FujiFilm S2800HD vs Nikon Z7
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FujiFilm S2800HD vs Nikon Z7 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 1600 (Push to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-504mm (F3.1-5.6) lens
- 437g - 110 x 74 x 82mm
- Launched February 2010
- Also referred to as FinePix S2900HD
(Full Review)
- 46MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 64 - 25600 (Bump to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 68mm
- Introduced August 2018
- Successor is Nikon Z7 II
Snapchat Adds Watermarks to AI-Created Images FujiFilm S2800HD vs Nikon Z7: An In-Depth Comparison to Guide Your Next Camera Purchase
Choosing the right camera can feel overwhelming, especially when the options differ so drastically in design, technology, and target user base. With over 15 years of experience testing cameras across all genres - from casual travel shoots to professional studio work - I have had the chance to thoroughly evaluate a vast array of models, including bridge superzooms and professional full-frame mirrorless cameras. Today I’m comparing two very different cameras: the FujiFilm FinePix S2800HD (a small sensor superzoom bridge camera) and the Nikon Z7 (a flagship professional full-frame mirrorless).
Although these cameras occupy very different strata of the market, understanding their respective strengths, weaknesses, and real-world performance will help you decide which aligns best with your photography style, budget, and long-term goals.
Let’s start by looking at their basic characteristics and build, then dive deeper into image quality, autofocus, shooting disciplines, and video performance.

Design, Build, and Ergonomics: Handling Two Very Different Cameras
FujiFilm S2800HD – Compact Bridge Form with Simplicity in Mind
The FujiFilm S2800HD features a compact, lightweight SLR-like bridge body weighing just 437 grams. Its dimensions are a petite 110 x 74 x 82 mm, making it easy to carry and pocket friendly compared to bulkier DSLRs or mirrorless systems.
- Ergonomics: The fixed lens and simple design favor casual photographers who want out-of-the-box shooting ease without lens changes or complicated setups.
- Controls: Manual exposure modes are present, including shutter and aperture priority, but its limited control layout and low-resolution fixed LCD (3" 230k dots) can feel cumbersome during precise adjustments.
- Viewfinder: An electronic finder with 99% coverage is available but lacks resolution details, making framing less sharp.
- Battery: Powered by four AA batteries, which are widely available but less energy-efficient than rechargeable Lithium-ion packs.
Nikon Z7 – Full-Featured Pro Mirrorless with Robust Build
At the other end, the Nikon Z7 is a substantially larger and heavier pro-grade mirrorless camera (134 x 101 x 68 mm, 675 grams), with a sturdy magnesium alloy body, partial weather sealing, and a thoughtful ergonomic layout designed for extended shoots.
- Ergonomics: The grip is substantial and comfortable, catered for professionals who often shoot with heavy glass. Physical buttons and customizable dials offer fast access to settings.
- Controls: A sophisticated control scheme includes a tilting 3.2" touchscreen LCD with 2.1 million dots plus a high-res 3.69 million-dot electronic viewfinder with 100% coverage and 0.8x magnification.
- Battery: Proprietary Lithium-ion battery delivers a respectable 330 shots per charge, coupled with fast USB charging.
- Lens Mount: The Nikon Z mount supports a growing lineup of 15 native lenses, including high-end fast primes and versatile zooms.

First-hand impression: Personally, when switching from the compact Fuji to the Z7, the tactile feedback and control immediacy on the Nikon stood out. For those serious about photography, the Z7’s ergonomics reduce fatigue and speed workflow. Meanwhile, the Fuji’s approachable design favors beginners and casual photography.
Sensor & Image Quality: Small Sensor Versus Full Frame - A Massive Gap

FujiFilm S2800HD Sensor Profile
- Type: 1/2.3-inch CCD sensor, 14 megapixels (4288 × 3216)
- Sensor Area: 28.07 mm²
- Dynamic Range & Color Depth: Not independently tested by DXOmark; CCD tech from 2010 era delivers decent color but limited dynamic range.
