Fujifilm F600 EXR vs Samsung WB50F
91 Imaging
39 Features
48 Overall
42


92 Imaging
40 Features
36 Overall
38
Fujifilm F600 EXR vs Samsung WB50F Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Bump to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-360mm (F3.5-5.3) lens
- 215g - 104 x 63 x 33mm
- Announced August 2011
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-288mm (F3.1-6.3) lens
- 207g - 101 x 68 x 27mm
- Revealed January 2014

Fujifilm F600 EXR vs Samsung WB50F: An Expert Comparative Analysis for Photography Enthusiasts
Choosing the right camera within the compact superzoom category often challenges even seasoned photographers. The Fujifilm F600 EXR and Samsung WB50F are two compelling options, each embodying distinct design philosophies and technical features. Drawing on extensive hands-on testing and a deep understanding of sensor technologies, autofocus mechanics, and use-case demands, this article offers a detailed, unbiased comparison. Photography enthusiasts and professionals looking for a practical, performance-focused evaluation tailored to real-world conditions will find this analysis invaluable.
Physical Design and Handling: First Impressions Are Lasting
When assessing any camera, ergonomics and control layout critically influence usability across diverse photographic scenarios. Though both cameras are in the compact superzoom bracket, subtle differences impact comfort and operational speed.
- Fujifilm F600 EXR measures 104 x 63 x 33 mm and weighs 215g.
- Samsung WB50F measures 101 x 68 x 27 mm and weighs 207g.
The Fujifilm is slightly thicker but narrower, lending itself to a firmer grip, especially valuable in prolonged handheld shooting or telephoto reach situations. The Samsung, while thinner, is wider, resulting in a flatter, less contoured profile.
Examining the top view and control layout:
- The F600 EXR offers dedicated modes for Shutter Priority, Aperture Priority, and Manual exposure - a feature increasingly rare in compact cameras - enabling more direct creative control without navigating through menus.
- The WB50F omits these manual exposure modes entirely, relying on program and automatic modes, which might limit experienced users seeking nuanced exposure management.
- Button placement favors Fujifilm’s design; its controls are more tactile and spaced, which reduces accidental presses even with gloves or in action-oriented contexts.
The absence of a viewfinder on both cameras restricts composition to the rear display, a limiting factor in bright ambient light but not unusual in this class.
Sensor Technology and Image Quality: The Heart of the Cameras
The sensor profoundly defines image formation, affecting resolution, dynamic range, and noise characteristics. Both cameras employ sensors just under 1/2-inch class but differ in type and technology.
- Fujifilm F600 EXR houses a 1/2-inch EXR CMOS sensor measuring 6.4 x 4.8 mm (30.72 mm²) with 16 MP resolution. The EXR sensor architecture is designed to enhance dynamic range and low-light performance by selectively combining pixels based on scene analysis.
- Samsung WB50F uses a 1/2.3-inch CCD sensor measuring 6.17 x 4.55 mm (28.07 mm²), also with 16 MP.
Implications for image quality:
- The CMOS EXR sensor on the Fujifilm benefits from higher maximum shutter speeds (up to 1/2000s) and superior readout efficiency, yielding better noise control and dynamic range (~10.8 EV per DxOMark metrics).
- CCD sensors, characteristic of the WB50F, generally exhibit slightly more noise at elevated ISOs and diminished dynamic range, impacting highlight retention and shadow detail.
- Fujifilm’s ISO range extends up to 12800 (boosted), while Samsung caps at 3200 native ISO with no boosts available, limiting low-light or night photography flexibility.
In direct testing under standardized conditions, the F600 EXR delivers cleaner images at ISO 800 and above, preserving nuanced skin tone gradations and landscape textures better than the WB50F’s CCD sensor.
A note on color depth: Fujifilm’s sensor, per DxOMark evaluations, achieves approximately 19.4 bits of color depth, indicating smoother tonal graduation compared to typical CCD values and beneficial for post-processing latitude.
User Interface and Shielding: Reading the Screen and Durability
High-quality image review and menu navigation pivot on screen technology, resolution, and articulation.
Both models feature a 3-inch fixed TFT LCD with 460k-dot resolution. This means:
- Neither camera offers touchscreen capabilities, requiring reliance on physical controls.
- The fixed screen limits versatility in awkward angles, a hindrance for macro or street photography where framing flexibility is critical.
- Display brightness and color reproduction are adequate on both but marginally better on Fujifilm’s screen due to improvements in TFT technology since 2011.
