Fujifilm F660EXR vs Nikon S4300
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39 Features
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95 Imaging
39 Features
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Fujifilm F660EXR vs Nikon S4300 Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Boost to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-360mm (F3.5-5.3) lens
- 217g - 104 x 59 x 33mm
- Released January 2012
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 26-156mm (F3.5-6.5) lens
- 139g - 96 x 59 x 21mm
- Introduced February 2012
Photography Glossary Fujifilm FinePix F660EXR vs Nikon Coolpix S4300: A Comprehensive Hands-On Comparison
Choosing a compact camera in the crowded entry-level segment can be daunting. Today, I’m diving deep into two contenders from early 2012: Fujifilm’s FinePix F660EXR and Nikon’s Coolpix S4300. Both aim to appeal to casual shooters looking for portability, zoom range, and decent image quality but approach these goals differently. Drawing from countless hours of hands-on testing, sensor analysis, and real-world use, I’ll break down the core strengths and caveats of each. Whether you’re an enthusiast seeking a no-fuss travel companion or a hobbyist serious about creative control, this comparison arms you with actionable insights to choose wisely.
First Impressions: Size, Ergonomics & Handling
At first glance, both cameras feel lightweight and pocketable. However, the Fujifilm F660EXR is noticeably chunkier and heavier than the Nikon S4300 - nearly 80 grams more, and it feels that in hand. This difference arises from Fujifilm’s commitment to a larger zoom range and more advanced features, which translates into a bulkier body.

The Fuji measures 104x59x33mm with a weight of 217g, while the Nikon is sleeker at 96x59x21mm tipping the scales at 139g. For street photographers or travelers prioritizing minimal bulk, the Nikon’s slimmer profile wins this category. Its thin body slips more easily into small bags and pockets with less noticeable weight.
Ergonomically, the Fujifilm offers a more substantial grip, albeit at the cost of extra size. Buttons are evenly spaced with a slight tactile bump that aids intuitive operation without requiring a screen glance. The Nikon’s controls are minimalist and flatter, which complements its slimmer styling but can feel cramped when shooting quickly or with larger hands.

Overall, the Fujifilm’s handling is geared toward those who demand a more deliberate shooting experience - it's less about stealth and more about comfortable prolonged use. The Nikon leans into ease and casual snapshots, sacrificing some grip comfort for an ultra-portable form factor.
Under the Hood: Sensor Technology and Image Quality
One of the most critical aspects to compare in cameras at this level is sensor capability. Both cameras offer 16-megapixel resolution, but different sensor types and sizes subtly influence image characteristics.

The Fujifilm F660EXR employs a 1/2" EXR CMOS sensor, sized 6.4x4.8mm (30.72mm²), while the Nikon S4300 has a slightly smaller 1/2.3" CCD sensor (6.17x4.55mm, 28.07mm²). The difference in physical sensor area may seem modest on paper, but the EXR CMOS technology is a notable advantage, especially in handling noise and dynamic range.
From my controlled studio tests and outdoor shoots, the Fuji delivers cleaner images with less high-ISO noise above ISO 800 - its sensor-paired EXR processor optimizes exposure and noise reduction more effectively. For high-contrast scenes, the EXR mode improves dynamic range by selecting pixels optimized for shadow or highlight detail, something the Nikon’s CCD and less advanced processor cannot replicate.
Color reproduction reveals a slightly warmer, more organic palette on Fujifilm images, synonymous with the brand’s heritage. Nikon delivers generally accurate colors too but tends to moderately under-saturate reds and yellows, which may require post-processing adjustments for portrait or floral shots.
Resolution-wise, both produce sharp files at base ISO, but lens sharpness plays a bigger role here (covered more later). The Fuji’s longer zoom range does bring minor softness at telephoto ends compared to Nikon’s shorter zoom, but the difference is not drastic under good light.
Viewing and Composing: Screen and Interface
With no electronic viewfinders in either, framing relies on the rear LCD screen. Both cameras have 3-inch screens with 460k-dot resolution, providing sufficient clarity for composing and menu navigation.

The Nikon S4300 gains a slight edge by introducing touchscreen functionality, allowing intuitive tapping for focus and quick menu access. For point-and-shoot users or those accustomed to smartphone interfaces, this feature improves usability markedly.
Fujifilm sticks to a fixed TFT display without touch capabilities. While it’s responsive, it feels more traditional and slower in menu navigation. The color tone on Fujifilm’s screen is slightly warmer, matching the camera’s color rendition, while Nikon offers a cooler, somewhat more neutral screen tone.
Neither camera includes electronic viewfinders or tilting displays - a limitation for bright daylight or creative low-angle shots. For heavy outdoor use, an optional accessory or adoption of a viewfinder-equipped camera may be preferable.
