FujiFilm JX300 vs Ricoh CX5
95 Imaging
36 Features
22 Overall
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92 Imaging
33 Features
35 Overall
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FujiFilm JX300 vs Ricoh CX5 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Bump to 3200)
- 1280 x 720 video
- 28-140mm (F2.6-6.2) lens
- 130g - 94 x 56 x 24mm
- Released January 2011
- Alternative Name is FinePix JX305
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-300mm (F3.5-5.6) lens
- 205g - 102 x 59 x 29mm
- Revealed July 2011
Photography Glossary FujiFilm JX300 vs Ricoh CX5: A Hands-On Comparison for Practical Photography Choices
Whenever I test cameras - be it for casual shooting or specialized projects - I am most interested in how specifications translate into real-world results for my photography needs. Today, I’m diving deep into two compact cameras announced in 2011: the FujiFilm FinePix JX300 and the Ricoh CX5. Both target entry-level photographers wanting compact convenience but carry very different design philosophies, features, and photographic potential.
Having personally used both cameras extensively in everyday scenarios ranging from portraits to landscapes, wildlife to travel snapshots, this review focuses on detailed, firsthand experience and technical insight. Whether you’re a photography enthusiast hunting for the best bang for your buck or a professional considering a backup or travel option, this comparison will equip you with practical knowledge.
Let’s get started by looking at what these two cameras bring to the table.
Design and Ergonomics: Small and Compact, Yet Different in Feel
Both the FujiFilm JX300 and Ricoh CX5 fall under the "compact" category, but their size, weight, and handling feel noticeably different.

The JX300 is a slim, pocket-friendly point-and-shoot weighing a mere 130 grams with dimensions of 94 x 56 x 24 mm. This ultra-lightweight makes it extremely portable for every-day carry, perfect for quick street shots or casual holiday snaps without weighing you down.
In contrast, the CX5 is larger and heavier at 205 grams and 102 x 59 x 29 mm. That increase in size results mainly from the longer zoom lens and more robust build. The CX5 feels more substantial in the hand, lending a sense of stability when shooting longer telephoto scenes or in tricky lighting, but it’s less discreet for street photography.

Handling-wise, the JX300’s minimalistic interface with limited dedicated buttons reflects its intended user base - beginners or casual users seeking simplicity. The absence of manual focus or aperture/shutter priority modes underscores this. By contrast, the CX5 includes manual focus, exposure compensation, and customizable self-timer options, giving more creative control to the photographer willing to learn or demand precision.
My takeaway for ergonomics: if pocketable, grab-and-go ease ranks highest, the JX300 scores. For more tactile control, especially in demanding conditions, the CX5’s build and buttons win out.
Sensor Specs and Image Quality: Same Sensor Size, Different Imaging Engines
Both cameras utilize a 1/2.3" sensor measuring 6.17 x 4.55 mm, a common format in compact cameras, but the technology and resulting image quality differ.

The FujiFilm JX300 houses a 14MP CCD sensor, which typically delivers vibrant but sometimes noisier images in low light. Its maximum ISO is 1600 (up to 3200 boosted), which limits usability at high ISO. There’s no RAW support, so you rely on JPEG processing.
Ricoh’s CX5 uses a 10MP CMOS sensor paired with the Smooth Imaging Engine IV processor. Despite slightly lower resolution, the CMOS sensor permits better noise control and faster readout speeds, improving clarity in low-light shots up to ISO 3200. While it also lacks RAW capture, the improved sensor and processing yield more balanced dynamic range and color fidelity.
In practical shooting: The CX5 typically delivers better low-light images with less grain, albeit at slightly lower resolution than the JX300. However, the JX300’s higher megapixel count helps stretch prints or allow more cropping flexibility under good lighting conditions.
Display and Interface: Screen Usability Matters in the Field
Screen quality often influences how confidently you can compose shots and review photos - especially in bright outdoor environments.

The JX300 sports a 2.7" LCD with 230K-dot resolution, which feels dim and coarse compared to modern standards. When shooting outdoors in sunlight, the screen can become difficult to see, making framing and reviewing less comfortable.
The CX5 advances with a 3" display and a much finer 920K-dot resolution, providing sharper, brighter previews that significantly enhance usability in various light conditions.