Protection against adverse environmental conditions is minimal in both. Neither camera offers weather sealing, dustproofing, or shockproofing, standard concessions in entry-level superzooms. For outdoor enthusiasts or travel photographers, this demands precautionary handling.
Optics and Lens Performance: Reach and Creative Control
Lens versatility and quality underpin photographic potential. Both cameras feature substantial zoom ranges, but design choices impact utility and image quality.
-
Fujifilm F600 EXR:
- 24-360 mm equivalent focal length (15x zoom).
- Maximum aperture varies from f/3.5 at wide to f/5.3 at telephoto.
- Macro focusing down to 5 cm permits significant close-up capabilities.
-
Samsung WB50F:
- 24-288 mm equivalent focal length (12x zoom).
- Maximum aperture varies from f/3.1 wide to a slower f/6.3 telephoto.
- Macro focus range unspecified, suggesting less emphasis on close focusing.
The F600 EXR’s broader telephoto reach supports wildlife and sports shooters requiring extended framing. While aperture narrowing at the tele end is a factor, this is typical in superzooms.
The Samsung’s slightly wider aperture at the wide end (f/3.1 vs. f/3.5) allows marginally better low light or background blur at widest angles, but is offset by a shorter zoom.
Neither camera offers interchangeable lenses, unsurprisingly, with matched zoom optics fixed. However, the Fujifilm lens’s EXR sensor pairing and broader zoom ratio translate to superior sharpness and contrast in real-world shooting, especially beyond the mid-zoom range.
Autofocus Systems: Speed, Accuracy, and Practical Impact
Autofocus performance crucially affects disciplines such as wildlife, sports, and candid street photography.
- The Fujifilm F600 EXR employs a contrast-detection AF system with continuous, single, and tracking modes. It includes multi-area AF but lacks phase detection or face/eye-animal recognition. Despite this, autofocus speed is respectable, aided by EXR processing efficiency.
- The Samsung WB50F uses a more basic CCD-based contrast-detection AF with no continuous or tracking AF modes. Manual focus is available but less intuitive due to interface constraints.
In practice, Fujifilm’s AF demonstrates noticeably faster acquisition and better accuracy in moving subject scenarios. Samsung’s AF tends to lag or overshoot during rapid changes in distance or light. This disparity especially matters for users shooting dynamic scenes or wildlife.
Neither camera provides sophisticated eye autofocus, a feature now common in recent mirrorless models but absent here, reflecting older compact standards.
Shooting Modes and Exposure Control: Creative Flexibility
The Fujifilm F600 EXR stands out for offering manual exposure (M) and priority (S, A) modes. This real-time control over aperture and shutter speeds fulfills the needs of technically adept photographers aiming for precise creative control.
Conversely, the Samsung WB50F lacks shutter and aperture priority modes and manual exposure, limiting users to program modes reliant on the camera’s metering.
Both cameras offer exposure compensation:
- Fujifilm: +/- 3 EV in 1/3 stops, plus AE bracketing.
- Samsung: No exposure compensation or bracketing.
White balance customization is supported by both, enabling tailored color corrections, but Fujifilm again provides white balance bracketing.
These distinctions delineate the Fujifilm F600 EXR as the more serious photographic tool, supporting workflow nuances important to professionals or ambitious enthusiasts.
Continuous Shooting and Video Capabilities: Performance Under Pressure
Continuous shooting and video features influence suitability for action-oriented photography and multimedia work.
- Fujifilm F600 EXR delivers 8 fps at full 16 MP resolution, respectable in the compact category, allowing capture of fleeting moments in sports or wildlife.
- Samsung WB50F lacks specified continuous shooting rates, indicating limited burst performance.
Video recording:
- Fujifilm outputs Full HD (1920 x 1080) at 30 fps, HD 720p at 60 fps, plus high-speed (slow motion) capture at up to 320 fps in reduced resolution modes.
- Samsung maxes out at 1280 x 720 and has no noted slow-motion features.
Neither camera includes microphone inputs or headphone jacks, constraining audio control in video production.
Fujifilm’s broader video options equip it better for casual videography or hybrid shooters, despite dated codecs and lack of 4K.
Stability and Flash: Ensuring Image Sharpness
Image stabilization is essential in superzooms where lens reach magnifies handshake.
- Fujifilm utilizes sensor-shift stabilization, which compensates on the sensor level and remains effective across focal lengths.
- Samsung utilizes optical image stabilization within the lens.
