FujiFilm JX300 vs Fujifilm S4500
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FujiFilm JX300 vs Fujifilm S4500 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Raise to 3200)
- 1280 x 720 video
- 28-140mm (F2.6-6.2) lens
- 130g - 94 x 56 x 24mm
- Launched January 2011
- Alternative Name is FinePix JX305
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 1600 (Expand to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.1-5.9) lens
- 543g - 118 x 81 x 100mm
- Revealed January 2012
Meta to Introduce 'AI-Generated' Labels for Media starting next month FujiFilm FinePix JX300 vs. Fujifilm FinePix S4500: A Hands-On Comparison for Enthusiasts and Pros
Choosing the right camera can feel overwhelming, especially when options present vastly different designs and capabilities while sharing the same heritage - FujiFilm’s dedication to image quality and innovation. Today, we’ll dive deep into a side-by-side comparison between two distinct FujiFilm models: the FinePix JX300, a compact small sensor camera, and the FinePix S4500, a superzoom bridge camera. Though both use similar CCD sensor technology, their approaches, ergonomics, and features cater to different photographic ambitions.
Drawing on our comprehensive hands-on testing and evaluation across genres and use cases, this article will break down their specs, real-world performance, and who each camera is best suited for. We’ll also add unique insights on how their technology holds up with modern expectations.
Let’s begin by establishing the foundational differences at a glance.
Getting to Know the Cameras: Compact vs. Bridge
Both cameras come from FujiFilm’s FinePix line but position themselves on different ends of the small sensor spectrum:
| Feature | FujiFilm FinePix JX300 | FujiFilm FinePix S4500 |
|---|---|---|
| Launch Year | 2011 | 2012 |
| Body Type | Compact | Bridge (SLR-style) |
| Sensor Type | 1/2.3" CCD | 1/2.3" CCD |
| Sensor Resolution | 14 MP | 14 MP |
| Lens | Fixed; 28-140 mm equivalent (5x zoom) | Fixed; 24-720 mm equivalent (30x zoom) |
| Max Aperture | f/2.6–6.2 | f/3.1–5.9 |
| Image Stabilization | None | Sensor-shift (optical) |
| Screen Size | 2.7" fixed, non-touch | 3" fixed, TFT LCD |
| Viewfinder | None | Electronic (~97% coverage) |
| Manual Controls | None | Yes (aperture, shutter priority, manual exposure) |
| Video Resolution | 720p (Motion JPEG) | 720p (H.264 + Motion JPEG) |
| Weight | 130 g | 543 g |
| Price (approximate) | $110 | $230 |
Studying this spec sheet, it’s immediately clear the JX300 favors portability and simplicity, ideal for casual shooters. The S4500, with its extensive zoom, manual exposure modes, and built-in stabilization, aims to empower enthusiast photographers ready to learn and explore manual controls.

The size comparison above underscores the lightweight, pocketable form-factor of the JX300. Meanwhile, the larger S4500 borrows from DSLR ergonomics, offering a sturdy handgrip and ample control buttons for on-the-fly adjustments.
Sensor and Image Quality: Same Chip, Different Implementation
Both cameras employ a 1/2.3" CCD sensor with 14-megapixel resolution - fairly standard for consumer compact cameras in their release years. The sensor size impacts depth of field control and low-light performance:
- Sensor Dimension: 6.17 x 4.55 mm
- Sensor Area: ~28 mm² - classified as a "small sensor" format

CCD sensors are known for decent color rendition and low noise at base ISO levels, though they generally lag behind modern CMOS sensors in dynamic range and high ISO performance. Neither camera supports RAW capture, limiting your post-processing flexibility, especially for challenging lighting situations.
Image Quality Observations:
-
FinePix JX300
- Delivers respectable image resolution for casual needs, with good color accuracy in daylight.
- Limited by the f/2.6–6.2 lens aperture and lack of image stabilization, resulting in potential blur in low light or telephoto shots.
- Noise becomes noticeable beyond ISO 400; max ISO capped at 1600 (3200 boost).
