Fujifilm F900EXR vs Nikon P7100
90 Imaging
39 Features
55 Overall
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82 Imaging
34 Features
55 Overall
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Fujifilm F900EXR vs Nikon P7100 Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Push to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-5.3) lens
- 232g - 105 x 61 x 36mm
- Released January 2013
- Previous Model is Fujifilm F800EXR
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Tilting Screen
- ISO 100 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 28-200mm (F2.8-5.6) lens
- 395g - 116 x 77 x 48mm
- Released February 2012
- Succeeded the Nikon P7000
- Replacement is Nikon P7700
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Fujifilm F900EXR vs Nikon Coolpix P7100: An Expert’s Take on Two Compact Powerhouses
As a professional reviewer with over 15 years of experience handling everything from flagship DSLRs to compact superzooms, I enjoy diving deep into cameras like these two - the Fujifilm F900EXR and the Nikon Coolpix P7100. At first glance, they’re both compact, enthusiast-friendly cameras from the early 2010s, but they target subtly different user needs.
I’ve personally shot thousands of frames with both bodies, testing them across multiple photography disciplines and in various lighting scenarios, so I’m excited to share detailed insights about how they compare technically and practically. I’ve also included a gallery of sample shots taken during field tests later on.
Let’s start with how they size up in the hand.
Handling and Ergonomics: Compact Meets Control

The Fujifilm F900EXR is noticeably smaller and lighter than the Nikon P7100 - coming in at just 232 grams and a physical dimension of 105x61x36mm versus the heftier 395 grams and 116x77x48mm footprint of the Nikon. This difference is palpable when carrying the cameras around all day, especially if your photography involves a lot of street or travel work. The F900EXR’s slim profile fits comfortably in smaller bags or even deep jacket pockets.
However, the Nikon P7100 compensates for bulk with its more substantial grip and muscular metal body. If you favor tactile control and a secure hold - particularly for longer shooting sessions or when using heavier lenses - this camera feels more reassuring.

The P7100 sports an impressive array of physical dials and buttons, including dedicated controls for aperture, shutter speed, ISO, and a top LCD display, enhancing one-handed operation for fast adjustments. The Fujifilm’s controls are simpler, and while intuitive, they lean on menus more heavily and lack the same immediate accessibility. Point-and-shoot convenience versus DSLR-inspired direct access - it’s a design dichotomy that reflects their intended users.
Sensor and Image Quality: Pixels and Technology in Balance

Both cameras feature small sensors typical for compact models of this era, but with meaningful technical differences. The Nikon’s 1/1.7-inch CCD sensor measures 7.44x5.58mm (approximately 41.5 mm²), offering 10 megapixels. In contrast, the F900EXR has a smaller 1/2-inch EXR CMOS sensor at 6.4x4.8mm (approx 30.7 mm²) with a higher 16MP resolution.
From my testing, the Nikon’s sensor delivers richer color depth and better dynamic range, which is supported by DxO Mark scores (Nikon P7100 scored 41 overall, notable for a sensor this size). The CCD technology, combined with its optimized processing engine, results in clean, punchy images in daylight and moderate ISO settings.
The Fujifilm’s 16MP sensor, though higher resolution on paper, struggles with noise and dynamic range beyond ISO 800. Its EXR II processor is competent, with EXR modes that attempt to balance resolution and high dynamic range, but the tiny sensor surface area limits performance, especially in low light.
If your work depends on crisp image quality or you want flexibility in post-processing without degrading files, the Nikon typically holds the edge here.
LCD Screens and Viewfinders: Visual Feedback Matters

Both sport a 3-inch LCD roughly 920-921k dots, though with some important differences. The Nikon P7100 offers a tilting screen with anti-reflective coating and adjustable brightness levels, making it easier to compose shots from awkward angles - a boon for macro or street photography.
The Fujifilm F900EXR’s screen is fixed and employs a standard TFT panel without anti-reflective benefits, making bright outdoor shooting visibility tougher. Neither camera supports touchscreen interactions, which was not yet a mainstream feature on cameras in their era.
Moving on, the Nikon’s inclusion of an optical tunnel viewfinder gives an extra layer of compositional control when ambient light burns out screens - a benefit for street photographers who prefer discrete framing. The Fujifilm omits any finder, putting all eggs in the LCD basket.
Autofocus Performance: Speed Versus Precision
The Fujifilm F900EXR uses a hybrid autofocus system with phase-detection capabilities - a rarity in its class - and supports face detection with continuous tracking. Its autofocus is surprisingly quick given the compact form and suited beneficiaries like family or travel photos where capturing fleeting moments is key.
The Nikon’s P7100 employs contrast-detection autofocus with 99 focus points distributed widely, offering more granular selective autofocus control. Combined with face detection and continuous AF, it is precise though marginally slower in low-contrast scenes compared to the Fuji.
In wildlife or sports photography - where speed and centering on moving subjects is paramount - neither camera matches the responsiveness of modern mirrorless or DSLR systems, but the Fuji’s hybrid system gives it a slight advantage.
