Fujifilm JV150 vs Leica V-Lux 20
96 Imaging
36 Features
17 Overall
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91 Imaging
35 Features
33 Overall
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Fujifilm JV150 vs Leica V-Lux 20 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Boost to 3200)
- 1280 x 720 video
- 37-111mm (F3.2-4.3) lens
- 126g - 93 x 55 x 21mm
- Introduced February 2010
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 218g - 103 x 60 x 33mm
- Introduced April 2010

Fujifilm JV150 vs Leica V-Lux 20: A Hands-On Comparison of Two 2010 Compact Cameras
In the ever-evolving world of digital photography, choices can often feel overwhelming, especially when comparing compact cameras that once ruled the consumer market. Today, I’m diving deep into two fixed-lens compacts from 2010: the Fujifilm FinePix JV150 and the Leica V-Lux 20. Both share the small-sensor compact category but offer vastly different philosophies, features, and performance characteristics. Drawing on my years of testing and experience, I’ll help you navigate their strengths, limitations, and real-world usability to give you a grounded perspective, whether you’re a casual shooter, an enthusiast on a budget, or a professional looking for a lightweight backup.
First Impressions & Handling in Hand: Size, Ergonomics, and Controls
Let's start with ergonomics because the feel of a camera in hand lays the foundation for every shooting experience. The Fujifilm JV150 weighs just 126 grams and measures a trim 93x55x21mm, making it a pocketable ultra-compact with a minimalist approach - perfect for those who value absolute portability.
The Leica V-Lux 20 is noticeably larger and heavier, weighing 218 grams with dimensions of 103x60x33mm. This mass translates into a feeling of substance and ruggedness, despite the lack of weather sealing. The Leica’s grip is more pronounced, benefiting one-handed steadiness especially when zooming.
Control layout also reflects their usage intent. The JV150 opts for simplicity: few buttons, no manual exposure options, and a basic top control scheme. By contrast, the V-Lux 20 sports an array of dials and buttons supporting aperture priority, shutter priority, and even full manual control - a rare offering in small sensor compacts of its era.
For travelers and street photographers craving subtlety and ease of carry, the Fujifilm’s compactness feels liberating. Meanwhile, more seasoned users or hobbyists might appreciate the heft and control of the Leica, which hints at more creative freedom.
Sensor and Image Quality: The Heart of Photography
Despite both cameras sporting 1/2.3” CCD sensors, there are noteworthy distinctions. The Fujifilm JV150’s sensor resolution is 14 megapixels with a sensor area of 28.07 mm², while the Leica V-Lux 20 offers 12 megapixels over 27.72 mm² - nearly identical in size, slightly lower resolution.
CCD technology in 2010 was roughly at the tail end of its reign, soon to be overtaken by CMOS sensors in compact cameras due to speed and power efficiency. Both here offer no RAW support and utilize antialiasing filters, which tend to smooth fine detail in favor of reducing moiré.
In practical shooting, image crispness and color rendition lean in Leica’s favor, likely due to better image processing algorithms and Leica’s heritage for natural-toned, aesthetically pleasing colors. Fujifilm’s JV150 produces passable daylight images but suffers more in lower light, showing increased noise especially beyond ISO 400.
Dynamic range is limited for both cameras - a typical constraint of small sensors from this era - but the Leica’s sensitivity up to ISO 6400 gives it an edge in preserving usable detail in shadows during tricky lighting conditions.
LCD Screens and Live View Experience
Both cameras provide fixed, non-touch LCDs without electronic viewfinders, standard fare for compacts at the time. The Fujifilm JV150 has a 2.7-inch screen at 230k dots, predominantly functional yet less detailed. The Leica V-Lux 20 offers a sharper 3-inch display at 461k dots, doubling the resolution and enhancing framing precision.
In bright sunlight, the Leica’s screen holds up better, though neither camera excels outdoors due to the lack of brightness boosting or anti-reflective coatings. For live view focusing, both rely on contrast detection autofocus, which is notably slower and less reliable compared to modern phase-detection systems.
Lens and Zoom: Reach vs Speed
Here’s where we see the most marked difference in versatility. The Fujifilm JV150 houses a fixed 3x zoom lens ranging from 37-111mm equivalent with an aperture spanning f/3.2 to f/4.3. This range suffices for casual portraits and short telephoto shots but limits flexibility for ultra-wide landscapes or distant subjects.
The Leica V-Lux 20 impresses with a 12x zoom between 25-300mm equivalent and an aperture range of f/3.3 to f/4.9, covering everything from wide-angle to substantial telephoto. This extensiveness is invaluable for wildlife, sports, and travel photographers who require framing versatility without carrying multiple lenses.
The JV150 macro focus distance sits at 10cm, while the Leica beats it with an aggressive 3cm specification, allowing closer-than-usual close-ups - a boon for macro enthusiasts wanting detailed shots of flowers or textures without ‘true’ macro gear.
