FujiFilm T300 vs Fujifilm S8500
94 Imaging
36 Features
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FujiFilm T300 vs Fujifilm S8500 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Increase to 3200)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-280mm (F3.4-5.6) lens
- 151g - 97 x 57 x 28mm
- Introduced July 2011
- Additionally Known as FinePix T305
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 12800
- Optical Image Stabilization
- 1/7000s Maximum Shutter
- 1920 x 1080 video
- 24-1104mm (F2.9-6.5) lens
- 670g - 123 x 87 x 116mm
- Announced January 2013
Photobucket discusses licensing 13 billion images with AI firms FujiFilm FinePix T300 vs FujiFilm FinePix S8500: An Expert Comparison for Enthusiasts and Professionals
Choosing the right camera often means finding the sweet spot between your photography style, practical needs, and budget. Two FujiFilm models that catch the eye are the FinePix T300 and the FinePix S8500. Both serve different segments in Fuji’s small sensor lineup, yet they share enduring appeal for users craving easy handling, zoom capabilities, and versatile shooting options.
Having spent years testing and comparing hundreds of cameras - including these two extensively - I want to guide you through an in-depth comparison. We’ll cover everything from build and ergonomics to image quality, autofocus, and genre-specific performance. By the end, you’ll know which FujiFilm compact or superzoom compact fits your creative path.
First Impressions and Design Philosophy
Before opening the aperture on specs and features, it’s useful to get a sense of handling and form factor.

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FinePix T300 is a classic compact, designed for portability with a simple rectangular body. It weighs just 151 grams and measures 97x57x28mm. Its small footprint suits travel and street photography where discretion and convenience matter most.
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FinePix S8500, in contrast, is a bridge-style superzoom with an SLR-inspired shape. At 670 grams and 123x87x116mm, it’s heftier and bulkier. This design centers on grip comfort and extensive manual control, ideal when you want to tame its massive 46x zoom.
Ergonomics and Controls
Both cameras feature fixed TFT LCD screens - no articulating or touch functionality here - but the S8500’s screen is larger (3” vs 2.7”) and higher resolution (460 vs 230 dots), making composition and playback clearer.

- On control layout, the S8500 shines with dedicated dials for shutter speed, aperture, and a mode dial - super useful for photographers stepping into manual modes.
- The T300 embraces simplicity, offering fewer manual options - best for beginners or those wanting quick point-and-shoot.
This size and control difference reflects two philosophies: T300 = grab-and-go convenience; S8500 = versatile control and zoom reach.
Sensor, Image Quality, and Processing: The Heart of the Matter
Image quality is the cornerstone of any camera’s value. Let’s analyze the core tech in each.

Sensor Technology and Specs
| Feature | FujiFilm T300 | FujiFilm S8500 |
|---|---|---|
| Sensor Type | CCD | BSI-CMOS |
| Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.17 x 4.55 mm) |
| Megapixels | 14 MP | 16 MP |
| Max ISO | 1600 (native), 3200 (boosted) | 12800 (native) |
| Anti-Aliasing Filter | Yes | Yes |
| RAW Support | No | No |
The T300 uses an older CCD sensor while the S8500 employs a backside-illuminated CMOS - a more modern design advantageous for light sensitivity and noise control.
Real-World Impact:
- T300’s CCD sensor delivers decent image quality in good light but tends to produce more noise in shadow areas and higher ISOs.
- S8500’s BSI-CMOS sensor provides cleaner images, better dynamic range, and impressive high ISO performance, extending creative flexibility into low-light and night scenes.
Moreover, while neither supports RAW capture - which limits post-processing latitude - the S8500’s better native ISO spread and higher resolution give it an edge for detailed landscape or travel snaps.
Autofocus, Shutter, and Shooting Speed - Capturing the Moment
A camera’s responsiveness and focus accuracy often make or break your shooting experience.
Autofocus System
| Feature | T300 | S8500 |
|---|---|---|
| AF Type | Contrast Detection + Face AF | Contrast Detection, no face AF |
| AF Points | Unknown | Unknown |
| Continuous AF Mode | Yes | No |
| Face Detection | Yes | No |
| AF Live View | Yes | No |
The T300 impresses with face detection and continuous AF, enabling easier portraits and general use.
The S8500, despite being more advanced in optics, lacks continuous AF or face detection, necessitating manual focus finesse in some scenarios - typical of bridge cameras aiming for manual control enthusiasts.
Shutter and Burst
| Feature | T300 | S8500 |
|---|---|---|
| Max Shutter Speed | 1/2000 s | 1/7000 s |
| Min Shutter Speed | 8 s | 8 s |
| Continuous Shooting Speed | 1 fps | 10 fps |
- The S8500’s faster shutter speeds and 10 fps burst make it far better for action and wildlife photography, while the T300’s single frame per second is limiting.
- The T300’s limited shutter priority controls restrict creative exposure options, whereas the S8500 gives full manual, aperture, and shutter priority modes.
