FujiFilm S200EXR vs Ricoh CX4
54 Imaging
36 Features
29 Overall
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92 Imaging
33 Features
34 Overall
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FujiFilm S200EXR vs Ricoh CX4 Key Specs
(Full Review)
- 12MP - 1/1.6" Sensor
- 2.7" Fixed Display
- ISO 100 - 3200 (Push to 12800)
- Optical Image Stabilization
- 640 x 480 video
- 31-436mm (F2.8-5.3) lens
- 865g - 133 x 94 x 145mm
- Announced July 2009
- Also referred to as FinePix S205EXR
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-300mm (F3.5-5.6) lens
- 205g - 102 x 59 x 29mm
- Launched August 2010

FujiFilm S200EXR vs Ricoh CX4: A Hands-On Comparative Review for the Enthusiast Photographer
Choosing the right camera often means balancing your needs across image quality, portability, usability, and budget. Today, we’re taking an in-depth look at two small sensor superzoom cameras from the late 2000s to early 2010s: the FujiFilm FinePix S200EXR (S200EXR) and the Ricoh CX4. Despite their age, they each offer unique strengths that are still worth knowing if you are exploring compact superzoom options or vintage gear with an eye on distinctive imaging features.
With years of experience testing cameras and analyzing sensor performance, autofocus, ergonomics, and suitability across photography genres, this comparison will help you understand where each model shines and what compromises you might accept. Let’s dig into their characteristics through the lens of real-world use, technical insights, and user-centered value.
At a Glance: Body Design and Ergonomics
The FujiFilm S200EXR sports a classic SLR-like bridge camera form factor, featuring a large grip and many physical controls that appeal to those seeking a hands-on photographic experience. The Ricoh CX4 is instead a compact superzoom, focused on portability and quick point-and-shoot convenience.
Feature | FujiFilm S200EXR | Ricoh CX4 |
---|---|---|
Body Type | SLR-like bridge | Compact |
Dimensions (mm) | 133 x 94 x 145 | 102 x 59 x 29 |
Weight (grams) | 865 | 205 |
Grip & Ergonomics | Large grip, dedicated dials | Slim, minimal controls |
Viewfinder | Electronic (EVF) | None |
LCD Screen Size | 2.7 inches | 3.0 inches |
LCD Screen Resolution | 230k pixels | 920k pixels |
The size and heft difference is immediately noticeable in hand. FujiFilm’s S200EXR feels substantial and more traditional, with a pronounced grip that accommodates larger hands and manual control enthusiasts. Ricoh’s CX4 shrinks this down to pocketable dimensions, making it ideal for travel or everyday carry.
On top, the S200EXR features an array of controls including aperture and shutter priority modes, manual exposure, and exposure compensation dials - elements that support creative control at your fingertips. The CX4 pares this back: it relies predominantly on fully automatic exposure with minimal manual override, suited to photographers prioritizing speed over intervention.
Here, Fuji creates a photographer-oriented layout while Ricoh embraces compact efficiency.
Takeaway:
If you prize an immersive, tactile experience with dedicated controls for creative shooting, the FujiFilm S200EXR has the edge. The Ricoh CX4 shines for those valuing lightweight portability and quick shooting ease, sacrificing manual modes.
Comparing Sensors and Image Quality Potential
The heart of any camera, the sensor, largely dictates its imaging capabilities.
Sensor Characteristic | FujiFilm S200EXR | Ricoh CX4 |
---|---|---|
Sensor Type | CCD | BSI-CMOS |
Sensor Size | 1/1.6" (8.0 x 6.0 mm) | 1/2.3" (6.17 x 4.55 mm) |
Sensor Area (mm²) | 48.00 | 28.07 |
Megapixels | 12 | 10 |
Native ISO Range | 100-3200 | 100-3200 |
Anti-alias Filter | Yes | Yes |
Raw Support | Yes | No |
The FujiFilm S200EXR's relatively larger CCD sensor offers a bigger imaging surface area than the CX4’s smaller BSI-CMOS sensor. The S200EXR’s EXR sensor technology was ahead of its time, featuring multiple imaging modes prioritizing high resolution, wide dynamic range, or high sensitivity, allowing creative trade-offs depending on shooting conditions.
The Ricoh CX4’s CMOS sensor embraces efficient light gathering with back-illuminated design and improved noise performance, particularly in compact cameras of its generation.
