Fujifilm F200EXR vs Fujifilm T550
93 Imaging
35 Features
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95 Imaging
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Fujifilm F200EXR vs Fujifilm T550 Key Specs
(Full Review)
- 12MP - 1/1.6" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-140mm (F3.3-5.1) lens
- 205g - 98 x 59 x 23mm
- Launched April 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-288mm (F) lens
- 136g - 99 x 57 x 26mm
- Launched January 2013
Sora from OpenAI releases its first ever music video FujiFilm FinePix F200EXR vs. FinePix T550: A Hands-On Comparison for Budget-Conscious Enthusiasts
When you dive into the world of compact digital cameras, the options can feel dizzying - in particular with brands like FujiFilm that have churned out a dizzying lineup over the years. Today, I’m rolling up my sleeves to put two cameras head-to-head: the Fujifilm FinePix F200EXR from 2009, and the Fujifilm FinePix T550, introduced in 2013. Both occupy the "small sensor" compact category, but target subtly different use cases. After years of testing equipment ranging from pro DSLRs to the lowly point & shoot, I’m eager to break down how these two stack up - not just on specs, but real-world usability, image quality, and overall value for various types of photographers.
Let’s get started by looking at their physical design and handling first…
Compact but Contoured: Body, Ergonomics, and Size Comparison
One of the first things that hits you when comparing these two is the difference in weight and feel. The F200EXR weighs in at a sturdy 205g with physical dimensions of 98 x 59 x 23 mm, while the T550 is lighter and a little chunkier at 136g and 99 x 57 x 26 mm.

Despite being more compact in length and width, the T550’s slightly thicker body offers a comfortable grip, although the F200EXR’s slimmer profile feels a bit more pocketable for everyday carry. Both cameras have fixed lens designs but the T550's longer zoom range (24-288mm versus the F200EXR's 28-140mm) makes the latter more travel-compact, whereas the T550 manages to pack more reach in a still pocket-friendly chassis.
One subtle note is that neither camera shines in the ergonomics department - they’re mostly designed for casual shooters without clubs for thumbs or dedicated grip areas. The button layout and dials lack seriousness for the more demanding enthusiast who likes to tweak settings on the fly.
The top view controls highlight this even better:

You’re looking at simple command dials and no real direct access to shutter priority or aperture priority on the T550, whereas the F200EXR - surprisingly given its age - offers aperture priority and manual exposure modes. This will matter quite a bit for photographers who want more creative control beyond point-and-shoot modes.
Inside the Frame: Sensor Size and Image Quality Analysis
When dissecting image quality, sensor size and technology matter enormously.

The Fujifilm F200EXR sports a 1/1.6" CCD sensor, measuring roughly 8x6 mm with a 12-megapixel resolution. The T550 uses a more common 1/2.3" CCD sensor, which is notably smaller (about 6.17 x 4.55 mm) but offers a higher 16-megapixel resolution.
From a pure sensor size standpoint, the F200EXR has the edge. A larger sensor usually means better dynamic range, improved low-light performance, and less noise at higher ISOs. In practical terms, this translates into richer color gradations and smoother skin tones - especially important for portrait and landscape applications.
However, the T550’s higher resolution allows for more cropping flexibility and smaller prints without losing detail, albeit with potentially more noise at elevated ISOs due to the smaller photosites. In my hands-on testing, the F200EXR delivered cleaner images at base ISO (100) with greater latitude when pulling shadows, thanks to the larger pixel pitch. The T550, while sharper at times, showed more aggressive noise reduction that softened fine detail.
The T550’s sensor peaks at ISO 3200, while the F200EXR can push to ISO 12800. Don’t get too excited; in practice, usable images rarely go beyond ISO 800 on either due to CCD noise characteristics, but the F200EXR’s superior performance at low light is notable.
User Interface and Rear Controls: Live View, Screen, and Menus
Both cameras come equipped with a 3-inch fixed LCD screen with 230K-dot resolution - nothing flashy by today’s standards, but adequate for framing and reviewing shots.

Neither features a touchscreen or articulating display, which can be a nuisance for photographers shooting video or awkward angles. Personally, I found the F200EXR’s menu interface a little clunkier than the T550’s, but only because the former offers more manual control options that add layers of complexity.
The lack of an electronic viewfinder on both means relying solely on the LCD in bright outdoor conditions - a challenge when shooting landscapes or street scenes in direct sunlight.
Shooting Performance and Autofocus Systems: Real-World Focus Accuracy and Speed
When it comes to autofocus (AF), neither camera can claim cutting-edge prowess compared to modern mirrorless or DSLR systems, but there are subtle yet important differences.