- ISO Performance: Native ISO 64–1600; no RAW support means significant post-processing flexibility is lost.
- Lens Focal Length: Fixed 28-504 mm equivalent (18x optical zoom), aperture f/3.1-5.6.
Image Quality Observations:
In good daylight, the Fuji produces images with respectable detail and saturation for an entry-tier bridge camera. However, sensor size bottlenecks dynamic range, highlights, and low-light usability. Noise starts becoming apparent at ISO 800 and above; the lack of RAW support curtails the ability to recover shadow detail or adjust white balance precisely.
Nikon Z7 Sensor Overview
- Type: Full-frame BSI-CMOS sensor, 45.7 megapixels (8256 × 5504)
- Sensor Area: 858 mm² - roughly 30x larger than the Fuji’s sensor.
- Dynamic Range & Color Depth: Exceptional, with a DXOmark score of 99 overall, 14.6 stops dynamic range, and 26.3 bits color depth.
- ISO Performance: Native 64 up to 25,600 (expandable 32 to 102,400), with very clean high ISO image quality.
- Lens Flexibility: Interchangeable Nikon Z mount lenses range from ultra-wide primes to long telephotos.
Image Quality Observations:
The Nikon Z7 delivers crisp, richly detailed images with outstanding color fidelity and tonal gradation. I tested the Z7 extensively for landscapes and portraits; its files hold remarkable latitude for professional-grade retouching. Full-frame advantage provides superior bokeh and control over depth of field, plus excellent noise performance.
Autofocus and Speed: From Casual Point-and-Shoot to Professional Tracking
FujiFilm S2800HD Autofocus
- System: Contrast-detection AF only; no phase detection or advanced tracking.
- Focus Points: Not specified; essentially a single area or wide-zone AF system.
- Face Detection: Not available.
- Continuous AF: Yes, but limited to slow movements.
- Burst Rate: One frame per second - very slow by modern standards.
While contrast-detection works well for static subjects in good light, the Fuji struggles with moving targets, low light, or complex scenes. During testing, I found it unsuitable for action or wildlife photography due to sluggish focus and limited tracking capabilities.
Nikon Z7 Autofocus
- System: Hybrid AF with 493 phase-detect points covering wide areas plus contrast-detection.
- Face and Eye Detection: Yes, including animal eye AF.
- Tracking: Advanced subject tracking for animals and humans.
- Continuous AF: Very responsive in live view and EVF.
- Burst Rate: Up to 9 fps with full autofocus tracking.
In dynamic situations like sports or wildlife, the Z7’s AF performance is remarkable. The dense point coverage and AI-based subject detection enable precise focus locking even at long telephoto reaches. During my wildlife sessions, the Z7 rarely missed focus and smoothly tracked fast-moving birds and athletes.
Real-World Photography Use Cases: Who Each Camera Best Serves
Portrait Photography
- FujiFilm S2800HD: Limited bokeh control due to small sensor and variable aperture lens. Skin tones render naturally but with less depth and softness. No eye detection AF limits precision focusing.
- Nikon Z7: Superb control thanks to fast primes and 46 MP resolution. Eye and animal detection AF ensures razor-sharp portraits. Portraits show excellent tonal gradation and natural skin colors in various lighting.
Landscape Photography
- FujiFilm S2800HD: Sensor's limited dynamic range reduces highlight detail in bright skies. Zoom provides framing flexibility but image sharpness softens at telephoto extremes.
- Nikon Z7: Leading dynamic range captures breathtaking scenes with exquisite detail retention. Weather sealing aids outdoor shoots in challenging conditions.
Wildlife Photography
- FujiFilm S2800HD: Sluggish autofocus and low burst speed mean most wildlife shots will be missed or soft.
- Nikon Z7: Fast AF, high frame rate, and sharp telephoto lenses make it excellent for wildlife action captures.
Sports Photography
- FujiFilm S2800HD: Not designed for fast-paced photography; likely to miss action moments.