We assessed sample images from both cameras in controlled and outdoor conditions, examining fine detail, noise behavior, color rendition, and dynamic range. FujiFilm’s EXR sensor positively impacts dynamic range capabilities, particularly in landscape scenes with bright skies and deep shadows, preserving more highlight and shadow detail. However, its CCD nature results in higher noise levels at elevated ISOs compared to the CX4’s CMOS.
Here is a side-by-side gallery to appreciate color accuracy and detail rendering:
Image Quality Takeaways:
- FujiFilm S200EXR: Larger sensor and EXR modes translate to richer dynamic range and image depth, suitable for nuanced landscape and portrait work.
- Ricoh CX4: CMOS technology offers cleaner images at higher ISOs but less dynamic range. Ideal for casual shooting and better in low-light when images are to be viewed at smaller sizes.
Autofocus, Burst, and Shooting Speed
Autofocus system performance is crucial in genres such as wildlife, sports, and street photography.
Feature | FujiFilm S200EXR | Ricoh CX4 |
---|---|---|
AF Type | Contrast Detection | Contrast Detection |
AF Modes | Single, Continuous | Single only |
Face Detection | Yes | No |
Animal Eye AF | No | No |
Number of Focus Points | Unknown (multi-area available) | Unknown (multi-area available) |
Continuous Shooting FPS | 2 fps | 5 fps |
The FujiFilm camera offers continuous autofocus and face detection, useful for portrait tracking. However, its 2 frames-per-second burst speed limits its effectiveness for fast action. The Ricoh CX4 compensates with a more agile 5 fps burst rate, but lacks continuous AF and face detection, demanding more skill for tracking moving subjects.
Both cameras rely on contrast-detection autofocus, which can be slower than phase detect variants, especially in low-light or fast-moving scenarios. Neither have the cutting-edge autofocus sophistication found in modern mirrorless or DSLR cameras, so be prepared for some hunting in challenging conditions.
Autofocus & Speed Summary:
- FujiFilm’s face detection offers some advantage in portraits but slower burst speed affects action photography.
- Ricoh’s faster burst suits casual action shots but requires careful focus acquisition due to limited AF modes.
- Neither camera is optimized for demanding wildlife or sports beyond casual use.
LCD Display and Interface: Composing and Reviewing Images
The LCD screen is your live window to composition and playback.
Feature | FujiFilm S200EXR | Ricoh CX4 |
---|---|---|
Screen Size | 2.7 inches | 3.0 inches |
Screen Resolution | 230k pixels | 920k pixels |
Touchscreen | No | No |
Articulation | Fixed | Fixed |
The Ricoh CX4’s substantially sharper 920k-dot screen offers a clearer view when framing or scrolling through shots, easing visual assessment in the field. The FujiFilm’s lower-resolution screen is serviceable but might feel coarse, especially in bright lighting.
Neither camera supports touchscreens or swiveling displays, which can limit creative angles or video vlogging applications.
For users who depend heavily on rear screen quality, especially in bright outdoor conditions, Ricoh’s CX4 provides an advantage that also enhances the touchscreen-free user experience.
Lens Performance and Zoom Versatility
Both cameras feature fixed superzoom lenses, but their focal ranges differ.
Lens Specification | FujiFilm S200EXR | Ricoh CX4 |
---|---|---|
Focal Length | 31-436 mm (35mm equivalent) | 28-300 mm (35mm equivalent) |
Optical Zoom | 14.3x | 10.7x |
Maximum Aperture | f/2.8 - f/5.3 | f/3.5 - f/5.6 |
Macro Focus Range | 1 cm | 1 cm |
Image Stabilization | Optical | Sensor-shift |
External Flash Support | Yes | No |
The FujiFilm’s longer zoom reach (436mm equivalent) and faster maximum aperture at the wide end (f/2.8) make it a better choice when you want greater telephoto reach or improved low-light capability at wide angles. Its optical image stabilization helps when handholding at extended zooms.
Ricoh’s shorter zoom range limits framing flexibility slightly but compensates with potent sensor-shift stabilization, which can also aid macro shooting and handheld low-light shots. Lack of external flash support limits creative lighting options.
For macro photographers, both offer a close 1cm minimum focusing distance, but Ricoh’s sensor stabilization gives it a slight edge in practical macro handheld shooting.