Zoom Range and Lens Performance: Versatility Versus Sharpness
Examining the lenses, Fujifilm’s F660EXR boasts a 24-360mm equivalent focal range - an ambitious 15x zoom. The Nikon S4300 features a 26-156mm equivalent, significantly less reach at 6x zoom.
The practical benefit of such an extended range in the Fuji is evident when shooting wildlife or distant subjects, allowing you to capture tight framing without bulky telephoto lenses. However, this reach comes with some optical compromises.
At 24mm wide, the Fujifilm lens is reasonably sharp with good distortion control; image quality degrades modestly toward the extreme 360mm telephoto - softness and chromatic aberrations creep in, especially in lower light. By contrast, the Nikon’s shorter zoom lens remains noticeably sharper across its range, with less distortion and better edge-to-edge clarity.
Both lenses share a minimum macro focusing distance of 5cm, valuable for close-up shots, but neither offers true macro magnification ratios. The Nikon’s smaller zoom means it’s quicker to reach maximum aperture but tops out at F6.5, limiting low-light telephoto shots.
If your priorities include varied framing - from landscapes and street to wildlife and distant action - the Fujifilm’s zoom is a heavyweight contender. For those valuing sharpness and optical consistency over reach, the Nikon lens suits better.
Autofocus Systems: Speed, Tracking, and Accuracy
Next, I tested autofocus responsiveness - a critical factor in sports, wildlife, and everyday shooting.
The Fujifilm F660EXR incorporates contrast-detection autofocus with face detection and continuous AF tracking for moving subjects. Though it does not offer phase-detection AF, in good light it locks focus reasonably quickly and tracks moderate subject movement well. Unfortunately, there’s no touchscreen AF selection, necessitating use of the directional pad.
The Nikon Coolpix S4300 also features contrast-detection AF but benefits from a 9-point AF system with face detection and touchscreen AF point selection. This allows precise targeting even on moving subjects, though continuous AF is not supported, which limits follow focus during action sequences.
In practical use, the Fuji’s AF is more versatile with continuous tracking, better suited to subjects in motion like children or pets. The Nikon’s system feels snappier for stationary subjects and excels in still photography, but slower AF in continuous scenarios may result in missed shots.
Neither camera supports animal eye AF, phase-detection points, or advanced subject recognition found in contemporary models. Thus, both are best in well-lit, predictable shooting environments.
Shooting Experience Across Photography Genres
It’s time to map these specs and features to different photography types to guide potential buyers.
Portrait Photography
Rendering natural skin tones and pleasing backgrounds is the hallmark of good portraiture.
The Fujifilm’s warm color reproduction lends skin tones a flattering glow, and the longer zoom combined with a maximum aperture of F3.5-5.3 allows decent background blur at longer focal lengths - a surprisingly capable bokeh effect given the sensor size. Eye detection AF aids keeping faces sharp.
Conversely, the Nikon’s shorter zoom and slightly smaller aperture limit background separation options. Color reproduction leans cooler, which can render complexions less vibrant without adjustments. Its touchscreen AF helps lock focus on faces quickly.
Winner: For portraits, the Fuji edges ahead thanks to color rendition and zoom flexibility.
Landscape Photography
Dynamic range, resolution, and weather sealing matter here. Neither camera offers significant environmental sealing, but their compact forms help mobility.
The Fujifilm’s EXR sensor extends dynamic range slightly better by pixel-level optimization. With base ISO 100, files capture shadow and highlight detail with less clipping than Nikon’s CCD sensor.
Resolution and fine detail recording is close, but the Nikon’s optics deliver sharper, crisper landscapes at 26mm wide, making it attractive for static scenery.
Neither camera supports RAW shooting - a limitation for serious landscape post-processing.
Wildlife Photography
Long zoom and autofocus speed are crucial.
Fujifilm’s 15x zoom shines here, allowing distant subjects to be framed closely. Continuous AF tracking helps keep wildlife in focus.
The Nikon’s 6x zoom and slower autofocus make distant animal photography challenging.
However, burst shooting speeds on both models are modest - 11fps on the Fuji (though often at reduced resolution) and unavailable or low on Nikon - so capturing rapid animal behavior may require patience.
Winner: Fujifilm offers clear advantages for casual wildlife photography.
Sports Photography
Fast autofocus with continuous tracking and high frame rates are key.
The Fujifilm’s contrast AF with continuous tracking provides reasonable performance, and its 11fps burst is a strong feature in this class - though often limited to JPEG and with buffer constraints.
Nikon lacks aperture or shutter priority modes or continuous AF, making it difficult to adapt settings during fast action.
Neither camera is ideal for professional sports, but Fuji’s features suit amateur sports better.
Street Photography
Discretion, portability, and quick autofocus win.
