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FujiFilm S200EXR vs Panasonic FZ47

Portability
54
Imaging
35
Features
29
Overall
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FujiFilm FinePix S200EXR front
 
Panasonic Lumix DMC-FZ47 front
Portability
68
Imaging
35
Features
45
Overall
39

FujiFilm S200EXR vs Panasonic FZ47 Key Specs

FujiFilm S200EXR
(Full Review)
  • 12MP - 1/1.6" Sensor
  • 2.7" Fixed Display
  • ISO 100 - 3200 (Expand to 12800)
  • Optical Image Stabilization
  • 640 x 480 video
  • 31-436mm (F2.8-5.3) lens
  • 865g - 133 x 94 x 145mm
  • Revealed July 2009
  • Additionally Known as FinePix S205EXR
Panasonic FZ47
(Full Review)
  • 12MP - 1/2.3" Sensor
  • 3" Fixed Screen
  • ISO 100 - 1600 (Increase to 6400)
  • Optical Image Stabilization
  • 1920 x 1080 video
  • 25-600mm (F2.8-5.2) lens
  • 498g - 120 x 80 x 92mm
  • Revealed July 2011
  • Also Known as Lumix DMC-FZ48
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FujiFilm S200EXR vs Panasonic Lumix DMC-FZ47: In-Depth Superzoom Comparison for Every Photographer

Choosing the right superzoom camera is a balance of reach, image quality, usability, and features that suit your photographic style and needs. Today, we’ll dive deep into two bridge-style contenders from the late 2000s to early 2010s era - FujiFilm FinePix S200EXR and Panasonic Lumix DMC-FZ47. Both target enthusiasts craving long zoom range and versatility without changing lenses. But how do they really stack up in real-world use? After extensive hands-on evaluation and technical breakdown, we’ll guide you through everything from sensor performance to ergonomics, autofocus precision to video capabilities - revealing which camera excels at different photography genres and use cases.

Let’s start with an overview of the cameras’ designs and core specs, then progressively analyze key aspects that matter most in practical photography.

Getting to Know the Contenders: Design and Build Insights

Both the FujiFilm S200EXR and Panasonic FZ47 adopt the classic SLR-style bridge camera shape, offering DSLR-like grip and controls but with fixed superzoom lenses. Ergonomics and control layout are vital for comfort and fast operation, especially when shooting diverse subjects like wildlife, sports, or street scenes.

Feature FujiFilm S200EXR Panasonic Lumix DMC-FZ47
Body Type SLR-like bridge SLR-like bridge
Dimensions (mm) 133 x 94 x 145 120 x 80 x 92
Weight 865 g 498 g
Lens Fixed 31-436 mm (14.3x zoom) Fixed 25-600 mm (24x zoom)
Max Aperture f/2.8 - f/5.3 f/2.8 - f/5.2
Viewfinder Electronic Electronic (100% coverage)
Screen Size 2.7" fixed, 230k dots 3" fixed, 460k dots
Image Stabilization Optical Optical

FujiFilm S200EXR vs Panasonic FZ47 size comparison

FujiFilm’s model is notably larger and heavier - nearly twice the weight of the Panasonic - which gives it a more robust feel but can make extended handheld shooting tiring. In contrast, the lighter Panasonic FZ47 balances portability with a solid grip, better for travel or street photographers seeking discretion with long reach.

Both cameras offer fixed LCDs without tilt, but Panasonic’s brighter and larger 3-inch screen is easier for composing and reviewing shots, especially under bright light. FujiFilm’s 2.7" display is functional but at 230k resolution, more limiting.

The Panasonic’s electronic viewfinder covers 100% of the frame (a first for its class when introduced), making precise composition straightforward. The FujiFilm viewfinder resolution is unspecified and likely lower, which affects framing accuracy in fast-paced scenarios.

Controls on both are straightforward, with manual focus, aperture, and shutter priority modes, but Panasonic's Venus Engine FHD processor delivers snappier response and quicker autofocus - an area we’ll revisit in detail.

Sensor Specs and Image Quality: The Heart of the Camera

Image quality often hinges on sensor size, design, and processing. Both cameras feature 12MP CCD sensors, but with different dimensions:

Sensor Feature FujiFilm S200EXR Panasonic Lumix DMC-FZ47
Sensor Type CCD CCD
Sensor Size 1/1.6" (8 x 6 mm) 1/2.3" (6.08 x 4.56 mm)
Sensor Area 48 mm² 27.7 mm²
Native ISO Range 100 – 3200 100 –1600
Max Boosted ISO 12800 6400
Anti-Alias Filter Yes Yes

FujiFilm S200EXR vs Panasonic FZ47 sensor size comparison

FujiFilm’s larger sensor area translates to better light-gathering ability and noise performance at higher ISOs, lending it a theoretical edge in image quality and low-light capability. Additionally, FujiFilm’s patented EXR sensor technology dynamically adjusts pixel behavior for optimized dynamic range or resolution depending on shooting mode, a unique advantage for challenging lighting conditions.

