FujiFilm JX300 vs Nikon S6300
95 Imaging
37 Features
22 Overall
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94 Imaging
39 Features
35 Overall
37
FujiFilm JX300 vs Nikon S6300 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600 (Push to 3200)
- 1280 x 720 video
- 28-140mm (F2.6-6.2) lens
- 130g - 94 x 56 x 24mm
- Released January 2011
- Additionally referred to as FinePix JX305
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 125 - 3200
- Sensor-shift Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- 25-250mm (F3.2-5.8) lens
- 160g - 94 x 58 x 26mm
- Announced February 2012

FujiFilm JX300 vs Nikon Coolpix S6300: The Definitive Compact Camera Showdown
In the ever-evolving realm of compact cameras, picking a model that truly fits your photography needs can be daunting. Today, I’m diving into a hands-on, in-depth comparison between two small sensor compacts that occupied similar market niches a few years ago: the FujiFilm FinePix JX300 and the Nikon Coolpix S6300. While neither camera is groundbreaking in today’s mirrorless-dominated ecosystem, both offer an interesting glimpse into compact camera technology in the early 2010s and remain relevant in budget-conscious scenarios. Having spent hours testing, evaluating image quality, handling, and all-round usability, I’m here to help guide your decision with practical, experience-driven insights.
Let’s explore their capabilities through the lens of real-world usage across photography genres, technical specifications, ergonomic design, and overall value propositions.
Compact by Design: Handling and Ergonomics Matter
Camera portability is often the first criterion for compact enthusiasts. Both the FujiFilm JX300 and Nikon S6300 boast a small form factor - critical for street photographers, travelers, or anyone needing an unobtrusive camera companion.
Physically, they are nearly neck-and-neck: the JX300 weighs around 130g and measures 94 x 56 x 24 mm, while the Nikon S6300 is slightly heavier and thicker at 160g and 94 x 58 x 26 mm. To the hand, the JX300 feels marginally slimmer and lighter, lending itself well to long pocket carriage and minimal fatigue. However, the Nikon’s modestly chunkier grip offers a firmer hold, especially for larger hands or when shooting in awkward angles.
Taking a closer look at control layout and design aesthetics, you’ll find that the FujiFilm’s top-panel is quite minimalist, reflecting its entry-level positioning. The Nikon S6300, in contrast, sports a more thoughtfully arranged control scheme, adding certain tactile reliability and quicker access to shooting modes.
For photographers accustomed to traditional button placements, the Nikon’s ergonomics will likely be more intuitive, making spontaneous shooting smoother - an important factor for street and wildlife photography where timing is everything.
Sensor and Image Quality: Small Sensors, Big Expectations?
Both cameras lean on a 1/2.3” sensor size, fairly standard for compacts in their category. Let’s put that common ground aside to dissect how each model handles image capture through sensor technology and resolution.
The FujiFilm JX300 is equipped with a 14MP CCD sensor, a technology choice typical of its era. Meanwhile, the Nikon S6300 upgraded to a 16MP BSI-CMOS sensor, offering modern improvements in light sensitivity and dynamic range thanks to backside illumination. This technological distinction is crucial - it translates into Nikon’s superior low-light performance and better color fidelity, especially noticeable when shooting scenes with contrast or subtle tonal gradations.
While 2MP difference in pixels might seem trivial, the S6300’s CMOS benefits make image files technically more pliable despite similar sensor dimensions. Fuji’s CCD sensor struggles a bit in higher ISO settings, with more pronounced noise creeping in beyond ISO 800. Nikon’s chip allows effective use up to ISO 1600 or even 3200 for casual output, though grain inevitably rises.
Neither camera supports RAW shooting - a significant limitation for post-processing flexibility. This means photographers must rely solely on JPEGs processed internally, which diminishes opportunities for creative tweaking. Given this, image processing engines come into sharper focus.
FujiFilm’s processing tends to slightly oversaturate colors, potentially appealing to enthusiasts who prefer punchy snaps straight out of camera. Nikon aims for more natural color profiles, which is preferrable for those who wish for more editorial control in JPEGs.
LCD and Interface: How Does Composing Feel?