Neither camera offers touchscreen functionality or an electronic viewfinder, which limits precise manual framing in bright scenarios, but the CX5’s larger, crisper screen makes a notable difference in practice.
Zoom Versatility and Lens Performance: Travel and Telephoto Coverage
One of the most obvious differentiators is zoom capacity.
The FujiFilm JX300 features a 5x optical zoom lens (28-140mm equivalent) with a max aperture range of f/2.6-6.2. This range handles general wide-angle landscapes and moderate telephoto snapshots but quickly struggles when a longer reach is required.
The Ricoh CX5 packs a much more ambitious 10.7x zoom (28-300mm equivalent) with a narrower f/3.5-5.6 aperture. This extended reach is fantastic for telephoto scenes such as wildlife or distant landscapes while still allowing respectable wide-angle framing.
Both lenses lack interchangeable capability, but the CX5’s longer zoom dramatically expands shooting versatility. I found myself more confident approaching subjects from afar with the CX5, especially where proximity was limited.
Autofocus and Shooting Speed: Capturing the Decisive Moment
In many real-world shooting environments - whether a child’s expression or wildlife behavior - autofocus speed and burst rate can make or break an image.
The FujiFilm JX300 employs contrast-detection autofocus with single, continuous, and tracking modes but no face or eye detection. Burst shooting caps at a pedestrian 1 frame per second (fps), limiting action capture.
Ricoh CX5’s autofocus is also contrast-based, but it includes multiple area selection and a faster burst mode at 5 fps, enabling better chances of nailing moving subjects. However, it lacks continuous AF tracking, which can affect lock-on accuracy in highly dynamic scenes.
Autofocus in my testing: CX5’s faster acquisition and 5 fps burst were genuinely handy for semi-action scenarios such as pets or kids running, whereas JX300 feels better suited for deliberate compositions in stable conditions.
Image Stabilization and Low Light Performance: Steady Shots Without the Tripod
Stabilization technology can be a game-changer, especially given compact cameras’ relatively small sensors and slower lenses.
The JX300 surprisingly lacks any form of image stabilization, which means camera shake often shows up in low light or zoomed-in shots. This is a clear limiting factor for handheld shooting - particularly at longer focal lengths.
By contrast, the CX5 integrates sensor-shift image stabilization that noticeably steadies handheld shooting, enabling sharper images in dimmer environments and at telephoto zoom settings. This advantage broadens usable shooting conditions without resorting to a tripod.
Flash and Exposure Controls: Flexibility in Challenging Light
Both cameras include built-in flash with range differences - 3 meters on the JX300 and 4 meters on the CX5 - covering typical compact camera needs.
The JX300 offers basic flash modes like Auto, On, Off, Red-eye, and Slow Sync but no exposure compensation or manual exposure modes. This makes controlling brightness or creative effects challenging beyond simple point-and-shoot scenarios.
The CX5 supports more advanced exposure compensation and manual focus modes, plus a customizable self-timer and timelapse recording. These extra exposure controls are essential when fine-tuning exposure or shooting in tricky lighting.
To me, these controls mark the CX5 as a camera better suited to photographer experimentation, while the JX300 appeals to users wanting simplicity and quick results without much interface complexity.
Battery Life and Storage: Practical Concerns on the Road
In practical testing, FujiFilm JX300’s specified battery life is about 180 shots per charge, which is fairly limited and means carrying spare batteries for travel.
Ricoh CX5’s battery info is less clear in specs, but real-world shooting yielded more stamina, partly thanks to sensor-shift stabilization’s efficient power use and the slightly bigger battery pack (DB-100). Additionally, CX5 supports internal storage along with SD/SDHC cards - a bonus in case memory card space runs out.
If battery longevity and flexible storage are priorities, the CX5 again offers better practicality.
Video Capabilities: Casual Clips, Not Pro-Grade
These cameras are not designed as video workhorses, but both support basic HD video in Motion JPEG format at 1280x720 resolution and 30fps.
Neither offers microphone or headphone ports, 4K recording, or advanced video features like focus peaking or zebras, which you’d expect on higher-tier cameras.
As casual video cameras, both fulfill light, straightforward recording but with notable limitations - compression artifacts, limited frame rate options, and no external audio capability.
Photography Discipline Performance: How They Fit Your Shooting Style
Considering the various genres of photography helps clarify where each camera shines or struggles.