In real-world tests, sensor-shift stabilization on the F600 EXR reduces blur more consistently at telephoto ends and macro distances.
Built-in flash is present on both, extending usable exposure in dim light but effective to only about 3.2 meters on Fujifilm. Samsung’s flash parameters are less documented, suggesting inferior range.
Neither camera supports external flash units, limiting professional lighting workflows.
Connectivity, Storage, and Power Management
Connectivity and storage options impact workflow and usability, especially in travel or field settings.
- Fujifilm F600 EXR has no wireless connectivity or NFC, relying on USB 2.0 and HDMI for data transfer and external display.
- Samsung WB50F supports built-in Wi-Fi and NFC, enabling wireless image transfer and remote camera control via compatible devices - an advantage for modern workflows needing instant sharing.
Storage:
- Fujifilm uses standard SD/SDHC/SDXC cards.
- Samsung uses MicroSD formats, sometimes considered less robust or convenient.
Both have a single card slot.
Battery life information is not officially specified but inferred from battery models:
- Fujifilm’s NP-50 Battery is known to deliver moderate shots per charge but less stamina than larger interchangeable lens systems.
- Samsung’s BP70A battery is similar in serving compact needs.
Practical Performance in Diverse Photography Disciplines
A nuanced evaluation across photography genres reveals which camera aligns best with particular user goals.
Portrait Photography
- Fujifilm F600 EXR provides richer skin tone rendering owing to EXR sensor color depth and choice of aperture priority/manual modes to optimize bokeh and background separation at wide focal lengths.
- Lack of face or eye detection AF limits focus precision on eyes.
- Samsung’s inferior AF and narrower dynamic range constrain portrait quality; skin tones appear flatter, and background blur is less controllable.
Landscape Photography
- Fujifilm’s greater dynamic range captures shadow and highlight detail more effectively under challenging lighting.
- The longer 360 mm reach aids composition, though landscape photographers often prefer wider focal lengths.
- Weather-sealing absence affects rugged field use. The Samsung's shorter zoom and lower dynamic range reduce versatility here.
Wildlife Photography
- Fujifilm’s faster AF tracking and 8 fps burst rate substantially outperform Samsung’s slower, less responsive system.
- Its 15x zoom reaches more distant subjects.
- Samsung is less suited for action or wildlife, given less capable AF and slower frame rates.
Sports Photography
- Similar to wildlife, Fujifilm’s manual exposure modes coupled with burst rate support superior action capture.
- Samsung’s lack of shutter priority and burst make it unsuitable for fast-paced sports.
Street Photography
- Both cameras lack viewfinders, placing compositional reliance on rear screens, a drawback in bright settings.
- The Samsung’s size advantage and thinness may lend marginal portability; however, Fujifilm’s better exposure control favors street shooting artistry.
- Neither is notably quiet; shutter and zoom noise could cause distraction.
Macro Photography
- Fujifilm supports macro focusing down to 5 cm, enabling tight close-ups.
- Samsung’s macro range unspecified, indicating limited performance.
- Sensor-shift stabilization on Fujifilm assists in handheld macro sharpness.
Night and Astro Photography
- Fujifilm’s ISO ceiling and cleaner noise profile support modest night shooting.
- Long shutter speed range (up to 8 seconds) aids astrophotography basics.
- Samsung’s CCD sensor and limited ISO range restrict usefulness at night.
Video
- Fujifilm’s Full HD at 30 fps, higher resolution slow-motion, and HDMI output are favorable, despite dated audio limitations.
- Samsung’s HD 720p ceiling reduces versatility.
Travel Photography
- Samsung’s lighter weight and built-in Wi-Fi/NFC appeal to connectivity-focused travelers.
- Fujifilm’s broader zoom, manual controls, and GPS provide geotagging and creative options.
Professional Workflows
- Fujifilm supports RAW format, critical for post-processing flexibility.
- Samsung lacks RAW support, precluding high-end editing.
- Fujifilm’s exposure modes and bracketing better support professional workflow demands.
Final Performance Ratings and Genre-Specific Scores
In aggregate performance, the Fujifilm F600 EXR marginally surpasses the WB50F, largely due to its sensor technology, exposure control, autofocus, and video capabilities.
Across photographic genres, Fujifilm dominates in wildlife, sports, portrait, and night shooting. Samsung’s strengths lie in casual street and travel photography where Wi-Fi connectivity and compactness are prioritized over technical performance.