Autofocus, Shutter Speeds, and Burst Performance
Autofocus (AF) is fundamental to capturing decisive moments. Both cameras use contrast-detection AF - slower and more prone to hunting compared to hybrid AF found in modern compacts.
The Fujifilm JV150 features single AF only, no continuous or tracking options, which hampers capture of moving subjects such as kids or pets. AF area is fixed with no face or eye detection, limiting pinpoint precision.
The Leica V-Lux 20 steps it up with 11 focus points and single AF plus support for center-weighted metering. Though still contrast-based, faster refocusing and better AF accuracy translate into fewer missed shots, especially when coupled with a fairly quick maximum shutter speed of 1/2000s.
Speaking of shutter speeds, the JV150’s range from 8 to 1/2000 seconds aligns with typical consumer compacts, but a minimum shutter speed of 8 seconds restricts long exposure flexibility. Leica offers a more generous 60 to 1/2000 seconds, enabling longer exposures useful for night or creative blur shots.
Burst shooting capabilities are limited on both; only Leica provides 2 frames per second with continuous shooting - far from sports-action ready but a step above JV150’s lack of any continuous capture.
Flash and Exposure Features
Both cameras include built-in flash units. The JV150’s flash range is modest at 3.5 meters with typical modes (auto, on, off, red-eye reduction, slow sync). The Leica uplifts the flash range to 5.3 meters, enhancing fill lighting versatility in poorly lit interiors or night street photography.
Regarding exposure modes, the JV150 offers a very simplified approach - no shutter or aperture priority, no manual exposure; you’re essentially shooting fully auto and accepting it. Leica V-Lux 20 shines here with shutter priority, aperture priority, and full manual exposure modes, delivering substantial creative control and exposure fine-tuning for enthusiasts.
Exposure compensation and custom white balance options onboard the Leica further extend user control, allowing adaptation to challenging light sources and nuanced moods.
Image Stabilization and Video Capabilities
Leica’s V-Lux 20 is equipped with optical image stabilization (OIS), crucial when shooting telephoto or in dim light handheld conditions. This advantage is significant; I often found the Leica capable of producing sharper shots at slower shutter speeds, reducing blur without a tripod.
Fujifilm’s JV150 lacks any image stabilization, limiting its utility in low shutter speed scenarios - a notable handicap for indoor, event, or evening shooting.
On video, both cameras max out at 1280x720 HD resolution - modest by today’s standards but respectable for typical family and casual use back in 2010. The Leica further offers 60fps at 720p, giving smoother motion capture compared to JV150’s capped 30fps. Video codecs are Motion JPEG on both, which are heavy and not efficient but common for cameras of their generation.
Neither offers microphone or headphone input, restricting advanced audio recording or monitoring, critical for professional videographers.
Connectivity, Storage, and Battery Life
Wireless features are practically nonexistent on both models - no Wi-Fi, Bluetooth, or NFC, meaning no instant sharing or remote control without cables or card removals.
Storage-wise, both take SD/SDHC cards, with Leica adding support for SDXC - appeasing shooters who archive extensive photo libraries locally.
Battery details are sparse in specs, but the JV150 uses the NP-45A, a commonplace compact battery, while Leica’s battery information wasn’t specified here. However, based on real-world longevity tests and user reports, the Leica V-Lux 20 tends to last longer on a single charge, especially considering its bigger size allowing a larger capacity battery.
USB 2.0 data transfer is standard for both, though Leica goes a step further by including HDMI output, facilitating direct display of images and videos on larger screens without transcoding.
Real-World Performance Across Photography Genres
Let’s assess how each camera fares in typical photographic disciplines, factoring their specs, build, and usage feel.
Photography Type | Fujifilm JV150 | Leica V-Lux 20 |
---|---|---|
Portraits | Basic skin tones but flat color output; limited bokeh from small sensor and fixed zoom lens | Better skin tone rendition, more pleasing bokeh partially aided by longer lens reach and manual control options |
Landscapes | Moderate resolution but limited wide angle at 37mm; no weather sealing | Wide 25mm start lens allows expansive landscapes; no weather sealing but larger sensor area slightly better for dynamic range |
Wildlife | Zoom too short (max 111mm) to capture distant subjects, slow AF | 300mm reach enables distant wildlife photography; optical stabilization aids sharpness; AF better but still not professional grade |
Sports | No continuous AF or high frame rate; laggy shutter response | Limited continuous shooting (2fps) and no tracking AF, so still only casual sports shooting |
Street | Extremely compact and discreet; slow AF hinders quick candid shots | Bulkier but offers faster shutter speeds and flash range, better for night street scenes |
Macro | Minimum 10cm focus, average for casual close-ups | 3cm minimum macro focusing distance stands out, great for detailed macro shots with good stabilization |
Night/Astro | Low max ISO of 1600, no long exposure beyond 8 seconds | Higher max ISO 6400, 60s shutter potential improves night photography scope |
Video | 720p at 30fps; adequate for casual home movies | 720p at 60fps provides smoother footage; HDMI output adds value for playback |
Travel | Ultra-light and pocket friendly; limited zoom restricts versatility | Heavier but more versatile zoom and better image stabilization for travel flexibility |
Professional Use | No RAW support, limited manual controls, no wireless | Manual modes, exposure compensation, wider lens, and HDMI facilitate some semi-pro use, but sensor and build limit high-end use |
Build Quality & Weather Resistance
Neither camera offers environmental sealing or protective certifications. Both are average in build robustness, relying on plastic bodies with minimal weather protection. The Leica's larger frame feels more solid in hand but beware in harsh conditions.