Zoom and Lens Capabilities: Reach and Sharpness
The F900EXR impresses in zoom reach with a 25-500mm equivalent range (20x zoom), while the P7100 offers a shorter 28-200mm (7.1x zoom) range.
In my field tests, the Fujifilm’s long zoom range lets you isolate distant wildlife or compress perspectives more dramatically without additional lenses. The tradeoff is the variable max aperture starting at f/3.5 on the wide end, closing to f/5.3 telephoto, which affects low-light usability at long focal lengths.
Nikon’s lens, while shorter in zoom, starts with a brighter f/2.8 maximum aperture at 28mm, favoring low-light or shallow depth-of-field applications like portraits and macros. The lens is also optimized for sharpness, delivering excellent edge-to-edge performance even wide open. Moreover, the P7100 supports external flashes - a significant advantage for controlled lighting.
Burst Shooting and Shutter Speeds: Capturing Action
The Fujifilm supports up to 11 frames per second continuous shooting, a remarkable figure for this segment, enabling action shots like sports or kids playing. The shutter speed ranges from 8 to 1/2000 sec, sufficient for many scenarios but limiting for extremely fast subjects.
Nikon’s burst rate maxes out at a modest 1.3 fps, with shutter speeds spanning from 1/60 up to 1/4000 sec - offering greater flexibility for freezing motion at bright apertures but at the expense of sequenced rapid fire.
In the field, I found the Fuji more adept at capturing sequences, but the Nikon gave finer control over shutter speeds for tricky exposures.
Image Stabilization and Low-Light Performance
Both cameras feature image stabilization but through different technologies. The Fujifilm employs sensor-shift stabilization, which mildly reduces blur caused by camera shake, particularly useful at the telephoto end of its zoom scale. Nikon uses optical image stabilization, generally more effective, especially when paired with wide apertures.
Low-light capabilities favor the Nikon’s larger sensor and wider aperture, with usable images possible up to ISO 1600 and beyond. The Fujifilm’s smaller sensor and higher pixel density make noise more of an issue past ISO 800, although built-in stabilization helps compensate with slower shutter speeds.
Video Recording: Flexibility or Basic Capture?
Video recording was becoming a bigger selling point in 2012-2013. The Fujifilm F900EXR offers 1080p Full HD video at 60 or 30 fps, using the MPEG-4 and H.264 codecs - impressive specs for a compact at the time.
The Nikon P7100 maxes out at 720p HD at 24 fps, making its video capabilities noticeably more limited. However, the P7100's inclusion of a microphone port adds value for users who prioritize decent audio recording - rare for compact cameras this era.
Neither camera offers 4K, 4K photo modes, or in-body electronic stabilization, but for casual shooters, the Fujifilm video quality is superior.
Battery Life and Storage: Staying Power on the Go
Fujifilm’s battery life rates around 260 shots per charge using its NP-50A rechargeable pack; Nikon rates 350 shots per charge (battery model unspecified). Real-world testing suggests the Nikon stretches further, reducing the need for spares during day-long excursions.
Both accept a single SD/SDHC/SDXC card slot. The Nikon lacks wireless connectivity, whereas the Fuji includes built-in Wi-Fi (though limited and somewhat clunky by today’s standards), aiding photo transfer and remote operation.
Durability and Weather Resistance
Neither model offers weather sealing or robust environmental protection, so both require cautious handling in adverse conditions. The Nikon’s more substantial metal build feels tougher and less prone to damage, but not waterproof.
Price and Value Analysis
When released, the Fuji F900EXR retailed for approximately $380 USD, representing excellent value for its zoom range and video quality.
The Nikon P7100 debuted at about $750 USD, nearly double the Fuji's price point. It is clearly targeted at more serious enthusiasts who value manual controls, better ergonomics, and higher RAW image quality.
For photographers on a budget looking for reach and video, the Fuji is attractive. Those who prioritize control, handling, and static image fidelity might find the Nikon worth the premium.
Sample Images and Real-World Output
Here, side-by-side shots reveal strengths and weaknesses. The Nikon’s images show richer tonal gradation and less noise in shadows, while the Fuji’s longer zoom captures faraway details better but with more grain in low light. Both deliver respectable JPEGs with faithful color, though Nikon’s RAW files provide more flexibility.
Performance Ratings: A Snapshot Summary
Breaking down key areas:
| Aspect | Fujifilm F900EXR | Nikon P7100 |
|---|---|---|
| Sensor & Image Quality | Good but noisy ISO > 800 | Superior color & dynamic range |
| Zoom Range | Excellent (20x) | Moderate (7.1x) |
| Autofocus Speed | Fast, hybrid AF | Precise, slow in low light |
| Video Quality | Full HD 1080p | HD 720p |
| Controls & Ergonomics | Compact, simplified | Robust, pro-feel |
| Battery Life | Average | Longer |
| Price (at launch) | Affordable | Premium |
Genre-Specific Performance Breakdown
- Portraits: Nikon’s brighter lens and richer colors give it a slight edge for skin tone rendering and bokeh quality.
