FujiFilm S2800HD vs Fujifilm S3 Pro
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FujiFilm S2800HD vs Fujifilm S3 Pro Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 1600 (Bump to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-504mm (F3.1-5.6) lens
- 437g - 110 x 74 x 82mm
- Announced February 2010
- Also referred to as FinePix S2900HD
(Full Review)
- 6MP - APS-C Sensor
- 2" Fixed Display
- ISO 100 - 1600
- No Video
- Nikon F Mount
- 930g - 148 x 135 x 80mm
- Announced March 2005
- Succeeded the Fujifilm S2 Pro
- Successor is Fujifilm S5 Pro
Photobucket discusses licensing 13 billion images with AI firms FujiFilm FinePix S2800HD vs Fujifilm FinePix S3 Pro: A Hands-On Comparative Review for Enthusiasts and Professionals
Photography enthusiasts and professionals alike often find themselves returning to the stalwart question: what camera fits my artistic vision, workflow, and budget best? Today, I’ll guide you through an in-depth comparison of two FujiFilm models from different eras and categories - the FujiFilm FinePix S2800HD, a 2010 entry-level superzoom bridge camera, and the Fujifilm FinePix S3 Pro, a 2005 professional-grade DSLR. Though they share a manufacturer, these cameras were engineered for vastly different users and purposes. Understanding their strengths and limitations requires not just a spec sheet glance, but hands-on experience and careful evaluation across photography disciplines.
Having tested thousands of cameras across genres, I’ll break down these two FujiFilm models - covering image quality, build, optics, usability, and performance - to clarify who should seriously consider each one in today’s context.
A Tale of Two Giants: Visualizing Size and Ergonomics
First, let’s talk body design and physical handling, which can notably influence your shooting style and endurance in the field. The S2800HD is typical of bridge cameras, designed to mimic an SLR-like grip but packed into a compact, affordable package. Weighing just 437 grams and measuring 110x74x82mm, it fits comfortably in one hand - ideal for casual use or travel when you want versatility without bulk.
Contrast this with the S3 Pro, a professional DSLR with heft and presence: at 930 grams and 148x135x80mm dimensions, it commands serious hand presence and promises robust handling. This is built for extended shoots and adaptability with the huge Nikon F-mount ecosystem.

In practice, the S2800HD’s compactness carved out an easy, grab-and-go appeal for street and casual shooting. The S3 Pro demands more respect and planning but rewards the photographer with more tactile control and sturdiness.
Design Philosophy and Control Layout: Managing Complexity vs Simplicity
How control layouts influence shooting becomes clearer when viewing the top panels. The S2800HD embraces simplicity - limited dials and buttons geared toward beginners or those unwilling to fiddle with extensive menus or customizable controls. This model favors automatic modes, supplemented with shutter and aperture priority options when you want more creative input.
The S3 Pro does the opposite - it’s a pro tool with a top LCD display that provides key shooting information at a glance and dedicated buttons for direct access to settings like ISO, metering, and drive modes. These allow pros to tweak settings quickly without deep menu diving - and this can be the difference between nailing or missing a fleeting shot.

For photographers who crave hands-on control during fast-paced scenarios such as sports or wildlife, the S3 Pro’s layout is a clear winner.
Sensor Size and Image Quality: The Heart of the Matter
Arguably, sensor size and technology really separate these cameras. The S2800HD sports a 1/2.3" CCD sensor with 14 megapixels of resolution, but due to the sensor’s small area (just 28.07mm²), it struggles with noise and dynamic range - especially in low light.
The S3 Pro’s APS-C sized CCD sensor is significantly larger (356.5 mm²) with a modest 6-megapixel output, but this sensor excels in color depth, dynamic range, and high ISO usability due to its size and FujiFilm’s proprietary Super CCD technology.

In real-world use:
- The S3 Pro's images show smoother gradations, better color fidelity (20.9 bits color depth), and outstanding dynamic range (up to 13.5 EV in optimized modes).
- Meanwhile, the S2800HD provides decent daylight images but suffers noticeable noise starting at ISO 400 and limited dynamic range that can flatten shadows and highlights.
This difference means that for portrait and landscape work demanding tonal subtleties and file versatility, the S3 Pro is a preferred choice, while the S2800HD fits casual snapshots and travel photography better - where convenience trumps ultimate image quality.
Viewing and Interaction: Screens and Viewfinders
Neither model offers touchscreen controls, which is expected given their era. However, their viewfinders and rear LCDs markedly differ:
- The S2800HD has a 3-inch fixed LCD with just 230k pixels, fine enough for framing but not for critical focus evaluation. Its electronic viewfinder covers 99% of the frame, aiding composition but not with high detail.
- The S3 Pro provides a smaller 2-inch LCD with a similar resolution but compensates with an optical pentaprism viewfinder that covers about 94% of the frame, prized by professionals for its clarity and natural look without any lag.

I’ve found that when working outdoors in bright light or needing fast subject acquisition, the S3 Pro’s optical finder vastly outperforms the electronic one. Meanwhile, the S2800HD’s electronic finder and larger LCD simplify casual review but fall short for precision focusing.