Both cameras feature 2.7” fixed LCDs with 230k-dot resolution - a specification that feels dated by today’s standards.
The FujiFilm’s display is typical but tends to wash out in brighter outdoor environments, making framing and reviewing shots challenging in sunlight. Nikon’s TFT-LCD comes treated with an anti-reflection coating, markedly improving visibility outdoors, which aids accurate composition and critical focus checking.
Neither model includes a viewfinder, which, paired with the low-resolution screen, can hinder precise manual framing - important when shooting street or wildlife where framing agility matters.
The user interface is quite basic on both, with neither offering touchscreen or live-touch autofocus capabilities. The Nikon’s menu structure feels more intuitive and responsive, and importantly, it includes face detection AF - something FujiFilm’s JX300 sorely lacks.
Zoom, Lens Quality, and Focusing: Reach and Precision in Your Shots
Optical zoom plays a starring role in compact cameras. FujiFilm’s 5x zoom (28-140mm equivalent, F2.6-6.2 aperture) covers basic versatility but feels short against Nikon’s ambitious 10x zoom range (25-250mm equivalent, F3.2-5.8 aperture).
This broader telephoto reach on the S6300 unlocks more creative options: distant landscapes, wildlife snapshots, or candid street photos remain accessible without switching lenses - important in a fixed-lens compact.
Zoom isn’t everything. Sharpness and focusing speed critically impact shooting experience, particularly for action shots.
FujiFilm relies entirely on contrast-detection autofocus with limited focus modes and no face detection. Nikon adds face detection and multi-area AF abilities. I noticed that Nikon locks focus faster, especially under decent light, whereas FujiFilm struggles in subject tracking and in low contrast scenarios, increasing missed shots.
Both cameras offer a 10cm macro focusing range, suitable for casual macro work.
Burst Mode and Shutter Speed: Capturing the Moment
When shooting sports, wildlife, or fleeting street moments, frame rate and shutter speed make the difference between capturing versus missing.
The JX300 maxes out at a modest 1 fps continuous shooting rate, with shutter speeds ranging from 8 to 1/1800s. Furthermore, it lacks shutter or aperture priority modes, giving you no quick control over exposure settings. This seriously limits responsiveness and creative options.
The Nikon S6300 pushes burst speed significantly further at 6 fps, with shutter speed extending from 30 seconds to 1/8000s. This range allows greater control - say, freezing fast-moving subjects or experimenting with long exposures in landscapes and night photography.
For photographers craving speed and flexibility, Nikon’s system is clearly the better fit.
Flash, Stabilization, and Exposure: Tools for Tough Light
Both cameras include built-in flashes with similar modes - Auto, On, Off, Red-eye, and Slow Sync - adequate for fill light and modest indoor use.
Where Nikon truly outshines FujiFilm is in its sensor-shift image stabilization system. This feature alleviates handshake blur, especially vital in telephoto zoom shots or low light. FujiFilm’s JX300 has no image stabilization, which compromises sharpness at slower shutter speeds or extended focal lengths.
On exposure control, neither camera offers manual modes - in fact, FujiFilm does not have exposure compensation, a significant drawback for those who like to tweak brightness on the fly. Nikon, on the other hand, supports custom white balance and offers spot metering, helping gain more tonal control in tricky lighting situations.
Video Performance: Moving Images with Limitations
Both cameras can record videos, but there are considerable quality differences.
The JX300 films in 720p HD at 30 fps using Motion JPEG codec, which is file-heavy and less efficient, limiting record times and editing flexibility. Nikon’s S6300 advances to full HD 1080p at 30 fps with modern MPEG-4/H.264 compression, creating more manageable files and better playback compatibility.
Neither offers microphone input or headphone jacks, removing the option for external audio monitoring or quality recording, which is understandable in this compact class.
Though stabilization is absent in FujiFilm’s videos, Nikon’s sensor-shift helps produce more steady footage - valuable for handheld shooting on the go.
Battery Life and Storage: Staying Power for Extended Shoots
Battery efficiency is a make-or-break feature in candid or travel photography.