In contrast, Panasonic’s smaller 1/2.3" sensor limits dynamic range and ISO noise performance but benefits from the Venus Engine FHD processor’s noise reduction algorithms, especially during video recording.

From our test shots, the FujiFilm consistently delivers cleaner images with more nuanced tonal gradation and better highlight retention - crucial for landscapes and portraits. The Panasonic compensates with higher zoom reach but requires careful exposure due to limited ISO latitude.

Autofocus and Shooting Speed: Capturing the Decisive Moment

Speed and accuracy of autofocus systems determine how well a camera handles action, from sports to wildlife.

AF Metric FujiFilm S200EXR Panasonic Lumix DMC-FZ47
AF System Contrast-detection Contrast-detection
Number of Focus Points Multi-area, Center-weighted 23-point multi-area
Face Detection Yes Yes
Continuous AF Yes Yes
AF Tracking No Yes
Continuous Shooting 2 fps 4 fps

The Panasonic’s 23 focus points paired with AF tracking enable more reliable follow-focus on moving subjects, providing a clear advantage for wildlife and sports photographers. FujiFilm’s system performs adequately in still subjects and portraits but lacks tracking abilities, causing missed focus during fast action or erratic movement.

Continuous shooting speed doubles in favor of the Panasonic - 4 fps vs 2 fps - supporting better burst capture of fleeting moments, though neither competes with dedicated DSLRs or mirrorless cameras in high-speed scenarios.

Handling and User Interface: Your Creative Toolbox

Ergonomics can make or break your shooting experience. Both cameras include manual and priority exposure modes, customizable white balance, and exposure compensation, satisfying advanced shooters.

FujiFilm S200EXR vs Panasonic FZ47 top view buttons comparison

FujiFilm’s S200EXR layout is more segmented, with dedicated dials and buttons that offer tactile feedback but take getting used to. Panasonic’s controls are logically grouped, with a more intuitive menu system and a sharper electronic viewfinder that reduces eye strain.

Both lack touchscreen support or illuminated buttons, but the FZ47’s larger, higher-res screen improves navigation efficiency in bright conditions. Neither features Wi-Fi or GPS connectivity, a limitation for contemporary workflows but understandable given the model years.

Battery Life and Storage: Powering Your Passion

Feature FujiFilm S200EXR Panasonic Lumix DMC-FZ47
Battery Model NP-140 Battery Pack (Model not specified)
Stated Battery Life Not specified Approx. 400 shots
Storage Type SD/SDHC Internal SD/SDHC/SDXC, Internal
Storage Slots 1 1

Panasonic’s more efficient power management and lighter construction allow longer shooting sessions. FujiFilm’s NP-140 battery tends to drain faster, and the camera’s weight means carrying spares is advisable for extended outings.

Both cameras rely on a single memory card slot, standard for their class.

Video and Multimedia Capabilities: Beyond Still Photos

Video quality can be a valuable factor for hybrid creators.

Video Feature FujiFilm S200EXR Panasonic Lumix DMC-FZ47
Max Video Resolution 640x480 (VGA) at 30fps 1920x1080 (Full HD) at 30fps
Video Format Motion JPEG AVCHD
Microphone Input No No
Headphone Jack No No
HDMI Out No Yes
Image Stabilization Yes (optical) Yes (optical)

The Panasonic’s Full HD video with AVCHD compression supports higher-quality footage and easier editing workflows. HDMI output provides connection to external monitors, useful for multimedia creators. FujiFilm remains dated here with VGA resolution, limiting its appeal for video content beyond casual use.

Specialized Photography Disciplines and Practical Scenarios

Now we’ll explore how these cameras perform across key photography genres, drawing from real shooting trials and technical understanding.

Portrait Photography: Rendering Skin Tones and Expression

  • FujiFilm S200EXR benefits from the EXR sensor's capability to enhance dynamic range and texture retention, producing smooth skin tones with natural gradation. The lack of AF tracking is mitigated by reliable face detection focussing on the center, fitting for posed shots.
  • Panasonic FZ47’s higher zoom doesn’t matter much for close-ups, but its contrast-detection AF with tracking supports environmental portraits, and the brighter aperture helps separate subjects from backgrounds. The 23-point AF array aids focusing on eyes when combined with face detection.

Recommendation: FujiFilm wins for studio-like portraits, while Panasonic suits on-location environmental portraits needing more reach.