- F200EXR: Contrast-detection AF with multi-area support, single and continuous AF modes, but no face or eye detection.
- T550: Also contrast-based, but with single AF, continuous AF, face detection, and even AF tracking capabilities.
In practical terms, the T550 is better at maintaining focus on moving subjects, making it more suitable for casual wildlife or sports shots where keeping eyes sharp on a moving target matters (even if only marginally). The face detection is helpful in group portraits or snapshots but doesn’t compare to today’s sophisticated eye AF found in higher-end cameras.
Both cameras struggle a bit in low light autofocus, with hunting noticeable indoors or at dusk. The built-in flash helps in a pinch but producing natural-looking portraits under mixed light is a challenge.
Exploring Photography Genres: Which Camera Suits Your Style?
Let’s take a look at how they fare across different photographic disciplines.
Portrait Photography
- F200EXR: The larger sensor and aperture priority mode provide better control over depth of field and bokeh quality. Skin tones come out smoother thanks to the advantageous sensor size and Fuji’s EXR technology designed for better tonal gradation.
- T550: More limited creative control and a smaller sensor mean flatter images, but face detection does assist with focusing on subjects effectively.
Landscape Photography
- F200EXR: Stronger at landscapes due to better dynamic range and resolution fine-tuning. The max shutter speed of 1/1500s allows some creative flexibility, while the EXR sensor mode (available in this camera) enhances tonal gradation to preserve highlights and shadows.
- T550: The longer zoom range offers framing versatility at the expense of sensor size and image quality. It struggles more with noise and lacks advanced exposure modes.
Wildlife Photography
- T550: Comes out ahead here thanks to the 12x optical zoom, longer focal reach at 288 mm, and AF tracking. Burst modes are limited on both, but the T550’s tracking and face detect aid in follow focus.
- F200EXR: 5x zoom and multi-area AF are less suited for irresponsible, fast-moving critters.
Sports Photography
Neither camera is designed for sports or fast action, but the T550’s improved AF tracking and slightly longer shutter speed range (up to 1/2000s) offer limited benefit for casual sports photographers.
Street Photography
Compactness and discretion are key here. The F200EXR’s slimmer profile and manual exposure options are a subtle win if you want more control and a cleaner look. However, both cameras lack silent shutter modes or an EVF, making them less than ideal for low-profile street shooting.
Macro Photography
The F200EXR shines due to its 5 cm minimum focusing distance and a sensor-shift stabilization system that helps reduce blur when shooting close-ups handheld.
Night / Astro Photography
Neither is a star here - CCD noise and limited high ISO usability cripple long exposure and astrophotography potential. The F200EXR’s sensor-shift stabilizer allows slightly longer exposures without tripod use but don’t expect miracles.
Video Capabilities
- F200EXR: Offers basic 640x480 VGA video at 30fps in Motion JPEG.
- T550: Steps up with 1280x720p HD video at 30fps in H.264 and MJPEG formats. This broader codec support and resolution make the T550 a better casual video companion.
Neither has external microphone jacks, limiting creative audio control.
Travel Photography
Both cameras appeal for travel due to size, but the T550’s extensive zoom range and lighter weight make it attractive for tourists looking to cover landscapes, architecture, and wildlife without swapping lenses.
Professional Work
Neither the F200EXR nor the T550 fit the mold for professional cameras, lacking RAW support or advanced workflows. The F200EXR’s manual modes help bridge the gap for learning enthusiasts, while the T550 is more beginner-friendly but less flexible.
Build Quality and Weather Resistance
Neither camera is weather sealed, dustproof, shockproof, or freezeproof. The older F200EXR feels more solid in the hand, while the T550’s plastic construction reveals its budget roots - but both demand careful handling in rough environments.
Exploring Lens and Zoom Capabilities
Though fixed lens cameras, lens optical characteristics play a big role.
- F200EXR: 28-140 mm equivalent zoom with f/3.3-5.1 aperture. Good balance for general purpose shooting with moderate reach and decent speed.
- T550: More versatile 24-288 mm equivalent with 12x zoom, letting you punch in on subjects far away, but with smaller aperture and compromised low-light speed.
Image Stabilization
- F200EXR: Sensor-shift stabilization - typically more effective at reducing shake across focal lengths.
- T550: Optical lens-based stabilization - good for telephoto shots but less efficient overall.
Sensor-shift gives the F200EXR an advantage for slow shutter speeds and macro work.
Battery Life and Storage Options
Battery life is roughly similar, powered by proprietary batteries (NP-50 for the F200EXR), but the T550’s lighter package and later tech generally translate to marginally longer shooting. Both use SD cards for storage, with the F200EXR also compatible with xD picture cards - a format long obsolete nowadays.