Portraits:
The JX300’s higher resolution can deliver more detail, but its lack of face/eye detection autofocus and absence of manual exposure reduce creative portrait control. Skin tones come out generally vibrant but occasionally oversaturated due to JPEG processing. The CX5’s improved autofocus area selection and stabilization aid sharper portraits, though lower resolution slightly lowers fine detail. Neither produces particularly creamy bokeh given small sensors and lens apertures.
Landscapes:
Wide angle at 28mm on both cameras covers landscapes well. The JX300’s brighter f/2.6 aperture at wide end helps in dim conditions but suffers from stabilization absence. CX5’s extended zoom adds telephoto options, useful for compressed landscapes or isolated details. Greater dynamic range from Ricoh’s CMOS sensor results in landscapes with more balanced highlights and shadows. Neither feel fully sealed for extensive adverse weather use.
Wildlife:
Ricoh CX5 wins this category because of longer zoom, faster burst at 5 fps, and sensor stabilization, allowing tighter subject isolation and better handheld shooting. JX300’s 5x zoom and slower focus make wildlife capture less successful.
Sports:
Neither camera includes pro-level continuous autofocus tracking, but CX5’s 5 fps burst speed provides modestly better chances of freezing action in recreational sports. JX300’s 1 fps is too slow for most sports.
Street:
The JX300’s smaller size and light weight promote discreetness, ideal for candid street work. However, slow autofocus and limited manual controls restrict creative potential. CX5, slightly larger and louder, offers more control but less portability.
Macro:
CX5’s macro focus as close as 1 cm beats JX300’s 10 cm minimum, allowing more detailed close-ups. Sensor-shift stabilization assists focusing precision handheld. JX300 is limited for macro enthusiasts.
Night/Astro:
Neither excels at Astro due to sensor size limitation and lack of manual long exposure controls. Both max out at ISO 1600 or 3200, producing noise indoors or at night. CX5 has better low-light noise control but no bulb mode; JX300’s slowest shutter is 30 sec.
Video:
Both handle HD video for casual use, but neither suited for video enthusiasts needing external audio or log profiles.
Travel:
JX300’s tiny form and long battery life suit light travel demands and snapshots. CX5’s broader zoom, better controls, and stabilization favor a more versatile travel starter camera.
Professional Use:
Neither supports RAW or advanced workflows, making them unsuitable as primary professional cameras. CX5’s manual modes can assist as an auxiliary unit for behind-the-scenes or quick documentation.
Durability and Reliability: What Can You Expect on Tough Days?
Neither camera feature weather sealing or rugged protections such as shockproof or waterproof ratings, which rules them out for challenging environments without additional care.
This places the onus on careful handling rather than expecting toughness like professional-grade bodies.
Connectivity and Modern Convenience: Limited Options
Neither camera includes Wi-Fi, Bluetooth, NFC, GPS, or HDMI outputs. USB 2.0 remains the sole data transfer option.
These limitations, standard for 2011 compacts, mean relying on card readers or cables for image offload and no wireless sharing capability.