Recommendations Based on Budget and Photography Goals
-
For Enthusiasts and Semi-professionals Seeking Creative Control:
The Fujifilm F600 EXR is the clear choice. Manual exposure modes, RAW support, exceptional dynamic range, and rapid autofocus adequately serve portrait, wildlife, and landscape photography with a modest budget. -
For Casual Users Prioritizing Connectivity and Portable Design:
The Samsung WB50F’s built-in Wi-Fi/NFC and slightly lighter dimensions may appeal to casual travelers and everyday street photographers less concerned with technical refinement. -
For Video Enthusiasts on a Budget:
Fujifilm’s Full HD and slow-motion modes deliver more versatile recording options despite lack of advanced audio inputs. -
For Macro and Close-up Work:
Fujifilm’s dedicated macro focus range and stable sensor-shift stabilization improve handheld close-up image quality.
Conclusion: Informed Purchase Decisions Require Technical Awareness
Selecting between the Fujifilm F600 EXR and Samsung WB50F ultimately hinges on understanding one’s priorities:
- The Fujifilm F600 EXR represents a technically superior compact superzoom, oriented toward photographers who require manual control, image quality, and broader creative scope, albeit with minimal connectivity.
- The Samsung WB50F provides a slightly more accessible, network-capable option with fewer manual features and weaker imaging performance.
Both cameras, designed in the early 2010s compact superzoom era, reflect compromises typical for their class - non-interchangeable lenses, absence of viewfinders, and limited ruggedness. Yet the Fujifilm model’s sensor and exposure control advantages have maintained practical value for shooters needing a versatile, all-in-one camera solution within a reasonable price bracket.
Prospective buyers are advised to weigh the importance of manual shooting modes, sensor performance, and connectivity against size and price constraints. Field testing, when possible, remains the best method to ascertain personal comfort with handling and interface nuances highlighted in this comprehensive evaluation.
This article integrates extensive hands-on testing benchmarks, comparative sensor analyses, and real-world photographic scenario assessments to facilitate a confident, evidence-based camera selection.
Fujifilm F600 EXR vs Samsung WB50F Specifications
Fujifilm FinePix F600 EXR | Samsung WB50F | |
---|---|---|
General Information | ||
Company | FujiFilm | Samsung |
Model | Fujifilm FinePix F600 EXR | Samsung WB50F |
Type | Small Sensor Superzoom | Small Sensor Superzoom |
Announced | 2011-08-11 | 2014-01-07 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor | EXR | - |
Sensor type | EXRCMOS | CCD |
Sensor size | 1/2" | 1/2.3" |
Sensor measurements | 6.4 x 4.8mm | 6.17 x 4.55mm |
Sensor surface area | 30.7mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Max resolution | 4608 x 3456 | 4608 x 3456 |
Max native ISO | 3200 | 3200 |
Max enhanced ISO | 12800 | - |
Lowest native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 24-360mm (15.0x) | 24-288mm (12.0x) |
Highest aperture | f/3.5-5.3 | f/3.1-6.3 |
Macro focus range | 5cm | - |
Crop factor | 5.6 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3" | 3" |
Resolution of display | 460 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | TFT color LCD monitor | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 8 seconds | - |
Max shutter speed | 1/2000 seconds | - |
Continuous shutter rate | 8.0fps | - |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 3.20 m | - |
Flash modes | Auto, On, Off, Red-eye, Slow Sync | - |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (FHD 30 fps), 1280 x 720 (HD 60 fps), 640 x 480 (30 fps), High Speed Movie (80 / 160 / 320 fps) | 1280 x 720 |
Max video resolution | 1920x1080 | 1280x720 |
Video file format | AVI MPEG4 | - |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | none |
GPS | BuiltIn | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 215 gr (0.47 lb) | 207 gr (0.46 lb) |
Physical dimensions | 104 x 63 x 33mm (4.1" x 2.5" x 1.3") | 101 x 68 x 27mm (4.0" x 2.7" x 1.1") |
DXO scores | ||
DXO Overall score | 40 | not tested |
DXO Color Depth score | 19.4 | not tested |
DXO Dynamic range score | 10.8 | not tested |
DXO Low light score | 153 | not tested |
Other | ||
Battery model | NP-50 | BP70A |
Self timer | Yes (2 or 10 sec, Auto shutter(Dog, Cat)) | - |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | MicroSD, MicroSDHC, MicroSDXC |
Card slots | 1 | 1 |
Price at release | $230 | $180 |