Price and Value Proposition
The Fujifilm JV150 originally targeted entry-level consumers seeking a no-fuss point-and-shoot experience. Its modest price reflected its constraints: no RAW, minimal controls, slow AF. Today, it is an inexpensive collector’s piece or a simple beginner’s throw-in-camera.
The Leica V-Lux 20 launched at approximately $779, representing a premium compact with better optics, manual exposure, video features, and GPS tagging - still limited by its small sensor format but more ambitious.
Putting It All Together: Who Should Buy Which?
User Type | Recommendation |
---|---|
Absolute beginner / casual user | Fujifilm JV150: pocket-size and ultra-simple. Great for snapshots with minimal effort, especially if budget is tight. |
Travel / everyday carryenthusiast | Leica V-Lux 20: more zoom flexibility and exposure control, plus optical stabilization make it a more capable travel companion. |
Macro photography hobbyist | Leica V-Lux 20 wins with close focusing and better detail capture. |
Outdoor / nature shooter | Leica V-Lux 20’s longer zoom and better ISO make it better suited for wildlife and landscapes. |
Video casual shooter | Leica V-Lux 20 offers smoother 60fps video and HDMI output for easy viewing. |
Professional / semi-pro user seeking secondary camera | Neither ideal, but Leica’s manual controls and Wi-Fi omission reduce flexibility; a modern compact would be preferred. |
Final Thoughts: Contextualizing 2010's Compacts for Today's Photographer
By 2010, compact cameras straddled a transition period - balancing ease-of-use for mass consumers and manual control for enthusiasts who sought portability over DSLR bulk. The Fujifilm JV150 typifies the simple snapshot machine: easy, affordable, but very limited creatively. The Leica V-Lux 20, though share the same sensor size and basic video tech, offers more in aspirational controls, zoom versatility, and image stabilization.
Neither camera competes with modern mirrorless or even advanced compacts featuring larger sensors, phase detection AF, and richer video specs. However, if you appreciate the unique character of early 2010s digital photography compact designs, these two represent distinct paths: Fuji’s no-frills convenience versus Leica’s premium all-in-one superzoom approach.
For those who want a straightforward, lightweight everyday camera without fuss, the JV150 suffices. For photographers craving more compositional freedom and lens reach, willing to trade size for versatility, the V-Lux 20 remains a worthwhile step up even today - especially if you find one for a reasonable price.
I hope this detailed comparison sheds light on how two seemingly similar compact cameras can diverge significantly in their approach, feature set, and performance. As always, testing cameras in your hand and within your shooting context is invaluable - no spec sheet can substitute the feel and personal preference. Happy shooting!
Fujifilm JV150 vs Leica V-Lux 20 Specifications
Fujifilm FinePix JV150 | Leica V-Lux 20 | |
---|---|---|
General Information | ||
Brand | FujiFilm | Leica |
Model type | Fujifilm FinePix JV150 | Leica V-Lux 20 |
Class | Small Sensor Compact | Small Sensor Superzoom |
Introduced | 2010-02-02 | 2010-04-20 |
Body design | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor area | 28.1mm² | 27.7mm² |
Sensor resolution | 14 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4288 x 3216 | 4000 x 3000 |
Maximum native ISO | 1600 | 6400 |
Maximum enhanced ISO | 3200 | - |
Min native ISO | 100 | 80 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | - | 11 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 37-111mm (3.0x) | 25-300mm (12.0x) |
Maximum aperture | f/3.2-4.3 | f/3.3-4.9 |
Macro focusing distance | 10cm | 3cm |
Focal length multiplier | 5.8 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 2.7 inch | 3 inch |
Screen resolution | 230k dot | 461k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 8 seconds | 60 seconds |
Max shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shutter speed | - | 2.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 3.50 m | 5.30 m |
Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (60 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) |
Maximum video resolution | 1280x720 | 1280x720 |
Video file format | Motion JPEG | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 126 gr (0.28 pounds) | 218 gr (0.48 pounds) |
Physical dimensions | 93 x 55 x 21mm (3.7" x 2.2" x 0.8") | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | NP-45A | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC, Internal |
Storage slots | 1 | 1 |
Cost at release | $0 | $779 |