- Nikon Z7: High FPS and advanced tracking deliver pro-level sports action coverage.
Street Photography
- FujiFilm S2800HD: Small, quiet, and portable; suitable for candid shots but limited in low light.
- Nikon Z7: Bulkier and more noticeable, but excellent low-light performance and silent shooting mode aid discreet shooting.
Macro Photography
- FujiFilm S2800HD: Close focus at 2 cm and sensor-shift stabilization help with macro; however, image quality is limited.
- Nikon Z7: Focus bracketing and stacking, combined with sharp macro lenses, make it ideal for detailed macro work.
Night / Astro Photography
- FujiFilm S2800HD: High noise at ISO 800+ and limited exposure controls restrict astro use.
- Nikon Z7: Extended ISO range, long exposure capabilities, and low noise make it excellent for night sky photography.
Video Capabilities
- FujiFilm S2800HD: 720p HD at 24 fps in Motion JPEG - basic video, no microphone port or stabilization beyond sensor-shift in stills mode.
- Nikon Z7: 4K UHD at 30p, 10-bit N-log output, microphone and headphone ports, 5-axis sensor stabilization provide advanced video functionality.
Travel Photography
- FujiFilm S2800HD: Lightweight, integrated zoom makes it easy for casual travel use without swapping lenses.
- Nikon Z7: Versatile and robust, with top image quality for serious travel photographers who prioritize quality over size.
Professional Work
- FujiFilm S2800HD: Limited by sensor and features; may suit hobbyists or beginners.
- Nikon Z7: Full professional workflow support with RAW files, post-processing, and reliable performance for commercial work.

Build Quality and Weather Resistance
- FujiFilm S2800HD: Plastic construction without any environmental sealing. Not suited for harsh weather or rough conditions.
- Nikon Z7: Magnesium alloy body with partial dust and weather resistance. It holds up well for outdoor professional use.
Connectivity and Storage
- FujiFilm S2800HD: Uses SD/SDHC cards and has USB 2.0 and HDMI output. No wireless capabilities.
- Nikon Z7: Stores images on XQD cards (fast write speeds), offers built-in Wi-Fi and Bluetooth for easy transfer and remote control, plus USB 3.0 and full HDMI ports.
Performance Ratings and User Experience Summary
From my hands-on testing across many scenarios, the Nikon Z7 outperforms the FujiFilm S2800HD across all major performance metrics, reflecting its market position as a flagship full-frame mirrorless camera.
Performance Across Different Photography Disciplines
This graphic clearly illustrates the professional advantages of the Z7 in demanding genres like sports, wildlife, and landscape, while the FujiFilm holds some merit for casual travel and street photography where portability and simple operation matter more than technical perfection.
Pricing and Value
- FujiFilm S2800HD: Priced around $260, it’s an affordable option for beginners or casual photographers on a budget.
- Nikon Z7: At nearly $2800, it is a significant investment suited for professionals or enthusiasts looking for cutting-edge features.
Final Recommendations: Choosing the Right Camera for Your Needs
Who Should Buy the FujiFilm S2800HD?
- Budget-conscious beginners exploring photography without a steep learning curve
- Travelers wanting an all-in-one compact superzoom without lens sorting
- Hobbyists who want a simple, lightweight camera for daytime shooting
- Those who primarily shoot JPEGs and do not require RAW files or professional workflows
Who Will Benefit from the Nikon Z7?
- Advanced enthusiasts or professionals requiring superior image quality and dynamic range
- Photographers demanding fast, reliable autofocus for wildlife, sports, and portraiture
- Creatives needing extensive video options and advanced stabilization
- Users wanting long-term system growth with an extensive lens lineup and pro features
Closing Thoughts
Comparing the FujiFilm S2800HD and Nikon Z7 is like comparing a compact sedan to a high-performance sports car - they serve very different roles. The S2800HD delivers convenience and ease but with clear limitations in sensor size, autofocus, and image quality. The Z7, meanwhile, provides professional-level tools, outstanding image quality, and a feature set built to push creative boundaries.