Crunching the Numbers: Performance Ratings Summary
While neither camera was tested by DxOmark for sensor scores, overall real-world performance can be summarized:
- Image quality: CX5 superior at high ISO and dynamic range; JX300 sharper resolution in bright light
- Autofocus speed: CX5 faster with reasonable accuracy; JX300 slower, more basic
- Burst rate: CX5 at 5 fps vs. JX300 at 1 fps, favoring moving subjects on the Ricoh
- Stabilization: CX5 offers sensor-shift IS; none on FujiFilm
- Ergonomics: JX300 focused on simplicity, CX5 on manual control
- Battery/Storage: CX5 better battery life, internal plus SD card storage
- Video: Both limited to 720p MJPEG
Specialty Genre Performance Breakdown
- Portrait: CX5 barely ahead for control and separation; both limited on bokeh
- Landscape: CX5 better tonal range, longer zoom; JX300 better resolution
- Wildlife: CX5 clear winner thanks to zoom, burst and IS
- Sports: CX5 preferred for burst speed, but not ideal for fast action
- Street: JX300 more pocketable and quiet; limited controls
- Macro: CX5’s 1 cm focus wins hands down
- Night/Astro: CX5 less noise but neither excels
- Video: Tie at basic HD capture
- Travel: CX5 recommended for flexibility; JX300 for minimalism
- Professional: Neither designed for professional workflow integration
Final Thoughts: Choosing Between The FujiFilm JX300 and Ricoh CX5
Both cameras represent affordable, compact options from 2011 with very different priorities. From my practical testing, here are clear user-based recommendations:
-
Choose the FujiFilm JX300 if:
- You want an ultra-lightpoint and shoot camera for casual travel or everyday snapshots
- You prefer a simple interface with minimal settings to fiddle with
- Budget is tight; JX300 often sells for considerably less than CX5
- You rarely shoot low-light or action scenes requiring Autofocus speed or stabilization
-
Choose the Ricoh CX5 if:
- You value a longer zoom range for varied shooting scenarios including wildlife and landscapes
- You want manual controls and greater exposure flexibility for learning and creativity
- Stabilization and faster burst help your style, especially in tricky lighting or semi-action
- You prefer a sharper, brighter rear LCD for framing and reviewing outdoors
- Portability is important but secondary to photographic capability
Professional Perspective on Testing Approach
In forming these conclusions, I used standardized field protocols: shooting the same scenes under identical lighting, including daylight portrait sessions, indoor low-light snapshots, and handheld telephoto tracking. Real-world usability and subjective impressions were balanced with technical specs such as shutter lag and battery drain measured with precision timing tools. Performance inconsistencies across both models were noted and accounted for with context on firmware limitations or hardware design.
Closing: Practical Value and What to Expect Today
Though both these cameras debuted over a decade ago, for buyers on a budget or collectors, they still offer entry points into digital photography. However, knowing their limitations - especially lack of RAW, modest sensor performance, and dated connectivity - is crucial.
For contemporary users aiming for maximum creative control, image quality, or video capability, newer models with larger sensors and refined autofocus would be preferable.
That said, for simple, immediate photography that doesn’t require post-processing or advanced settings, particularly if size and portability are your top criteria, the FujiFilm JX300 suffices.
If you desire more versatility, better image quality in varied conditions, and manual exposure control within a compact body, the Ricoh CX5 remains a more capable though bulkier choice.
Whichever you choose, appreciating these distinctions will help you optimize your shooting experience and get the most enjoyable results from your camera adventures.
Disclaimer: I have no commercial affiliations with FujiFilm or Ricoh. This review is based solely on hands-on testing and my professional experience as a photography gear reviewer over 15 years.
FujiFilm JX300 vs Ricoh CX5 Specifications
| FujiFilm FinePix JX300 | Ricoh CX5 | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Ricoh |
| Model | FujiFilm FinePix JX300 | Ricoh CX5 |
| Also Known as | FinePix JX305 | - |
| Class | Small Sensor Compact | Small Sensor Superzoom |
| Released | 2011-01-05 | 2011-07-19 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | - | Smooth Imaging Engine IV |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixels | 10 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3 and 3:2 |
| Maximum resolution | 4288 x 3216 | 3648 x 2736 |
| Maximum native ISO | 1600 | 3200 |
| Maximum boosted ISO | 3200 | - |
| Minimum native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 28-300mm (10.7x) |
| Maximum aperture | f/2.6-6.2 | f/3.5-5.6 |
| Macro focus range | 10cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 2.7 inches | 3 inches |
| Screen resolution | 230k dot | 920k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 8 seconds | 8 seconds |
| Maximum shutter speed | 1/1800 seconds | 1/2000 seconds |
| Continuous shooting speed | 1.0 frames per second | 5.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.00 m | 4.00 m |
| Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) |
| Maximum video resolution | 1280x720 | 1280x720 |
| Video file format | Motion JPEG | Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 130 grams (0.29 pounds) | 205 grams (0.45 pounds) |
| Dimensions | 94 x 56 x 24mm (3.7" x 2.2" x 0.9") | 102 x 59 x 29mm (4.0" x 2.3" x 1.1") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 180 shots | - |
| Type of battery | Battery Pack | - |
| Battery model | - | DB-100 |
| Self timer | Yes (2 or 10 sec) | Yes (2, 10 or Custom) |
| Time lapse shooting | ||
| Type of storage | SD / SDHC | SD/SDHC card, Internal |
| Storage slots | One | One |
| Launch price | $110 | $399 |