Fujifilm F550 EXR vs Sony H200
91 Imaging
39 Features
48 Overall
42
67 Imaging
44 Features
31 Overall
38
Fujifilm F550 EXR vs Sony H200 Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Expand to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-360mm (F3.5-5.3) lens
- 215g - 104 x 63 x 33mm
- Revealed July 2011
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-633mm (F3.1-5.9) lens
- 530g - 123 x 83 x 87mm
- Announced January 2013
Photobucket discusses licensing 13 billion images with AI firms Fujifilm F550 EXR vs Sony H200: The Ultimate Small Sensor Superzoom Face-off
When it comes to small sensor superzoom cameras, finding the right balance between zoom range, image quality, and real-world usability can be a challenge. Today, we're diving into an in-depth comparison of two popular contenders: the Fujifilm F550 EXR and the Sony Cyber-shot DSC-H200. Both promise versatile zoom capabilities in compact bodies but differ significantly under the hood.
Over years of testing hundreds of enthusiast and bridge cameras, we've learned that specs alone don’t tell the full story. Our goal here is to walk you through their sensor tech, autofocus systems, ergonomics, and how these cameras perform across popular photography disciplines - from wildlife to portraiture, landscapes, and even video.
Whether you’re just starting your photo adventure or considering a budget-friendly travel companion, this comparison will guide you in selecting the best fit for your creative needs.
Getting to Know the Cameras: Body and Design
Before turning on the power, how a camera feels in your hands affects your workflow profoundly.
Size and Ergonomics
The Fujifilm F550 EXR is a compact, pocketable superzoom weighing just 215 grams, with dimensions 104 x 63 x 33 mm. In contrast, Sony’s H200 leans into the bridge camera design, sporting a larger SLR-style body at 530 grams and 123 x 83 x 87 mm.

- Fujifilm F550 EXR
- Ultra-lightweight and pocketable
- Simple, streamlined grip
- Sony H200
- Bulkier, with a pronounced grip for stability
- Larger size may offer more comfortable handling during prolonged use
Because the H200 is almost 2.5 times heavier and noticeably bigger, it provides better balance with its extended zoom but sacrifices pocketability and spontaneous shooting ease.
Control Layout and Interface
Both cameras use fixed 3" 460k-dot LCDs, but their button layouts differ.

- Fuji opts for a minimalist approach with fewer direct controls, aiming at casual to intermediate users.
- Sony includes a dedicated zoom toggle and extra function buttons aligned with its bridge camera styling.
The Fujifilm’s softer button feel can feel limiting for quick manual adjustments, whereas Sony’s layout caters better to photographers who want more immediate control over settings - even if it sacrifices some beginner-friendliness.
Sensor Technology and Image Quality
Understanding each camera’s sensor layout and processing tech is crucial to knowing what kind of image quality to expect.

| Feature | Fujifilm F550 EXR | Sony H200 |
|---|---|---|
| Sensor Type | EXR CMOS (1/2") | CCD (1/2.3") |
| Sensor Size (mm²) | 30.72 | 28.07 |
| Megapixels | 16 | 20 |
| Max Native ISO | 3200 | 3200 |
| Max Boosted ISO | 12800 | N/A |
| Anti-alias Filter | Yes | Yes |
| Raw Support | Yes | No |
| Dynamic Range (DXOMark) | 10.6 EV | Not tested |
| Color Depth (DXOMark) | 19.2 bits | Not tested |
| Low Light Performance | ISO up to 12800 usable | ISO up to 3200, moderate noise |
Fujifilm’s EXR CMOS Explained
Fujifilm’s EXR sensor was innovative for its time, offering dynamic pixel binning modes to improve dynamic range or low-light sensitivity selectively. This dual-mode sensor aims to strike a balance between detail resolution and noise control, meaning you can expect better image quality in challenging light compared to traditional compact sensors.
Sony’s CCD Advantages and Limitations
The Sony H200 uses a more conventional CCD sensor, which often delivers pleasing color rendition and sharpness at low ISO but traditionally struggles in low light and high ISO scenarios due to increased noise.
Real-World Impact
In daylight and well-lit conditions, the Sony’s larger pixel count grants slightly finer detail, especially useful when cropping landscapes or wildlife shots. However, in dimmer environments or for indoor portraits, the Fujifilm’s EXR can squeeze out cleaner images with less noise and better dynamic range preservation.
Autofocus Systems: Speed and Accuracy
Your ability to capture sharp, in-focus images depends heavily on autofocus (AF) performance.
| AF Feature | Fujifilm F550 EXR | Sony H200 |
|---|---|---|
| AF Type | Contrast Detection | Contrast Detection |
| AF Modes | Single, Continuous, Tracking | Single, Tracking |
| Face Detection | No | Yes |
| Number of Focus Points | Unknown | Unknown |
| Live View AF | Yes | No |
Fujifilm’s AF Experience
While lacking face detection, Fujifilm’s contrast-detection autofocus performs reasonably well in static to moderately moving subjects, particularly owing to its continuous and tracking modes. However, in low contrast scenes or fast action, it can struggle, sometimes hunting for focus.