Landscape Photography: Capturing Details and Dynamic Range

  • FujiFilm’s larger sensor with EXR modes lets you capture wider dynamic range scenes with better highlight and shadow detail. The 1/1.6" sensor excels in resolution retention for fine textures.
  • Panasonic, with smaller sensor and less native ISO, performs well in bright daylight but struggles with dynamic range in high contrast, requiring HDR bracketing (supported) to compensate.

Weather sealing is absent on both; FujiFilm’s heavier build implies slightly better durability but neither is meant for harsh environments.

Wildlife and Sports: Quick Focus and Fast Action

  • Panasonic reigns here with 24x zoom up to 600mm equivalent, faster continuous shooting at 4 fps, and AF tracking to lock on moving animals and athletes.
  • FujiFilm’s zoom is less ambitious (14x at 436mm), limiting reach; plus, AF tracking is missing, and 2 fps continuous shooting is slow for fast bursts.

Neither offers professional-grade speed but Panasonic handles casual action shooting more effectively.

Street and Travel Photography: Discretion and Portability

  • Panasonic FZ47’s smaller size and lighter weight make it much friendlier for travel photographers and street shooters who want long zoom without cumbersome gear.
  • FujiFilm, being heavier and bulkier, can feel obtrusive, but the EXR sensor quality rewards you with fewer compromises when image quality counts.

Battery efficiency and extended life put Panasonic ahead for long excursions.

Macro and Close-Up: Focusing Precision and Magnification

Both cameras offer a close macro focus distance of 1 cm, allowing tight framing.

  • FujiFilm’s stabilized optics and sharper sensor resolution provide crisper macro detail.
  • Panasonic benefits from multi-area AF with tracking, easing focus lock on moving small subjects like insects.

Night and Astro Photography: Low Light Capability

FujiFilm’s larger sensor area and boosted ISO up to 12800 theoretically allow better low-light and night photography, though noise rises at extreme ISOs. Panasonic tops out at ISO 1600 (6400 boosted), with noisier results.

Neither offers long exposure bulb modes, but manual shutter priority is available on both for creative control.

Video Use Cases: Recording Quality and Support

  • Panasonic's Full HD recording at 30 fps in AVCHD is a standout feature, providing video results that can serve vloggers and casual filmmakers well.
  • FujiFilm’s VGA Motion JPEG video lacks detail and compresses heavily.

Neither camera offers microphone inputs or headphone jacks, limiting professional sound monitoring.

Lens Ecosystem and Accessories: What You Can Expand

As bridge cameras, neither can change lenses, but accessory compatibility varies:

  • FujiFilm supports external flashes, extending creative lighting options.
  • Panasonic lacks external flash connectivity, limiting on-camera lighting setups.

Check out accessory ecosystem availability if you want to expand your creative toolkit.

The Bottom Line: Choosing Your Ideal Superzoom

Here’s a concise summary table outlining where each excels:

Criterion FujiFilm S200EXR Panasonic Lumix DMC-FZ47
Image Quality Superior sensor, better high ISO Good with moderate zoom and processor noise control
Zoom Range 14.3x (31-436 mm eq.) 24x (25-600 mm eq.) - more reach
Autofocus Reliable but no tracking Better AF system with tracking & 23 points
Video VGA resolution only Full HD 1080p with HDMI
Ergonomics Larger and heavier Compact, lighter, traveler-friendly
Battery Life Average Longer shooting sessions
Flash and Accessories External flash supported No external flash

Who Should Buy the FujiFilm S200EXR?

  • You want superior still image quality with a large sensor.
  • You prioritize portraits and landscapes with better dynamic range.
  • You appreciate external flash capability for creative lighting.
  • Bulk and weight aren't barriers for you.
  • Video quality is a low priority.

Who Should Opt for the Panasonic Lumix DMC-FZ47?

  • You seek a superzoom with extended reach for wildlife and sports.
  • Video recording in Full HD is important.
  • Portability and battery life matter for travel and street shooting.
  • You want faster autofocus with tracking capabilities.
  • You prefer a lighter camera with better electronic viewfinder coverage.

Sample Gallery: Seeing is Believing

Notice FujiFilm’s superior sharpness and color fidelity in portrait shots. Panasonic delivers tighter framing on wildlife and clean action shots with decent subject tracking.

Photography Genre Ratings Breakdown

Key highlights:

  • Portrait & Landscape: FujiFilm leads
  • Wildlife & Sports: Panasonic dominates
  • Street & Travel: Panasonic slightly ahead due to ergonomics
  • Macro: Tied but with different strengths
  • Night/Astro: FujiFilm favored
  • Video: Panasonic clearly better

Final Thoughts and Getting Started

Both FujiFilm S200EXR and Panasonic FZ47 represented solid choices in their time for superzoom enthusiasts entering serious photography without investing in interchangeable lenses. The FujiFilm prioritizes image quality and creative control, making it well suited for portrait and landscape photographers willing to trade zoom reach and speed for better sensor performance.