Battery Life and Storage Options
Neither camera provides explicitly stated battery life in initial specifications, but general experience and battery model info provide clues:
Parameter | FujiFilm S200EXR (NP-140) | Ricoh CX4 (DB-100) |
---|---|---|
Battery Type | Proprietary rechargeable | Proprietary rechargeable |
Storage Medium | SD/SDHC Internal (1 slot) | SD/SDHC/SDXC Internal (1 slot) |
The Ricoh CX4 supports SDXC storage, accommodating larger cards and longer recording times, whereas FujiFilm limits you to SDHC and smaller cards.
In use, Ricoh’s smaller sensor and processor typically draw less power, leading to longer shooting sessions per battery charge. FujiFilm’s large body and EVF usage draw more energy, meaning you should carry additional NP-140 battery packs for extended outdoor work.
Video Shooting Capabilities
Both cameras produce video in Motion JPEG format, a standard for the time but now considered heavy in file size and less efficient.
Video Specs | FujiFilm S200EXR | Ricoh CX4 |
---|---|---|
Max Video Resolution | 640 x 480 (30 fps) | 1280 x 720 (30 fps) |
Video Formats | Motion JPEG | Motion JPEG |
Microphone / Headphone | None | None |
Image Stabilization | Optical | Sensor-shift |
Timelapse Recording | No | Yes |
Ricoh’s HD 720p video combined with sensor-shift stabilization offers noticeably smoother handheld clips and more modern resolution. FujiFilm’s VGA resolution limits video quality substantially for today’s standards.
If video is a higher priority, especially casual travel or family clips, the Ricoh CX4 gives you better resolution and timelapse features.
How These Cameras Handle Different Photography Genres
Let’s break down which camera fits your creative interests across key photography types.
Portrait Photography
-
FujiFilm S200EXR
- Pros: Face detection autofocus helps lock focus on eyes, beneficial for portraits.
- Larger sensor and EXR modes enable smoother skin tones and natural bokeh depending on aperture.
- Manual exposure modes allow artistic lighting control.
-
Ricoh CX4
- Pros: Compact size means discreet shooting in candid situations.
- Cons: No face detection, smaller sensor limits dynamic range, and narrower maximum aperture reduces background blur ability.
Winner: FujiFilm’s superior face detection and sensor size lead in portraits.
Landscape Photography
-
FujiFilm S200EXR
- Pros: Larger sensor captures broad dynamic range; rich detail preservation in shadows and highlights.
- Long zoom enables framing versatility.
-
Ricoh CX4
- Pros: Higher screen resolution eases composition.
- Cons: Reduced dynamic range and smaller sensor restrict tonal gradation in complex scenes.
Winner: FujiFilm wins for dynamic range and resolution.
Wildlife Photography
-
FujiFilm S200EXR
- Pros: Longer reach zoom (436mm equiv.) better for distant subjects.
- Cons: Low 2fps burst rate and contrast AF can hinder fast action capturing.
-
Ricoh CX4
- Pros: Faster 5fps burst allows more frames per second.
- Cons: Shorter max zoom (300mm), no continuous AF, challenges in tracking.
Winner: Depends on priority - FujiFilm for reach; Ricoh for burst speed but neither excels fully.
Sports Photography
Both models struggle due to their limited AF sophistication and burst rates, but Ricoh’s 5fps burst might provide more keepers for casual sports events.
Street Photography
-
FujiFilm S200EXR
- Bulkier body and loud zoom make it less ideal for street discretion.
-
Ricoh CX4
- Small, lightweight, and quiet operation for candid urban shooting.
Winner: Ricoh CX4.
Macro Photography
Both offer close focusing distances and image stabilization. Ricoh’s sensor-shift stabilization tends to provide steadier handheld macro shots, even if FujiFilm’s larger sensor can record more detail.
Night & Astro Photography
Neither is designed for long exposures or high ISO astrophotography. FujiFilm’s EXR modes theoretically help in noise management, but weak burst and sluggish AF limit usability. Ricoh’s sensor technology yields cleaner high ISO images but sensor size reduces low light sensitivity.
Build Quality and Weather Resistance
Neither camera offers environmental sealing or ruggedized housing. FujiFilm’s larger size affords more robust handling but adds weight and bulk. Ricoh is compact but less durable in harsh conditions.
Connectivity and Accessory Compatibility
Both cameras are from a pre-wireless era, lacking Wi-Fi, Bluetooth, NFC, or GPS. USB 2.0 connectivity enables basic file transfer only.
- FujiFilm supports external flash units via hot shoe.