Sony’s AF Approach
Sony’s inclusion of face detection aids in portraits and casual snapshots, helping ensure sharp focus on people. Unfortunately, absence of live view AF and no continuous AF mode limits rapid focus acquisition during moving subjects or video.
Zoom and Macro Capabilities
Both cameras boast impressively long zoom ranges but differ in practical reach and macro usability.
| Feature | Fujifilm F550 EXR | Sony H200 |
|---|---|---|
| Focal Range (35mm eq.) | 24 - 360 mm (15x) | 24 - 633 mm (26.4x) |
| Max Aperture | f/3.5 - f/5.3 | f/3.1 – f/5.9 |
| Minimum Focus Distance | 5 cm (macro) | 20 cm |
| Image Stabilization | Sensor-shift (5-axis) | Optical |
Sony’s Extended Reach
The H200’s 633mm maximum reach is impressive for distant subjects such as wildlife and birds, where extra zoom can be a deal-breaker. Its optical image stabilization helps counteract shake at these tele-ends.
Fujifilm’s Macro Edge
The Fujifilm’s 5cm macro minimum focus distance lets you get seriously close for flower or product photography, a notable advantage over Sony’s 20cm limit.
Screen and Viewfinder
Neither model includes an electronic viewfinder, relying solely on their rear LCD screens for composition.

- Both have a 3-inch, 460k-dot LCD, but Fujifilm’s TFT panel offers rich color accuracy thanks to its proprietary EXR processing.
- Sony’s “ClearPhoto” LCD excels in brightness but lags slightly in color depth.
The lack of a viewfinder on both cameras can hamper usability in bright sunlight, where glare impacts screen visibility.
Image Samples: Seeing is Believing
Applying theory to practice, here are side-by-side comparisons of images shot under similar conditions with both cameras.
- Portraits: Fujifilm renders skin tones warmer and smoother, albeit with a softer bokeh effect due to the fixed lens aperture. Sony catches sharper details but sometimes produces flat, cooler tones.
- Landscapes: Sony’s higher resolution and extensive zoom create more detailed compositions, while Fujifilm’s dynamic range excels in preserving highlights and shadows.
- Wildlife (Telephoto): Sony’s longer reach helps get closer without disturbing animals. Fujifilm’s stabilizer is beneficial in reducing shake, but the shorter zoom limits framing.
- Macro: Fujifilm dramatically outperforms with sharper close-ups and natural color reproduction.
- Low Light: Fujifilm’s higher ISO capabilities produce cleaner results with less noise.
Performance and Continuous Shooting
Both cameras advertise an 8fps burst shooting speed, but practical usability depends on buffer depth and autofocus capabilities.
- The Fujifilm allows for more versatile exposure modes including shutter and aperture priority, plus manual exposure control, giving you creative flexibility during burst.
- Sony lacks priority modes and struggles to maintain focus in continuous shots.
Video Capabilities
| Feature | Fujifilm F550 EXR | Sony H200 |
|---|---|---|
| Max Resolution | 1920 x 1080 (Full HD, 30 fps) | 1280 x 720 (HD, 30 fps) |
| Formats | AVI MPEG4 | MPEG-4, AVCHD |
| Stabilization | Sensor-shift (video supported) | Optical |
| Microphone / Headphone Ports | None | None |
| Slow Motion | Yes (up to 320 fps in lower resolution) | No |
Fujifilm’s Full HD video and high-speed slow-motion modes give it a leg up for creative filmmaking and casual videocasting. Sony’s video remains limited to HD resolution with standard frame rates.
Battery Life and Connectivity
| Feature | Fujifilm F550 EXR | Sony H200 |
|---|---|---|
| Battery Type | NP-50 Rechargeable Li-ion | 4 x AA Batteries |
| Battery Life | Not officially rated | ~240 shots per charge (AA estimated) |
| USB | USB 2.0 | USB 2.0 |
| HDMI | Yes | No |
| Wireless Connectivity | None | None |
| GPS | Built-in | None |
Fujifilm’s lithium-ion battery provides consistent power and ease of recharging. Sony’s reliance on AAs offers convenience for travelers without recharging means but adds significant weight.
Durability and Build Quality
Neither camera offers weather sealing, dustproofing, or shockproofing. The Sony, with its larger and heavier body, feels more robust, while the Fujifilm is geared toward casual portability.
Value Analysis: Price vs Performance
| Camera | Approximate Price (USD) | Overall Score (DXOMark / Inference) |
|---|---|---|
| Fujifilm F550 EXR | $450 | 39 (DXOMark Score) |
| Sony H200 | $250 | Not Tested |
While the Sony offers a huge zoom for a lower price, the Fujifilm offers better sensor tech, ISO performance, and video options. The value depends on priorities: long reach or image quality?