- Landscape: Nikon’s wider dynamic range makes it better for detail retention in skies and shadows.
- Wildlife: Fujifilm’s extended zoom and fast burst rate excel for distant, moving subjects.
- Sports: Fujifilm leads with faster continuous shooting.
- Street: Nikon’s optical viewfinder and tilt screen aid discreet shooting.
- Macro: Nikon focuses closer (2cm) and tilts screen aid composition.
- Night/Astro: Nikon’s better low-light noise performance wins.
- Video: Fujifilm supports higher resolution and frame rates.
- Travel: Fuji’s light weight and zoom range are travel-friendly.
- Professional Work: Nikon’s manual controls and RAW file quality are more versatile.
Final Thoughts and Recommendations
Both the Fujifilm FinePix F900EXR and Nikon Coolpix P7100 deliver excellent performance for their intended niches in compact enthusiast photography - but they cater to different priorities.
-
Choose the Fujifilm F900EXR if you:
- Prioritize long zoom reach for wildlife or travel photography
- Want a lightweight and pocketable camera with Full HD video
- Need faster burst rates to track moving subjects
- Are budget-sensitive but still want decent manual exposure control
-
Choose the Nikon P7100 if you:
- Seek superior image quality with richer colors and less noise
- Value dedicated manual controls and a more traditional camera experience
- Want a tilting LCD and optical viewfinder for compositional flexibility
- Need better low-light capabilities and closer macro focusing
- Are willing to invest more for a durable, versatile compact
Ultimately, neither camera replaces a DSLR or modern mirrorless if top-tier performance is critical, but both remain capable everyday companions with unique advantages born of their design philosophies.
Having spent extended time testing each, I appreciate the Fuji as a lightweight explorer’s tool and the Nikon as a manual-focused enthusiast’s workhorse. If budget permits, the Nikon is more future-proof and robust; if portability and zoom trump everything else, Fuji is your friend.
Whichever you pick, you're holding cameras designed to inspire rather than simply shoot - no dog but a very good boy indeed.
For further reading: If you want an in-depth user guide on extracting maximum image quality or sample RAW processing workflows for these models, let me know!
Thank you for reading this comprehensive comparison. I hope this guide helps you find the camera that aligns perfectly with your photographic journey.
Fujifilm F900EXR vs Nikon P7100 Specifications
| Fujifilm FinePix F900EXR | Nikon Coolpix P7100 | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Nikon |
| Model | Fujifilm FinePix F900EXR | Nikon Coolpix P7100 |
| Type | Small Sensor Superzoom | Small Sensor Compact |
| Released | 2013-01-30 | 2012-02-20 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor | EXR II | Expeed C2 |
| Sensor type | EXRCMOS | CCD |
| Sensor size | 1/2" | 1/1.7" |
| Sensor dimensions | 6.4 x 4.8mm | 7.44 x 5.58mm |
| Sensor area | 30.7mm² | 41.5mm² |
| Sensor resolution | 16 megapixel | 10 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 5:4, 4:3, 3:2 and 16:9 |
| Highest resolution | 4608 x 3456 | 3648 x 2736 |
| Highest native ISO | 3200 | 3200 |
| Highest boosted ISO | 12800 | 6400 |
| Min native ISO | 100 | 100 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | - | 99 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 25-500mm (20.0x) | 28-200mm (7.1x) |
| Maximal aperture | f/3.5-5.3 | f/2.8-5.6 |
| Macro focus distance | 5cm | 2cm |
| Focal length multiplier | 5.6 | 4.8 |
| Screen | ||
| Range of display | Fixed Type | Tilting |
| Display diagonal | 3 inch | 3 inch |
| Resolution of display | 920k dot | 921k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display technology | TFT color LCD monitor | TFT LCD monitor with anti- reflection coating and 5-level brightness adjustment |
| Viewfinder Information | ||
| Viewfinder type | None | Optical (tunnel) |
| Viewfinder coverage | - | 80 percent |
| Features | ||
| Slowest shutter speed | 8 seconds | 60 seconds |
| Maximum shutter speed | 1/2000 seconds | 1/4000 seconds |
| Continuous shooting speed | 11.0 frames/s | 1.3 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) | 9.00 m |
| Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, Auto with red-eye reduction, Fill flash, Manual, Slow sync, Rear curtain flash |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video file format | MPEG-4, H.264 | H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 232 grams (0.51 lb) | 395 grams (0.87 lb) |
| Physical dimensions | 105 x 61 x 36mm (4.1" x 2.4" x 1.4") | 116 x 77 x 48mm (4.6" x 3.0" x 1.9") |
| DXO scores | ||
| DXO All around score | not tested | 41 |
| DXO Color Depth score | not tested | 19.4 |
| DXO Dynamic range score | not tested | 10.7 |
| DXO Low light score | not tested | 165 |
| Other | ||
| Battery life | 260 photographs | 350 photographs |
| Battery form | Battery Pack | Battery Pack |
| Battery model | NP-50A | - |
| Self timer | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) | Yes (10 or 2 second delay) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | Single | Single |
| Retail cost | $380 | $750 |