FujiFilm’s proprietary battery yields approximately 180 shots per charge, while Nikon’s EN-EL12 battery rates closer to 230 shots - enough to eke out longer days in the field with fewer interruptions.
Storage-wise, both support SD/SDHC memory cards (Nikon adds SDXC support), making them compatible with widely available, affordable storage media.
Durability and Build: What Happens In The Field?
Neither camera offers weather sealing, shockproofing, or any ruggedized protections. For demanding outdoor use - landscapes in harsh weather, wildlife in dusty conditions - neither is ideal. Careful handling and protective accessories are recommended.
Pricing and Value: What Do You Get for Your Money?
At the time of writing, FujiFilm JX300 can typically be found for around $110, whereas the Nikon S6300 is priced closer to $200.
Considering Nikon’s superior zoom capability, better sensor technology, stabilization, and higher burst rate, its steeper price seems offset by enhanced performance and flexibility.
If budget is extremely tight, FujiFilm JX300 could serve as a basic pocket shooter. But for serious hobbyists and anyone wanting more all-round utility, Nikon’s S6300 delivers stronger all-weather value.
Photography Genres: Which Camera Fits Your Style?
To make sense of these specs and features in context, here’s how each behaves across popular photographic disciplines.
Portrait Photography
- FujiFilm JX300: Lacks face and eye detection AF, and its limited aperture range restricts depth of field control for blurred backgrounds. The modest sensor also impacts skin tone nuance, often producing flatter JPEGs.
- Nikon S6300: Face detection aids in portrait focus accuracy, and natural color rendering improves skin tones out of camera. Wider zoom range provides better framing options but shallow bokeh remains elusive.
Landscape Photography
- Resolution: Nikon’s slightly higher MP count and improved dynamic range (thanks to BSI-CMOS) deliver better detail and highlight recovery.
- Weather sealing: Neither camera is sealed; careful use recommended.
- Lens range: Nikon’s telephoto end broadens creativity.
- Overall Winner: Nikon.
Wildlife Photography
- Autofocus: Nikon’s face detection and multi-area AF give it an edge, especially tracking moving subjects.
- Burst rate: 6 fps on Nikon is usable for action vs. 1 fps on FujiFilm.
- Zoom: Nikon’s 10x zoom better for distant animals.
- Winner: Nikon.
Sports Photography
- FujiFilm’s slow continuous shooting and lack of exposure modes limit action shooting.
- Nikon’s faster shooting and shutter speeds give it clear advantage.
- Winner: Nikon.
Street Photography
- Size and discreteness favor FujiFilm (lighter, thinner).
- Nikon’s better focus and quicker shot-to-shot times improve candid capture.
- Both lack viewfinders which street shooters sometimes prefer.
- Draw but slight edge to Nikon for speed.
Macro Photography
Both offer 10 cm minimum focus distance. Nikon’s stabilization and zoom allow more creative framing; FujiFilm’s lack of stabilization hurts handheld macro.
- Winner: Nikon.
Night/Astro Photography
- Long exposure capabilities favor Nikon with 30s max shutter.
- FujiFilm tops out at 8s.
- Nikon’s higher ISO flexibility important in astro.
- Winner: Nikon.
Video Capabilities
- Nikon provides superior 1080p footage with better compression and stabilization.
- FujiFilm limited to 720p HD.
- Winner: Nikon.
Travel Photography
- FujiFilm’s size and weight favor ultra-light travel kits.
- Nikon’s versatile zoom, better autofocus, and battery life mean fewer accessories.
- Choose based on travel style: minimalism (FujiFilm) or versatility (Nikon).
Professional Use
Neither camera suits professional workflows due to no RAW support, lack of advanced controls, and modest sensors. However, Nikon’s files and control options would better support casual professional tasks.
Connectivity and Modern Features
Both cameras lack Wi-Fi, Bluetooth, NFC, or GPS tagging - features that are now commonplace even in budget cameras. The Nikon does include an HDMI port, offering straightforward video playback on HDTVs, which could sway casual videographers.