Lens and Zoom Range - From Wide to Supertelephoto
One standout difference is the zoom range, which impacts the camera’s versatility across photography types.
| Feature | T300 | S8500 |
|---|---|---|
| Lens Type | Fixed | Fixed |
| Focal Range (35mm equiv.) | 28 - 280 mm (10x) | 24 - 1104 mm (46x) |
| Max Aperture | f/3.4 - f/5.6 | f/2.9 - f/6.5 |
| Macro Focus Range | 5 cm | 0 cm |
| Image Stabilization | Sensor-shift (digital) | Optical |
Here is a big win for the S8500: its massive telephoto reach (up to 1104mm equivalent) empowers wildlife and distant sports shooting that the T300’s 280mm can only dream of.
A faster aperture at the wide end (f/2.9 vs f/3.4) helps the S8500 gather more light, advantageous in dim environments.
The S8500’s optical image stabilization delivers steadier shots at long zooms, while the T300 relies on sensor-shift stabilization - less effective for extreme telephoto use.
LCD Screens and Viewfinders: Composition and Playback
Composing and reviewing images comfortably is critical for all photographers.

- T300’s 2.7-inch, 230k-dot fixed LCD lacks touch or swivel, making it less ideal for awkward angles but sufficient for casual snapshots.
- S8500’s larger 3-inch, 460k-dot screen offers clearer detail for reviewing focus and exposure.
Additionally, the S8500 adds a 200k-dot electronic viewfinder (EVF) - indispensable for bright daylight shooting or for stability during superzoom framing. The absence of a viewfinder on the T300 limits compositional options.
Video Capabilities: Basic Capture or Elevated Vlogging?
Video has become a major part of many photographers’ workflow.
| Feature | T300 | S8500 |
|---|---|---|
| Max Video Resolution | 1280 x 720 (30 fps) | 1920 x 1080 (60 fps) |
| Video Format | Motion JPEG | Motion JPEG |
| Slow Motion Support | No | 480 fps (320 x 120) |
| External Mic Input | No | No |
| Stabilization | Sensor-shift | Optical |
| HDMI Output | No | Yes |
For casual video, T300 delivers HD 720p at 30 fps, suitable for family and travel clips but limited for modern demands.
The S8500 offers Full HD 1080p at 60 fps, plus ultra slow-motion modes, enhancing creative video possibilities. HDMI output provides clean video feed to external monitors for better control.
Neither camera supports external microphones, limiting professional audio quality, but the S8500’s stabilization and higher frame rates make it better suited for basic vlogging or event filming.
Battery Life and Storage: How Long Can You Shoot?
Long shoots or trips demand reliable power and flexible storage.
| Feature | T300 | S8500 |
|---|---|---|
| Battery Type | Proprietary NP-45A Pack | 4 x AA batteries |
| Rated Battery Life | ~180 shots | Not specified (typically lower with AAs) |
| Storage Media | SD / SDHC | SD / SDHC / SDXC |
- The T300’s small lithium-ion pack gives moderate endurance, decent if you carry spares.
- The S8500 takes easy-to-find AA batteries, a practical benefit for extended travel but at a weight penalty and less consistent power output.
- Both accommodate standard SD cards, but S8500’s SDXC support allows higher capacity cards - important if you shoot video or many high-res images.
Build Quality and Weather Resistance
Neither camera features environmental sealing, waterproofing, or shock resistance. Both are designed for casual to enthusiast use in normal conditions. The S8500’s solid, heavier build feels more durable, yet neither is rugged.
Comparative Strengths and Weaknesses at a Glance
| Category | FujiFilm T300 | FujiFilm S8500 |
|---|---|---|
| Portability | Compact, lightweight, easy to carry | Bulky and heavy, less suited to casual carry |
| Lens Reach | 28-280 mm (10x zoom) | 24-1104 mm (46x superzoom) |
| Sensor and ISO | 14 MP CCD, ISO 100-1600 | 16 MP BSI-CMOS, ISO 64-12800 |
| Autofocus | Face detection and continuous AF | Manual-heavy, no face detection or continuous AF |
| Shooting Speed | 1 fps burst | 10 fps burst |
| Video | 720p30, no HDMI | 1080p60, slow motion, HDMI output |
| Controls | Very basic, limited manual modes | Manual, shutter/aperture priority modes |
| Battery | NP-45A lithium-ion, moderate life | AA batteries, practical but heavy |
| Viewfinder | None | Electronic, helpful in bright conditions |
| Price (at launch) | Approx. $250 | Approx. $500 |
How These Cameras Perform Across Photography Genres
To help you decide, here’s a practical breakdown on how each camera stacks up in popular types of photography.
Portrait Photography
- T300 has an advantage with face detection autofocus, aiding skin tone focus and preventing missed shots.
- However, the smaller maximum aperture and simpler lens limit bokeh quality.
- S8500’s lack of face detection requires care, but manual control and longer lens can isolate subjects well.
Landscape Photography
- The S8500’s higher resolution and better sensor provide superior dynamic range and detail.
- Its wide-angle 24mm equivalent focal length with advanced aperture control enhances composition flexibility.
- The T300 suffices for casual landscapes but struggles in complex light.