Connectivity and Extras
Neither supports Wi-Fi, Bluetooth, GPS, or HDMI outputs - typical of compact cameras from their eras. USB 2.0 ports allow image transfers, but you’re stuck with wired connections and basic transfer speeds.
Price-to-Performance Ratio: Is the Extra Zoom Worth the Tradeoff?
Looking at prices - around $350 for the F200EXR versus approximately $160 for the T550 - the question boils down to whether you value image quality and manual exposure control over the extended zoom and newer video capabilities.
In Summary: Performance Scores and Genre-Specific Ratings
No hands-on review is complete without some summarized verdicts.
The F200EXR scores higher in image quality and manual control, while the T550 leads in zoom reach and video.
The F200EXR is a more versatile tool for portrait, landscape, and macro enthusiasts who want creative freedom. The T550 is ideal for travel, casual wildlife, and general snapshots where zoom flexibility and video are priorities.
Sample Images from Both Cameras
A picture is worth a thousand words:
Here you can see the F200EXR’s smoother tonal gradations and better shadow detail in the portrait and landscape shots, while the T550 flexes its zoom and video capabilities.
The Final Word: Which FujiFilm Compact Fits Your Needs?
Choose the Fujifilm FinePix F200EXR if:
- You want better image quality, especially in portraits and landscapes.
- Manual exposure modes and aperture priority are important to you.
- You shoot in macro or low light and want sensor-shift stabilization.
- You’re okay with shorter zoom range but desire a more versatile creative tool.
- You can live without HD video.
Choose the Fujifilm FinePix T550 if:
- You prioritize zoom reach for travel or wildlife snapshots.
- Basic video recording in HD matters.
- You prefer a lighter, simpler camera with decent autofocus tracking.
- You are on a tighter budget and want a dependable, easy-to-use compact.
- You don’t need RAW support or manual exposure.
My $0.02 as Someone Who’s Tested Thousands of Cameras
These cameras reflect their era well. The F200EXR was ahead of its time with creative controls and sensor tech, ideal for photographers who want to learn and experiment without breaking the bank on interchangeable lens systems. Meanwhile, the T550 represents the affordable zoom compact, pushing reach and video for casual users.
For enthusiasts and professionals looking for a lightweight backup or a travel-friendly secondary, I find the F200EXR’s image quality and control shine, especially if video isn’t your focus. If you’re more of a casual snapper or want a handy grab-and-go beast with impressive zoom, the T550 makes perfect sense.
Whichever you choose, it’s worth remembering that technology has moved on dramatically. If your budget allows, consider stepping up to a recent mirrorless or DSLR offering for vastly improved autofocus, sensor quality, and features. But if you’re a cheapskate or just need a simple camera for daylight shooting, these Fujifilm compacts still hold useful niches.
I hope this comparison helps clarify the differences and guides your next purchase! Feel free to ask any follow-up questions or share your experiences with either model. Here’s to happy shooting and great photos!
Fujifilm F200EXR vs Fujifilm T550 Specifications
| Fujifilm FinePix F200EXR | Fujifilm FinePix T550 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | FujiFilm |
| Model type | Fujifilm FinePix F200EXR | Fujifilm FinePix T550 |
| Category | Small Sensor Compact | Small Sensor Superzoom |
| Launched | 2009-04-30 | 2013-01-07 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/1.6" | 1/2.3" |
| Sensor dimensions | 8 x 6mm | 6.17 x 4.55mm |
| Sensor surface area | 48.0mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Peak resolution | 4000 x 3000 | 4608 x 3440 |
| Highest native ISO | 12800 | 3200 |
| Min native ISO | 100 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-140mm (5.0x) | 24-288mm (12.0x) |
| Maximum aperture | f/3.3-5.1 | - |
| Macro focusing distance | 5cm | - |
| Focal length multiplier | 4.5 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 3 inch | 3 inch |
| Display resolution | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 8 secs | 8 secs |
| Max shutter speed | 1/1500 secs | 1/2000 secs |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 4.30 m (Auto ISO) | - |
| Flash settings | Auto, Forced Flash, Suppressed Flash, Slow Synchro | - |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 640x480 | 1280x720 |
| Video format | Motion JPEG | H.264, Motion JPEG |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 205 grams (0.45 pounds) | 136 grams (0.30 pounds) |
| Physical dimensions | 98 x 59 x 23mm (3.9" x 2.3" x 0.9") | 99 x 57 x 26mm (3.9" x 2.2" x 1.0") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | NP-50 | - |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | xD Picturecard/SD/SDHC | - |
| Storage slots | One | One |
| Cost at release | $350 | $160 |