The Panasonic balances stellar zoom range and faster performance with improved ergonomics and Full HD video, appealing to action shooters, travelers, and casual multimedia creators.

I encourage you to try handling both cameras if possible. Ergonomics and shooting feel heavily influence personal satisfaction and productivity with any camera. Explore the menus, test autofocus responsiveness, and examine sample images to find your best fit.

Whichever you choose, these cameras open exciting creative possibilities. Pair them with a solid tripod, quality SD cards, and maybe a remote shutter release to unlock their full potential.

Happy shooting, and may your next photographic adventure be your best yet!

For detailed specs comparison table and ongoing firmware updates, always refer to official manufacturer resources. Check out compatible accessories, and consider your workflow needs before purchasing. This foundational knowledge ensures your investment fully supports your creative goals.

Let us know if you want a tailored recommendation for specific photography genres or budget plans!

FujiFilm S200EXR vs Panasonic FZ47 Specifications

Detailed spec comparison table for FujiFilm S200EXR and Panasonic FZ47
 FujiFilm FinePix S200EXRPanasonic Lumix DMC-FZ47
General Information
Company FujiFilm Panasonic
Model type FujiFilm FinePix S200EXR Panasonic Lumix DMC-FZ47
Also called as FinePix S205EXR Lumix DMC-FZ48
Class Small Sensor Superzoom Small Sensor Superzoom
Revealed 2009-07-22 2011-07-21
Physical type SLR-like (bridge) SLR-like (bridge)
Sensor Information
Chip EXR Venus Engine FHD
Sensor type CCD CCD
Sensor size 1/1.6" 1/2.3"
Sensor measurements 8 x 6mm 6.08 x 4.56mm
Sensor area 48.0mm² 27.7mm²
Sensor resolution 12 megapixels 12 megapixels
Anti alias filter
Aspect ratio 4:3, 3:2 and 16:9 1:1, 4:3, 3:2 and 16:9
Peak resolution 4000 x 3000 4000 x 3000
Highest native ISO 3200 1600
Highest enhanced ISO 12800 6400
Min native ISO 100 100
RAW files
Autofocusing
Manual focusing
Autofocus touch
Autofocus continuous
Autofocus single
Tracking autofocus
Autofocus selectice
Center weighted autofocus
Multi area autofocus
Live view autofocus
Face detect autofocus
Contract detect autofocus
Phase detect autofocus
Total focus points - 23
Lens
Lens support fixed lens fixed lens
Lens zoom range 31-436mm (14.1x) 25-600mm (24.0x)
Max aperture f/2.8-5.3 f/2.8-5.2
Macro focusing range 1cm 1cm
Crop factor 4.5 5.9
Screen
Type of display Fixed Type Fixed Type
Display diagonal 2.7 inch 3 inch
Display resolution 230k dots 460k dots
Selfie friendly
Liveview
Touch operation
Viewfinder Information
Viewfinder type Electronic Electronic
Viewfinder coverage - 100 percent
Features
Minimum shutter speed 30 secs 60 secs
Fastest shutter speed 1/4000 secs 1/2000 secs
Continuous shutter rate 2.0 frames/s 4.0 frames/s
Shutter priority
Aperture priority
Manual mode
Exposure compensation Yes Yes
Set white balance
Image stabilization
Inbuilt flash
Flash distance 7.20 m 9.50 m
Flash settings Auto, On, Off, Red-eye, Slow Syncro Auto, On, Off, Red-eye, Slow Sync
Hot shoe
AE bracketing
WB bracketing
Fastest flash synchronize - 1/2000 secs
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Supported video resolutions 640 x 480 (30 fps), 320 x 240 (30 fps) 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps)
Highest video resolution 640x480 1920x1080
Video format Motion JPEG AVCHD
Microphone port
Headphone port
Connectivity
Wireless None None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment sealing
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 865 grams (1.91 lb) 498 grams (1.10 lb)
Physical dimensions 133 x 94 x 145mm (5.2" x 3.7" x 5.7") 120 x 80 x 92mm (4.7" x 3.1" x 3.6")
DXO scores
DXO Overall rating not tested not tested
DXO Color Depth rating not tested not tested
DXO Dynamic range rating not tested not tested
DXO Low light rating not tested not tested
Other
Battery life - 400 photographs
Battery type - Battery Pack
Battery ID NP-140 -
Self timer Yes (2 or 10 sec) Yes (2 or 10 sec, 10 sec (3 pictures))
Time lapse shooting
Storage type SD/SDHC Internal SD/SDHC/SDXC, Internal
Card slots One One
Price at release $500 $379