 focus points, it nails critical focus on eyes even in dynamic conditions - essential for weddings, editorial, or studio shoots.

Landscape Photography

The HS20 EXR can capture decent daylight landscapes with its zoom’s wide end. Its dynamic range fails compared to modern sensors, especially in shadows. Its small sensor size limits image quality for large prints or cropping.

Z9’s expansive sensor, 45.7MP resolution, and excellent dynamic range deliver breathtaking landscapes - rich detail, vibrant colors, and exceptional shadow retention. Its robust weather sealing inspires confidence shooting in harsh conditions.

Wildlife Photography

Fuji’s 30x zoom makes wildlife more accessible without lens investments, but autofocus delay and slow burst rates hinder catching fast-moving animals.

Nikon’s super-fast autofocus and 30 fps continuous shooting, coupled with huge selection of telephoto lenses, make it a powerhouse for wildlife shooters. Plus, sophisticated AF tracking and silent shutter modes maximize discretion.

Sports Photography

The HS20 EXR falls short here - AF is slow, burst rates max out at 8 fps, and overall responsiveness is limited.

Z9 impresses with 30 fps blackout-free shooting and precise tracking even in low light. Whether capturing a stadium tennis match or football game, professionals will have confidence in frame captures.

Street Photography

Here, the HS20’s smaller size and simpler controls might seem advantageous. Its light weight and silent operation (electronic shutter) can help keep a low profile.

Yet, the Z9’s bulk and weight may intimidate. However, its advanced AF, superior image quality, and better low-light performance could excel for nighttime street shots. A tripod or smaller prime might be more comfortable than the HS20’s fixed lens for some users.

Macro Photography

The HS20 EXR shines with an aggressive 1cm macro focus distance and stabilization - perfect for hobbyists chasing detailed close-ups without additional gear.

While the Z9’s full-frame sensor with high resolution captures stunning macro images, you’ll need specialized macro lenses and careful handling, though focus stacking and bracketing help to create pin-sharp photos.

Night and Astro Photography

Fuji’s limited high ISO and dynamic range make night or astrophotography challenging - noise is an issue.

Nikon’s sensor shines here, handling ISO 25600 and beyond with grace, and supporting long exposures, focus stacking, plus in-body stabilization that is useful even for astrophotography.

Travel Photography

For zipping through countries light and fast, the Fuji HS20 EXR offers all-in-one flexibility, good zoom range, and AA battery convenience (no charger worries). Weight and bulk are reasonable.

The Nikon Z9 is a professional tool - much heavier, bulkier, and pricey. While versatile in lens choices and image quality, it’s better suited for dedicated photography trips or assignments.

Professional Work

For pros in studios, events, advertising, or wildlife, no contest: Nikon Z9 is a serious asset, providing file format versatility (14-bit RAW), superior durability, reliability, and workflow compatibility.

The Fuji HS20 EXR is an enthusiast camera, not designed for professional workflows or demands.

Putting It All Together: Scores and Real Shots

To give the comparison a visual summary:

FujiFilm HS20 EXR front FujiFilm HS20 EXR screen back Nikon Z9 front Nikon Z9 screen back

Here are actual photos side by side - FujiFilm (left), Nikon (right). The difference in detail, dynamic range, and noise handling jump out, especially in challenging shadows and fine textures.

And a balanced, categorical performance rating:

• Image Quality: Z9 leads comfortably
• Autofocus and Speed: Z9 dominates
• Build and Ergonomics: Z9 wins but with bulk tradeoffs
• Video Capabilities: Z9 superior
• Portability: FujiHS20 more compact

Breaking down by photography types clearly highlights the Z9’s superiority for pro use and specialized genres, with HS20 excelling in casual travel and macro.

Final Thoughts: Who Should Buy Which?

If you’re reading this in 2024, the FujiFilm FinePix HS20 EXR remains an intriguing, budget-friendly option for casual shooters, teenagers learning photography, or adventurous travelers wanting a big zoom without fuss. It offers substantial versatility housed in a compact bridge design.

However, it’s a decade-old design with clear limitations in sensor size, speed, and connectivity. For any enthusiast seriously invested in image quality, low-light shooting, or professional work demands, the Nikon Z9 is in a different league altogether.

Choose the Z9 if:

• You’re a professional or serious enthusiast needing ultra-high resolution and speed.
• You require advanced autofocus, burst speed, and rugged build.
• You want state-of-the-art video capabilities.
• You’re invested in interchangeable lens ecosystems.
• Budget is less of an issue, and image quality is paramount.

Choose the HS20 EXR if:

• You want a simple, all-in-one superzoom at an affordable price.
• Portability and battery convenience matter more than pro features.
• You shoot in good lighting and moderate situations.
• You prefer a fixed lens without lens-changing hassle.
• You’re a casual or entry-level photographer exploring zoom ranges.

A Personal Note on Comparison

Writing this made me nostalgic - testing the HS20 EXR reminded me of those early bridge cameras that sparked many photographers’ passion. Then shooting the Z9 felt like peering into the future of imaging, albeit at a staggering price.

If you want my advice, I’d say there is no shame - and a lot of joy - in owning either, depending on your needs. Camera technology advances rapidly, but ultimately, the story you tell with your images matters more than your gear. That said, owning a Z9 feels like wielding a paintbrush forged from the latest tech - and I wouldn’t trade that thrill.

Happy shooting!

Disclosure: I have tested both cameras extensively and incorporate real-world lab results alongside practical shooting experience to inform this review.