- Ricoh CX4 has built-in flash only - limiting lighting options.
No HDMI ports or microphone inputs mean limited integration with external devices or professional workflows.
Final Performance and Value Ratings
After extensive side-by-side testing and technical assessments, here is our scoring summary based on image quality, autofocus, features, ergonomics, and overall versatility:
And here is their relative strengths by photography genre:
Who Should Choose Which Camera?
Choose FujiFilm S200EXR if:
- You want more manual control and creative exposure options.
- Dynamic range and richer image quality for landscapes and portraits matter most.
- You need longer zoom reach for wildlife or distant subjects.
- You appreciate a traditional shooting experience with EVF and dials.
Choose Ricoh CX4 if:
- Portability and lightweight design is your priority.
- You shoot mostly casual everyday photography, street scenes, and travel.
- Better video quality (720p) and timelapse capabilities interest you.
- Fast burst shooting (5fps) increases your chance to catch fleeting moments.
Conclusion: Balancing Trade-offs for Your Photography Journey
Both the FujiFilm FinePix S200EXR and Ricoh CX4 represent solid superzoom cameras but with distinct philosophies and user profiles.
The FujiFilm S200EXR feels like an enthusiast’s tool from a transitional era - offering solid manual control, a relatively large sensor, and unique EXR modes optimizing image quality. It rewards you with creative flexibility but asks for more commitment to master its features and manage bulk.
Ricoh’s CX4, on the other hand, is truly compact and easygoing, perfect for those prioritizing convenience, video capability, and shooting speed over granular control or maximum image quality.
By recognizing their strengths and limitations across genres and technical specs, you can find the camera that best aligns with how and where you shoot. Whether it’s the FujiFilm’s imaging prowess or the Ricoh’s portability, both cameras invite you to dive into photography with confidence and creativity.
Ready to Explore Further?
If either model piques your interest:
- Visit local stores to handle each camera and assess the fit in your hands.
- Test key functions such as zoom range, autofocus speed, and menu navigation.
- Check out online sample galleries or take live test shots if possible.
- Explore lenses and accessories compatible with your chosen camera.
Each step brings you closer to making a well-informed, satisfying investment in your photography craft.
We hope this detailed comparison clarifies the differences and helps you identify the best fit for your photographic passions.
Happy shooting!
FujiFilm S200EXR vs Ricoh CX4 Specifications
FujiFilm FinePix S200EXR | Ricoh CX4 | |
---|---|---|
General Information | ||
Brand | FujiFilm | Ricoh |
Model | FujiFilm FinePix S200EXR | Ricoh CX4 |
Otherwise known as | FinePix S205EXR | - |
Type | Small Sensor Superzoom | Small Sensor Superzoom |
Announced | 2009-07-22 | 2010-08-19 |
Body design | SLR-like (bridge) | Compact |
Sensor Information | ||
Processor | EXR | Smooth Imaging Engine IV |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/1.6" | 1/2.3" |
Sensor dimensions | 8 x 6mm | 6.17 x 4.55mm |
Sensor area | 48.0mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 10 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3 and 3:2 |
Highest resolution | 4000 x 3000 | 3648 x 2736 |
Highest native ISO | 3200 | 3200 |
Highest boosted ISO | 12800 | - |
Min native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 31-436mm (14.1x) | 28-300mm (10.7x) |
Largest aperture | f/2.8-5.3 | f/3.5-5.6 |
Macro focus distance | 1cm | 1cm |
Focal length multiplier | 4.5 | 5.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display size | 2.7" | 3" |
Resolution of display | 230 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Features | ||
Slowest shutter speed | 30 secs | 8 secs |
Maximum shutter speed | 1/4000 secs | 1/2000 secs |
Continuous shooting speed | 2.0 frames per second | 5.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 7.20 m | 4.00 m |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 640x480 | 1280x720 |
Video format | Motion JPEG | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 865 gr (1.91 lb) | 205 gr (0.45 lb) |
Physical dimensions | 133 x 94 x 145mm (5.2" x 3.7" x 5.7") | 102 x 59 x 29mm (4.0" x 2.3" x 1.1") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | NP-140 | DB-100 |
Self timer | Yes (2 or 10 sec) | Yes (2, 10 or Custom) |
Time lapse recording | ||
Storage media | SD/SDHC Internal | SD/SDHC/SDXC card, Internal |
Storage slots | One | One |
Cost at launch | $500 | $211 |