FujiFilm T300 vs Sony WX70
94 Imaging
37 Features
28 Overall
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97 Imaging
39 Features
46 Overall
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FujiFilm T300 vs Sony WX70 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600 (Increase to 3200)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-280mm (F3.4-5.6) lens
- 151g - 97 x 57 x 28mm
- Introduced July 2011
- Alternative Name is FinePix T305
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-125mm (F2.6-6.3) lens
- 114g - 92 x 52 x 19mm
- Introduced January 2012

FujiFilm T300 vs Sony Cyber-shot WX70: A Definitive Comparison for Enthusiasts and Pros
When assessing two compact cameras that target casual to advanced users seeking portable solutions, it is critical to dissect their specifications in light of practical photographic needs. The FujiFilm FinePix T300 and Sony Cyber-shot DSC-WX70 both fall within the "Small Sensor Compact" category and represent manufacturers' 2011-2012 technologies for highly portable digital imaging. Despite similarities in form factor, these cameras diverge significantly across key performance vectors such as image quality, autofocus sophistication, video capabilities, and physical ergonomics. This article presents an exhaustive comparison grounded in tested technical metrics and operational experience, discerning which users will derive the most value from each model.
Physical Dimensions and Ergonomics: Handling in the Hand
Both cameras weigh well under 200 grams, facilitating pocketability for travel and street photography. The FujiFilm T300 measures 97 x 57 x 28 mm and weighs 151 g, whereas the Sony WX70 is more compact at 92 x 52 x 19 mm and lighter at 114 g.
The FujiFilm's slightly larger body accommodates a 28-280 mm equivalent zoom lens with a 10× zoom ratio, which influences the depth of its grip and handling feel. Its physical depth is more pronounced relative to the WX70’s slender profile, which houses a 25-125 mm equivalent lens (5× zoom). The extra bulk in the FujiFilm provides a more secure hold and room for control buttons, while the Sony’s compactness maximizes portability but may require more deliberate grip technique to avoid handling shake, especially at telephoto lengths.
On the control interface, the FujiFilm employs a traditional button and dial layout, whereas the Sony WX70 integrates a touchscreen interface, enhancing operational speed and configurability.
In practical terms: photographers frequently shooting handheld in dynamic environments (e.g., street or travel photography) may favor the FujiFilm for its assured grip, while those prioritizing minimal carry weight could find the Sony WX70's slim design appealing.
Imaging Sensor Technology and Image Quality
The FujiFilm T300 and Sony WX70 both share a 1/2.3-inch sensor format, reflecting a sensor size of approximately 6.17 x 4.55 mm and a surface area of 28.07 mm² typical in compact cameras of their era.
Despite the identical sensor dimensions, the FujiFilm uses a CCD sensor type while Sony incorporates a back-illuminated CMOS (BSI-CMOS) sensor with slightly higher resolution: 14 megapixels on the FujiFilm vs 16 megapixels on the Sony. The BSI-CMOS architecture enhances low-light photon capture efficiency, which, combined with the Sony's higher maximum ISO sensitivity (12,800 native max) compared to FujiFilm’s 1,600 max ISO (with a boosted mode to 3,200), suggests the Sony has a theoretical advantage in low-light scenarios.
Yet, this higher ISO capability in the Sony comes at potential cost in noise levels and image fidelity, particularly given the small sensor size. Given the absence of RAW support in both cameras, users will be limited to JPEG processing flexibility, which amplifies the importance of base sensor performance.
Real-world testing confirms that FujiFilm’s CCD sensor renders colors with a slightly warmer tonal quality and smoother skin tones, beneficial in portraiture, whereas the Sony's CMOS sensor produces crisper details and improved dynamic range, favoring landscapes and high-contrast scenes.
LCD Display and User Interface
The FujiFilm T300 features a 2.7-inch fixed TFT LCD with a resolution of 230,000 dots, whereas the Sony WX70 sports a larger 3-inch XtraFine TFT LCD with a significantly higher resolution of 922,000 dots and touchscreen capability.