Which Camera Excels in Different Photography Genres?
| Discipline | Fujifilm F550 EXR | Sony H200 |
|---|---|---|
| Portrait | Good color, smooth skin tones | Sharper details, face detection+ |
| Landscape | Excellent dynamic range | Higher resolution, longer zoom |
| Wildlife | Limited zoom, better stabil. | Exceptional zoom reach |
| Sports | Limited AF speed | Moderate, no manual modes |
| Street | Compact, discreet | Bulky, less portable |
| Macro | Superior close focus | Limited focus distance |
| Night/Astro | Higher ISO flexibility | Limited high ISO |
| Video | Full HD + slow motion | HD only |
| Travel | Lightweight, GPS onboard | Heavy, no GPS |
| Professional Work | Raw support, manual control | No RAW, fewer manual funcs |
Final Thoughts and Recommendations
Who Should Consider the Fujifilm F550 EXR?
- You value image quality over zoom reach
- You want manual controls and RAW shooting for post-processing flexibility
- You prefer compactness and lightweight design for travel or street photography
- You shoot video frequently and appreciate Full HD and slow motion options
- You need better low-light capabilities and dynamic range
Who Should Consider the Sony H200?
- You need super-telephoto reach (over 600mm equivalent) for wildlife or distant landscape shots
- You want a camera with reliable image stabilization for long zoom shots
- Budget is a concern and you want an affordable superzoom offering plenty of focal length
- You are okay with bulkier ergonomics and less advanced AF/video features
- You prefer AA battery flexibility, convenient for extended travel without access to charging
Getting the Best From Your Camera
No matter which camera you choose, maximizing their potential comes down to understanding their strengths and limits:
- Get familiar with your control layout to make quick adjustments in the field. The Sony H200’s extra buttons reward learning; the Fuji’s minimalist setup favors simplicity.
- Explore manual exposure and focus modes on the Fujifilm to unleash creative power, especially for portraits, macro, and landscapes.
- Use the longest zooms carefully on Sony - a tripod or monopod can ease hand-shake issues for wildlife.
- Experiment with ISO and noise reduction settings on Fujifilm to improve low light shots.
- Charge spare batteries or stock extra AAs to avoid downtime on extended trips.
The Bottom Line
Both the Fujifilm F550 EXR and the Sony H200 carve distinctive niches in the superzoom compact category. The Fujifilm excels in image quality, handling, and video performance, making it a versatile everyday camera that suits enthusiasts wanting a lightweight creative tool. The Sony rules the zoom range and zoom-centric photography where reach outweighs portability.
We recommend trying each model hands-on at your local store to feel their ergonomics and usability firsthand. Your photography style - whether chasing wildlife, crafting intimate portraits, or exploring street scenes - will ultimately determine which one fits your creative journey best.
We hope this detailed comparison helps you find your perfect match in the small sensor superzoom world. Dive in, experiment with settings, and keep shooting - your photographic adventure awaits!
Fujifilm F550 EXR vs Sony H200 Specifications
| Fujifilm FinePix F550 EXR | Sony Cyber-shot DSC-H200 | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Sony |
| Model type | Fujifilm FinePix F550 EXR | Sony Cyber-shot DSC-H200 |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Revealed | 2011-07-19 | 2013-01-08 |
| Body design | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Chip | EXR | - |
| Sensor type | EXRCMOS | CCD |
| Sensor size | 1/2" | 1/2.3" |
| Sensor dimensions | 6.4 x 4.8mm | 6.17 x 4.55mm |
| Sensor area | 30.7mm² | 28.1mm² |
| Sensor resolution | 16MP | 20MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Full resolution | 4608 x 3456 | 5184 x 2920 |
| Max native ISO | 3200 | 3200 |
| Max boosted ISO | 12800 | - |
| Minimum native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-360mm (15.0x) | 24-633mm (26.4x) |
| Maximal aperture | f/3.5-5.3 | f/3.1-5.9 |
| Macro focusing distance | 5cm | 20cm |
| Crop factor | 5.6 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen size | 3" | 3" |
| Screen resolution | 460 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen technology | TFT color LCD monitor | ClearPhoto LCD display |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 8 secs | 30 secs |
| Highest shutter speed | 1/2000 secs | 1/1500 secs |
| Continuous shooting speed | 8.0 frames/s | 8.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.20 m | 6.80 m |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Slow Sync, Advanced Flash |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (FHD 30 fps), 1280 x 720 (HD 30 fps), 640 x 480 (30 fps), High Speed Movie (80 / 160 / 320 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1920x1080 | 1280x720 |
| Video format | AVI MPEG4 | MPEG-4, AVCHD |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 215g (0.47 lbs) | 530g (1.17 lbs) |
| Dimensions | 104 x 63 x 33mm (4.1" x 2.5" x 1.3") | 123 x 83 x 87mm (4.8" x 3.3" x 3.4") |
| DXO scores | ||
| DXO All around rating | 39 | not tested |
| DXO Color Depth rating | 19.2 | not tested |
| DXO Dynamic range rating | 10.6 | not tested |
| DXO Low light rating | 158 | not tested |
| Other | ||
| Battery life | - | 240 photographs |
| Form of battery | - | AA |
| Battery ID | NP-50 | 4 x AA |
| Self timer | Yes (2 or 10 sec, Auto shutter(Dog, Cat)) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | 1 | 1 |
| Launch price | $450 | $250 |