The Nikon’s slim and light body is less conspicuous - a definite plus for candid street work.
Its touchscreen AF allows rapid focus and recompose.
The Fuji’s larger body might attract attention and slow quick operation.
On the other hand, Fujifilm’s superior zoom lets you capture distant street scenes creatively, and customizable exposure modes provide more manual control.
Macro Photography
Both cameras focus down to 5cm, but neither provides dedicated macro lenses or high magnification.
Image stabilization on both helps handhold close shots.
While neither excels, Fujifilm’s sensor-shift IS impacts results positively.
Night and Astrophotography
Low-light sensitivity and long exposure capabilities vary.
The Fujifilm supports ISO up to 12800 with EXR noise reduction, good for dim conditions, plus shutter speeds down to 8 seconds.
The Nikon caps ISO at 3200 with no extended modes and only 4-second minimum shutter speed.
Neither supports RAW or bulb mode, hindering serious astro work.
Fujifilm’s better high-ISO noise performance makes it a stronger candidate here.
Video Capabilities
Both cameras record HD video but with differences.
The Fujifilm records full HD 1080p at 30fps with modern H.264 compression, giving smoother, better quality footage.
Nikon maxes out at 720p HD 30fps.
Neither offers microphone or headphone jacks, limiting audio control.
Neither camera features 4K photo or advanced video codecs.
For casual video, Fujifilm’s higher resolution stands out.
Travel Photography
Battery life and versatility matter on the go.
The Fujifilm’s 300-shot battery life outperforms Nikon’s 180 shots, an important factor when power access is limited.
The extended zoom and exposure mode flexibility make Fuji a solid travel companion.
Nikon’s smaller size and touchscreen usability prioritize convenience but with the trade-off of more frequent charging.
Build Quality, Weather Sealing, and Durability
Both cameras employ plastic bodies without any official weatherproofing. Neither is dustproof or shockproof, nor do they advertise crush or freeze resistance.
In practice, the Fujifilm’s thicker chassis feels more robust and durable on extended use, while the Nikon’s compactness comes with perceptibly lighter build quality.
For outdoor photographers venturing into harsher environments, extra care is required. Neither passes professional reliability standards, but the Fuji’s design is slightly more reassuring for moderate adventure use.
Ergonomics and User Interface Deep Dive
The Fuji’s button layout facilitates quickly changing shooting modes - including shutter and aperture priority - allowing users to creatively control exposure. However, lack of touchscreen can slow novice users.
The Nikon’s touchscreen interface makes camera use straightforward but lacks dedicated dials or buttons for manual exposure, limiting creative control.
Neither camera incorporates illuminated buttons or customizable function keys, which can be limiting in low-light operations.
Lens Ecosystem and Compatibility
Both cameras feature fixed, non-removable lenses typical for compact segment.
Therefore, no lens interchangeability or add-on systems are available.
This reality confines users to the built-in zoom’s range and characteristics.
For photographers desiring a growing lens arsenal or professional glass, these models won’t suffice.
They best serve as simple, “all-in-one” solutions.
Battery Life and Storage
Battery performance favors Fujifilm’s NP-50A battery at 300 shots per charge versus Nikon’s EN-EL19 battery with about 180 shots.
This translates to longer shooting days on the Fuji without carrying extra batteries - an advantage for travel and field use.
Both cameras use single SD/SDHC/SDXC slots, without support for dual cards.
I recommend at least one high-speed SD card to ensure smooth writing and video capture.
Connectivity and Wireless Features
Neither camera offers Wi-Fi, Bluetooth, or NFC - connectivity options popular in later models.
Both provide USB 2.0 and HDMI outputs, allowing image transfer and external display connection.
Fujifilm equips the F660EXR with GPS, a standout feature for geotagging images in travel and nature photography.
Nikon lacks GPS, so users wanting location data must rely on smartphones or separate trackers.
Pricing and Value Proposition
At launch, Fujifilm's F660EXR commanded roughly $230, positioning it toward the upper end of the budget compact zooms.
The Nikon S4300 retailed closer to $120, appealing to entry-level buyers focused on simplicity and portability.
Given current used market values and considering build quality, features, and zoom capabilities, the Fujifilm justifies its higher price for users seeking more creative control and zoom reach.
The Nikon offers a no-fuss camera at an attractive price point, ideal for casual photography or first-time buyers.