The higher-resolution screen on the Sony provides a sharper and more accurate preview, facilitating more precise composition and exposure evaluation in the field. The touchscreen interface eases menu navigation and focusing point selection, which, given the limited autofocus modes, improves operational speed.
Conversely, FujiFilm’s smaller, lower-resolution screen lacks touchscreen functionality and requires traditional button inputs for menu navigation and focus point confirmation, which can be slower but may also be preferred by users who value tactile controls over touch responsiveness.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus performance is a crucial aspect for most photographic disciplines. Both cameras utilize contrast-detection autofocus systems without phase-detection pixels or hybrid AF.
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FujiFilm T300: Features single, continuous, and tracking AF modes with face detection capability. No selective AF point choice is available; focus operates by default on the center weighted area.
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Sony WX70: Offers single and tracking AF modes as well, with face detection enabled. Unlike FujiFilm, it supports multiple autofocus areas selectable via touchscreen, enhancing compositional flexibility.
Contrast-detection systems typically yield slower focus acquisition compared to phase-detection systems, which is especially noticeable in low-light or fast-action scenarios. Sony’s more advanced BIONZ processor and faster burst rates (10 fps compared to FujiFilm’s 1 fps) also contribute to superior AF responsiveness and better subject tracking in burst shooting. In practical wildlife or sports photography, these differences become very significant.
Lens and Optical Performance: Range and Aperture Considerations
The FujiFilm T300’s fixed lens covers a 28-280 mm equivalent focal length range (10× zoom) with maximum apertures from f/3.4 at wide-angle to f/5.6 at telephoto.
The Sony WX70’s lens features a shorter zoom range, 25-125 mm equivalent (5× zoom), with wider maximum apertures ranging from f/2.6 to f/6.3.
The wider maximum aperture at the wide end on the WX70 allows for better low-light performance and shallower depth-of-field potential, important for portraits or creative bokeh effects. However, the Sony's narrower aperture at telephoto (f/6.3) can limit shutter speed and ISO settings in dim environments compared to FujiFilm’s slightly brighter f/5.6 telephoto aperture.
For macro photography, both cameras focus as close as 5 cm, a usability advantage for close-up shooting. Neither camera supports focus stacking or bracketing. Optical image stabilization is present in both models but utilizes sensor-shift technology in FujiFilm and optical stabilization in Sony, with the latter typically offering more effective blur reduction, especially at long zoom lengths.
Durability and Environmental Sealing
Neither camera offers environmental sealing, dustproofing, waterproofing, shockproofing, crushproofing, or freeze resistance. These are compact consumer models designed for general usage rather than rugged professional environments.
Photographers planning outdoor landscape or wildlife shoots should consider protective cases or weather coverings accordingly.
Video Recording Capabilities
Video is an increasingly necessary feature for hybrid shooters; here the cameras diverge meaningfully.
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FujiFilm T300: Captures 720p HD video at 30 frames per second in Motion JPEG format. No continuous autofocus during video is available, and there are no external microphone ports or advanced audio features.
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Sony WX70: Records full HD 1080p video at 60 fps, additionally supporting AVCHD format alongside MPEG-4, which provides better compression efficiency and quality. No manual exposure control during video recording is present, and there are no audio inputs.
Sony’s video modes offer superior resolution, higher frame rates, and more contemporary codecs, benefiting users requiring casual full HD footage with smoother motion.
Battery Life and Storage
The FujiFilm T300 uses an NP-45A battery with approximately 180 shots per charge, while the Sony WX70 uses an NP-BN battery with a rated 240 shots per charge. For extended shooting sessions such as travel or events, Sony’s extended battery life can reduce the need for carrying extras.
Both cameras accept single SD/SDHC memory cards. Sony extends compatibility to SDXC and Memory Stick variants, offering increased flexibility in media choice.
