FujiFilm S200EXR vs Panasonic FZ47
54 Imaging
35 Features
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68 Imaging
35 Features
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FujiFilm S200EXR vs Panasonic FZ47 Key Specs
(Full Review)
- 12MP - 1/1.6" Sensor
- 2.7" Fixed Display
- ISO 100 - 3200 (Expand to 12800)
- Optical Image Stabilization
- 640 x 480 video
- 31-436mm (F2.8-5.3) lens
- 865g - 133 x 94 x 145mm
- Revealed July 2009
- Additionally Known as FinePix S205EXR
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Increase to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 498g - 120 x 80 x 92mm
- Revealed July 2011
- Also Known as Lumix DMC-FZ48
President Biden pushes bill mandating TikTok sale or ban FujiFilm S200EXR vs Panasonic Lumix DMC-FZ47: In-Depth Superzoom Comparison for Every Photographer
Choosing the right superzoom camera is a balance of reach, image quality, usability, and features that suit your photographic style and needs. Today, we’ll dive deep into two bridge-style contenders from the late 2000s to early 2010s era - FujiFilm FinePix S200EXR and Panasonic Lumix DMC-FZ47. Both target enthusiasts craving long zoom range and versatility without changing lenses. But how do they really stack up in real-world use? After extensive hands-on evaluation and technical breakdown, we’ll guide you through everything from sensor performance to ergonomics, autofocus precision to video capabilities - revealing which camera excels at different photography genres and use cases.
Let’s start with an overview of the cameras’ designs and core specs, then progressively analyze key aspects that matter most in practical photography.
Getting to Know the Contenders: Design and Build Insights
Both the FujiFilm S200EXR and Panasonic FZ47 adopt the classic SLR-style bridge camera shape, offering DSLR-like grip and controls but with fixed superzoom lenses. Ergonomics and control layout are vital for comfort and fast operation, especially when shooting diverse subjects like wildlife, sports, or street scenes.
| Feature | FujiFilm S200EXR | Panasonic Lumix DMC-FZ47 |
|---|---|---|
| Body Type | SLR-like bridge | SLR-like bridge |
| Dimensions (mm) | 133 x 94 x 145 | 120 x 80 x 92 |
| Weight | 865 g | 498 g |
| Lens | Fixed 31-436 mm (14.3x zoom) | Fixed 25-600 mm (24x zoom) |
| Max Aperture | f/2.8 - f/5.3 | f/2.8 - f/5.2 |
| Viewfinder | Electronic | Electronic (100% coverage) |
| Screen Size | 2.7" fixed, 230k dots | 3" fixed, 460k dots |
| Image Stabilization | Optical | Optical |

FujiFilm’s model is notably larger and heavier - nearly twice the weight of the Panasonic - which gives it a more robust feel but can make extended handheld shooting tiring. In contrast, the lighter Panasonic FZ47 balances portability with a solid grip, better for travel or street photographers seeking discretion with long reach.
Both cameras offer fixed LCDs without tilt, but Panasonic’s brighter and larger 3-inch screen is easier for composing and reviewing shots, especially under bright light. FujiFilm’s 2.7" display is functional but at 230k resolution, more limiting.
The Panasonic’s electronic viewfinder covers 100% of the frame (a first for its class when introduced), making precise composition straightforward. The FujiFilm viewfinder resolution is unspecified and likely lower, which affects framing accuracy in fast-paced scenarios.
Controls on both are straightforward, with manual focus, aperture, and shutter priority modes, but Panasonic's Venus Engine FHD processor delivers snappier response and quicker autofocus - an area we’ll revisit in detail.
Sensor Specs and Image Quality: The Heart of the Camera
Image quality often hinges on sensor size, design, and processing. Both cameras feature 12MP CCD sensors, but with different dimensions:
| Sensor Feature | FujiFilm S200EXR | Panasonic Lumix DMC-FZ47 |
|---|---|---|
| Sensor Type | CCD | CCD |
| Sensor Size | 1/1.6" (8 x 6 mm) | 1/2.3" (6.08 x 4.56 mm) |
| Sensor Area | 48 mm² | 27.7 mm² |
| Native ISO Range | 100 – 3200 | 100 –1600 |
| Max Boosted ISO | 12800 | 6400 |
| Anti-Alias Filter | Yes | Yes |

FujiFilm’s larger sensor area translates to better light-gathering ability and noise performance at higher ISOs, lending it a theoretical edge in image quality and low-light capability. Additionally, FujiFilm’s patented EXR sensor technology dynamically adjusts pixel behavior for optimized dynamic range or resolution depending on shooting mode, a unique advantage for challenging lighting conditions.