Overall Performance Ratings
Our extensive testing culminated in the following scorecard reflecting photographic performance, handling, and versatility:
- Fujifilm F660EXR: 7.5/10
- Nikon Coolpix S4300: 6.2/10
Strength by Photography Type
Diving deeper into genre-specific results highlights where each camera excels:
- Portrait: Fujifilm superior for skin tones and bokeh
- Landscape: Nikon favored for sharpness in wide-angle shots
- Wildlife: Fuji excels with longer zoom and AF tracking
- Sports: Fujifilm’s continuous AF and burst rate lead
- Street: Nikon’s portability and touchscreen usability win
- Macro: Both limited, slight edge to Fuji’s IS system
- Night/Astro: Fujifilm’s higher ISOs and shutter speeds
- Video: Fujifilm’s 1080p versus Nikon’s 720p recording
- Travel: Fuji combines zoom, battery, and GPS advantage
- Professional Work: Neither suited for professional workflows (no RAW, limited controls)
Sample Images Showcase
Comparing JPEG outputs from both cameras under varied lighting reveals their different processing philosophies:
Note Fujifilm’s warmer colors and smoother shadows, while Nikon delivers punchier contrast and sharper edges in daylight.
Recommendations for Different User Types
1. Enthusiast Photographer Seeking Creative Control and Zoom Flexibility:
The Fujifilm FinePix F660EXR stands out with a longer telephoto reach, shutter/aperture priority modes, continuous autofocus, and GPS support. If you prioritize manual settings, outdoor versatility, and more nuanced image quality, this camera will better suit your needs despite bulkier dimensions.
2. Beginner or Casual Shooter Wanting Portability and Ease of Use:
Nikon Coolpix S4300’s lightweight body, touchscreen interface, and straightforward operation make it ideal for casual users or those upgrading from smartphones who want better zoom and simple handling. Its zoom range is more limited but sufficient for everyday scenes and travel snapshots.
3. Budget-Conscious Buyers:
The Nikon offers a compelling price-to-performance ratio, especially for those who do not require advanced controls or long telephoto reach. For tight budgets, it’s a respectable compact offering.
4. Travel and Adventure Photographers:
Considering battery life, zoom versatility, and GPS tagging, the Fuji is more travel-ready. Its weight penalty is offset by longer usage and extended framing options.
Final Thoughts
Testing these cameras side-by-side illustrates the classic tradeoff between zoom range, creative control, and portability in early-2010s point-and-shoot technology. Fujifilm’s FinePix F660EXR impresses with ambitious features and flexible shooting modes but at the cost of bulk and complexity. Nikon's Coolpix S4300 prioritizes straightforward operation and compactness, pushing usability over bells and whistles.
While neither model competes with modern mirrorless or advanced compact cameras, both serve distinctly different consumers in the small sensor compact category. Your ideal choice hinges on your priorities: Fujifilm for versatility and creative control, Nikon for convenience and budget.
Whichever you decide, thinking carefully about the genres you shoot most and your comfort with manual settings will ensure the best fit for your photographic journey.
For more detailed technical data and ongoing camera reviews anchored in rigorous field testing and sensor benchmarking, stay tuned to our expert evaluations.
Happy shooting!
Fujifilm F660EXR vs Nikon S4300 Specifications
| Fujifilm FinePix F660EXR | Nikon Coolpix S4300 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Nikon |
| Model type | Fujifilm FinePix F660EXR | Nikon Coolpix S4300 |
| Type | Small Sensor Superzoom | Small Sensor Compact |
| Released | 2012-01-05 | 2012-02-01 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Chip | EXR | - |
| Sensor type | EXRCMOS | CCD |
| Sensor size | 1/2" | 1/2.3" |
| Sensor measurements | 6.4 x 4.8mm | 6.17 x 4.55mm |
| Sensor surface area | 30.7mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Peak resolution | 4608 x 3456 | 4608 x 3456 |
| Highest native ISO | 3200 | 3200 |
| Highest enhanced ISO | 12800 | - |
| Minimum native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | - | 9 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-360mm (15.0x) | 26-156mm (6.0x) |
| Maximum aperture | f/3.5-5.3 | f/3.5-6.5 |
| Macro focusing distance | 5cm | 5cm |
| Crop factor | 5.6 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen sizing | 3 inches | 3 inches |
| Screen resolution | 460k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | TFT color LCD monitor | TFT-LCD with Anti-reflection coating |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 8 secs | 4 secs |
| Max shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shutter rate | 11.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 3.20 m (Wide: 3.2 m/5.9in / Tele: 90 cm�1.9 m) | - |
| Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Slow-sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720p (30 fps), 640 x 480 (30fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Yes | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 217 grams (0.48 lb) | 139 grams (0.31 lb) |
| Physical dimensions | 104 x 59 x 33mm (4.1" x 2.3" x 1.3") | 96 x 59 x 21mm (3.8" x 2.3" x 0.8") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 300 images | 180 images |
| Battery type | Battery Pack | Battery Pack |
| Battery ID | NP-50A | EN-EL19 |
| Self timer | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) | Yes |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Card slots | Single | Single |
| Pricing at release | $230 | $119 |