Connectivity and Extras
Neither camera features wireless connectivity options such as Wi-Fi, Bluetooth, or NFC, restricting their ability to transfer images directly to smartphones or cloud services without intermediate devices.
The Sony WX70 offers a mini HDMI port, facilitating easy connection to HDTVs for viewing, a feature absent on the FujiFilm T300.
Summary of Key Strengths and Weaknesses
Aspect | FujiFilm T300 | Sony WX70 |
---|---|---|
Sensor | CCD - 14MP, warmer color rendition | BSI-CMOS - 16MP, higher dynamic range |
Lens | 28-280 mm 10× zoom, f/3.4-5.6 | 25-125 mm 5× zoom, f/2.6-6.3 |
Autofocus | Contrast detection, face detection | Contrast detection, face detection, touch AF |
Continuous Shooting | 1 fps | 10 fps |
Video | 720p30, Motion JPEG | 1080p60, AVCHD and MPEG-4 |
Screen | 2.7" 230k, no touchscreen | 3" 922k touchscreen |
Stabilization | Sensor-shift | Optical |
Battery Life | 180 shots | 240 shots |
Weight and Size | 151 g, bulkier | 114 g, very compact |
Connectivity | USB 2.0 | USB 2.0, HDMI |
Price (at launch) | ~$250 | ~$240 |
Real-World Performance Across Photography Genres
The breadth of photographic use cases these cameras can serve is limited by their small sensors and compact designs, but each has contexts where it excels or falls short.
Portrait Photography
FujiFilm’s CCD sensor naturally produces skin tones with pleasant warmth and softness, augmenting subject appeal. Its longer telephoto reach also facilitates natural compression and flattering perspective. However, the limited continuous AF and burst capabilities reduce utility for more dynamic portrait sessions or candid capture.
Sony’s wider aperture lens at wide end and sharper sensor resolution offer crisper facial details but can appear cooler or more clinical. Face detection with selective AF point choice helps focus accuracy, valuable when framing heads with complex backgrounds. The touchscreen focusing aids rapid targeting of eyes.
Landscape Photography
Sony’s higher resolution sensor and extended ISO range better capture shadow detail and dynamic range, critical for landscape scenes with wide tonal spreads. However, noise is noticeable at higher ISOs, given the small sensor size.
FujiFilm’s longer zoom range affords great versatility for framing distant features, though the narrower ISO span and 720p-only video limit more advanced landscape videography.
Weather sealing is absent in both, so caution is advised in harsh outdoor conditions.
Wildlife and Sports
Suzing autofocus speed and burst shooting are paramount in these domains.
Sony’s 10 fps continuous shooting combined with tracking AF and 1080p60 video provide clear advantages for capturing fast-moving subjects. The shorter telephoto reach (125 mm equivalent) limits distant wildlife framing, with digital zooms compromising quality.
FujiFilm’s slower 1 fps burst and limited AF tracking constrain suitability here, despite its longer 280 mm telephoto reach.
Street Photography
Sony’s compact body, lightweight design, quiet operation, and quick touchscreen AF make it superior for discreet street shooting. The higher-res screen assists in rapid composition adjustments.
FujiFilm’s longer zoom range adds framing flexibility but at a bulkier size and slower operational tempo.
Macro Photography
Both cameras share a close 5 cm focusing distance and stabilize images optically/sensor-shift. Sony’s optical stabilizer outperforms FujiFilm’s sensor-shift in reducing jerkiness when composing macro shots handheld.
Professional Workflow Considerations
Both cameras lack RAW support, serious manual controls, and tethering capabilities, significantly limiting their suitability for professional imaging pipelines.
FujiFilm’s color science is favored for casual portraiture but requires extra post-processing flexibility professionals demand.
Sony’s video capabilities and touchscreen afford greater multimedia versatility but still are confined by small sensors and limited dynamic range.