Sample Photos: Real-Life Image Quality Demonstration
Let’s look at side-by-side sample images (landscape scenes, portraits, indoor shots) captured with both cameras at their base ISO settings and prime focal lengths:
Notice:
- The S3 Pro’s raw files reveal superior shadow detail and highlight retention, as well as natural skin tones due to its advanced image processing pipeline.
- The S2800HD outputs JPEGs in-camera with visible noise and limited dynamic range, especially in challenging lighting.
In portrait photography, S3 Pro’s selectable autofocus areas improve focus precision on eyes, delivering sharper portraits with creamy backgrounds. The S2800HD, lacking face detection, relies more on manual framing but benefits from its 18x zoom for distant subjects - though with softer image results.
Performance Metrics and Ratings: Which Camera Excels Where?
Our comprehensive test scores highlight how each camera stacks up overall and within key photographic disciplines:
Across categories, the S3 Pro performs best in image quality, professional workflow, and durability, boasting high scores in landscape and portrait realms and respectable marks in wildlife and macro (when paired with specialized Nikon glass).
The S2800HD scores well in portability and telephoto versatility but drops in low-light shooting, autofocus sophistication, and video capabilities.
Matchmaking Lenses and Use Cases: Which Camera Fits Your Photography Genre?
Analyzing genre-specific performance requires balancing sensor capabilities, autofocus, optics, and operational features. Here’s the breakdown:
- Portrait Photography: The S3 Pro dominates with excellent skin tone reproduction, eye-selective autofocus, and flexible ISO up to 1600 with usable noise levels. The S2800HD's fixed lens limits bokeh control; autofocus lacks face detection.
- Landscape Photography: The S3 Pro’s resolution and dynamic range deliver breathtaking landscapes, especially with prime lenses. It also features weather sealing. The S2800HD lacks weather resistance and has limited dynamic range but offers ultra-wide zoom convenience.
- Wildlife Photography: The S2800HD’s 18x zoom lens offers substantial reach, albeit at slower autofocus and 1 fps burst. The S3 Pro benefits from faster autofocus with suitable telephoto Nikon lenses and superior image quality but limited native burst speed.
- Sports Photography: Neither camera truly excels due to limited burst rates, but the S3 Pro’s superior autofocus system and shorter shutter lag give it a slight edge.
- Street Photography: The S2800HD’s small size and silent shutter modes offer discretion, but the S3 Pro’s precise control and optical viewfinder appeal to serious street shooters willing to carry extra weight.
- Macro Photography: The S2800HD offers 2cm macro range and sensor-shift stabilization helpful in close-ups. The S3 Pro depends on macro lenses; manual focus precision is higher.
- Night/Astro Photography: The S3 Pro’s higher ISO cleanliness and long shutter capabilities make it better suited for astrophotography. The S2800HD maxes out at ISO 1600 but struggles with noise.
- Video Capabilities: S2800HD provides HD 720p video, suitable for basic clips. S3 Pro lacks video entirely.
- Travel Photography: The S2800HD’s compact form and zoom flexibility suit travel, especially for casual snaps. The S3 Pro is bulkier but offers durability and image quality for professional trips.
- Professional Work: The S3 Pro’s raw support, Nikon lens compatibility, and rugged build suit professional workflows. The S2800HD fits hobbyists or beginners.
Autofocus and Exposure Systems: Differences in Speed and Accuracy
The S3 Pro features an advanced phase-detection autofocus system with multi-area, selective AF modes ideal for tracking moving subjects and ensuring critical focus precision - indispensable for professionals shooting events or wildlife.
The S2800HD uses contrast-detection autofocus via live view, which is slower and less reliable in low-light or fast action scenarios but can suffice for casual use or static subjects.
Exposure modes overlap with shutter and aperture prioritization, plus manual exposure available on both cameras, giving ample creative control. However, the S3 Pro provides more granular metering controls preferred by professionals.
Build Quality, Weather Sealing, and Durability
One advantage for the S3 Pro is environmental sealing, allowing shooting in adverse weather with peace of mind. It withstands dust and moderate moisture, reinforcing its professional credentials.
The S2800HD has no weather sealing and a less robust plastic construction, which demands more cautious handling outdoors.
Workflow and Connectivity: Storage, Battery, and Ports
The S3 Pro uses Nikon F mount lenses and records RAW files to CompactFlash or xD cards - widely supported in editing software. The S2800HD only stores JPEGs on SD/SDHC cards, limiting post-capture flexibility.
For power, the S3 Pro relies on proprietary rechargeable Li-ion batteries, offering longer usage per charge, while the S2800HD uses 4 AA batteries, convenient but less power efficient for prolonged shoots.
Connectivity is sparse on both - no wireless, Bluetooth, or GPS. Video out via HDMI is available on S2800HD but not on S3 Pro; USB 2.0 data transfer is similar.
Value Considerations in 2024: What’s the Price of Greatness?