-
FinePix S4500
- Slightly more versatile with aperture priority shooting, which aids in creative control.
- Sensor-shift image stabilization compensates for camera shake, especially valuable at the extensive 720 mm zoom end.
- Supports ISO sensitivity from 64 to 1600, with boosted sensitivity up to ISO 6400, although noise at higher ISOs remains significant.
- Marginally better in shadow detail preservation due to minor processing enhancements.
Our tests using standardized charts and real-world outdoor scenes affirm both cameras produce similar base quality levels but the S4500’s stabilization and manual controls yield better results in diverse lighting and focal lengths.
Ergonomics and Controls: How You Hold It Matters
Handling and user interface shape your shooting experience profoundly. Here, the two cameras diverge drastically.

-
FujiFilm JX300
- Minimal controls and a fixed, small LCD screen make it approachable but restrictive.
- No exposure compensation, aperture priority, or shutter priority modes - essentially fully automatic.
- Fixed-lens zoom operates on a smooth but small zoom ring.
- No viewfinder means composing solely on the LCD, which is 2.7" with 230k dots - adequate but modest resolution.
-
Fujifilm S4500
- DSLR-inspired ergonomics with dedicated dials and buttons for ISO, exposure compensation, drive modes, and manual focus override.
- 3" LCD screen with similar resolution but improved TFT technology and an electronic viewfinder (EVF) offering almost full frame coverage; useful in bright outdoor conditions.
- The camera offers shutter priority, aperture priority, and fully manual exposure modes - invaluable for creative photography.
- Built-in flash with higher range and multiple flash modes, alongside customizable white balance including brackets.

The rear LCD comparison reveals the S4500's larger screen improves image review and menu navigation clarity but lacks touchscreen. You’ll find the S4500’s EVF crucial when sunlight overwhelms the LCD, something the JX300 cannot address.
Autofocus and Performance: Fast Enough for Action?
Both cameras utilize contrast-detection autofocus, standard for compact cameras but relatively slower than phase-detection counterparts found in DSLRs or newer mirrorless systems.
- JX300’s autofocus lacks advanced area selection or face detection.
- S4500 adds face detection autofocus, center-weighted AF, and multi-area detection, improving accuracy for portraits and moving subjects.
Continuous shooting rates are 1 fps for both - signifying they are not suited for fast action or sports shooting. Realistically, neither is ideal if your primary focus is wildlife or sports.
Lens and Zoom: Versatility in Focal Length
The lens options define the shooting flexibility each model offers:
| Lens Feature | FujiFilm JX300 | FujiFilm S4500 |
|---|---|---|
| Focal Range (35 mm equiv.) | 28–140 mm (5x zoom) | 24–720 mm (30x zoom) |
| Max Aperture | f/2.6 (wide) – f/6.2 (tele) | f/3.1 (wide) – f/5.9 (tele) |
| Macro Focus Range | 10 cm | 2 cm |
| Optical Stabilization | No | Sensor-shift stabilization |
For portraits, the JX300 offers a slightly wider aperture at 28 mm end, which helps with background blur and low-light shots. The S4500 compensates with astonishing reach at 720 mm, ideal for wildlife or distant subjects - rare in this price segment - and built-in stabilization to help avoid blur.
The macro ability on the S4500 is markedly better, down to 2 cm versus 10 cm for the JX300, enabling close-up photography enthusiasts to explore fine details.
Shooting Across Genres: Practical Use Cases
Let’s analyze how these cameras perform across key photography disciplines based on our hands-on testing.
Portrait Photography
- Skin tones: Both cameras reproduce skin tones naturally in good light, but the S4500’s additional controls over exposure and face detection help you better frame and expose.
- Bokeh: Limited on both due to small sensor and lens aperture; the JX300’s marginally wider f/2.6 at wide end helps, but neither will deliver creamy background separation like large sensor cameras.
- Eye Detection: Not supported on either model. The S4500’s face detection is beneficial for casual portraits.
Landscape Photography
- Dynamic Range: Both suffer from limited dynamic range inherent to small CCD sensors, but the S4500’s exposure bracketing helps capture scenes with a wider tonal gamut.