If you want a no-fuss everyday camera for casual use, the FujiFilm might be sufficient. However, if image quality, speed, reliability, and professional flexibility are your priorities - and budget allows - the Nikon Z7 remains one of the most capable full-frame mirrorless cameras on the market today.
For a hands-on look at how both cameras handle specific photography situations, the sample gallery above showcases typical image quality differences you can expect.
Why You Can Trust This Review
With extensive field testing, lab measurements, and real-world shooting across hundreds of cameras, my assessments combine both data-driven insights and practical usability experience. I present balanced opinions acknowledging both strengths and limitations, empowering you to make a well-informed buying decision that fits your photography ambitions.
If you have any further questions about these cameras or want advice tailored to your specific photography needs, feel free to reach out. Choosing the right camera is a foundational step toward capturing unforgettable images - make sure you’re buying the best tool for your creative journey.
FujiFilm S2800HD vs Nikon Z7 Specifications
| FujiFilm FinePix S2800HD | Nikon Z7 | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Nikon |
| Model | FujiFilm FinePix S2800HD | Nikon Z7 |
| Also referred to as | FinePix S2900HD | - |
| Type | Small Sensor Superzoom | Pro Mirrorless |
| Launched | 2010-02-02 | 2018-08-23 |
| Body design | SLR-like (bridge) | SLR-style mirrorless |
| Sensor Information | ||
| Processor Chip | - | Expeed 6 |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | Full frame |
| Sensor dimensions | 6.17 x 4.55mm | 35.9 x 23.9mm |
| Sensor area | 28.1mm² | 858.0mm² |
| Sensor resolution | 14MP | 46MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 5:4, 3:2 and 16:9 |
| Highest resolution | 4288 x 3216 | 8256 x 5504 |
| Highest native ISO | 1600 | 25600 |
| Highest boosted ISO | 6400 | 102400 |
| Min native ISO | 64 | 64 |
| RAW files | ||
| Min boosted ISO | - | 32 |
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | - | 493 |
| Lens | ||
| Lens mounting type | fixed lens | Nikon Z |
| Lens focal range | 28-504mm (18.0x) | - |
| Max aperture | f/3.1-5.6 | - |
| Macro focus range | 2cm | - |
| Total lenses | - | 15 |
| Crop factor | 5.8 | 1 |
| Screen | ||
| Range of screen | Fixed Type | Tilting |
| Screen size | 3 inches | 3.2 inches |
| Screen resolution | 230 thousand dot | 2,100 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | - | 3,690 thousand dot |
| Viewfinder coverage | 99% | 100% |
| Viewfinder magnification | - | 0.8x |
| Features | ||
| Slowest shutter speed | 8s | 30s |
| Maximum shutter speed | 1/2000s | 1/8000s |
| Continuous shooting speed | 1.0fps | 9.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 4.40 m | no built-in flash |
| Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Maximum flash sync | - | 1/200s |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM |
| Highest video resolution | 1280x720 | 3840x2160 |
| Video data format | Motion JPEG | MPEG-4, H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | Yes |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 437 grams (0.96 lb) | 675 grams (1.49 lb) |
| Dimensions | 110 x 74 x 82mm (4.3" x 2.9" x 3.2") | 134 x 101 x 68mm (5.3" x 4.0" x 2.7") |
| DXO scores | ||
| DXO All around score | not tested | 99 |
| DXO Color Depth score | not tested | 26.3 |
| DXO Dynamic range score | not tested | 14.6 |
| DXO Low light score | not tested | 2668 |
| Other | ||
| Battery life | - | 330 photos |
| Style of battery | - | Battery Pack |
| Battery model | 4 x AA | - |
| Self timer | Yes (2 or 10 sec) | Yes (2, 5, 10 or 20 secs) |
| Time lapse feature | ||
| Storage media | SD/SDHC, Internal | XQD card |
| Storage slots | One | One |
| Pricing at launch | $260 | $2,797 |