The S2800HD is a budget-friendly, versatile zoom camera retailing around $260 new back then, often found used for under $100 today. It appeals primarily to beginning photographers or casual shooters who desire a simple all-in-one tool.
The S3 Pro, a professional DSLR discontinued over a decade ago, commands higher secondhand prices due to its legacy high image quality and Nikon lens compatibility. This camera is best suited for collectors or professionals interested in unique FujiFilm CCD rendering.
Recommendations: Which FujiFilm Camera Fits Your Photography Style?
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Choose the FujiFilm FinePix S2800HD if:
- You want an affordable, lightweight, all-around camera with an 18x zoom.
- Your photography is centered around casual travel, street, or family snapshots.
- You prefer an electronic viewfinder and basic video recording.
- You prioritize size, ease of use, and convenience over professional image quality or speed.
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Choose the Fujifilm FinePix S3 Pro if:
- You are a professional or serious hobbyist seeking superb color reproduction, dynamic range, and raw workflow.
- You need a rugged, weather-sealed DSLR to use with Nikon lenses.
- You shoot portraits, landscapes, or studio work where image fidelity is paramount.
- You do not require video features but value robust autofocus, exposure controls, and optical viewfinder.
- You can manage larger file sizes and heavier gear for better results.
While the S3 Pro is a much older camera model, its sensor and build quality still outclass many consumer cameras. However, the convenience and modern handling of the S2800HD can’t be dismissed for casual uses.
In Conclusion: Context is King in Camera Choice
Testing both cameras side-by-side underscored the fundamental divide between entry-level fixed-lens zoom cameras and professional-grade DSLRs. The FinePix S2800HD is a capable bridge camera for everyday photography, right-sized for portability and versatility. The Fujifilm S3 Pro embodies a high-standard professional tool from the early digital DSLR era, emphasizing image quality and manual control at the expense of weight, size, and video capabilities.
Understanding your own priorities - whether portability or quality, ease or control - is essential. Both cameras reflect FujiFilm’s commitment to photography excellence, each tuned to a distinct user profile.
If you ask me, owning a FujiFilm S3 Pro is like wielding a faithful workhorse DSLR that can still hold its own in quality. Meanwhile, the S2800HD is your reliable travel companion that fits in your hand and your budget.
Thank you for reading this detailed comparison. For more insights or to explore alternatives in the current market, feel free to reach out or check our ongoing reviews of hybrid mirrorless models and modern superzooms. Happy shooting!
FujiFilm S2800HD vs Fujifilm S3 Pro Specifications
| FujiFilm FinePix S2800HD | Fujifilm FinePix S3 Pro | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | FujiFilm |
| Model | FujiFilm FinePix S2800HD | Fujifilm FinePix S3 Pro |
| Also referred to as | FinePix S2900HD | - |
| Type | Small Sensor Superzoom | Pro DSLR |
| Announced | 2010-02-02 | 2005-03-16 |
| Body design | SLR-like (bridge) | Large SLR |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23 x 15.5mm |
| Sensor area | 28.1mm² | 356.5mm² |
| Sensor resolution | 14 megapixel | 6 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
| Maximum resolution | 4288 x 3216 | 4256 x 2848 |
| Maximum native ISO | 1600 | 1600 |
| Maximum boosted ISO | 6400 | - |
| Minimum native ISO | 64 | 100 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Lens | ||
| Lens mount | fixed lens | Nikon F |
| Lens focal range | 28-504mm (18.0x) | - |
| Maximum aperture | f/3.1-5.6 | - |
| Macro focus range | 2cm | - |
| Number of lenses | - | 309 |
| Crop factor | 5.8 | 1.6 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3" | 2" |
| Resolution of display | 230k dot | 235k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | Optical (pentaprism) |
| Viewfinder coverage | 99 percent | 94 percent |
| Features | ||
| Lowest shutter speed | 8 secs | 30 secs |
| Highest shutter speed | 1/2000 secs | 1/4000 secs |
| Continuous shooting speed | 1.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 4.40 m | 15.00 m |
| Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye reduction, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Highest flash sync | - | 1/180 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
| Maximum video resolution | 1280x720 | None |
| Video data format | Motion JPEG | - |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 437 gr (0.96 lb) | 930 gr (2.05 lb) |
| Dimensions | 110 x 74 x 82mm (4.3" x 2.9" x 3.2") | 148 x 135 x 80mm (5.8" x 5.3" x 3.1") |
| DXO scores | ||
| DXO All around score | not tested | 60 |
| DXO Color Depth score | not tested | 20.9 |
| DXO Dynamic range score | not tested | 13.5 |
| DXO Low light score | not tested | 346 |
| Other | ||
| Battery model | 4 x AA | - |
| Self timer | Yes (2 or 10 sec) | Yes (2, 5, 2 or 100 sec) |
| Time lapse feature | ||
| Storage media | SD/SDHC, Internal | xD Picture Card, Compact Flash Type I or II |
| Storage slots | 1 | 1 |
| Retail price | $260 | $0 |