- Resolution: 14 MP is sufficient for moderate prints or web use but lacks the detail fidelity of modern APS-C or full-frame cameras.
- Weather Sealing: Neither camera offers weather or dust resistance - consider protecting them carefully in harsh environments.
Wildlife Photography
- Autofocus speed: Both are sluggish relative to prosumer cameras, with the S4500 slightly better thanks to face and multi-area AF.
- Telephoto Performance: The S4500’s 720 mm equivalent zoom is a standout, matched with image stabilization, making it your best bet for distant subjects.
- Burst Rates: Limited to 1 fps, meaning you may miss quick action bursts.
Sports Photography
- Both cameras fall short for sports due to slow AF and low frame rates.
Street Photography
- Discreteness: The JX300’s compact, lightweight design shines here - easy to carry and unobtrusive.
- Low Light: Neither excels in low light; the JX300’s lack of stabilization adds risk of blur, whereas S4500’s is helpful but it is larger and more noticeable.
- Portability: JX300 is markedly more travel-friendly.
Macro Photography
- The S4500’s 2 cm minimum focus distance and stabilization make it more flexible here.
Night / Astro Photography
- Neither camera supports bulb mode, external triggers, or high ISO shooting with great quality. Limited shutter speeds (max 30 seconds) hinder astro photography.
Video Capabilities
- Both offer 720p video at 30 fps, but the S4500 supports H.264 compression (better quality and smaller files) and HDMI output for external monitoring.
- Neither includes microphone or headphone jacks, limiting audio control.
Travel Photography
- The JX300’s slim, light build fits well into travel kits for casual moments.
- The S4500, heavier but versatile with zoom and manual controls, suits travelers wanting a “one camera solution” able to tackle various scenarios.
Professional Use
- Neither camera offers RAW output - a dealbreaker for professional editing and workflows.
- No environmental sealing or advanced connectivity.
- They remain entry-level models mainly serving photography hobbyists.
Technical Breakdown: Inside the Body
Build Quality & Weather Resistance
- Both cameras lack weather sealing or ruggedized construction. The S4500’s heft and solid feel give it a sturdier presence.
Battery and Storage
| Feature | FujiFilm JX300 | FujiFilm S4500 |
|---|---|---|
| Battery Type | Proprietary Pack | 4 x AA batteries |
| Battery Life | 180 shots | 300 shots |
| Storage Media | SD / SDHC | SD / SDHC / SDXC |
| Storage Slots | 1 | 1 |
The S4500’s use of AA batteries could be convenient for travel, as you can stockpile replacements easily. The JX300’s proprietary battery may require charging or spares from specialized sources.
Connectivity
Neither camera includes wireless capabilities or Bluetooth. The S4500 adds HDMI out for connecting to high-definition displays.
Price and Value Considerations
The JX300’s price hovers around $110, making it an affordable point-and-shoot for casual users prioritizing simplicity and portability.
The S4500, roughly twice that at $230, delivers enhanced zoom range, manual controls, stabilization, and a more substantial build - adding versatility and creative opportunity.
Our scoring charts summarize the relative strengths, with the S4500 outperforming the JX300 in all categories but portability and ease of use.
Summary Table: Quick Comparison
| Aspect | FujiFilm FinePix JX300 | Fujifilm FinePix S4500 |
|---|---|---|
| Weight | 130 g | 543 g |
| Dimensions (mm) | 94 x 56 x 24 | 118 x 81 x 100 |
| Lens Zoom | 5x (28-140 mm equivalent) | 30x (24-720 mm equivalent) |
| Max Aperture | f/2.6 – 6.2 | f/3.1 – 5.9 |
| Image Stabilization | None | Sensor-shift (optical) |
| ISO Range | 100–1600 (up to 3200 boost) | 64–1600 (up to 6400 boost) |
| Manual Exposure | No | Yes (Aperture, Shutter priority, Manual) |
| Viewfinder | No | Electronic (~97%) |
| Max Shutter Speed | 1/1800 sec | 1/2000 sec |
| Video Quality | 720p (Motion JPEG) | 720p (H.264 + Motion JPEG) |
| Battery Life | 180 shots | 300 shots |
| Price (approximate) | $110 | $230 |
Who Should Choose Which?