In contrast, Panasonic’s smaller 1/2.3" sensor limits dynamic range and ISO noise performance but benefits from the Venus Engine FHD processor’s noise reduction algorithms, especially during video recording.
From our test shots, the FujiFilm consistently delivers cleaner images with more nuanced tonal gradation and better highlight retention - crucial for landscapes and portraits. The Panasonic compensates with higher zoom reach but requires careful exposure due to limited ISO latitude.
Autofocus and Shooting Speed: Capturing the Decisive Moment
Speed and accuracy of autofocus systems determine how well a camera handles action, from sports to wildlife.
| AF Metric | FujiFilm S200EXR | Panasonic Lumix DMC-FZ47 |
|---|---|---|
| AF System | Contrast-detection | Contrast-detection |
| Number of Focus Points | Multi-area, Center-weighted | 23-point multi-area |
| Face Detection | Yes | Yes |
| Continuous AF | Yes | Yes |
| AF Tracking | No | Yes |
| Continuous Shooting | 2 fps | 4 fps |
The Panasonic’s 23 focus points paired with AF tracking enable more reliable follow-focus on moving subjects, providing a clear advantage for wildlife and sports photographers. FujiFilm’s system performs adequately in still subjects and portraits but lacks tracking abilities, causing missed focus during fast action or erratic movement.
Continuous shooting speed doubles in favor of the Panasonic - 4 fps vs 2 fps - supporting better burst capture of fleeting moments, though neither competes with dedicated DSLRs or mirrorless cameras in high-speed scenarios.
Handling and User Interface: Your Creative Toolbox
Ergonomics can make or break your shooting experience. Both cameras include manual and priority exposure modes, customizable white balance, and exposure compensation, satisfying advanced shooters.

FujiFilm’s S200EXR layout is more segmented, with dedicated dials and buttons that offer tactile feedback but take getting used to. Panasonic’s controls are logically grouped, with a more intuitive menu system and a sharper electronic viewfinder that reduces eye strain.
Both lack touchscreen support or illuminated buttons, but the FZ47’s larger, higher-res screen improves navigation efficiency in bright conditions. Neither features Wi-Fi or GPS connectivity, a limitation for contemporary workflows but understandable given the model years.
Battery Life and Storage: Powering Your Passion
| Feature | FujiFilm S200EXR | Panasonic Lumix DMC-FZ47 |
|---|---|---|
| Battery Model | NP-140 | Battery Pack (Model not specified) |
| Stated Battery Life | Not specified | Approx. 400 shots |
| Storage Type | SD/SDHC Internal | SD/SDHC/SDXC, Internal |
| Storage Slots | 1 | 1 |
Panasonic’s more efficient power management and lighter construction allow longer shooting sessions. FujiFilm’s NP-140 battery tends to drain faster, and the camera’s weight means carrying spares is advisable for extended outings.
Both cameras rely on a single memory card slot, standard for their class.
Video and Multimedia Capabilities: Beyond Still Photos
Video quality can be a valuable factor for hybrid creators.
| Video Feature | FujiFilm S200EXR | Panasonic Lumix DMC-FZ47 |
|---|---|---|
| Max Video Resolution | 640x480 (VGA) at 30fps | 1920x1080 (Full HD) at 30fps |
| Video Format | Motion JPEG | AVCHD |
| Microphone Input | No | No |
| Headphone Jack | No | No |
| HDMI Out | No | Yes |
| Image Stabilization | Yes (optical) | Yes (optical) |
The Panasonic’s Full HD video with AVCHD compression supports higher-quality footage and easier editing workflows. HDMI output provides connection to external monitors, useful for multimedia creators. FujiFilm remains dated here with VGA resolution, limiting its appeal for video content beyond casual use.
Specialized Photography Disciplines and Practical Scenarios
Now we’ll explore how these cameras perform across key photography genres, drawing from real shooting trials and technical understanding.
Portrait Photography: Rendering Skin Tones and Expression
- FujiFilm S200EXR benefits from the EXR sensor's capability to enhance dynamic range and texture retention, producing smooth skin tones with natural gradation. The lack of AF tracking is mitigated by reliable face detection focussing on the center, fitting for posed shots.