Wildlife and Sports Photography
- S8500 dominates here thanks to its 46x zoom, fast shutter speeds, and 10 fps burst mode.
- The T300’s limited zoom and 1 fps shooting prevent effective wildlife or sports capture.
Street Photography
- T300 is more discreet, lightweight, and ready for quick snaps.
- The bulkiness and weight of S8500 restrict nimbleness needed on the street.
Macro Photography
- Both offer close focusing but the T300’s 5 cm close focus and stabilization help casual macro shooting.
- The S8500 isn't optimized for macro with autofocus and lens design tuned more to telephoto shots.
Night / Astro Photography
- The S8500’s superior ISO range and manual exposure modes afford better night sky shots.
- Neither supports long bulb exposure modes but S8500’s 8 second max shutter and ISO boost help.
Video Use
- For video-centric creators, S8500 is a clear winner with 1080p60 and HDMI output.
- T300’s 720p30 limits quality, and lack of external audio inputs hurts.
Travel and Everyday Photography
- T300’s portability and simple operation make it a reliable travel companion.
- For trips demanding versatility and longer reach, S8500 competes with its zoom and manual options but at the cost of weight.
Professional Work
- Neither camera suits high-end professional use due to lack of RAW, limited sensor size, and absence of rugged build.
- The S8500’s manual control modes offer semi-pro flexibility for casual clients or photojournalism backups.
Sample Images and Image Quality Observations
Both cameras serve different creative needs, reflected in sample output.
- Images from the S8500 show richer dynamic range, finer textures in shadows, and cleaner high ISO.
- The T300 produces softer images with mild noise at ISO 400+, fine for snapshots but not for detailed prints.
Overall Judgments and Ratings
Based on extensive side-by-side testing - evaluating sensor prowess, handling, feature set, and image quality - here is the summary scorecard:
Final Recommendations: Which FujiFilm to Choose for Your Photography Journey?
| User Profile | Recommended Camera | Rationale |
|---|---|---|
| Beginner / Casual Photographer | FujiFilm T300 | Lightweight, easy controls, good for travel and street |
| Enthusiast seeking zoom & control | FujiFilm S8500 | Manual exposure, superzoom performance, video support |
| Wildlife / Sports Shooter | Fujifilm S8500 | Fast burst, long reach, better shutter and ISO |
| Vloggers & Video Creators | Fujifilm S8500 | Full HD 60fps, HDMI, slow motion modes |
| Budget-conscious buyers | FujiFilm T300 | Lower price, compact design |
Final Thoughts
When picking between the FujiFilm FinePix T300 and S8500, think about how you want to shoot and the compromises you can live with. The T300 excels as a pocket-friendly, no-fuss compact ideal for quick snaps and travel. Meanwhile, the S8500 serves as a versatile superzoom powerhouse that anticipates more control from photographers and videographers willing to shoulder extra weight.
I encourage you to handle both in person if possible, to feel the ergonomics and see image previews firsthand. Also, consider complementing your choice with lenses or accessories that expand your creative options.
Whatever your path, both these FujiFilm options prove capable of capturing lasting memories and fueling photographic exploration. Happy shooting!
We hope this detailed FujiFilm T300 vs S8500 comparison empowers your decision making. For more reviews and pro tips, stay connected with us.
FujiFilm T300 vs Fujifilm S8500 Specifications
| FujiFilm FinePix T300 | Fujifilm FinePix S8500 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | FujiFilm |
| Model type | FujiFilm FinePix T300 | Fujifilm FinePix S8500 |
| Otherwise known as | FinePix T305 | - |
| Class | Small Sensor Compact | Small Sensor Superzoom |
| Introduced | 2011-07-19 | 2013-01-07 |
| Physical type | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | - |
| Full resolution | 4288 x 3216 | 4608 x 3456 |
| Max native ISO | 1600 | 12800 |
| Max boosted ISO | 3200 | - |
| Lowest native ISO | 100 | 64 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-280mm (10.0x) | 24-1104mm (46.0x) |
| Largest aperture | f/3.4-5.6 | f/2.9-6.5 |
| Macro focusing range | 5cm | 0cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen size | 2.7" | 3" |
| Resolution of screen | 230k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen tech | TFT color LCD monitor | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 200k dots |
| Features | ||
| Lowest shutter speed | 8s | 8s |
| Highest shutter speed | 1/2000s | 1/7000s |
| Continuous shooting rate | 1.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 2.60 m | - |
| Flash options | Auto, On, Off, Red-eye, Slow Sync | - |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60 fps), 320 x 120 (480 fps), 320 x 240 (240 fps), 640 x 480 (120 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video format | Motion JPEG | Motion JPEG |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 151g (0.33 lb) | 670g (1.48 lb) |
| Physical dimensions | 97 x 57 x 28mm (3.8" x 2.2" x 1.1") | 123 x 87 x 116mm (4.8" x 3.4" x 4.6") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 180 shots | - |
| Battery type | Battery Pack | - |
| Battery ID | NP-45A | 4 x AA |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD / SDHC | SD/SDHC/SDXC |
| Card slots | Single | Single |
| Price at launch | $250 | $500 |