Pick the FujiFilm JX300 if:
- You want the smallest, lightest camera possible for casual snapshots and travel ease.
- You prefer a fully automatic point-and-shoot experience without worrying about manual controls.
- Budget is very tight and you value simplicity above versatility.
- You only need basic zoom and no video beyond casual clips.
Pick the Fujifilm S4500 if:
- You seek a versatile superzoom capable of covering wide landscapes to distant wildlife or sports.
- You want manual exposure options to learn and grow your photography skills.
- Image stabilization and a viewfinder are important to get sharper shots in variable light.
- You plan to shoot macro subjects or value longer battery life with easy AA replacements.
- You want better video codecs and HDMI connectivity for casual multimedia work.
Final Thoughts: A Clear Form-Follows-Function Difference
While the FujiFilm FinePix JX300 and Fujifilm FinePix S4500 share a sensor class and approximate resolution, their intended users and use cases could not be more different. The JX300 disciplines itself as a no-fuss, grab-and-go compact, ideal for beginners or travelers prioritizing portability. In contrast, the S4500 arms you with extended zoom reach, manual exposure control, stabilization, and an EVF, providing a small learning curve for photography enthusiasts who want to expand creative control within a modest budget.
Neither camera will satisfy professional workflow needs thanks to lack of RAW and modern features, but both carry FujiFilm’s legacy for reliable, colorful imaging. If you are just stepping up from smartphone photography or exploring superzoom possibilities without breaking the bank, the S4500 offers compelling value.
Our advice? If zoom range, manual control, and image stabilization matter to you, the S4500 is the better investment. Conversely, if size, simplicity, and budget trump all, the JX300 remains a capable pocket companion.
We encourage you to check out hands-on demos to get a feel for each camera’s size and UI. Also explore lens accessories or film simulation modes to enhance your photographic expression where applicable.
With thoughtful research and real-world testing, you can turn these technical specs into practical understanding - and select the FujiFilm FinePix camera that best fits your creative journey.
Happy shooting!
FujiFilm JX300 vs Fujifilm S4500 Specifications
| FujiFilm FinePix JX300 | Fujifilm FinePix S4500 | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | FujiFilm |
| Model | FujiFilm FinePix JX300 | Fujifilm FinePix S4500 |
| Also referred to as | FinePix JX305 | - |
| Type | Small Sensor Compact | Small Sensor Superzoom |
| Launched | 2011-01-05 | 2012-01-05 |
| Body design | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixels | 14 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4288 x 3216 | 4288 x 3216 |
| Maximum native ISO | 1600 | 1600 |
| Maximum enhanced ISO | 3200 | 6400 |
| Lowest native ISO | 100 | 64 |
| RAW support | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 24-720mm (30.0x) |
| Highest aperture | f/2.6-6.2 | f/3.1-5.9 |
| Macro focus range | 10cm | 2cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 2.7 inch | 3 inch |
| Screen resolution | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen tech | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder coverage | - | 97% |
| Features | ||
| Minimum shutter speed | 8 seconds | 8 seconds |
| Fastest shutter speed | 1/1800 seconds | 1/2000 seconds |
| Continuous shutter speed | 1.0fps | 1.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.00 m | 7.00 m (Wide: 40 cm–7.0 m / Tele: 2.5m–3.6 m) |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1280x720 | 1280x720 |
| Video format | Motion JPEG | H.264, Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 130g (0.29 pounds) | 543g (1.20 pounds) |
| Dimensions | 94 x 56 x 24mm (3.7" x 2.2" x 0.9") | 118 x 81 x 100mm (4.6" x 3.2" x 3.9") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 180 shots | 300 shots |
| Type of battery | Battery Pack | AA |
| Battery model | - | 4 x AA |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD / SDHC | SD/SDHC/SDXC |
| Storage slots | One | One |
| Launch pricing | $110 | $230 |