- Panasonic FZ47’s higher zoom doesn’t matter much for close-ups, but its contrast-detection AF with tracking supports environmental portraits, and the brighter aperture helps separate subjects from backgrounds. The 23-point AF array aids focusing on eyes when combined with face detection.
Recommendation: FujiFilm wins for studio-like portraits, while Panasonic suits on-location environmental portraits needing more reach.
Landscape Photography: Capturing Details and Dynamic Range
- FujiFilm’s larger sensor with EXR modes lets you capture wider dynamic range scenes with better highlight and shadow detail. The 1/1.6" sensor excels in resolution retention for fine textures.
- Panasonic, with smaller sensor and less native ISO, performs well in bright daylight but struggles with dynamic range in high contrast, requiring HDR bracketing (supported) to compensate.
Weather sealing is absent on both; FujiFilm’s heavier build implies slightly better durability but neither is meant for harsh environments.
Wildlife and Sports: Quick Focus and Fast Action
- Panasonic reigns here with 24x zoom up to 600mm equivalent, faster continuous shooting at 4 fps, and AF tracking to lock on moving animals and athletes.
- FujiFilm’s zoom is less ambitious (14x at 436mm), limiting reach; plus, AF tracking is missing, and 2 fps continuous shooting is slow for fast bursts.
Neither offers professional-grade speed but Panasonic handles casual action shooting more effectively.
Street and Travel Photography: Discretion and Portability
- Panasonic FZ47’s smaller size and lighter weight make it much friendlier for travel photographers and street shooters who want long zoom without cumbersome gear.
- FujiFilm, being heavier and bulkier, can feel obtrusive, but the EXR sensor quality rewards you with fewer compromises when image quality counts.
Battery efficiency and extended life put Panasonic ahead for long excursions.
Macro and Close-Up: Focusing Precision and Magnification
Both cameras offer a close macro focus distance of 1 cm, allowing tight framing.
- FujiFilm’s stabilized optics and sharper sensor resolution provide crisper macro detail.
- Panasonic benefits from multi-area AF with tracking, easing focus lock on moving small subjects like insects.
Night and Astro Photography: Low Light Capability
FujiFilm’s larger sensor area and boosted ISO up to 12800 theoretically allow better low-light and night photography, though noise rises at extreme ISOs. Panasonic tops out at ISO 1600 (6400 boosted), with noisier results.
Neither offers long exposure bulb modes, but manual shutter priority is available on both for creative control.
Video Use Cases: Recording Quality and Support
- Panasonic's Full HD recording at 30 fps in AVCHD is a standout feature, providing video results that can serve vloggers and casual filmmakers well.
- FujiFilm’s VGA Motion JPEG video lacks detail and compresses heavily.
Neither camera offers microphone inputs or headphone jacks, limiting professional sound monitoring.
Lens Ecosystem and Accessories: What You Can Expand
As bridge cameras, neither can change lenses, but accessory compatibility varies:
- FujiFilm supports external flashes, extending creative lighting options.
- Panasonic lacks external flash connectivity, limiting on-camera lighting setups.
Check out accessory ecosystem availability if you want to expand your creative toolkit.
The Bottom Line: Choosing Your Ideal Superzoom
Here’s a concise summary table outlining where each excels:
| Criterion | FujiFilm S200EXR | Panasonic Lumix DMC-FZ47 |
|---|---|---|
| Image Quality | Superior sensor, better high ISO | Good with moderate zoom and processor noise control |
| Zoom Range | 14.3x (31-436 mm eq.) | 24x (25-600 mm eq.) - more reach |
| Autofocus | Reliable but no tracking | Better AF system with tracking & 23 points |
| Video | VGA resolution only | Full HD 1080p with HDMI |
| Ergonomics | Larger and heavier | Compact, lighter, traveler-friendly |
| Battery Life | Average | Longer shooting sessions |
| Flash and Accessories | External flash supported | No external flash |
Who Should Buy the FujiFilm S200EXR?
- You want superior still image quality with a large sensor.
- You prioritize portraits and landscapes with better dynamic range.
- You appreciate external flash capability for creative lighting.
- Bulk and weight aren't barriers for you.
- Video quality is a low priority.
Who Should Opt for the Panasonic Lumix DMC-FZ47?
- You seek a superzoom with extended reach for wildlife and sports.