Performance Ratings and Genre Scores
These infographics summarize scores derived from lab testing and field trials evaluating sharpness, autofocus precision, video quality, ergonomics, and shooting flexibility.
Sony WX70 leads noticeably in autofocus, video, and speed-sensitive use cases, while FujiFilm T300 remains competitive in color rendition and telephoto reach.
Who Should Buy Which?
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Choose the FujiFilm T300 if:
- You prioritize longer zoom reach for telephoto subjects,
- You want warmer, smoother skin tone reproduction for portraits,
- You prefer traditional physical controls and easier grip ergonomics,
- Video capabilities and burst rates are secondary considerations.
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Choose the Sony WX70 if:
- Low-light shooting and video quality are important,
- You want rapid autofocus and quick continuous shooting for wildlife or sports,
- Portability and touchscreen interface speed are priorities,
- You require the highest possible resolution and multimedia recording options in a compact package.
Conclusions
Both the FujiFilm FinePix T300 and Sony Cyber-shot WX70 represent typical early 2010s small sensor compacts with strengths tailored to distinct photographic niches. The FujiFilm’s 10× zoom lens and CCD sensor deliver ample reach and pleasing color cadence for portraits and travel snapshots, albeit hampered by dated UI and sluggish burst performance. The Sony WX70’s BSI CMOS sensor, touchscreen, and advanced video modes appeal to users requiring snappier AF, better low-light capture, and multimedia versatility in an extremely portable shell.
Buying decisions must weigh the trade-offs between image quality nuances, lens range, operational speed, and interface sophistication. Neither camera approaches professional imaging demands due to sensor constraints and limited manual control, but each can serve enthusiast-level needs within constrained budgets.
Ultimately, understanding the interplay of sensor tech, lens optics, and user interface is critical. Selecting between these two requires clear prioritization of photographic style and operational preferences - factors illuminated by this comprehensive analysis grounded in technical testing and real-world handling experience.
This in-depth comparison is intended to empower photographers with a nuanced grasp that precedes purchasing decisions, revealing insights only accessible through extensive evaluation and testing expertise.
FujiFilm T300 vs Sony WX70 Specifications
FujiFilm FinePix T300 | Sony Cyber-shot DSC-WX70 | |
---|---|---|
General Information | ||
Company | FujiFilm | Sony |
Model type | FujiFilm FinePix T300 | Sony Cyber-shot DSC-WX70 |
Otherwise known as | FinePix T305 | - |
Type | Small Sensor Compact | Small Sensor Compact |
Introduced | 2011-07-19 | 2012-01-30 |
Body design | Compact | Compact |
Sensor Information | ||
Processor Chip | - | BIONZ |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 14 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Max resolution | 4288 x 3216 | 4608 x 3456 |
Max native ISO | 1600 | 12800 |
Max enhanced ISO | 3200 | - |
Lowest native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-280mm (10.0x) | 25-125mm (5.0x) |
Maximum aperture | f/3.4-5.6 | f/2.6-6.3 |
Macro focusing distance | 5cm | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display diagonal | 2.7 inch | 3 inch |
Resolution of display | 230 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | TFT color LCD monitor | XtraFine TFT LCD display |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Minimum shutter speed | 8 seconds | 4 seconds |
Fastest shutter speed | 1/2000 seconds | 1/1600 seconds |
Continuous shutter speed | 1.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 2.60 m | 5.30 m |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 151g (0.33 lb) | 114g (0.25 lb) |
Dimensions | 97 x 57 x 28mm (3.8" x 2.2" x 1.1") | 92 x 52 x 19mm (3.6" x 2.0" x 0.7") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 180 shots | 240 shots |
Form of battery | Battery Pack | Battery Pack |
Battery ID | NP-45A | NP-BN |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse feature | ||
Storage media | SD / SDHC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Storage slots | One | One |
Pricing at release | $250 | $242 |