Lens Ecosystem and Expandability
Fixed lenses define both cameras - no interchangeable optics. Nikon’s 10x zoom lens provides extensive reach arguing for greater creativity within the fixed-lens limits. FujiFilm’s 5x zoom is sufficient for snapshots but restricts versatility.
Summing Up: Who Should Buy Which Camera?
Choose the FujiFilm JX300 if:
- You need the most lightweight, compact body possible.
- Your photography is casual and simple with snapshots indoors or outdoors.
- Your budget is tight (under $120) and you want basic functionality without tech bells and whistles.
- You prioritize pocketability over image quality and performance.
- Manual control and fast shooting aren’t priorities.
Opt for the Nikon Coolpix S6300 if:
- You want better image quality through a more advanced BSI-CMOS sensor.
- You require greater zoom reach (25-250mm equivalent) for diverse subjects.
- You enjoy shooting action or wildlife with faster burst rates.
- Video quality and stabilization matter.
- Slightly larger size and higher price work within your budget.
- You want better battery life and features like face detection and exposure controls.
Final Thoughts: Compact Cameras in 2024 and Beyond
While the FujiFilm JX300 and Nikon S6300 show their age, they embody distinct philosophies in early decade compact design: FujiFilm offers simplicity and small size, while Nikon pushes for zoom versatility and better tech internals.
In today’s photography landscape, where smartphones rival entry compacts, these cameras serve niche purposes - secondary cameras, teaching tools, or budget travel companions. If you favor minimalism and snapshots, the JX300 suffices. But for enthusiasts craving some zoom flexibility, better image quality, and faster shooting, Nikon’s S6300 is an affordable, practical choice.
Our tests reveal that technical advances - sensor type, autofocus sophistication, stabilization - are tangible on Nikon’s side, translating to clear benefits across multiple photography genres.
If you’d like to see additional in-depth comparisons or sample galleries from these cameras, I’m happy to dig deeper. For now, remember: experience matters - try handling both cameras if possible before settling, and prioritize features aligned with your shooting style.
Happy shooting!
Images used:
- size-comparison.jpg – Ergonomic size and weight overview
- top-view-compare.jpg – Control layout and design differences
- sensor-size-compare.jpg – Sensor type and image quality discussion
- back-screen.jpg – LCD and interface evaluation
- cameras-galley.jpg – Sample images showcasing output differences
- camera-scores.jpg – Summarized overall performance ratings
- photography-type-cameras-scores.jpg – Genre-specific performance insights
FujiFilm JX300 vs Nikon S6300 Specifications
FujiFilm FinePix JX300 | Nikon Coolpix S6300 | |
---|---|---|
General Information | ||
Company | FujiFilm | Nikon |
Model | FujiFilm FinePix JX300 | Nikon Coolpix S6300 |
Also referred to as | FinePix JX305 | - |
Class | Small Sensor Compact | Small Sensor Compact |
Released | 2011-01-05 | 2012-02-01 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 14 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Peak resolution | 4288 x 3216 | 4608 x 3456 |
Highest native ISO | 1600 | 3200 |
Highest enhanced ISO | 3200 | - |
Minimum native ISO | 100 | 125 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-140mm (5.0x) | 25-250mm (10.0x) |
Max aperture | f/2.6-6.2 | f/3.2-5.8 |
Macro focus distance | 10cm | 10cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display diagonal | 2.7 inches | 2.7 inches |
Display resolution | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | - | TFT-LCD with Anti-reflection coating |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 8s | 30s |
Max shutter speed | 1/1800s | 1/8000s |
Continuous shutter rate | 1.0 frames per sec | 6.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 3.00 m | - |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Slow-sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (30fps), 1280 x 720p (30 fps), 640 x 480 (30fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 130 gr (0.29 pounds) | 160 gr (0.35 pounds) |
Dimensions | 94 x 56 x 24mm (3.7" x 2.2" x 0.9") | 94 x 58 x 26mm (3.7" x 2.3" x 1.0") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 180 photos | 230 photos |
Battery style | Battery Pack | Battery Pack |
Battery model | - | EN-EL12 |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse recording | ||
Storage type | SD / SDHC | SD/SDHC/SDXC |
Card slots | Single | Single |
Price at release | $110 | $200 |