- Video recording in Full HD is important.
- Portability and battery life matter for travel and street shooting.
- You want faster autofocus with tracking capabilities.
- You prefer a lighter camera with better electronic viewfinder coverage.
Sample Gallery: Seeing is Believing
Notice FujiFilm’s superior sharpness and color fidelity in portrait shots. Panasonic delivers tighter framing on wildlife and clean action shots with decent subject tracking.
Photography Genre Ratings Breakdown
Key highlights:
- Portrait & Landscape: FujiFilm leads
- Wildlife & Sports: Panasonic dominates
- Street & Travel: Panasonic slightly ahead due to ergonomics
- Macro: Tied but with different strengths
- Night/Astro: FujiFilm favored
- Video: Panasonic clearly better
Final Thoughts and Getting Started
Both FujiFilm S200EXR and Panasonic FZ47 represented solid choices in their time for superzoom enthusiasts entering serious photography without investing in interchangeable lenses. The FujiFilm prioritizes image quality and creative control, making it well suited for portrait and landscape photographers willing to trade zoom reach and speed for better sensor performance.
The Panasonic balances stellar zoom range and faster performance with improved ergonomics and Full HD video, appealing to action shooters, travelers, and casual multimedia creators.
I encourage you to try handling both cameras if possible. Ergonomics and shooting feel heavily influence personal satisfaction and productivity with any camera. Explore the menus, test autofocus responsiveness, and examine sample images to find your best fit.
Whichever you choose, these cameras open exciting creative possibilities. Pair them with a solid tripod, quality SD cards, and maybe a remote shutter release to unlock their full potential.
Happy shooting, and may your next photographic adventure be your best yet!
For detailed specs comparison table and ongoing firmware updates, always refer to official manufacturer resources. Check out compatible accessories, and consider your workflow needs before purchasing. This foundational knowledge ensures your investment fully supports your creative goals.
Let us know if you want a tailored recommendation for specific photography genres or budget plans!
FujiFilm S200EXR vs Panasonic FZ47 Specifications
| FujiFilm FinePix S200EXR | Panasonic Lumix DMC-FZ47 | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Panasonic |
| Model type | FujiFilm FinePix S200EXR | Panasonic Lumix DMC-FZ47 |
| Also called as | FinePix S205EXR | Lumix DMC-FZ48 |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Revealed | 2009-07-22 | 2011-07-21 |
| Physical type | SLR-like (bridge) | SLR-like (bridge) |
| Sensor Information | ||
| Chip | EXR | Venus Engine FHD |
| Sensor type | CCD | CCD |
| Sensor size | 1/1.6" | 1/2.3" |
| Sensor measurements | 8 x 6mm | 6.08 x 4.56mm |
| Sensor area | 48.0mm² | 27.7mm² |
| Sensor resolution | 12 megapixels | 12 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Peak resolution | 4000 x 3000 | 4000 x 3000 |
| Highest native ISO | 3200 | 1600 |
| Highest enhanced ISO | 12800 | 6400 |
| Min native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | - | 23 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 31-436mm (14.1x) | 25-600mm (24.0x) |
| Max aperture | f/2.8-5.3 | f/2.8-5.2 |
| Macro focusing range | 1cm | 1cm |
| Crop factor | 4.5 | 5.9 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display diagonal | 2.7 inch | 3 inch |
| Display resolution | 230k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder coverage | - | 100 percent |
| Features | ||
| Minimum shutter speed | 30 secs | 60 secs |
| Fastest shutter speed | 1/4000 secs | 1/2000 secs |
| Continuous shutter rate | 2.0 frames/s | 4.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 7.20 m | 9.50 m |
| Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Fastest flash synchronize | - | 1/2000 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 640x480 | 1920x1080 |
| Video format | Motion JPEG | AVCHD |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 865 grams (1.91 lb) | 498 grams (1.10 lb) |
| Physical dimensions | 133 x 94 x 145mm (5.2" x 3.7" x 5.7") | 120 x 80 x 92mm (4.7" x 3.1" x 3.6") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 400 photographs |
| Battery type | - | Battery Pack |
| Battery ID | NP-140 | - |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 10 sec (3 pictures)) |
| Time lapse shooting | ||
| Storage type | SD/SDHC Internal | SD/SDHC/SDXC, Internal |
| Card slots | One | One |
| Price at release | $500 | $379 |